Bibliografías temáticas / Voice passages

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Literatura académica sobre el tema "Voice passages"

Autor: Grafiati
Publicado: 25 de mayo de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Voice passages"

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Hughes, James R. "Generalizing the Orbifold Model for Voice Leading." Mathematics 10, no. 6 (2022): 939. http://dx.doi.org/10.3390/math10060939.

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We generalize orbifold models for chords and voice leading to incorporate loudness, allowing for the modeling of resting voices, which are used frequently by composers and arrangers across genres. In our generalized setting (strictly speaking, that of orbispaces rather than an orbifolds), passages with resting voices, passages with two or more voices in unison, and fully harmonized passages occupy distinct subspaces that interact in mathematically precise and musically interesting ways. In particular, our setting includes previous orbifold models by way of constant-loudness subspaces, and prov
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Chan, Eugene Y., and Sam J. Maglio. "The Voice of Cognition: Active and Passive Voice Influence Distance and Construal." Personality and Social Psychology Bulletin 46, no. 4 (2019): 547–58. http://dx.doi.org/10.1177/0146167219867784.

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English passages can be in either the active or passive voice. Relative to the active voice, the passive voice provides a sense of objectivity regarding the events being described. This leads to our hypothesis that passages in the passive voice can increase readers’ psychological distance from the content of the passage, triggering an abstract construal. In five studies with American, Australian, British, and Canadian participants, we find evidence for our propositions, with both paragraphs and sentences in the passive voice increasing readers’ felt temporal, hypothetical, and spatial distance
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Iwamitsu, Yumi, Mitsuko Ando, Ikumi Honda, Akie Hashi, Sachiko Tsutsui, and Naoto Yamada. "Nurses' Comprehension and Recall Process of a Patient's Message with Double-Bind Information." Psychological Reports 88, no. 3_suppl (2001): 1135–41. http://dx.doi.org/10.2466/pr0.2001.88.3c.1135.

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We examined nurses' comprehension and recall process of patients' passage with double-bind information. We focused on two modes of communication, tone of voice and content of speech. The experiment followed a 2 × 2 × 2 design with respect to listeners (nurse vs student), tone of voice (positive vs negative), and verbal content (positive vs negative). Subjects were 79 nurses who worked at the university hospital and 99 students who were studying at the Faculty of Nursing. Nurses and students were randomly divided into four subgroups; each was presented one of four professionally tape-recorded s
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4

Henderson, Cecelia A., and Yingchen He. "Screen Reader Voices: Effects of Pauses and Voice Changes on Comprehension." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 66, no. 1 (2022): 1839–43. http://dx.doi.org/10.1177/1071181322661291.

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This study seeks to investigate the effects of manipulating aspects of a text-to-speech (TTS) voice on the learning and comprehension of a short passage, as well as detection of aspects of the passage such as its organization and key information. Pauses and pitch changes were used to demarcate this type of information. Participants listened to the passages and answered a series of cued and uncued recall questions to measure comprehension and learning, followed by a task to identify header structure. Preliminary results show trends that adding pauses might be beneficial, but more participants a
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Bogaard, Lisanne G., and Andrew J. Oxenham. "Exploring perceptual segregation cues in polyphonic vocal music under normal and impaired hearing." Journal of the Acoustical Society of America 155, no. 3_Supplement (2024): A38. http://dx.doi.org/10.1121/10.0026718.

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Music plays an important role in the lives of many people, but its enjoyment can be compromised by hearing loss. Although the effects of hearing loss on speech are well-studied, its effects on music perception are less well-understood. This study examined normal-hearing and hearing-impaired listeners’ ability to hear out individual voices within polyphonic music, while varying the number of voices and the level of inharmonicity in each voice. We hypothesized that hearing loss would hinder listeners’ ability to distinguish voices in music due to impaired frequency selectivity and pitch percepti
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Khan, Anam Ahmad, Joshua Newn, Ryan M. Kelly, Namrata Srivastava, James Bailey, and Eduardo Velloso. "GAVIN." ACM Transactions on Computer-Human Interaction 28, no. 4 (2021): 1–32. http://dx.doi.org/10.1145/3453988.

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Annotation is an effective reading strategy people often undertake while interacting with digital text. It involves highlighting pieces of text and making notes about them. Annotating while reading in a desktop environment is considered trivial but, in a mobile setting where people read while hand-holding devices, the task of highlighting and typing notes on a mobile display is challenging. In this article, we introduce GAVIN, a gaze-assisted voice note-taking application, which enables readers to seamlessly take voice notes on digital documents by implicitly anchoring them to text passages. W
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Zayaruznaya, Anna. "‘SHE HAS A WHEEL THAT TURNS …’: CROSSED AND CONTRADICTORY VOICES IN MACHAUT'S MOTETS." Early Music History 28 (August 24, 2009): 185–240. http://dx.doi.org/10.1017/s0261127909000370.

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The tiered structure of Machaut's motets is often taken for granted: the tenor is the lowest voice, the motetus is in the middle, and the triplum is highest. While this is mostly true of Machaut's work and of Ars nova motets more generally, there are a number of significant exceptions – passages in which the upper voices switch roles and the motetus sings at the top of the texture. The most striking of these are consistently linked with the goddess Fortuna. In Motets 12, 14 and 15, moments of voice-crossing serve to illustrate the actions of the goddess, who traditionally raises the low and lo
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Mansfeld, Jaap. "'Illuminating What is Thought'. A Middle Platonist Placitum On 'voice' in Context." Mnemosyne 58, no. 3 (2005): 358–407. http://dx.doi.org/10.1163/1568525054796818.

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AbstractThe Plato κɛπαλαιον in Aëtius' chapter On Voice is the result of the interpretation, modernization, and systematization of brief passages dealing with hearing, voice and speech to be found in several dialogues. This construction of Plato's doctrine of 'voice' was mainly inspired by the systematic and innovative Stoic τóπος On Voice. The 'physical' definition is based on passages in Theaetetus and other works, the 'physiological' on a passage in Timaeus. The distinction and relation between voiceless internal λóγος (or thought) and spoken λóγος in Theaetetus and Sophist was interpreted
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Duarte-Borquez, Claudia, Maxine Van Doren, and Marc Garellek. "Utterance-Final Voice Quality in American English and Mexican Spanish Bilinguals." Languages 9, no. 3 (2024): 70. http://dx.doi.org/10.3390/languages9030070.

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We investigate utterance-final voice quality in bilinguals of English and Spanish, two languages which differ in the type of non-modal voice usually encountered at ends of utterances: American English often has phrase-final creak, whereas in Mexican Spanish, phrase-final voiced sounds are breathy or even devoiced. Twenty-one bilinguals from the San Diego-Tijuana border region were recorded (with electroglottography and audio) reading passages in English and Spanish. Ends of utterances were coded for their visual voice quality as “modal” (having no aspiration noise or voicing irregularity), “br
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CHARLES-LUCE, JAN, KELLY M. DRESSLER, and ELVIRA RAGONESE. "Effects of semantic predictability on children's preservation of a phonemic voice contrast." Journal of Child Language 26, no. 3 (1999): 505–30. http://dx.doi.org/10.1017/s030500099900389x.

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We investigated the effects of semantic predictability on children's preservation of the /t/-/d/ phonemic voice contrast in American English. In Experiment 1, a total of 36 seven-, nine-, and twelve-year-olds produced minimal pairs differing in intervocalic /t/ and /d/ in semantically biasing and semantically neutral passages. The seven-year-olds preserved the phonemic contrast in both passage types. However, for the nine- and twelve-year-olds, total word duration and preceding vowel duration preserved the /t/-/d/ contrast, but this interacted with semantic predictability. The contrast was pre
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Tesis sobre el tema "Voice passages"

1

Cosnier, Frédérique. "Passages de voix, essai d'anthropologie poétique, à partir des œuvres de Stéphane Bouquet, Christophe Manon et Frank Smith." Electronic Thesis or Diss., Paris 3, 2023. https://bsnum.sorbonne-nouvelle.fr/files/original/1338/6773/These_en_cours_de_traitement.pdf.

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Entrer dans les poèmes par le concept de voix, c’est s’engager dans une poétique de l’écoute au plus près des corps : corps écrivant, oralisant, performant, traduisant, corps du lecteur, du spectateur. Dès lors qu’on entreprend de déconstruire la métaphore de la voix et d’en observer les modalités de passage, on révèle les liens décisifs qui existent entre le langage comme force physique et la poétique comme éthique et politique. Le concept de passage de voix produit des leviers critiques qui impliquent d’autres déconstructions, rebattant les cartes de nombreux dualismes qui empêchent le plus
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2

BONNABRY, CELINE. "Mise au point et validation de modeles d'etude in vitro du passage percutane (doctorat : sciences pharmaceutiques)." Clermont-Ferrand 1, 1999. http://www.theses.fr/1999CLF1PP06.

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Seth, Anjali. "Effet de la rétention magnétique sur le passage d'un principe actif peu perméable à travers la membrane intestinale." Thesis, Paris 6, 2014. http://www.theses.fr/2014PA066517/document.

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La voie orale est le mode d’administration le plus utilisé pour les médicaments. Ce mode d’administration présente de nombreux avantages tels que la facilité d’administration et une grande observance par les patients. Une des principales limitations de l’utilisation de la voie orale pour l’administration de molécules actives est que ces molécules doivent traverser les membranes biologiques pour rejoindre la circulation sanguine systémique et atteindre leur site d’action. C’est cette étape de passage transmembranaire qui détermine la biodisponibilité de la molécule active (ou principe actif, PA
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Maldonado, Marc. "VIBRATIONS DUES AU PASSAGE D'UN TRAMWAY : MESURES EXPÉRIMENTALES ET SIMULATIONS NUMERIQUES." Phd thesis, Ecole centrale de nantes - ECN, 2008. http://tel.archives-ouvertes.fr/tel-00356222.

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La circulation des tramways peut produire des vibrations se propageant dans le sol, et induire une gêne pour les personnes résidant et travaillant dans les bâtiments voisins de la voie. Par conséquent, lors de la réalisation d'une ligne de tramway, il est important de considérer ces phénomènes vibratoires. Dans ce contexte, l'objectif de ce travail est double. Premièrement, les procédures expérimentales permettant d'analyser les vibrations générées par le tramway sont présentées, prenant en compte notamment : la vitesse et le type de rame (deux constructeurs), le type de pose (classique ou sur
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Demoy, Marina. "Etude de la capture et des modalites de passage de nanoparticules a l'interface sang-tissu splenique (doctorat : pharmacotechnie et biopharmacie)." Paris 11, 1998. http://www.theses.fr/1998PA114854.

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Kemel, Kamilia. "Mécanismes de passage transcutané : étude des interactions nanoparticules / peau." Thesis, Université Paris-Saclay (ComUE), 2019. http://www.theses.fr/2019SACLS075.

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De nombreux systèmes nanoparticulaires ont été développés pour modifier la délivrance de molécules par la voie cutanée. Dans ce travail de thèse, nous nous sommes intéressés aux nanoparticules lipidiques type Janus (JNP), une forme galénique innovante caractérisée par la combinaison de deux compartiments, de polarité chimique opposée, un compartiment aqueux accolé à un compartiment lipidique. L’objectif principal a été la caractérisation des JNP. La spectroscopie ATR-FTIR a permis de mettre au point un descripteur IR permettant de suivre la stabilité physique des JNP à l’air libre et en foncti
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Wu, Wen. "Développement de nanoparticules composites polymériques de S-nitrosoglutathion dédiés au traitement oral des maladies cardiovasculaires." Thesis, Université de Lorraine, 2015. http://www.theses.fr/2015LORR0115.

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Le S-nitrosoglutathion (GSNO), donneur d’oxyde nitrique (NO) physiologique, présente une application potentielle dans le traitement des maladies cardiovasculaires (CVD). Cependant, avec une demi vie supérieure à celle de NO, GSNO reste labile limitant ainsi son application. Cette étude vise au développement de particules nanocomposites (NCP) incluant des nanoparticules polymériques chargées en GSNO (GSNO-NP) dans une matrice polysaccharidique pour la voie orale. Bien que les GSNO-NP encapsulant efficacement GSNO, le libèrent rapidement in vitro, elles retardent la S-nitrosation (biomarqueur de
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Bol, Ludivine. "Conception d’un microsystème pour l’évaluation du passage de biomolécules à travers la barrière pulmonaire." Thesis, Paris 11, 2014. http://www.theses.fr/2014PA112118/document.

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La voie pulmonaire suscite un intérêt grandissant pour l’administration systémique des peptides et protéines thérapeutiques, aujourd’hui encore administrés essentiellement par voie parentérale. Un microsystème a été conçu pour permettre de faciliter et accélérer les études in vitro de criblage de différentes biomolécules actives et de sélectionner les formulations les plus adaptées à leur pénétration à travers l’épithélium pulmonaire, en vue de sélectionner les meilleurs candidats à une administration par voie pulmonaire. Organisé en deux configurations distinctes, ce microsystème permet dans
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Iffli, Sandie. "L'injonction surmoïque chez le criminel non psychotique." Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3054.

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À partir de notre expérience clinique auprès de personnes incarcérées, notre travail de recherche propose une modélisation théorique du concept de passage à l’acte dans son rapport à l’instance du Surmoi. Il s’agit ainsi de dégager les enjeux métapsychologiques du concept de Surmoi tels qu’ils se présentent dans la clinique des passages à l’acte, et plus spécifiquement dans le versant de l’acte criminel, en retraçant les conditions de son élaboration théorique. Si Freud pose les fondements essentiels à notre réflexion, les concepts kleiniens de Surmoi primitif et de position schizo-paranoïde n
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Bol, Ludivine. "Conception d'un microsystème pour l'évaluation du passage de biomolécules à travers la barrière pulmonaire." Phd thesis, Université Paris Sud - Paris XI, 2014. http://tel.archives-ouvertes.fr/tel-01061867.

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La voie pulmonaire suscite un intérêt grandissant pour l'administration systémique des peptides et protéines thérapeutiques, aujourd'hui encore administrés essentiellement par voie parentérale. Un microsystème a été conçu pour permettre de faciliter et accélérer les études in vitro de criblage de différentes biomolécules actives et de sélectionner les formulations les plus adaptées à leur pénétration à travers l'épithélium pulmonaire, en vue de sélectionner les meilleurs candidats à une administration par voie pulmonaire. Organisé en deux configurations distinctes, ce microsystème permet dans
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Libros sobre el tema "Voice passages"

1

Armand, Claudine. Voix et silence dans les arts: Passages, poïèsis et performativité. PUN-éditions universitaires de Lorraine, 2019.

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2

Fox, Rogers Susan, ed. Alaska passages: 20 voices from above the 54th parallel. Sasquatch Books, 1996.

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1897-1962, Faulkner William, ed. Yoknapatawpha, images and voices: With passages from classic William Faulkner texts. University of South Carolina Press, 2009.

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Marc, Decrey, Berthod Matthieu, and Goyette Stéphane, eds. Quand le pôle perd le nord: Le passage du nord-ouest à la voile. Slatkine, 2012.

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1945-, Hensler Hélène, Baillauquès Simone, and Université de Sherbrooke. Faculté d'éducation., eds. La Recherche en formation des maîtres: Détour ou passage obligé sur la voie de la professionnalisation? Éditions du CRP, 1993.

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1939-, Williams-Myers Albert James, ed. In their own words-- voices from the middle passage students as surrogates to the terrorism down in the hold of a slave ship crossing the Atlantic ocean: An introductory reader. Africa World Press, 2009.

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Sheep Hear His Voice: 30 Devotional Passages to Help You Recognize God's Gentle Voice. Independently Published, 2020.

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Cosden, Rose. Give Me a Voice: Life Passages in Poems and Reflections. Writer's Showcase Press, 2000.

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Sanders, John J. Voices of Passage. Createspace Independent Publishing Platform, 2017.

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Gordon, Matthew S. Abbasid Courtesans and the Question of Social Mobility. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190622183.003.0003.

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This chapter considers the rise to prominence by enslaved and freed persons in the major urban centers of the first Abbasid period (c. 750–900 CE). It uses the example of elite female performers at the Abbasid court, and, as evidence, a set of passages concerning three of the women, all of which occur in the 10th-century Kitab al-Aghani (Book of Songs) by Abu al-Faraj al-Isbahani (d.c. 972). The passages voice the same complaint: that the singer in question was wrongly enslaved. These texts are then weighed in light of the question of upward social mobility. The singers, despite the odds, achi
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Capítulos de libros sobre el tema "Voice passages"

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Hutchings, William. "9. Homer, The Iliad." In ‘Wit’s Wild Dancing Light’. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0372.10.

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Chapter 9 proposes that Pope’s translation of Homer’s Iliad can be fruitfully read as perhaps the most significant of all contributions to a cultural history of maintaining the tradition of epic. The key principle driving this endeavour is that the authentic voice of ancient epic should be preserved and made comprehensible for a readership living in the ethos of, and accustomed to the poetic modes of, a different world. Two passages, one from book eight and one from book twelve of the Iliad , are examined alongside versions by Sir John Denham (seventeenth century), William Cowper (later eighte
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Calvo, Marcos, Davide Buscaldi, and Paolo Rosso. "Voice-QA: Evaluating the Impact of Misrecognized Words on Passage Retrieval." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34654-5_47.

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Elrefaei, Pervine. "The Egyptian Nubian Archival Discourse." In Voices from Nubia. punctum books, 2024. http://dx.doi.org/10.53288/0476.1.11.

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This chapter argues that a number of Egyptian Nubian writers and activists have adamantly endeavored to compile their own archive as an empowering strategy geared toward preserving Nubian oral history, culture, identity, and rights. The archival narrative is therefore an important cultural production that appropriates the archival discourse as a rite of passage from the margin to the center. Scrutinizing two works by the Nubian writer Yehia Mokhtar (1936–), mainly, the 2009 collection of short stories Indo Mando and the 2015 biographical novel Giddu Kāb, the study contends that Mokhtar represe
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"Index of Passages Cited." In Your Voice Like a Ram's Horn. Hebrew Union College Press, 2014. http://dx.doi.org/10.2307/j.ctt169ztgn.23.

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Marzette, DeLinda. "Coming to Voice:." In MIDDLE PASSAGES AND THE HEALING PLACE OF HISTORY. Ohio State University Press, 2021. http://dx.doi.org/10.2307/j.ctv1cvvb9s.7.

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"Index of Passages Cited." In A Great Voice that Did Not Cease. Hebrew Union College Press, 2009. http://dx.doi.org/10.2307/j.ctt14jxrv2.14.

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Huron, David. "Ear Teasers." In Voice Leading. The MIT Press, 2016. http://dx.doi.org/10.7551/mitpress/9780262034852.003.0016.

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This chapter addresses the “what for” question regarding voice leading. Experiments show that listeners perceive adding streams to a texture as pleasurable. At the same time, increasing the textural density makes it more difficult for listeners to parse an acoustic scene. This chapter suggests that the brain rewards itself for successfully parsing scenes and that the evoked pleasure is proportional to the scene’s complexity. Inspired by the concept of the brain teaser, this phenomenon is dubbed ear teasing. In addition to explaining why passages constructed according to voice-leading principle
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Huron, David. "Scene Setting." In Voice Leading. The MIT Press, 2016. http://dx.doi.org/10.7551/mitpress/9780262034852.003.0014.

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Musical passages exhibit a wide range of textures. These can include monophony, tune-and-accompaniment, homophony, close harmony, polyphony, pseudo-polyphony, heterophony, and a wealth of specially tailored arrangements with various hierarchical structures. Introductory music theory textbooks generally focus on Baroque voice-leading rules to the virtual exclusion of other types of part-writing. Although most music-making bears little resemblance to Baroque-style four-part chorale writing, there are excellent reasons why this particular practice has formed the core theory curriculum for so long
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Hardy, Thomas. "'Fine Passages in Verse and Prose'." In Thomas Hardy's Public Voice: The Essays, Speeches, and Miscellaneous Prose, edited by Michael Millgate. Oxford University Press, 2001. http://dx.doi.org/10.1093/oseo/instance.00226668.

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Trombley, Justine L. "Introduction." In A Diabolical Voice. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501769610.003.0001.

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This introductory chapter provides a background of Marguerite Porete's The Mirror of Simple Souls. Marguerite wrote the Mirror as a mystical dialogue, in which various allegorical characters discuss how a human soul becomes completely annihilated in love and union with the divine. For many years, the remarkable success of the Mirror—its positive acceptance into late medieval spiritual reading—has been the dominant story in scholarship of its post-1310 career. However, where some readers saw passages that merely needed additional explanation, others, like those who burned Marguerite Porete, saw
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Actas de conferencias sobre el tema "Voice passages"

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Park, Joo Hyun, Ja Rang Seo, Joo Hye Hong, and Soon-Bum Lim. "Development of the Mobile Voice Book Reader Enabling Playback of Specific Passages." In Mobile and Wireless 2014. Science & Engineering Research Support soCiety, 2014. http://dx.doi.org/10.14257/astl.2014.60.15.

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Liu, Dongliang, Kimi Ueda, Hirotake Ishii, Hiroshi Shimoda, and Fumiaki Obayashi. "Effects of speaker’s voice pitch variation on listener’s intellectual concentration during online lecture." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002413.

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Background & PurposeUnder the Covid-19 pandemic, most schools all over the world had to suspend their face-to-face lectures and adopted online courses instead. Some surveys have revealed that while this new educational format has advantages of convenience and flexibility, there also exist some problems, such as students' increased fatigue and lower intellectual concentration. However, it's difficult to find any effective solutions that can directly improve the intellectual concentration from the students' side currently.To solve this problem, we have focused on the online course system. Fr
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Somaya, Kei, and Takao Okabe. "Numerical Investigation of Bearing Characteristics of a Hydrostatic Thrust Bearing with a Flow-Control Restrictor Using a Bending Beam." In 2022 International Conference on Machining, Materials and Mechanical Technologies. Trans Tech Publications Ltd, 2024. http://dx.doi.org/10.4028/p-a0wtbl.

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In general, high-precision machines, such as machine tools and measuring equipment, have employed moving tables with hydrostatic bearings. Hydrostatic bearings for these high-precision applications require high bearing stiffness and response speed. Various flow-control restrictors inserted in oil passages were proposed to improve bearing characteristics. However, the active control of conventional flow-control restrictors has some shortcomings because most flow-control restrictors employ voice coil motors (VCMs), which generally consume a large amount of electricity and raise the oil temperatu
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Fontanille, Jacques. "La sémiotique est-elle un art ? Le faire sémiotique comme « art libéral »." In Arts du faire : production et expertise. Université de Limoges, 2009. http://dx.doi.org/10.25965/as.3343.

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En référence à la classification médiévale des activités et domaines culturels, la sémiotique, saisie principalement comme un « faire », serait un des « arts libéraux » contemporains, c’est-à-dire, selon l’acception courante, « ceux dans lesquels le travail intellectuel est dominant », ce en quoi ils s’opposent par exemple aux « arts mécaniques » ou aux « beaux-arts », qui mettent en œuvre d’autres facultés dominantes. Dans cette perspective, bien entendu, la sémiotique perd son caractère de « projet scientifique », au sens où l’entendait Greimas, c’est-à-dire de connaissance généralisable, pr
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Informes sobre el tema "Voice passages"

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Langlais, Pierre-Carl. Bibliométrie. Comité pour la science ouverte, 2024. https://doi.org/10.52949/74.

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La science ouverte transforme en profondeur la bibliométrie. La disponibilité sans précédent des métadonnées bibliographiques, de la recherche en texte intégral et d’autres métriques d’utilisation crée de nouvelles opportunités pour les études quantitatives du corpus scientifique. En outre, elle interroge le focus historique de la bibliométrie sur les données de citations issues d’un noyau de revues présélectionnées. De nouvelles approches cherchent à étendre le périmètre de la bibliométrie à d’autres usages et publics, notamment en ce qui concerne l’impact social de la recherche. Historiqueme
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