Tesis sobre el tema "Voltaian"
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Ofosu, Stephen. "The hydrogeology of the Voltaian formation of the northern region of Ghana". abstract and full text PDF (free order & download UNR users only), 2006. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1436016.
Texto completoPelig-Ba, Kenneth B. "Hydrogeochemistry of the basement complex and the Voltaian sediments of the northern region of Ghana". Thesis, University of Reading, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342462.
Texto completoMejida, Richard Adams. "Application of integrated geophysicaI techniques for characterizing subsurface structures at different scales for environmental management in the northern part of the Voltaian sedimentary basin, Ghana". Electronic Thesis or Diss., Brest, 2024. http://www.theses.fr/2024BRES0001.
Texto completoThe insufficiency of geological and hydrogeological information has impeded groundwater development in the northern Voltaian basin. To improve on this information, we assess the basins subsurface at varying depth scales using integrated geophysical methods. Airborne data and resistivity maps derived from 3D and 1D inversion of magnetotelluric data revealed several low resistivity zones with probable hydrogeological significance at different depths. These zones' resistivity values are similar to a 132 l/min research borehole in the area. The low resistivity layers are suggested as a possible NE-SW saprock aquifer and a potential deep contact fracture aquifer revealed at a depth of about 250m. The deep contact fracture has presented new insights into the stratigraphic thicknesses of the two main geological formations in the area. Also, the results of ERT sections on some dumpsites validated by groundwater samples suggest a possible migration of leachate from the dumpsites into the shallow water table emphasizing the need for deep aquifer investigation in the area. The interpretations of the resistivity maps were corroborated by the mineralogical composition of the underlying rocks revealed by both petrographic and SEM-EDx analysis
Ménissier, Patricia. "Les amies de Voltaire dans la correspondance : 1749-1778 /". Paris : H. Champion, 2007. http://catalogue.bnf.fr/ark:/12148/cb41187900m.
Texto completoFabian, Rosmarie. "Voltaire et le bonheur du poète épicurien : poésie, poétique, « poétologie » chez Voltaire". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040287.
Texto completoThe present doctoral thesis addresses the concept of happiness in Voltaire’s lyric poems. To date, Voltaire’s poetry has not been the subject of significant research, despite the fact that it is of great significance in terms of gaining an understanding of the aesthetic of the French author, as he expresses his thoughts and feelings directly in his poetry.Research into the topics, which Voltaire associated with the Latin Epicurean poets, shows how he adopted their philosophical and literary practice. A particular inspiration for Voltaire was Horace, from whom he took on, among other things, the idea of the poeta doctus and the nature of poetic creativity, which are very closely associated with a feeling of happiness.In this thesis, a distinction is made between ‘poetics’ and ‘poetology’ which does not exist in French. This distinction enables us to shed some light on the legacy of the ancient Epicurean poets (particularly Horace), and highlights the close and complex relationship between poetry, happiness and the Epicurean topics which are reflected in Voltaire’s poetry and which this thesis addresses: the themes of landscape, age, friendship and mythology
Hanrahan, James C. "Voltaire and the Parlements". Thesis, University of Edinburgh, 2007. http://hdl.handle.net/1842/24673.
Texto completoFerreira, Edimar Gonçalves. "Voltaire e a tolerância". Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/11570.
Texto completoThis study discusses the idea of tolerance from the perspective of the eighteenth century French writer and philosopher Voltaire. In that century, tolerance and its philosophical grounds were developed by Voltaire in order to combat errors at the beginning of the modern era specifically, fanaticism and religious intolerance. Philosophers and theoreticians before Voltaire, such as Bayle and Locke, equally invested in tolerance for the good of the nation. But as regards this short period, which represents the century of lights, we realize that it was he who made the greatest effort to eradicate religious fanaticism. A Treatise on Tolerance is just one more work of Voltaire s literary productions that deals with the fight against religious fanaticism. The Calas family history, a subject dealt with in the second chapter of this dissertation, tells of violence against alterity; the other in question is French Protestant Jean Calas, the perfect target for bigoted Catholics. First of all, for tolerance to be induced and experienced by people, it was necessary to use reason in a mature way, which would be the only way to change the insane customs of people living under the spell of superstitions. In the third chapter of this study, reason is seen as an assurance in the advancing fight against religious fanaticism. We realize, however, that it is not religion itself that is the manifestation that must be combatted. According to Voltaire, religion serves as an excellent moral brake for humans who are not able to control their own lives without religion. However, the supreme good of the nation was the most important thing to attain. The laws were to be respected and the church needed to submit to the state in order to enable social tolerance. Voltaire, however, claims that new morals should guide society; morals that were enlightened not by religion, but by reason. Above all, it is these morals that should take the human spirit toward the preservation of the physical and moral well-being of society
Este estudo procurou dissertar sobre a ideia de tolerância na ótica de Voltaire, pensador e escritor francês do século XVIII. No referido século, a tolerância e seu projeto filosófico foram arquitetados por Voltaire com a pretensão de combater os erros do inicio da modernidade que eram o fanatismo e a intolerância religiosa. Antes de Voltaire outros pensadores e teóricos investiram igualmente ao bem da nação, no que diz respeito à tolerância, como Bayle e Locke, porém em se tratando desse curto período que representa o século da luzes, percebe-se que foi ele quem mais dedicou esforços para eliminar o fanatismo religioso. O Tratado Sobre a Tolerância é apenas uma obra a mais na produção literária de Voltaire quando se trata desse combate contra o fanatismo religioso. A história sobre a família Calas assunto tratado no Capitulo segundo dessa dissertação, nos informa sobre a violência contra a alteridade; o outro em questão, Jean Calas, protestante,é o alvo perfeito dos católicos intolerantes. A tolerância para que fosse estabelecida e vivida pelas pessoas era necessário em primeiro lugar o uso amadurecido da razão; somente essa seria capaz de reformar os costumes insanos de um povo vivendo a deriva das superstições. No terceiro capitulo desse estudo a razão é expressa como um penhor desse combate que avança contra o fanatismo religioso. Cabe ,portanto, perceber que não era a religião em si mesma, o mostro funesto a ser combatido. Essa como dizia Voltaire é um excelente freio moral aos homens que não eram capazes de, sem a religião, terem a autonomia em suas vidas. O que, porém precisava ser obtido acima de tudo era o bem supremo da nação. As leis deviam ser respeitadas, a igreja precisava submeter-se ao poder do Estado a fim de que uma tolerância social pudesse existir. Voltaire, no entanto compreende que uma nova moral devia conduzir a sociedade; uma moral que fosse iluminada não pela religião, mas pela razão. É ,essa, acima de tudo que devia produzir no espírito dos homens a preservação do bem físico e moral da sociedade
Baiao, Filho Luiz Gonzaga. "A história segundo Voltaire". Universidade Federal da Paraíba, 2008. http://tede.biblioteca.ufpb.br:8080/handle/tede/5624.
Texto completoCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
La présente dissertation a comme objectif réaliser une compréhension de la conception de l'histoire dans la pensée de Voltaire, à partir de l'importance de penser elle selon l'approche de trois aspects ou significations, qui entrelacés définissent comme histoire critique sur la liberté humaine. L'attitude critique dans Voltaire occupe un aspect de notre réflexion dans la conduction de la connaissance historique, conformément à la dialectique parmi savoir et pouvoir et leurs dédoublages dans la constitution des moeurs, arts, lois, sciences, tant dans le contexte public, que dans le domaine privé des valeurs et événements de la vie de l'homme comme être sociable. Donc, si observe que dans le mouvement de le Lumières émane la préoccupation de enquêter les phénomènes humains dans société et, malgré de ne comprendre pas de le Lumières comme un mouvement philosophique d'idées homogènes, la culminância de la préoccupation s'illustrait dans la défense du procès d'émancipation de la raison humaine. Donc, l'autre aspect du problème tourne autour de la distinction parmi histoire et fable. Mais, intercalée au problème perpassa la relation que la ligue avec la vision de Voltaire sur la liberté humaine, surtout parce que l'histoire est pensée conformément à laquelle fait l'homme un être libre, depuis, la recherche de la liberté de pensée par l'homme est exprimée par Voltaire à travers le progrès de l'esprit humain.
A presente dissertação tem como objetivo realizar uma compreensão da concepção de história no pensamento de Voltaire, a partir da importância de pensá-la segundo o enfoque de três aspectos ou significados, que entrelaçados, a definem como relato crítico sobre a liberdade humana. A atitude crítica em Voltaire ocupa um aspecto da nossa reflexão na condução do conhecimento histórico, de acordo com a dialética entre saber e poder e seus desdobramentos na constituição de costumes, artes, leis, ciências, tanto no âmbito público, como no domínio privado dos valores e acontecimentos da vida do homem como ser sociável. Por isso, observamos que no movimento do Iluminismo emanou a preocupação de investigar os fenômenos humanos em sociedade e, apesar de não entender o Iluminismo enquanto um movimento filosófico de idéias homogêneas, a culminância da preocupação se ilustrava na defesa do processo de emancipação da razão humana. Portanto, outro aspecto do problema gira em torno da distinção entre história e fábula, mas, intercalada ao problema perpassa a relação que o liga com a visão de Voltaire sobre a liberdade humana, sobretudo porque a história é pensada em conformidade com o que faz o homem um ser livre, já que, a busca da liberdade de pensamento pelo homem é expressa por Voltaire através do progresso do espírito humano.
Karoui, Abdeljelil. "La dramaturgie de Voltaire". Clermont-Ferrand 2, 1989. http://www.theses.fr/1989CLF20024.
Texto completoThe first part of this work aimed at studying the dramatic technique of voltaire in relation to the 17th century. The second part illustrates his techniques through three representative plays. In the third part we have concentrated on his dramatic technique as it is related to the most intimate and more or less conscious part in him, and on the philosopher's will to preach his "thruths" and his determined struggle against "infamy". Thes study shows that voltaire's will to reform the classical theatre was not very strong. However, in his time, he was considered as the first dramatist of the 18th century. Nowadays unsatisfactory opinions on voltaire as a dramatist, endlessly repeated and curtly spread, still remain. This unfair judgement should be revised
Choukroun, Yvette. "Le Tragique chez Voltaire". Aix-Marseille 1, 1985. http://www.theses.fr/1985AIX1A014.
Texto completoCattoor, Muriel. "Les corps de Voltaire". Littoral, 2006. http://www.theses.fr/2006DUNK0162.
Texto completoThe history of Voltaire's body has only been the subject of partial studies but not systemic ones. The first aim of this thesis consists in gatering the remaining scattered elements wich relate to this particular body : now skeleton of the Delights now old man in Ferney or even "Lazare getting out of his tomb". Such a history would only have an anecdotic interest if the letters and speeches delivered in the surroundings didn't account for a series of coherences sometimes a few years apart. If indeed Voltaire continuously speaks about his "poor body" or "his chronic illnesses", he actually studies thousands of alternatives, being over fond of the numerous registers, even re-exploiting some discourses of the time connected with the physocal, medical and philosophical associations. In so doing, the author makes us read, look at the declination of a body progressively transformed into a multiple, a multiform and polyphonic one. Thus Voltaire submits his "unsteady machine" to his correspondents, to his interlocutors within precise discursiv strategies whom this thesis understakes to analyse the ins and outs to finally make their meaning obvious
Song, Shunqin. "Voltaire et la Chine". Aix-Marseille 1, 1987. http://www.theses.fr/1987AIX10017.
Texto completoThe thesis is carried out in two parts. In the first part, we have examined in voltaire's works the presence of china within various fields : history and antiquity, society, politics, religion, philosophy, science, arts and literature ; hence, we have tried to justify the gap between factual china and voltaire's image of china. The second part entitled : " research and comment " contains a chronological study of voltaire's works on china, an investigation about his sources concerning the middle kingdom, and lastly, an attempt at understanding the author's interest in china, namely its philosophical importance and the material benefits to be derived through commercial ties. This historical, philosophical, bibliographic, biographical, chronological and psychological study based on voltaire's complete works and correspondence enables us to understand better the use made of the chinese myth during the age of enlightenment by our author
Meng, Hua. "Voltaire et la Chine". Paris 4, 1988. http://www.theses.fr/1988PA040068.
Texto completoThe history and civilization of ancient China can be traced back to remote antiquity. In the eighteen century, there arose general admiration of the Chinese civilization in Europe, which considerably influenced a certain number of writers in the age of enlightenment among whom there was Voltaire. The evolution of Voltaire’s attitude toward China can be divided into three principal period: - before 1740, Voltaire, indifferent to spiritual China, simply followed the then fashionable enthusiasm for China for its exotic treasure; - not until his first retirement to Cirey, influenced by Mme Chatelet's opposition to "The History of the world" by Bossuet, did he begin a serious study of the Chinese history and form quite an objective image of China in his works. All his views on China were formulated in this period; - however, it was at Ferney that he used China as a weapon in his fight against the intolerance and fanatism of Christianity. In order to sharpen this weapon, he even made an effort to purify his relatively impartial image of China. Thus in his words after 1755, one can find an ideal China. Voltaire surpassed the other philosophers of his time because of his erudition as a historian and his thorough assimilation of the essentials of Confucianism: the humanism. These two points constantly enriched his enthusiasm for China so that he more or less mentioned China in a large quantity of his works that he left to us. .
Song, Shun-Ching. "Voltaire et la Chine". Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37610001x.
Texto completoMeng, Hua. "Voltaire et la Chine". Lille 3 : ANRT, 1990. http://catalogue.bnf.fr/ark:/12148/cb37616293d.
Texto completoMcVickar, Bruce. "Voltaire, aubergiste de l'Europe". Paris 4, 1996. http://www.theses.fr/1996PA040167.
Texto completoIn this dissertation we study the life of Voltaire as host in his two luxurious residences in Geneva, "les Délices", and at Ferney. The most celebrated man of his time, he attracts visitors from all over Europe. A detailed chronology (from 1755 to 1778) of these travellers with a brief commentary on their visits is followed by a typology of the pilgrims (as most of them travel to pay homage to the great man) to better explain what they expect of Voltaire and what he expects of them. Aristocrats, artists and young visitors are studied. Then we consider the reception at the chateau, beginning with a description of Ferney and the different stages of the reception. The customs of the time and the originality of Voltaire are not neglected, in order to better understand his character. We also refer to his work, a fecund field for understanding his ideal of the aristocratic country host. Finally, Voltaire’s table gives us a picture of eighteenth country taste and encourages conversation, one of the principal activities that allows him to better seduce the visitor and to make life an art, which sustains and extends his work
Finke, Susanne. "Voltaire - ein Klassizist ? : Die tragödientheoretische Position des Aufklärers /". Hamburg : Dr. Kovač, 2002. http://catalogue.bnf.fr/ark:/12148/cb389957361.
Texto completoGrebe, Inga. "Liebe und Aufklärung bei Voltaire /". Berlin : Dissertation.de Verl, 2006. http://catalogue.bnf.fr/ark:/12148/cb411214654.
Texto completoLeigh, John Duncan. "Voltaire : between history and frivolity". Thesis, University of Cambridge, 1998. https://www.repository.cam.ac.uk/handle/1810/251647.
Texto completoGrebe, Inga. "Liebe und Aufklärung bei Voltaire". Berlin dissertation.de, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2869399&prov=M&dok_var=1&dok_ext=htm.
Texto completoBoucher, Gwenaelle. "La poésie philosophique de Voltaire". Brest, 2000. http://www.theses.fr/2000BRES1014.
Texto completoVillevieille, Yves. "L'idée de raison chez Voltaire". Paris 1, 1989. http://www.theses.fr/1989PA010524.
Texto completoThis thesis aims at following the evolution of the term "reason" in Voltaire's works. In the same way it's an attempt to follow the evolution of the words "madness" "mad" "absurdity" "absurd" "lunacy" "fanaticism" "fanatic" as well as "enlightenment". The meaning of the above-mentioned words are classified and the most significant of the concerned entries are quoted. In conclusion such a research sets out an evolution : it emphasizes the building up of a specific reason which attacks the so nefarious religious prejudices. Reason must overcome its opponents. Here lies a moderate optimism and a call to fighting against anything that fetters reason
Nilsson, Jens y Johan Nilsson. "Reactor disposal evaluation at Sol Voltaics". Thesis, Linköpings universitet, Kommunikations- och transportsystem, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-125478.
Texto completoSherbaniuk, E. F. y A. G. Suchevan. "Voltaire sur la campagne du Pruth". Thesis, Буковинський державний медичний університет, 2012. http://dspace.bsmu.edu.ua:8080/xmlui/handle/123456789/1408.
Texto completoMattei, Silvia. "Voltaire e i viaggi della ragione". Paris 10, 2007. http://www.theses.fr/2007PA100040.
Texto completoThe thesis focuses on the figure of travel in Voltaire’s works and means determine notion and dimension of travel, finding the different ways it translate and express philosophical discourse of the author. Processes are thematic and chronologic at the same time: from Lettres philosophiques (1733) to Le Philosophe ignorant (1767), across the Romans et contes philosophiques (1739 – 1774), the research analyses five variants of Voltaire’s travels : 1) Travel to England; 2) Cosmic travels; 3) Philosophical travels; 4) Cultural travels; 5) Travel trough the history of philosophical thought
Fontaine, Marie-Odile. "Voltaire à la lumière de Lucien". Rouen, 2016. http://www.theses.fr/2016ROUEL017.
Texto completoWhat is the link between Voltaire and Lucian of Samosata, a Greek-speaking Syrian, often called "the Voltaire of antiquity"? The influence of the Ancient on the Modern seemed obvious to readers from the 18th century before this idea was tempered, even outright rejected. Yet Voltaire owned a translation of Lucian’s works, and claimed to have imitated him in a text from 1751. In 1765, Voltaire stages him in Conversation between Lucian, Erasmus and Rabelais, in the Elysian Fields. Elsewhere, he mentions him as a figure of authority. To what is owed this reversal of opinion? In what way is the 18th century assessment sound? To understand this, it is important to remember that Lucian was read under the Ancien Régime as a blacklisted author, certainly unbelieving, maybe epicurean, having dared to mock such "venerable" subjects as the practices and fables of historians, philosophers, phony priests and their worshippers: all reasons for Voltaire to be interested in him. This interest has been fertile: as numerous authors since the Renaissance had done, Voltaire imitated and adapted the style of whimsical and philosophical stories or playlets from the Syrian, whose spoudogeloion can be found in many "typical" Voltairian dialogues or tales. However, while the Ancient’s works that inspired Voltaire are most similar in form, they are also reminiscent of the ironic speeches of Socrates, the "silenes of Alcibiades" that, behind their farcical appearance, questioned the rhetoric of authority in order to expose its sophistry. Lucian and Voltaire’s "silenes", rather probabilistic, also make wiser those they free from prejudices and ill-founded certainties
Mattei, Silvia <1975>. "Voltaire e i viaggi della ragione". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/171/1/TESI_S.Mattei.pdf.
Texto completoMattei, Silvia <1975>. "Voltaire e i viaggi della ragione". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/171/.
Texto completoCAPPELLETTI, CRISTINA. "L’ANTI-VOLTAIRE. PASSIONI E DISSIDI MANZONIANI". Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/35781.
Texto completoManzoni was a great admirer of Voltaire, who then abandoned or destroyed. The first phase of this work analyzes the old Manzoni’s biographies, through which it was tried to understand when born the unfounded news on Manzoni's destruction of all volumes of all the works of Voltaire. Then we analyzed the Manzoni’s critical bibliography, to better define the status quaestionis of the studies. Then this work analyzes Voltaire's direct quotes in Manzoni's works.
CAPPELLETTI, CRISTINA. "L’ANTI-VOLTAIRE. PASSIONI E DISSIDI MANZONIANI". Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/35781.
Texto completoManzoni was a great admirer of Voltaire, who then abandoned or destroyed. The first phase of this work analyzes the old Manzoni’s biographies, through which it was tried to understand when born the unfounded news on Manzoni's destruction of all volumes of all the works of Voltaire. Then we analyzed the Manzoni’s critical bibliography, to better define the status quaestionis of the studies. Then this work analyzes Voltaire's direct quotes in Manzoni's works.
Chabarek, Nahed. "Mahomet et l'Islam vus par Voltaire". Paris 3, 1992. http://www.theses.fr/1993PA030012.
Texto completoWe were led to examine the sources and the inquiries of rophete clopedistes. R ood industry. H italy. . . Voltaire about islam in the first place through his predecessors e clopedistes. R ood industry. H italy. . . And the travellers of his time and further the image of mohammed e clopedistes. R ood industry. H italy. . . In france and in the french theatre, in the "encyclopedie" and in e clopedistes. R ood industry. H italy. . . The encyclopaedists. This study also led us to study the family e clopedistes. R ood industry. H italy. . . Influences on the antifanatic behaviour of arouet and to examine e clopedistes. R ood industry. H italy. . . His changing temper and his fluctuating character. We made that e clopedistes. R ood industry. H italy. . . Before studying islam in the works of voltaire in the light of hise clopedistes. R ood industry. H italy. . . Explanatory correspondence, in his theatre and in his various e clopedistes. R ood industry. H italy. . . Works. We adopted the chronological order so as to avoid s e clopedistes. R ood industry. H italy. . . Repetitions as it was the case with the author. Finally, we must e clopedistes. R ood industry. H italy. . . Acknowledge that the relation of voltaire with mohammed was not e clopedistes. R ood industry. H italy. . . Without ambiguity because an ambivalence results from this : his e clopedistes. R ood industry. H italy. . . Judgements on mohammed the man and the prophet are rather different. Clopedistes. R ood industry. H italy. . . Further, we see voltaire posing as a prophet while her different. Clopedistes. R ood industry. H italy. . . Trying to draw nearer to the great politicians of his time to t. Clopedistes. R ood industry. H italy. . . Become a prophet of the new times. Oliticians of his time to t. Clopedistes. R ood industry. H italy. .
Mangeant, Justine. "Dans l'atelier du dramaturge, Voltaire à l'œuvre. Ecriture du spectacle et dramaturgie politique dans les tragédies de Voltaire". Thesis, Lyon, 2022. http://www.theses.fr/2022LYSEN016.
Texto completoHow to bring the struggles of the Enlightenment to the stage? Voltaire’s tragedies composed for the Comédie-Française are in fact subject to institutional and generic constraints that limit the possibility of expressing subversive thought on stage. What then are the ways in which political theatre is written in the 18th century? By exploring the dramatist-philosopher’s workshop in an approach that is both genetic and dramaturgical, this study clarifies the modalities of theatrical creation in the 18th century as well as the role of censorship in this process. The critical activity of the author is then to be sought in the work of composition of the tragic plots which sheds light on the polemical genesis of Voltaire’s plays. The philosopher exploits the constraints of the tragedy genre to write a political spectacle that appeals to the critical activity of the audience. Philosophy is thus 'put into action', in a perspective that is less didactic than confrontational. Voltaire’s theatre is not the place for a doctrinal exposition, but a space of tensions where the author’s thought is challenged in a scenic device that questions the effects and the means of the spectacle, whether it be theatrical, religious or political. The playwright’s workshop is therefore also a laboratory for Voltaire’s philosophical ideas, which he develops in a less overtly polemical mode than in his prose writings, but whose force is based on a sensitive experience, which should not fail to interest the contemporary stage
Pierse, Siofra. "Voltaire and Clio : from history to story". Thesis, University of Oxford, 1999. https://ora.ox.ac.uk/objects/uuid:e3377231-c4bd-4b39-8dfd-3a6e5011680b.
Texto completoMiranda, Luiz Francisco Albuquerque de. "Voltaire e a historia do estado civilizador". [s.n.], 2003. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280105.
Texto completoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-03T16:36:29Z (GMT). No. of bitstreams: 1 Miranda_LuizFranciscoAlbuquerquede_D.pdf: 14504691 bytes, checksum: 7df0581ba4059ea2e36a64aeb1ac3682 (MD5) Previous issue date: 2003
Resumo: O presente trabalho trata do papel do Estado nas obras filosóficas e historiográficas de Voltaire. O texto discute as relações que ele estabelece entre a legitimidade do poder político e a noção de processo civilizador. A partir do estudo dos textos do filósofo sobre a organização do império chinês e a história da monarquia francesa, analisa-se a maneira como- ele- apresenta a centralização estatal como forma eficaz de controle das paixões e resposta aos conflitos políticos, econômicos e religiosos que ameaçam a ordem pública. Nessa perspectiva, o Estado, quando consolida sua autoridade e limita o arbítrio dos governantes, é pensado como agente civilizador
Abstract: This present work discourses on the role of the state in the philosophical and historiographical writings of Voltaire. It discusses the links he establishes between the legitimacy of the political power and the concept of civilizing process. Being rooted in Voltaire's writings upon the organization of the Chinese empire and the French monarchy, this work analyzes how the philosopher presents the state's centralization as an effective form of controlling the passions and responding to the political, economic and religious conflicts that threatens the public order. From this perspective, the state, when it consolidates its authority and restricts- the- tyranny of the rulers, is thought of as a civilizing agent
Doutorado
Doutor em Filosofia
Mota, Vladimir de Oliva. "Acerca da noção de filosofia em Voltaire". Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-13122012-094430/.
Texto completoThis work intends to show the existence of a consistent and coherent thinking in Voltaires work. In order to reach that goal, at first, it is analysed the final usage given to Philosophy by him, in other words: the struggle to mankind moral improvement. This fighting aspect of his texts is the lace that binds his multifacated work together, giving coherence to it. Then, this research identifies that struggle takes for granted based ideas, in other words, the objective of Voltaires Philosophy demands a consistent thinking that serves as its foundation; finally, it exposes the assumptions in which this philosophical struggle happens, in one word , how this struggle takes place.
Haroche-Bouzinac, Geneviève. "La foramtion de Voltaire épistolier : 1711-1733". Paris 4, 1990. http://www.theses.fr/1989PA040117.
Texto completoThe first part of this study provides an overview of epistolary usage and esthetics at the end of the seventeenth century and the beginning of the eighteenth century. The author distinguishes the different elements that composed epistolary protocol during the period, both for the content of the letter (appropriateness, concision) and for the stylistic level chosen (normal usage, informality, apparent spontaneity). The analysis draws upon epistolary manuals in order to describe the models most frequently proposed (cicero, seneca, balzac, voiture, bussy. . . ), and the varying degrees of their popularity. After having defined the caracteristics of epistolary usage during the period, the author situates voltaire in relation to this established protocol. Early influences upon the young writer are evaluated: his training in the art of composition at the college "louis le grand", his readings (horace, chapelle, la fontaine) and his interactions with correspondants like chaulieu. Traits which are specific to the style of the young voltaire are analysed: his use of ellipsis, his tendancy to. .
Dauphin, Thibaut. "Le comparatisme politique dans l'oeuvre de Voltaire". Thesis, Bordeaux, 2020. http://www.theses.fr/2020BORD0290.
Texto completoNeither political science nor the history of comparatism has ever really grasped Voltaire's political work. However, an examination of the texts, attentive to the context of the century in which they were produced, can bring a new perspective on its political and comparative dimension. The theories of the author of the Essai sur les moeurs et l'esprit des nations, found in numerous works, often in pamphlets that have ceased to be familiar to us, compete and discuss with those of De l’esprit des lois and Du Contrat social, but are today neglected. The spirit of the Voltairian work is driven by a Philosophy of action, which conveys a rigorous examination, of the main political facts of history, albeit obscured by the haunting theme of religion. This historical comparatism, almost unprecedented by its ambition and dimensions, leads to the construction of a Philosophy of history - the first of its kind - which constitutes the Voltairian reading grid of politics. Through comparison, the body of the work then outlines a "good government" enlightened by Reason and natural religion on the one hand, regulated by natural rights and the supremacy of the law on the other. Inspired by European and Asian countries, blending the three classical forms of regime, this mixed model materialises Voltaire's political system
Shibuya, Naoki. "Tradition et modernité : étude des tragédies de Voltaire". Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2014. http://tel.archives-ouvertes.fr/tel-00968766.
Texto completoDias, Elizabeth de Assis. "Alguns aspectos do conceito de razão em Voltaire". [s.n.], 2000. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280920.
Texto completoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Doutor em Filosofia
Magri, Dirceu. "Aspectos da presença de Voltaire nas crônicas machadianas". Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-05022010-153541/.
Texto completoThe main topic of this paper is the study of Voltaires influence in Machado de Assis chronicles by means of intertextuality as the theoretical framework. This influence can also be seen in Machados journalistic work, and we believe that deserved to be dealt with in more detail. Twenty three chronicles were analyzed and it was noticed that in some of them, intertextual elements like quotations, references or allusions molded the new text favoring the irony the writer meant to imply. In others, however, these elements alter or even entirely modify the new text in a process that shows, on the one hand, the extension of Machados reading, and on the other, the way he leads the reader to a new intellectual and cultural horizon the very moment he gets in touch with the works mentioned or referred to. For the reader who was already familiar with Voltaires work, there was the possibility of a new understanding of it.
DIAS, Elizabeth de Assis. "Alguns aspectos do conceito de razão em Voltaire". Universidade Estadual de Campinas, 2000. http://repositorio.unicamp.br/handle/REPOSIP/280920.
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CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
O nosso trabalho, pressupondo que existe um conceito de razão consolidado pelo movimento iluminista que fez com que o século XVIII se auto-denominasse "século da razão", "século da filosofia", etc., pretende investigá-lo. Nossa análise vincula-se à vertente francesa considerada a mais representativa do período, e elegemos Voltaire, por ser ele um dos mais acerbas defensores do uso esclarecido e livre da razão. A definição do caráter dessa racionalidade é quase sempre escamoteada, não chegando nem mesmo a ser tratada pela maioria dos estudiosos da época. O que freqüentemente eles procuram ressaltar a respeito desse século é que ele é impregnado por uma fé na razão, na capacidade intelectiva do homem que, somente através dela pode conseguir sua auto-libertação. Aceitando esta caracterização da filosofia das luzes, preocupamo-nos com um problema premente: de que razão se trata? Pois estamos conscientes de que a palavra "razão" há muito tempo deixou de ser um conceito simples e univoco. Basta percorrer a História da filosofia para constatar as mudanças de sentido que o termo "razão" sofreu no transcurso de sua existência. Se o século XVIII reivindica para si a adjetivação de "século da razão", "século das luzes," cabe-nos indagar: Qual a procedência desta racionalidade? Onde podemos encontrar o traço característico e distintivo desta designação? Como entender o sentido desta iluminação? Ao discutir essas questões, pretendemos sustentar que a razão, tal como foi concebida por Voltaire, era um pensamento de base empírico-experimental cujas origens não se encontram sobremodo no cartesianismo, mas na Física newtoniana e na Filosofia de Locke. Para elucidarmos o caráter da razão em Voltaire, analisamos criteriosamente sua obra fragmentária e procedemos como quem monta um quebra-cabeça, encaixando peça por peça, de modo a encontrar um fio condutor ou elementos que indicassem uma certa coesão de idéias. Não pretendemos, nos limites estreitos deste trabalho, esgotar todas as nuanças que a razão assumiu no seu pensamento, mas apenas indicar alguns de seus traços, orientações e apresentar alguns temas imbricados neste conceito. Como Voltaire é complexo e sua obra, imensa, tivemos que eleger algumas de suas obras que consideramos mais relevantes para o nosso estudo, como: o Tratado de metafísica., O filósofo ignorante, as Cartas filosóficas, o Dicionário filosófico, os Elementos da filosofia de Newton, o Tratado sobre a Tolerância e outras obras menores cujas referências serão registradas em notas de pé de página. Não nos esquecemos de consultar seus romances e contos, como Cândido, Micrômegas, e poemas de natureza mais filosófica, como Sobre o desastre de Lisboa, Sobre a lei natural, Discurso em verso sobre o homem. Mas o estudo de sua correspondência foi fundamental para elucidarmos certos aspectos de seu pensamento que não estavam muito bem delineados em suas obras. Gostaríamos de fazer uma última observação sobre as citações transcritas de obras que foram escritas nas línguas francesa ou inglesa. No corpo do trabalho, procuramos apresentar uma tradução própria ou de algum tradutor abalizado, que será identificado nas referências bibliográficas.
Ziobrowska, Joanna. "La poétique du mal dans l'oeuvre de Voltaire". Paris 4, 2006. http://www.theses.fr/2006PA040174.
Texto completoThe poetics of evil in Voltaire’s work is a study of Voltaire’s imagination through the images of evil that the author reveals into the world. The exploration of the scenes of misfortunes, of evil, and of the wicked is a reflection on how Voltaire perceives ugliness, the sick, barbarity, war, and inquisition. His pictures depict the Voltairian anxiety and haunting in front of the world’s and man’s disorder. Voltaire rebels against the sufferance of the innocent, the bestial side of the battle’s “heroes”, the intolerance of the churchmen, and superstition. His scenes of evil reveal his surprise – eirôneia in front of the universe and the loathsome man whom Voltaire caricatures even more. His deep distress is a component of his temperament, of his education, of the ideas that prevailed in the world in his époque, and of his unconscious. The reflection on the evil as imagined by Voltaire is accompanied with philosophical, psychological, and stylistic hypotheses that come to one’s mind when confronted with the issue of evil
Azerhad, Annick. "Le dialogue philosophique dans les contes de Voltaire". Paris 4, 2007. http://www.theses.fr/2007PA040238.
Texto completoThis essay attempts to study the philosophical dialogue in Voltaire’s writings, not as the codified genre in itself, but as a device present in the tales. The analysis of these works could make up an example likely to open a new research perspective on the use of philosophical dialogue in the narrative genre. To be specific, it enables to bring out recurring features on the philosophical and aesthetic levels : distrust of language and speech, implying a necessity to redefine a concise, precise and efficient peech to be used in the field of social relationships, in the dealing with moral problems met in everyday life, as well as in scientific research ; rejection of metaphysical questions even if they remain obsessive, and reflection on the openmindedness and candour of the speakers. The aesthetics of the dialogues reflect these conceptions : preference for brevity, dialogues written as parables or as apologues, taken as prophecies or revelations to express intuitions which couldn’t be demonstrated, and original approach of the topic of the conversation. The interaction between the philosophical dialogue and the pattern of the tale turns out to be extremely fruitful : the characters’ adventures add to the depth of the talks, confront them with the facts and confirm their truth or lack of relevance. The characters are conditioned to live an economic, scientific or philosophical experience. They nurture their new knowledge or persist in their naivety or even their stupidity. The flexibility of the tale as a genre favours the emergence of satire in the etymological as well as modern meaning of the word. Dialogues acquire a specificity that leads to the parody of its principle or gives birth to, among other things, a dramatic narrative writing the originality of which must be emphasized
Manoliaki, Magdalini. "Voltaire burlesque : le voyage dans "La pucelle d'Orléans"". Paris 4, 2008. http://www.theses.fr/2008PA040014.
Texto completoThe long and discontinuous history of La Pucelle finds its unity in the theme of the voyage. The trip is expressed in this hero-comic poem, through the timely movements of the characters, which has a burlesque effect on their behavior. In his poem, Voltaire shows his creative imagination through transport as well as his use of space through the reduction of symbolic places. Mobility guarantees variety. The events effects of rhythm, and digressions avoid the monotony of the poem, which is presented as a hybrid genre, where mixed details signal a failure in aesthetics and serve as a screen to a philosophical message. The theme of the voyage, in La Pucelle, allows Voltaire to abandon himself to his burlesque genius
Naman, Ghada. "La correspondance de Voltaire avec Étienne–Noël Damilaville". Thesis, Paris Est, 2009. http://www.theses.fr/2009PEST0027.
Texto completoThis thesis talks about the correspondence of Voltaire with Étienne-Noël Damilaville which lasts eight years (1760 to 1768). The corpus consists of the letters we received, it has five hundred fifty-nine letters. Among them there are five hundred forty letters from Voltaire to Damilaville. This study is divided into three parts, it aims to explain the nature of relationships that link the two men and how the epistolary exchange was developed. The letters are full of requests, requests for books, information, discounts of letters or packages and services of all kinds. They letters reveal the great confidence that Voltaire to his correspondent. One easily sees loyalty Damilaville who does not hesitate to fulfill these requests. Several aspects of life in Ferney Voltaire are presented, as well as its relations with Paris by mediation of Damilaville who works in the office of the Twentieth. Its function using both postal services and to avoid the censorship imposed on the post and on the books that come in France in the eighteenth century. The correspondence is rich variation in subjects and areas covered, it reflects the life of Voltaire as a man and author, particularly as the author engaged in the fight against bigotry, says the "Infâme". It tries to show its role and that the group of "brothers" in this fight, without neglecting the importance of Damilaville as his intermediary with the "brothers" and with other relationships. We present the strategy in the fight business Calas, Sirven and La Barre; Voltaire's role as head of propaganda is clear, he is giving orders and recommendations, to seek contacts, make requests or letters. He spares no efforts to gain the victory he dedicated to the struggle of important works. This research examines some of them to understand the method used to support the notion of tolerance and overcome fanaticism. Finally, the epistolary style used is examined through the presentation of the common structure of the letter, that of his unit and applying the standard adopted in the conventional epistolary genre. We see that the letters belong to a genre that changes with flexible usage between a registered letter, an epistle, a letter and a letter ostensibly. The study addresses the image of Voltaire by himself in his letters, there are some letters that turn into letter portrait that draws the lines of his person and presents his biography, it becomes a place where he effusion book is to reveal the intimacy of the ego of the author. The image of his works and his plays has its place in literature. It examines how present and the image that Voltaire wants to give his correspondent
Branco, Juliana Aparecida Piccoli. "Melhores estratégias voltadas à prática do comércio eletrônico". Florianópolis, SC, 2002. http://repositorio.ufsc.br/xmlui/handle/123456789/83520.
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Este estudo centrou-se no comércio eletrônico como forma de comercialização. Seu principal objetivo foi propor um modelo de comércio eletrônico para empresas que têm na Internet mais um ambiente transacional. Para tanto, a metodologia utilizada incluiu a apresentação de modelos de comércio eletrônico e uma pesquisa de campo aplicada a usuários do comércio eletrônico; junto a isso foi elaborado um estudo em Websites. Com o resultado foi possível destacar a apresentação das estratégias mínimas necessárias à um modelo empresarial voltado ao comércio eletrônico.
Purvis, Marc. "Remote data logger for photo-voltaic research". Thesis, Purvis, Marc (2013) Remote data logger for photo-voltaic research. Other thesis, Murdoch University, 2013. https://researchrepository.murdoch.edu.au/id/eprint/21658/.
Texto completoChōtiwisit, ʿUbonwan. "Recherche sur la veine satirique de Voltaire dans ses écrits satiriques contre Jean-Jacques Rousseau". Rouen, 1990. http://www.theses.fr/1990ROUEL121.
Texto completoVoltaire's anti-Rousseau satirical writings including the "Facéties", so much denigrated, confirm more than ever his position as one of the masters of satirical genius with something peculiar to him alone: his penchant for playing games. Everything gives him a chance to play, to enjoy himself: traditional imagery, satirical tactics and the art of the jesting pamphleteer. He gives himself up completely to his verve, his gaiety, his laughter, wit, mischief and imagination. His laughter is infectious. He passes it on to his readers who become his accomplices. That is where the power of his satires lies
Birgersson, Regina. "Rousseau och Voltaire : Två helt (o)lika filosofers filosofier". Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-7372.
Texto completoHilker, Annette. "Karnevalisierung als Medium der Aufklärung Fontenelle, Fénelon, Voltaire, Diderot". Hannover-Laatzen Wehrhahn, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2686765&prov=M&dok_var=1&dok_ext=htm.
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