Tesis sobre el tema "War images"
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Meyer, Christina. "War & trauma images in Vietnam War representations". Hildesheim Zürich New York, NY Olms, 2007. http://d-nb.info/991472861/04.
McIntosh, Terresa (Terresa Ann) Carleton University Dissertation Canadian Studies. "Other images of war : Canadian women war artists of the first and second world wars". Ottawa, 1990.
Steele, K. D. "Psychophysiological reactions to media images of war". Thesis, University of Nottingham, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372673.
Woolson, Ash Kyrie. "Untitled Media Images". The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306961851.
Wilkinson, Glenn Ralph. "#The blessings of war' : depictions and images of war in Edwardian newspapers, 1899 - 1914". Thesis, Lancaster University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240502.
Ketzler, Nancy A. "American Prisoners of the Luftwaffe: images and realities". Connect to online version at OhioLINK EDT Connect to online version at Digital.Maag, 1998. http://hdl.handle.net/1989/3747.
Swallow, Andrew Bolton. "The Great War : images of reality in the French novel". Thesis, University of Hull, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305000.
Dine, Philip Douglas. "French literary images of the Algerian war : an ideological analysis". Thesis, University of Stirling, 1990. http://hdl.handle.net/1893/3544.
Abu, Bakar Shamsul. "Understanding Attitudes and Perceptions For Civil War Battlefield, Interpretive Images". Diss., Virginia Tech, 2013. http://hdl.handle.net/10919/50642.
Ph. D.
Westwell, Guy. "History-in-images/images in history : American cultural memory and film representations of the Vietnam War". Thesis, University of Glasgow, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340278.
Stearn, Roger Thomas. "War images and image makers in the Victorian era : aspects of British visual and written portrayal of war and defence c.1866-1906". Thesis, King's College London (University of London), 1987. https://kclpure.kcl.ac.uk/portal/en/theses/war-images-and-image-makers-in-the-victorian-era--aspects-of-british-visual-and-written-portrayal-of-war-and-defence-c18661906(54a3ff6c-de58-4fec-8cc3-672f6f0f4f47).html.
Gassner, Patricia. "Icons of war photography : how war photographs are reinforced in collective memory : a study of three historical reference images of war and conflict". Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2461.
There are certain images of war that are horrific, frightening and at the same time, due to an outstanding compositional structure, they are fascinating and do not allow its observers to keep their distance. This thesis examines three images of war that have often been described as icons of war photography. The images “children fleeing a napalm strike” by Nick Ut, “the falling soldier” by Robert Capa and Sam Nzima’s photograph of Hector Pieterson are historical reference images that came to represent the wars and conflicts in which they were taken. It has been examined that a number of different factors have an impact on a war photograph’s awareness level and its potential to commit itself to what is referred to as collective consciousness. Such factors are the aesthetical composition and outstanding formal elements in connection with the exact moment the photograph was taken, ethical implications or the forcefulness of the event itself. As it has been examined in this thesis, the three photographs have achieved iconic status due to different circumstances and criteria and they can be described as historical reference images representing the specific wars or conflicts. In this thesis an empirical study was conducted, questioning 660 students from Spain, South Africa and Vietnam about their awareness level regarding the three selected photographs. While the awareness level of the Spanish and the South African image was rather high in the countries of origin, they did not achieve such a high international awareness level as the Vietnamese photograph by Nick Ut, which turned out to be exceptionally well-known by all students questioned. Overall, findings suggest that the three selected icons of war photography have been anchored in collective memory. Ut, Robert Capa, Sam Nzima, semiotics, Spanish Civil War, the falling soldier, Vietnam War
BEURIER, Joëlle. "Images, violence et masculinités : les presses illustrées française et allemande en Grande Guerre". Doctoral thesis, European University Institute, 2007. http://hdl.handle.net/1814/25494.
Examining Board: Prof. Regina Schulte, EUI (Supervisor) ; Prof. Annette Becker, Université de Paris X-Nanterre (External Supervisor) ; Prof. Christian Delporte, Université de Saint-Quentin-en-Yvelines ; Prof. Heinz-Gerhard Haupt, EUI.
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
Arrabai, Ali M. "THE FRANKLIN BOOKS PROGRAM: TRANSLATION AND IMAGE-BUILDING IN THE COLD WAR". Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent157305093674886.
Smith, Gareth Ross. "The myth of the underdog in press photo images of the Syrian Civil War". Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1757.
Laurens, Corran. "La femme au turban : images of women in France at the Liberation". Thesis, University of Southampton, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.295697.
Rich, Philip. "The culture of cruising : Post-war images form the NMM'S film archive". Thesis, University of Sheffield, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527202.
Templer, Rachel Marie. "Love, friendship and images citizenship and necessity in Thucydides and Plato /". Connect to Electronic Thesis (CONTENTdm), 2008. http://worldcat.org/oclc/453941770/viewonline.
Reyburn, Karen Ann. "Blurring the boundaries, images of women in Canadian propaganda of World War I". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ35925.pdf.
Boulting, David John. "'Garden of Evil': Images of the enemy in American war literature 1962 - 1990". Thesis, University of Salford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.490164.
Mott, Thomas. "Images, imagination and impact: war in painting and photography from Vietnam to Afghanistan". Monterey, California: Naval Postgraduate School, 2013. http://hdl.handle.net/10945/34709.
War is a recurring motif in the visual arts. The link in politics and the arts between culture and conflict is especially important in age of global communications and political participation, in which both the symbols of conflict and the efforts via mass persuasion to counteract the political effects of such symbols have assumed considerable power. In Germany and the United States, the relationship of society to war forms a perennial theme as both societies probe at the tension between conflict and culture. The experience of these two nations is closely linked and yet characterized by contrasts as well as noteworthy similarities. This thesis examines how the artistic depiction of war in artspecifically painting and photographyhas developed in Germany and the United States in the last several decades, using the example of the Vietnam War and NATOs mission in Afghanistan as case studies. The thesis concludes that the images of war significantly influence the discourse and civil-military relations in each society. In their turn, these images of war contribute substantially to the shaping and forming of public opinion and can lead to political change.
Kertesz, Margaret. "The enemy : British images of the German people during the Second World War". Thesis, University of Sussex, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.332017.
Saglia, Diego. "Images of Spain in British romanticism : poetic narratives of cultural difference (1808-1814)". Thesis, Cardiff University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287769.
Waters, Raymond. "Relocation of culture : American images of Japan 1945-1994". Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/2291.
Clark, Sarah. "THE POPULAR IMAGES OF JOHN BROWN AND THOMAS "STONEWALL" JACKSON". Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3816.
M.A.
Department of History
Arts and Humanities
History MA
Fahmy, Shahira. "Many images, one world : an analysis of photographic framing and photojournalists' attitudes of war and terrorism /". free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3099617.
Waggener, Diana Marie. "Media use of the American flag in images during times of armed conflict a visual semiotic analysis /". Laramie, Wyo. : University of Wyoming, 2008. http://proquest.umi.com/pqdweb?did=1798481051&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.
Geigenberger, Laura. "“Seeing is believing ... ?” An exploration of photojournalism in war reporting and its conceptualization within the scope of War and Peace Journalism". Thesis, Södertörns högskola, Journalistik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-40884.
Glover, Margaret. "Images of peace in Britain : from the late nineteenth century to the Second World War". Thesis, University of Reading, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249642.
Formadi, Tunde. "Images of the US during the Cold War: media discourse in the UK 1956-1986". Thesis, Anglia Ruskin University, 2012. https://arro.anglia.ac.uk/id/eprint/294450/3/Images%20of%20the%20US.pdf.
Rose, Kathryn Ann. "IMAGES OF CIVIL CONFLICT: ONE EARLY MUSLIM HISTORIAN’S REPRESENTATION OF THE UMAYYAD CIVIL WAR CALIPHS". Miami University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=miami1323655921.
Naito, Hiroaki. "Vietnam fought and imagined : the images of the mythic frontier in American Vietnam War literature". Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5101/.
Formadi, Tunde. "Images of the US during the Cold War : media discourse in the UK 1956-1986". Thesis, Anglia Ruskin University, 2012. http://hdl.handle.net/10540/294450.
Gillett, Philip John. "British feature films and working-class culture, 1945-1950". Thesis, London Metropolitan University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323403.
Nielson, Alec Brittney. "Capturing War and Bringing It Home: How Photojournalism and Iconic Images Affect Public Opinion During Wartime". Thesis, The University of Arizona, 2010. http://hdl.handle.net/10150/146630.
Jackson, Wesley Todd Jr. "Verwesung und Werden: Images of Violence and Conversion in Alfred Döblin's Wallenstein". University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1222791933.
Peixe, Rita Inês Petrykowski. "Imagens que (re) constroem história : alegoria e narratividade visual da guerra sertaneja do contestado". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/139418.
This thesis focuses on the study of visual narratives about the Guerra Sertaneja do Contestado (Brazil 1912-1916) (the backcountry war in the area of Contestado), an important historical event for the constitution of the state of Santa Catarina and for the Brazil This episode was the subject matter for many artists. Hence the need for a survey of the visual production about this theme. What the visual narratives tell about the Contestado War, how they “show” it, and which meanings they construct are the main questions faced in this research. Its theoretical framework includes authors from the art studies, visual culture and cultural history, with the aim to think about how the images that are part of the documental body on this war (re)construct this fact. All the biographical information and the images (photographs taken on the field and/or acquired through the Web) were obtained through a close exchange with the artists and the institutions responsible for their art works’ preservation. They were then compiled and organized for the study of the reflective possibilities offered by the images themselves, taking in account the possible references for its production (books and/or other images), and for the analysis of its own processes. This survey resulted in a group of twelve artists and in a body of works of more than a thousand items (1912 to 2011), a veritable art collection on the theme of the Contestado War. The analysis of this ample and variegated art production focused on the following themes: General Aspects (the Contestado area, landscape and natural and social environment); Main Characters (and their role in the conflict); War Context: The Organization And The Military Actions Against The Strongholds; and Outcome of the Episode The results show that the diffusion of the images about the war, in the books that treat the theme, shows disparities, especially when they are used as a simple layout resource/editorial expedient or as a vague allusion to the episode without any reflective concern. The analysis of the art processes has made possible many interesting inferences and reflections. With the support of numerous images, the research concluded that the artists’ different idioms, styles and creative processes constructed different effects and meanings, making possible the reconstruction of the Contestado War under different allegorical and narrative forms.
Periwal, Sukumar. "The uses of diversity : images of the other in the Enlightenment critique of war and the absolutist state". Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239424.
Mahony, Edel. "'A place in England called Australia' : popular images and perceptions of Australia in inter-war Britain Edel Mahony". Thesis, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402081.
Perez, Morales Junior Wagner. "Visualité et contre-visualité. Les images de guerres et de conflits tournées par des amateurs, et leur utilisation dans l’art contemporain. Une politique des images sur un « bruit de fond » godardien". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA101/document.
Considering the idea that war and images are two interdependent concepts, the thesis deals with two key concepts: visuality and counter-visuality. Visuality as a way of perpetuating the war represents dominant discourses. Contemporary art would therefore be a possibility of constructing counter-visuality. The contemporary “global war” - total and dispersed - would have a visual production that would correspond to it: the amateur images, also scattered and widely circulated. How are these images - usually related to the private sphere - converted into records of contemporary war? How does art face war and the dominant visuality by utilizing these images?The research attempts to characterize this amateur production of images and to frame it in the conflicting time of the present. Would such a production be a resistance to the current visuality or, on the contrary, something that strengthens it? From then on, by analyzing a circumscribed corpus of four contemporary visual artists (Clarisse Hahn, Rabih Mroué, Coco Fusco and Thomas Hirschhorn), we work on the hypothesis that the reuse of these images can contribute to the construction of a counter-visuality: by the artistic gesture, the removal of this material from a certain flow would cause a stop, a deviation towards a reconfiguration of the sensible where the conflicting factor would be highlighted. In a third moment, the thesis looks at the work of Jean-Luc Godard and Anne-Marie Miéville on the 1970s, when they question the strengths and weaknesses of militant cinema and challenge images and their potentialities. Some of their creative procedures are examined in retrospect because in our opinion they are still directly or indirectly present in the artistic practice of the aforementioned artists
Vas, Laura Terezia. "Competing Cityscapes: Architecture in the Cinematic Images of Postwar Berlin". University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1184609075.
Xu, Yan. "War Heroes: Constructing the Soldier and the State in Modern China, 1924-1945". The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1357130680.
Lindqvist, Linda. "Views of the Ending of the Cold War : A case study that compares multimodal images in Swedish newspapers and history textbooks". Thesis, Stockholms universitet, Institutionen för mediestudier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77701.
Fraga, Joana Margarida Ribeirete de. "Three revolts in images: Catalonia, Portugal and Naples (1640-1647)". Doctoral thesis, Universitat de Barcelona, 2013. http://hdl.handle.net/10803/664390.
Esta tesis tiene como objetivo analizar el papel de la comunicación política visual durante las revueltas de 1640-1647 en Cataluña, Portugal y Nápoles. Las fuentes visuales han jugado un papel de gran importancia en el desarrollo de los conflictos armados, sobre todo si tenemos en cuenta que un elevado porcentaje de la población no sabía leer ni escribir. Imágenes, entre las cuales grabados y lienzos, eran encargados a artistas locales e internacionales de forma a reproducir los mensajes de las dos partes participantes en el conflicto. Éstas eran a menudo exhibidas en lugares públicos y durante las ceremonias. Por veces, una tercera parte – como por ejemplo Francia – participaba en el proceso de producción y difusión de imágenes contribuyendo con sus propios argumentos. En esta tesis he querido responder a preguntas como: ¿quién encargaba las imágenes? ¿Quién era el público? ¿Qué reacciones provocaron? ¿Qué mensajes contenían y cómo fueron percibidos? ¿Cómo contribuyó esta forma de comunicación a los conflictos en causa? Argumento también la importancia de estudiar las tres revueltas como parte de un evento único, la Guerra de los Treinta Años. Al hacerlo, uno va más allá de asumir que se tratan de conflictos aislados y que, como tal, pueden presentar características parecidas en lo que dice respecto a los argumentos que legitimaban las causas, políticas y las consecuencias de las insurrecciones. Este abordaje comparativo me permite detectar posibles intersecciones e interpretar las revueltas como compartiendo una cultura común y de una misma conjetura política. Pese a los posibles peligros de esta metodología y a la inevitable tensión que crea entre generalización e idiosincrasias, me permitió establecer hasta qué punto ciertos argumentos eran – o no – específicos a un territorio. Por fin, me dedico también a analizar cuestiones relacionadas con ritual y comportamiento por parte de las poblaciones afectadas. ¿Era la violencia justificada? ¿Obedecía a un ritual previamente establecido? ¿Cómo reaccionaban las gentes? ¿hay similitudes entre los tres territorios?
Al-Aulaqi, Nader. "Arab-Muslim views, images and stereotypes in United States". CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2275.
Edwards, Jason Allen. "Foreign Policy Rhetoric for the Post-Cold War World: Bill Clinton and America's Foreign Policy Vocabulary". unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-04242006-093224/.
Title from title screen. Mary E. Stuckey, committee chair; David Cheshier, Carol Winkler, James Darsey, Daniel Franklin, committee members. Electronic text (297 p.) : digital, PDF file. Description based on contents viewed Apr. 26, 2007. Includes bibliographical references (p. 255-297).
Musser, William G. "Terminating America's wars : the Gulf War and Kosovo". Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2002. http://library.nps.navy.mil/uhtbin/hyperion-image/02Jun%5FMusser.pdf.
Moroz, Nataliia. "Patrimoines, patrimonialisation, dépatrimonialisation : quelles images et quelles pratiques touristiques pour l'Ukraine ?" Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE2030.
Ukraine, as an object and a field of study, has a double challenge, both scientific and operational. This country, remaining still unattractive to European customers for its tourist and heritage resources, wishes to embark on a process of improving its positioning on the tourist market by drawing inspiration from French practices and expertise. This doctoral research therefore has two necessarily interlinked components: firstly, the study and analysis of Ukrainian tourism and heritage systems, and secondly, the proposals based on French know-how, intended to participate in Ukrainian research in this field.The current geopolitical context of the Ukrainian territory since November 2013 and its worsening during the 2014–2015 period has influenced the development and the established areas, but even more in the context of the problems initially posed. That development, initially focused on the strategies of the Ukrainian tourism sector starting from the example of 4 territories including Crimea, in fact was reoriented towards the study of cultural heritage as an Ukrainian tourist resource in order to develop a new tourist segment.Two approaches are used in order to identify points of tourism attraction in Ukraine for foreign tourists and the territorial markers necessary for establishing niche tourism. The first one is to find the means to objectively define the "image" of the country and its territories; the second one is to characterize the heritage elements likely to contribute to better Ukrainian visibility. These approaches have required the relevant delimitation and analysis of several corpuses: travel guides, lists of classified cultural heritage, questionnaires among tourists.Geopolitical changes and tensions in Ukraine have significantly disrupted access to data: some of them have completely disappeared. First of all, there are the tourist statistics of certain regions in tension (Donetsk, Luhansk, Crimea regions). In addition, the lists of classified cultural heritage have undergone transformations following the so-called "de-Sovietization" laws, leading to the abolition of heritage lists from the Soviet period. This "de-patrimonialization" also concerns certain monuments and heritage objects considered as "bearing the ideology of the communist regime". Finally, this difficulty of access to sources that are comparable over time on a national scale, such as official depatrimonialisation movement, has led to a partial repositioning of the research issues, with old and new heritages mobilizing the question of memory and Ukrainian identity in a different way.The diachronic approach used in explaining the tourism and institutional heritage evolutions has been put into perspective over a longer period of time. This is how the exploration and analysis of travel guides since the beginning of the XXth century has made it possible to resituate more widely the representations and discourses relating to tourism and therefore to Ukrainian identity through its heritage.Data representation work - graphs, synoptic tables, maps – has been carried out to better visualize the comparative elements, in their diachrony as well as in their spatializations. It has contributed to a diagnosis highlighting the disparities relating to tourist flows, territorial markers as well as classified heritage objects. These analyses lead to some recommendations for the implementation of niche tourism, centered on the articulation of tourist-heritage offers, based on accessible statistical data, but with a concern for vigilance as to their reliability
Lerman, Ricardo Terdiman. "Harun Farocki e a (des)montagem do olhar". Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-06022018-095900/.
The present work intends to deepen in the conception and method of Harun Farocki\'s work and investigate the relation between his cinematography art, history and the symbolic constructions that are made since the development of the post-industrial world. There is a double movement in Farocki\'s film. The first one involves sketching trough images that circulate in the interior of society an audiovisual history of the civilization that emerges with the invention of photography to locate the convergence between war, economics, politics and representation. The second one consists in investigate the role of the director in the the contemporary world and therefore to question the technique, morals and politics of his activity, in order to interrogate the cinematographic practice in a contemporary world saturated with it. This work of research will seek, through de procedure of film analysis, to discuss the social and political aspects of the production of images in the present time according to the work of Farocki, anchoring itself in the critic of photography (Flusser) and the history of culture (Benjamin). The research will show how the formal structures of his films construct a singular relation between the archive images and the corresponding historical process in the films \"Images of the world and inscriptions of war\" (1988) and \"Videograms of a Revolution\" (1992).
Nelson, John T. "American Cultural Icons Defining the Cold War: A Study of the Attributes Embodied in the Rosenthal Iwo Jima Photograph, the John Wayne Screen Persona, Apollo Images, and Berlin Wall". University of Toledo / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1278946239.