Bibliografías temáticas / Wangan sensō / Libros

Libros sobre el tema "Wangan sensō"

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Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 26 de julio de 2024

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1

Orita, Masaki. Wangan sensō, Futenma mondai, Iraku sensō. Tōkyō: Iwanami Shoten, 2013.

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2

Shuppankyoku, Nihon Kyōsantō, ed. Wangan sensō: Nihon Kyōsantō no tachiba. 8a ed. Tōkyō: Nihon Kyōsantō Chūō Iinkai Shuppankyoku, 1991.

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3

Kazumi, Kenmochi, Miyajima Nobuo y Yamakawa Akio, eds. Wangan sensō to kaigai hahei: Bunseki to shiryō. 8a ed. Tōkyō: Ryokufū Shuppan, 1991.

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4

Itagaki, Yūzō. Chūtō anarishisu: Wangan sensō go no Chūtō shokoku jijō. 8a ed. Tōkyō: Daisan Shokan, 1991.

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5

Terakura, Kenʼichi. Wangan sensō o meguru kokusai kōkensaku to kenpō mondai. Tōkyō: Chōsa oyobi Rippō Kōsakyoku, 1991.

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6

Chūtō Wangan sensō to Nihon: Chūtō kenkyūsha no teigen. Tōkyō: Daisan Shokan, 1991.

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7

Itagaki, Yūzō. Chūtō Wangan sensō to Nihon: Chūtō kenkyūsha no teigen. 8a ed. Tōkyō: Daisan Shokan, 1991.

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8

Ishizawa, Yasuharu. Sensō to masu media: Wangan Sensō ni okeru Bei jānarizumu no "haiboku" o megutte. Kyōto-shi: Mineruva Shobō, 2005.

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9

Chiyo, Yuri. Kuronikuru: Nihon no Wangan Sensō shien 90-oku-doru o megutte. Tōkyō: Chōsa oyobi Rippō Kōsakyoku, 1991.

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10

Chernela, Janet Marion. The Wanano Indians of the Brazilian Amazon: A sense of space. Austin: University of Texas Press, 1993.

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11

Wangan Sensō to kaigai hahei: Bunseki to shiryō. Tōkyō: Ryokufū Shuppan, 1991.

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12

Sengo Nihon gaikō ronshū: Kōwa ronsō kara Wangan sensō made. 8a ed. Tōkyō: Chūō Kōronsha, 1995.

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13

Ima Shutainā o dō yomu ka: Wangan Sensō to Nihonjin no karuma = What can we get from Steiner's works--Anthroposophy. Tōkyō: Izara Shobō, 1991.

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14

Torii, Jun. Gunji bunseki Wangan Senso. Daisan Shokan, 1994.

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15

Dokyumento Wangan Senso no nihyakujuichinichi. Asahi Shinbunsha, 1991.

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16

Matsui, Yoshiro. Wangan Senso to Kokusai Rengo. Nihon Hyoronsha, 1993.

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17

Fujii, Sadakazu. Wangan Senso ron: Shi to gendai. Kawade Shobo Shinsha, 1994.

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18

Wangan senso: Nihon Kyosanto no tachiba. Nihon Kyosanto Chuo Iinkai Shuppankyoku, 1991.

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19

Takizawa, Soichi. Wangan senso ni miru gendai seiji. Tsukiji Shokan, 1992.

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20

Wangan Senso to Nihon: Towareru kiki kanri. Asahi Shinbunsha, 1991.

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21

Yamada, Eizo. Wangan no kobo: Sekiyu senso no rekishi. Shinchosha, 1991.

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22

Media no Wangan Senso (News & documents ND books). Asahi Shinbunsha, 1991.

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23

Wangan Senso wa uttaeru: Seiji keizai soshite gurobarizumu. Sogo Horei, 1991.

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24

Sato, Kinya. Wangan senso to chuto sekai: Taiketsu no dorama. Saimaru Shuppankai, 1991.

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25

Wangan senso to iu tenkaiten: Dotensuru Nihon seiji. Iwanami Shoten, 1999.

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26

Shikumareta Wangan Senso: Busshu ga shikaketa "Dai-2 no Shinjuwan". Toyo Keizai Shinposha, 1991.

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27

Sengo Nihon gaiko ronshu: Kowa ronso kara Wangan senso made. Chuo Koronsha, 1995.

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28

Masahiro, Miyazaki. Wangan Senso no uso to shinjitsu: Dai 6-ji Chuto senso wa hajimatte iru. Taiyo Kikaku Shuppan, 1991.

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29

Seki, Kotaro. Wangan senso Nihon wa do naru: Kiki ni hinsuru pakkusu Amerikana. Daiyamondosha, 1991.

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30

Sabaku no seisen: '90--'91 Wangan Senso no shinjitsu = Gulf War. Kodansha, 1991.

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31

Hampton, Dan. Efu juroku: Esu pairotto tatakai no jitsuroku. Kashiwashobo., 2013.

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32

Aida, Hirotsugu. Senso o hajimeru no wa dare ka: Wangan Senso to Amerika Gikai (Kodansha gendai shinsho). Kodansha, 1994.

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33

Muramatsu, Takeshi. Nihon o kokka to yoberu no ka: Wangan senso ga tsukitsuketa mono. PHP Kenkyujo, 1991.

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34

Nihonjin no seigikan: Nichijo no jiken kara Wangan Senso made (Nihonjin o kangaeru). Sekai Bunkasha, 1992.

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35

Ebata, Kensuke. Shin gunji ko: Wangan senso ni miru buryoku no honshitsu = The Gulf War. Kobunsha, 1991.

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36

Wangan Senso go no Chuto: Kosei na heiwa to Paresuchina mondai no kaiketsu. Nihon Kyosanto Chuo Iinkai Shuppankyoku, 1991.

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37

Wangan senso to Chuto shin kozo: 1990-nen no Chuto doko (Chuto rebyu). Ajia Keizai Kenkyujo, 1991.

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38

Higuchi, Michiko. Wangan Senso wa Nihon o do kaeru ka =: 1.15, beginning of the war. Nishi Nihon Shinbunsha, 1991.

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39

Asano, Masami. Eigo media ni miru hyogen to ronri: Wangan Senso wa do hodo sareta ka. Kenkyusha Shuppan, 1992.

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40

Saraba "ketsudannaki kokka": Sokatsu, Wangan Senso nani mo shinai Nihon de ii no ka. Oesu Shuppansha, 1991.

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41

Chernela, Janet Marion. Wanano Indians of the Brazilian Amazon: A Sense of Space. University of Texas Press, 1996.

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42

Chernela, Janet M. Wanano Indians of the Brazilian Amazon: A Sense of Space. University of Texas Press, 2010.

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43

Chernela, Janet M. The Wanano Indians of the Brazilian Amazon: A Sense of Space. University of Texas Press, 1996.

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44

Scalici, Giorgio. Pain, Play and Music. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350236288.

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The Wana people of Morowali accept the experiences of pain, illness and loss and transform them into something positive: rituals that celebrate life, friendship and the community. Through fieldwork with the Wana people of Morowali, Central Sulawesi, Giorgio Scalici shows how music serves as a connection between the human world and the hidden world of spirits and emotion. By examining rituals such as the momago, the main Wana healing ritual, and the kayori, the funeral, this book investigates how music is used by the Wana to heal people, control emotions, reinforce the sense of community and to mark the cultural death of the community member. In this study, music transforms the pain of loss into a playful event that heals the community and assures its future. This book will be of interest to the wider academic study of religion, anthropology and ethnomusicology as it looks as at funerals as healing rituals for the community which lead the living and the dead through critical times.
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45

Baker, Courtney R., ed. Slavery’s Suffering Brought to Light—New Orleans, 1834. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039485.003.0002.

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This chapter focuses on the abolitionist movement and the rise of physical sensation as a rhetorical theme. It interprets the term “image” in its post-nineteenth-century sense as identifying both the actual (“this really happened”) and the conventional (“this is what it looked like”). Although photography was not in place during all of the moments under investigation in this chapter, the clamor for visual proof is consistently evident. The chapter analyzes the Lalaurie affair of 1834—a scandal in which a white Creole woman named Delphine Lalaurie was found to have experimented on her slaves for her own wanton pleasure—to highlight a view of black humanity, as well as the power accorded to sight at this historical moment as a means to acquire knowledge. The encounters with the suffering bodies of enslaved blacks and the humane insight of these confrontations challenged core principles of slavery and, at moments, exposed the cracks in slavery's logic that would eventually lead to its abolition.
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46

Lercari, Nicola, Willeke Wendrich, Benjamin W. Porter, Margie M. Burton y Thomas E. Levy, eds. Preserving Cultural Heritage in the Digital Age: Sending Out an S.O.S. Equinox Publishing Ltd., 2022. http://dx.doi.org/10.1558/isbn.9781800501263.

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In late August 2015, international media outlets and cultural institutions reported that the Islamic State beheaded the Syrian scholar Khaled al-Asaad and destroyed the 1st-century CE Temple of Bel in Palmyra, Syria. The world was horrorstruck. Apart from the human tragedy, archaeologists and the international communities were shocked by the wanton destruction of ancient remains that had survived for millennia. However, warfare and ideological destruction contribute just a fraction of the ongoing devastation of our forebears’ traces. This book brings attention to the magnitude of the silent loss of cultural heritage occurring worldwide and the even more insidious loss of knowledge due to the lack of publication and preservation of original data, notes, plans, and photographs of excavated archaeological sites. Highlighting a growing sense of urgency to intervene in whatever way possible, this book provides readers with a non-technical overview of how archaeologists and other stakeholders are increasingly turning to digital methods to mitigate some of the threats to at-risk cultural heritage. This volume is a gateway to enhancing the scale and reach of capturing, analyzing, managing, curating, and disseminating cultural heritage knowledge in sustainable ways and promoting collaboration among scholars and stakeholder communities.
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