Literatura académica sobre el tema "White Lion (Musical group)"
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Artículos de revistas sobre el tema "White Lion (Musical group)"
Barton, Jintana T. "A Comparative Study of Chinese Musical Activities in Chinese and Thai Cultural Contexts". MANUSYA 10, n.º 2 (2007): 1–13. http://dx.doi.org/10.1163/26659077-01002001.
Texto completoMorrison, Steven J. "A Comparison of Preference Responses of White and African-American Students to Musical versus Musical/Visual Stimuli". Journal of Research in Music Education 46, n.º 2 (julio de 1998): 208–22. http://dx.doi.org/10.2307/3345624.
Texto completoMOOK, RICHARD. "White Masculinity in Barbershop Quartet Singing". Journal of the Society for American Music 1, n.º 4 (noviembre de 2007): 453–83. http://dx.doi.org/10.1017/s1752196307070423.
Texto completoSebesta, Judith A. "Just another Puerto Rican with a knife? Racism and reception on the Great White Way". Studies in Musical Theatre 1, n.º 2 (31 de agosto de 2007): 183–97. http://dx.doi.org/10.1386/smt.1.2.183_1.
Texto completoKim, Ji-Youn. "The Iconography and Characteristic of Wall Paintings of Daeungjeon Hall at Jangyuksa Temple in Yeongdeok". RESEARCH INSTITUTE FOR THE MAHAN-BAEKJE CULTURE 39 (30 de junio de 2022): 280–301. http://dx.doi.org/10.34265/mbmh.2022.39.280.
Texto completoStacks, Stephen. "Bernice Johnson Reagon's Musical Coalition Politics, 1966–81". Journal of the Society for American Music 18, n.º 1 (febrero de 2024): 1–17. http://dx.doi.org/10.1017/s1752196323000469.
Texto completoParsonage, Catherine. "A critical reassessment of the reception of early jazz in Britain". Popular Music 22, n.º 3 (octubre de 2003): 315–36. http://dx.doi.org/10.1017/s0261143003003210.
Texto completoSaid, Shannon. "White Pop, Shiny Armour and a Sling and Stone: Indigenous Expressions of Contemporary Congregational Song Exploring Christian-Māori Identity". Religions 12, n.º 2 (16 de febrero de 2021): 123. http://dx.doi.org/10.3390/rel12020123.
Texto completoMarcus, Kenneth H. "Dance Moves". Pacific Historical Review 83, n.º 3 (noviembre de 2012): 487–527. http://dx.doi.org/10.1525/phr.2014.83.3.487.
Texto completoDriscoll, Christopher. "Constructing 'The Day After'". Bulletin for the Study of Religion 40, n.º 3 (22 de septiembre de 2011): 20–25. http://dx.doi.org/10.1558/bsor.v40i3.005.
Texto completoLibros sobre el tema "White Lion (Musical group)"
Daneskov, Lars. Vagabonden: Historien om Mike Tramp. København: People's Press, 2005.
Buscar texto completoLemmy. White line fever. London: Simon & Schuster, 2002.
Buscar texto completoLemmy. White line fever: The autobiography. New York: Citadel Press, 2002.
Buscar texto completoBartkowiak, Mathew J. The MC5 and social change: A study in rock and revolution. Jefferson, N.C: McFarland, 2009.
Buscar texto completoGROUP, GALE y Escamilla. Contemporary Musicians. Thomson Gale, 1996.
Buscar texto completoContemporary musicians: Profiles of the people in music. Detroit, MI: Thomson Gale, 2006.
Buscar texto completoContemporary musicians: Profiles of the people in music. Detroit, MI: Gale Research, Inc., 2004.
Buscar texto completoContemporary Musicians: Profiles of the People in Music : Includes Cumulative Indexes (Contemporary Musicians). Thomson Gale, 2002.
Buscar texto completoSullivan, Denise y The White Stripes. White Stripes - Sweethearts of the Blues. Backbeat Books, 2004.
Buscar texto completoWhite LightWhite Heat Genuine Jawbone Books. Jawbone Press, 2009.
Buscar texto completoCapítulos de libros sobre el tema "White Lion (Musical group)"
Johnson, Jake. "Promised Valley, Integration, and the Singing Voice". En Mormons, Musical Theater, and Belonging in America, 55–82. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042515.003.0004.
Texto completoPayne, Leah. "“Jesus Freaks”". En God Gave Rock and Roll to You, 91–116. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197555248.003.0006.
Texto completoDecker, Todd. "The “Most Distinctive and Biggest Benefit that Broadway Has Ever Known”". En Rethinking American Music, 221–46. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042324.003.0011.
Texto completoBooker, Vaughn A. "Jazz Communion". En Lift Every Voice and Swing, 187–204. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479892327.003.0008.
Texto completoKlotz, Kelsey. "“Any Jackass Can Swing”". En Dave Brubeck and the Performance of Whiteness, 31—C1N123. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197525074.003.0002.
Texto completoBailey, Candace. "Introduction". En Unbinding Gentility, 1–16. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043758.003.0001.
Texto completoKlotz, Kelsey. "“We Want to Play in the South”". En Dave Brubeck and the Performance of Whiteness, 157—C4N111. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197525074.003.0005.
Texto completoLott, Eric. "Introduction". En Love and Theft, 3–12. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195096415.003.0001.
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