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Artículos de revistas sobre el tema "Visual vernacular"

Autor: Grafiati

Publicado: 25 de mayo de 2024

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1

Butsykina, Y. O. "VERNACULAR DESIGN AS VISUAL PRACTICE OF URBAN SPACE ORGANIZATION". UKRAINIAN CULTURAL STUDIES, n.º 1 (6) (2020): 5–8. http://dx.doi.org/10.17721/ucs.2020.1(6).01.

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Article discusses specific status of the vernacular design in the visual style of the modern Ukrainian city, where indigenous dwellers coexist with those who came recently from the country. The vernacular regions in Ukrainian cities are analyzed as complex, eclectic and grass-roots. The vernacular design is understood within the complex cultural environment, where different traditions and cultural identities coexist. The terms "vernacular life", "vernacular landscape" are explicated. The vernacular landscape is interpreted in the context of the everyday human activities brought into the public urban spaces. The crucial characteristic (amateur, brutal, trying to be visible and being invisible, economical, tactical, irrational, anachronistic) and the main principles (constraint, thrift, durability, commonness) of the vernacular design are studied within the interpretive context of urban culture collective identity.

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2

Godson, Lisa. "Vernacular". Design and Culture 8, n.º 1 (2 de enero de 2016): 135–38. http://dx.doi.org/10.1080/17547075.2016.1142352.

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3

Hwang sae bom y 정보민. "Study on vernacular expression of visual humor". Journal of Digital Design 7, n.º 4 (octubre de 2007): 241–48. http://dx.doi.org/10.17280/jdd.2007.7.4.025.

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4

Cleland, Jennifer y Anna MacLeod. "The visual vernacular: embracing photographs in research". Perspectives on Medical Education 10, n.º 4 (2 de junio de 2021): 230–37. http://dx.doi.org/10.1007/s40037-021-00672-x.

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AbstractThe increasing use of digital images for communication and interaction in everyday life can give a new lease of life to photographs in research. In contexts where smartphones are ubiquitous and many people are “digital natives”, asking participants to share and engage with photographs aligns with their everyday activities and norms more than textual or analogue approaches to data collection. Thus, it is time to consider fully the opportunities afforded by digital images and photographs for research purposes. This paper joins a long-standing conversation in the social science literature to move beyond the “linguistic imperialism” of text and embrace visual methodologies. Our aim is to explain the photograph as qualitative data and introduce different ways of using still images/photographs for qualitative research purposes in health professions education (HPE) research: photo-documentation, photo-elicitation and photovoice, as well as use of existing images. We discuss the strengths of photographs in research, particularly in participatory research inquiry. We consider ethical and philosophical challenges associated with photography research, specifically issues of power, informed consent, confidentiality, dignity, ambiguity and censorship. We outline approaches to analysing photographs. We propose some applications and opportunities for photographs in HPE, before concluding that using photographs opens up new vistas of research possibilities.

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5

Asmal, Atiyah y Michiko Kaneko. "Visual Vernacular in South African Sign Language". Sign Language Studies 20, n.º 3 (2020): 491–517. http://dx.doi.org/10.1353/sls.2020.0010.

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6

Knorr, Karen. "Vernacular Masquerades". Photography and Culture 3, n.º 1 (marzo de 2010): 107–10. http://dx.doi.org/10.2752/175145110x12615814378478.

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7

Chavez, Mercedes. "Vernacular Landscapes". Afterimage 48, n.º 1 (1 de marzo de 2021): 37–53. http://dx.doi.org/10.1525/aft.2021.48.1.37.

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This essay employs Anthropocene frameworks to examine United States independent director Kelly Reichardt’s quiet vignettes of American precarity through the interpretive cinematic apparatus. Reichardt’s slow style and lingering gaze are primarily read as affective interpretations of human exhaustion or as a critique of capital temporalities. However, the critical attention paid toward the human in Reichardt’s films overlooks the primacy of landscape as a site of knowledge in the visual aesthetic. It is the entanglement between the human and the landscape in Reichardt’s films that invites an Anthropocene reading based on core concepts of time, scale, and the disruption of the modernist nature/culture binary. In Old Joy (2006) and Wendy and Lucy (2008), local, global, and planetary scales are made explicit and conflict with human structures such as gender and neoliberal economies. Reichardt’s work explores the manufactured landscape of Oregon and the Florida Everglades (respectively) in Night Moves (2013) and River of Grass (1994), pointing toward larger structural issues at play in traditional conservationism and narratives of progress. Finally, in her Western-influenced films Meek’s Cutoff (2010) and Certain Women (2016), Reichardt’s use of environmental sound provides the critique of American expansionist ideology’s depiction of and attempt to consume Indigeneity. Taken together, Reichardt’s filmography presents a compelling case for cinema’s role as mediator of the Anthropocene crisis.

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8

Vellinga, Marcel. "The noble vernacular". Journal of Architecture 18, n.º 4 (agosto de 2013): 570–90. http://dx.doi.org/10.1080/13602365.2013.819813.

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9

Maghsoudi Nia, Elham, Titi Hajihasani, Mohd Yazid Mohd Yunos y Nordin Abdul Rahman. "Daylighting Strategies in Iranian Vernacular Residential Buildings in Hot and Dry Climate". Applied Mechanics and Materials 747 (marzo de 2015): 329–32. http://dx.doi.org/10.4028/www.scientific.net/amm.747.329.

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Daylighting strategies and control of it, plays a significant role in energy efficiency and provision of visual comforts in buildings. This study conducted a review of literature and observation in a hot and dry region of Iran in order to investigate daylighting strategies and control of it by shading devices in the vernacular residential buildings. The results show thatdaylight in vernacular rooms was provided through door, window, Rozan, Moshabak, and Goljam. These components were equipped with thevertical and horizontalshading devices such as Orsi, Sarsayeh, Tabeshband and Kharakpoushto control the sunlight. The vernacular lighting strategy was in response to the energy efficiency and provided visual comfort.The vernacular concepts and schemes still can be adopted and reused by architects and developers. The study recommends appropriate daylight schemes and shading devices in design phase to achieve energy efficiency in new residential buildings.

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10

Tharu, Susie. "Notes for a grammar of the visual vernacular". Critical Quarterly 56, n.º 3 (octubre de 2014): 76–91. http://dx.doi.org/10.1111/criq.12139.

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11

Murphy, Kevin D. "The Vernacular Moment". Journal of the Society of Architectural Historians 70, n.º 3 (1 de septiembre de 2011): 308–29. http://dx.doi.org/10.1525/jsah.2011.70.3.308.

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Kevin D. Murphy reexamines the introduction of European modern architecture in New England during the late 1920s and 1930s. Emphasizing the importance of regional vernacular forms to the reformulation and popularization of modernism, The Vernacular Moment: Eleanor Raymond, Walter Gropius, and New England Modernism between the Wars also highlights Raymond's pioneering role in this process. A decade before Gropius associated modernism with New England's vernacular building tradition in the choice of materials for his own house in Lincoln, Massachusetts (1938), the design of the Cambridge School of Architecture (1928), to which Raymond contributed, had brought together modernism with both industrial and domestic vernacular idioms. Closely analyzing the architecture and written statements of Gropius and Raymond, the article explores how the architects grounded their modernism in tradition and created well-publicized buildings that served their pedagogic purposes.

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12

Butsykina, Y. O. "VERNACULAR CULTURE, CITY, ARCHITECTURE: ANALYSIS AND CORRELATION OF CONCEPTS". UKRAINIAN CULTURAL STUDIES, n.º 2(9) (2021): 56–59. http://dx.doi.org/10.17721/ucs.2021.2(9).10.

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The article is devoted to structuring the existing definitions of three key concepts within modern vernacular cultural studies in order to build a holistic picture of understanding the vernacular elements in urban space. Within the definition of vernacular culture (M. Lantis, A. Markusen, J. Carr and L. Servon), characteristics such as the combination of traditional culture and modern aspects of cultural identity in the non-professional dimension of city life were identified. Within the definition of the concept of vernacular city (J. Krase and T. Shortell, S. Sapu and others) the appeal to the discourse of everyday (G. Simmel, H. Lefebvre, M. de Certeau, R. Sennett and M. Blonsky) and the method of visual semiotics (R. Jakobson) is analyzed in order to distinguish signs of visual representation and urban identity, social and cultural conditions in the construction of urban space by its inhabit- ants. The concept of vernacular architecture (R. Brown and D. Maudlin, H. Guillaud, M. Salman) carries a combination of elements of traditional and everyday within postmodern and postcolonial studies and the concept of "collage city", as well as through the prism of the problem of sustainability.

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13

Bagaskara, Yohanes Vincent Mahendar y Yusfan Adeputera Yusran. "Struktur Hasil Translokasi Bangunan Vernakular Jawa Timur di Kampoeng Djawi Wonosalam". Review of Urbanism and Architectural Studies 16, n.º 2 (30 de diciembre de 2018): 49–60. http://dx.doi.org/10.21776/ub.ruas.2018.016.02.5.

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Vernacular buildings in Indonesia, especially vernacular buildings of East Java, are increasingly diminishing. Many efforts have been made to maintain the existence of vernacular buildings, one of which is ex-situ conservation by re-using it adaptively as a tourist destination as found in Kampoeng Djawi Wonosalam. Translocation of vernacular buildings to new locations and new function causes changes in vernacular buildings, particularly in its structure. Changes occur as an adaption to new locations and new activities that will be accommodated. The objective of this paper is to describe the structural changes in vernacular buildings as the result of translocation. Qualitative descriptive method is used to find the structural changes, so the results obtained are actual facts. Changes that occur then analyzed with the concept of adaptive exoskeleton building. According to the results of observations and analysis, changes that occur in vernacular building translocation are caused by resilience, safety, and visual factors, as well as fulfillment of new activities.

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14

Kürüm Varolgüneş, Fatma. "Evaluation of vernacular and new housing indoor comfort conditions in cold climate – a field survey in eastern Turkey". International Journal of Housing Markets and Analysis 13, n.º 2 (22 de junio de 2019): 207–26. http://dx.doi.org/10.1108/ijhma-02-2019-0019.

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Purpose The purpose of this study is to compare vernacular and new houses in terms of indoor occupant satisfaction and thermal and visual comfort in a region with cold climatic conditions. In line with the data obtained, the contribution of passive design techniques to comfort in housing indoor will be revealed. Design/methodology/approach In this study, the comfort conditions to be provided in a residence were determined and evaluated in Bingol with the help of questionnaires applied on vernacular and new houses. The information gathered from the occupants and the survey study was mainly designed for three purposes: (i) acquiring general information about houses; (ii) acquiring general information about occupants; and (iii) inquiring about the physical comfort satisfaction of the occupants (thermal comfort and visual comfort). Findings Although the average occupant satisfaction in terms of thermal performance in vernacular houses in summer and winter is 3.91, this average is 2.01 for new houses. The average of the general visual comfort of occupants in vernacular houses is 3.59, whereas this rate is 2.63 in new houses. According to the data obtained, occupant satisfaction was higher in vernacular houses than in new houses. In general, the new settlement area is designed and positioned independently of climate and environmental conditions. This situation increases the need to use mechanical systems to provide indoor thermal comfort conditions. The increase in the need for mechanical systems leads to a significant increase in energy expenditures, as well as deterioration of health conditions in places. Research limitations/implications To ensure occupant satisfaction, indoor thermal comfort conditions and healthy environments, vernacular houses should be an example for the design and building of new houses in terms of orientation, environment relations, space dimensions and space usage in accordance with the character of the region and material selection. Originality/value There has not been a serious research on bioclimatic, socioeconomic and cultural sustainability of the vernacular architecture of Bingol. Therefore, this region has been preferred as the study area.

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15

Cook, Daniel Thomas. "Vernacular Faith: Community, Heritage, Transition". Contexts 21, n.º 1 (febrero de 2022): 46–53. http://dx.doi.org/10.1177/15365042221083010.

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This photographic essay sets out to represent a sense of place-making in several North Philadelphia neighborhoods, predominately inhabited by African Americans, focusing on the built environment of small houses of worship. In brick and mortar, sheetrock and aluminum, wood and plaster, generations of residents have forged living chambers of significance out of inanimate materials by repurposing storefronts and homes. These edifices give a grounded, visual-material sense of their inextricability from urban history and everyday life, surviving in the interstices of the urban grid over and against historical racial discrimination, economic deprivation, and now, the threat of cultural and geographic displacement.

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16

Butsykina, Y. O. "Vernacular design as visual practice of urban space organization". Українські культурологічні студії, n.º 1 (6) (2020): 5–8.

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17

Buhle, Paul. "The Left in American Comics: Rethinking the Visual Vernacular". Science & Society 71, n.º 3 (julio de 2007): 348–56. http://dx.doi.org/10.1521/siso.2007.71.3.348.

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18

Chiarappa. "The Gyre Narrows, Again: Vernacular Buildings, Vernacular Landscapes, and Environmental History". Buildings & Landscapes: Journal of the Vernacular Architecture Forum 27, n.º 2 (2020): 1. http://dx.doi.org/10.5749/buildland.27.2.0001.

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19

Theodoraki-Patsi, Julia. "Tourism and Greek Vernacular Architecture". Design Principles and Practices: An International Journal—Annual Review 4, n.º 1 (2010): 39–50. http://dx.doi.org/10.18848/1833-1874/cgp/v04i01/37806.

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20

Salih, Amna Bassim Mohamed. "The Characters of the Form in the Vernacular Architecture A comparative study of the form's characters of facades of individual houses and commercial buildings in the City of Baghdad after 2003–Zayoona district as a case study". Journal of Engineering 25, n.º 7 (1 de julio de 2019): 145–64. http://dx.doi.org/10.31026/j.eng.2019.07.09.

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The characters of facades' form of the Iraqi building after 2003 have been changed, it has been described by many names. The problem of the research is that what are the features of the characters of the form in the façades of the buildings in Baghdad city after 2003? Are the façade of the individual houses or the commercial buildings is the heaviest in the visual weight? The research aims to answer those questions by choosing the vernacular architecture as a measurement tool. It is the informal image of the architecture, which is built by people informally and spontaneously, without official control and legislation to be organized. This is smellier to what has happened in Baghdad, after 2003 according to previous study submitted by the same researcher (The phenomenon of trespassing the architectural design regulation in the Iraqi cities 2003-2016- case study Baghdad) the individual houses as a case study. The research method has dealt with the previous studies, and with the terms and the vernacular architecture in some Arabic countries. The research determines the features of the form's characters in the façades of the vernacular architecture in Egypt, Yemen, and Palestine as the generic features of the vernacular taste in Arabic societies. The researcher examines these features by checking list and Excel program and by selecting samples in Zayoona district after 2003 as a case study. The research's hypothesis has proved that the form's characters of local façades in Baghdad after 2003 are a rural vernacular. The facades of the individual houses have had the heaviest influences at the visual weight. The research has concluded that the characters of the vernacular architecture's form have common and basic styles among societies. when it has manifested in cities, showed their architectural style and identity, it indicates a decline in both architectural style and identity. The heavy influences of the visual weight in Iraqi architecture after 2003 depends on the decoration included two types: the rhythmic and geometric decoration, being important elements in the facades.

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21

Dyer, Christopher. "History and Vernacular Architecture". Vernacular Architecture 28, n.º 1 (junio de 1997): 1–8. http://dx.doi.org/10.1179/030554797786050428.

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22

James, Sule Ameh. "CRITICAL DISCOURSE OF AFRICAN VERNACULAR ROOTED IMAGERIES IN PITIKA NTULI’S SCULPTURES". ARTis ON, n.º 9 (26 de diciembre de 2019): 140–51. http://dx.doi.org/10.37935/aion.v0i9.246.

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My paper presents a critical discourse on African vernacular rooted imageries in the contemporary sculptures of Ntuli, the ideas they convey to viewers and how Africanness is indicated in each depiction produced between 2007 and 2016. I read Ntuli’s contemporary sculptures as African vernacular rooted because he appropriates in them cultural imageries from engagement with African contexts. Five images of his sculptures and installations were purposively selected for thematic and visual analysis. I adopt visual hermeneutics theory, formal analysis and cultural history methods for the reading of each work. The narrative reveals that Ntuli’s vernacular imageries reflects black South African men and a woman rooted in past and present socio-political events in South Africa. The thematic interpretations of the imageries reveal ideas on massacre not merely during apartheid but in post-apartheid South Africa, torture of victims detained without trial, anti-racialism and reflection on a historical hero from Zulu culture.

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23

Shadar, Hadas. "Vernacular values in public housing". Architectural Research Quarterly 8, n.º 2 (junio de 2004): 171–81. http://dx.doi.org/10.1017/s135913550400020x.

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The crisis in modern architecture in the middle of the twentieth century brought about a reaction to total Utopian solutions and ideas and the realization of the importance of ‘place’ and identity. These notions found expression, among others, in a renewed interest in vernacular construction. Vernacular construction is evolutionary and contains key, a priori, aspects of identity and place. As such it constituted a focus of attention and gained special exposure and popularity after the exhibition ‘Architecture without Architects’, held in MoMA, New York in 1964. As a result of this attention, the patio, that external room constituting the heart of the house in the Middle East, in the Mediterranean basin and in the Far East, gained architectural significance. At the same time it found a place in modern housing in the Western world.

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24

Passanti, Francesco. "The Vernacular, Modernism, and Le Corbusier". Journal of the Society of Architectural Historians 56, n.º 4 (1 de diciembre de 1997): 438–51. http://dx.doi.org/10.2307/991313.

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The modernist architecture of the 1920s, often referred to by the terms "machine aesthetic" and "International Style," has been seen as antithetical to the vernacular. Focusing on Le Corbusier, this essay argues that, to the contrary, the vernacular played an essential role in the construction of modernist architecture, as conceptual model for a notion of modern vernacular-one as naturally the issue of modern industrial society, and as representative of it, as the traditional vernacular of common parlance had been of earlier societies. Le Corbusier arrived at this notion by layering on each other several discourses concerning regionalism, folklore, and the more complex concept of Sachlichkeit (factualness), developed in Vienna and Germany at the turn of the century by such figures as Adolf Loos and Hermann Muthesius.

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25

Ivanov, A. "ARMENIAN CITY OF GYUMRI AS A PHENOMENON OF LIVING VERNACULAR URBAN ENVIRONMENT". ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (24 de julio de 2020): 167–74. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-167-2020.

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Abstract. Architectural and environmental peculiarities of Gyumri (former Alexandropol, Leninakan) located in the Republic of Armenia lie in the vernacular: a significant layer of historic “architecture without architects” (Bernard Rudofsky) built by local skilled stonemasons from the local material called black tuff. In the late 19th and early 20th centuries, Gyumri was the largest city in Eastern Armenia (Armenia within the borders of the Russian Empire) and its economic and cultural centre. The historic part of the city is a regular grid filled with one- or two-storey stone vernacular buildings (under the unwritten principle “freedom within the grid”). Until now, despite the devastating earthquakes of 1926 and 1988, it remains practically authentic and serves as a living multifunctional city core. This article introduces new theoretical concepts of the living vernacular city and the vernacular ensemble, developed by the author, and examines the peculiarities of vernacular architecture emergence at different stages of urban formation. The author also investigates the phenomenon of the almost incessant vernacular development of the city, which took place not only during the city’s heyday, but also in the Soviet times when private architectural activity was officially forbidden, and today when we see the revival of spontaneous vernacular construction – in excessively decorated forms, but with the same traditional methods and the masters’ love for their works. Methods of detailed visual analysis of the built environment and in-depth interviewing of vernacular actors were used in the preparation of the study.

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26

Zhang, Xiangyi. "Not just Playing: Potential in Enhancing Second Language Learning through Games". SHS Web of Conferences 180 (2023): 02001. http://dx.doi.org/10.1051/shsconf/202318002001.

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Game-based interaction is a new and exciting approach to second language (L2) learning in language classrooms worldwide. This paper aims to explore the potential of using vernacular games as a tool to improve L2 skills. By reviewing previous studies, the paper discusses how games can combine self-motivated and passive learning to make L2 learning more enjoyable and effective. The paper explores the possibilities of studying L2 with games’ wide range of contexts, such as audio, visual content, puzzles, and stories. It then provides suggestions for utilizing vernacular games, such as using short L2 commands, switching to an L2 server, changing long text to L2, and guessing games in long texts, visual aids, and gestures. This paper concludes that adjusted vernacular games can help with learning L2, but learners should balance gaming and actual learning. Seeking professional guidance may be helpful in leveraging the potential of incorporating games into language learning. However, more research is needed to determine how games can best support L2 learning regarding various issues such as drawings or gestures’ impact on memorization and learners’ self-control in gaming.

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27

Jackson, Jonathan David. "Improvisation in African-American Vernacular Dancing". Dance Research Journal 33, n.º 2 (2001): 40. http://dx.doi.org/10.2307/1477803.

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Jennings, Jan. "Drawing on the Vernacular Interior". Winterthur Portfolio 27, n.º 4 (diciembre de 1992): 255–79. http://dx.doi.org/10.1086/496592.

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Campbell, Reese y Demetrios Comodromos. "Urban Morphology + the Social Vernacular". Journal of Architectural Education 63, n.º 1 (octubre de 2009): 6–13. http://dx.doi.org/10.1111/j.1531-314x.2009.01023.x.

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30

Morris, Martin. "Houses of the people, kitchens of the great: a Japanese enigma". Architectural Research Quarterly 2, n.º 3 (1997): 52–63. http://dx.doi.org/10.1017/s1359135500001421.

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The gulf dividing the houses of ruling elites from those in use among the bulk of a population (here referred to as vernacular) is a phenomenon common to many cultures. It reflects the close correlation between the kind of house in which an individual lives and his social status. A grasp of the relationship, between elite and vernacular houses in societies where both exist enhances our understanding of the development of domestic architecture, and our appreciation of the wider historical significance of that development. This paper explores an aspect of the relationship between elite and vernacular houses in seventeenth-century Japan.

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31

Faycal, Boubenia, S. V. Ilvitskaya y T. V. Lobkova. "Vernacular architecture in kabylia and its characteristics in the context of visual restoration of architectural heritage". E3S Web of Conferences 389 (2023): 06003. http://dx.doi.org/10.1051/e3sconf/202338906003.

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This article is a study on Kabylian vernacular architecture in the district of Ammal, Kabylia. In an era marked by an absence of architectural identity, we want to focus on a presentative sense of the architecture of the past, which should remain engraved in memory and which is a cultural wealth of this time. As an object of study, we focus on the analysis of individual houses built from soil and stone and other local materials. The Kabylian vernacular house, which reflects the principles of vernacular architecture, bioclimatic architecture and is part of the fundamentals of sustainable development, represents architectural know-how that should be used in new contemporary architectural projects in the Kabylian region, on the one hand, and on the other, it is an architecture that should be conserved and preserved, given the historical and distinctive role it plays in the rich heritage of Kabylia. The research involves measuring work at the site of the objects, researching and classifying materials, interviewing people in the region and specialists who are interested in history in order to have reliable explanations for the methods used in construction, the different construction processes and justification for the choice of materials. Part of the research is historical and demographic in nature, and relates to the changes that have led to a lack of interest in Kabylian vernacular architecture, and village life in general. The article focuses on illustrating an image of the past that can be reconstructed as an identity for the modern world, that participates in its evolution.

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32

Galloway, Andrew. "A Fifteenth-Century Confession Sermon on “Unkyndeness” (CUL MS Gg 6.26) and Its Literary Parallels and Parodies". Traditio 49 (1994): 259–69. http://dx.doi.org/10.1017/s0362152900013052.

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The later Middle Ages was the high moment of the popular, vernacular sermon, yet relatively few examples of extraliturgical sermons can be recovered from the written evidence. Latin collections of sermon cycles—those preached in the context of the mass liturgy and saints' days—were produced in large quantities in the thirteenth and fourteenth centuries, functioning more or less directly as exemplars for the actual sermons that would then be preached in the local vernaculars of western Europe. In England, such Latin sermon collections of the fourteenth and fifteenth centuries often include some vernacular materials, especially lyrics, and many treatises are extant that provide priests with the materials to make sermons on a wide range of topics and for an indefinite number of occasions. Of the relatively few English sermons and sermon collections extant from the period, however, by far the greatest number are, like the Latin cycles, those keyed to the cycle of Sunday texts and to saints' days, whose very formality militates against a sense of them as representative of the most common forms and themes of vernacular sermons, particularly those earnestly preached on the occasions like that which Chaucer satirically describes in theSummoner's Tale, when “ther wente a lymytour aboute / To preche, and eek to begge, it is no doubte” (3.1711–1712). With so few examples of non-liturgical sermons extant, our sense both of the reality and of the satire is incomplete.

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33

Kempen, Michiel van y Ina Rilke. "Vernacular Literature in Suriname". Callaloo 21, n.º 3 (1998): 630–44. http://dx.doi.org/10.1353/cal.1998.0159.

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34

Liebhaber, Sam. "Acoustic spectrum analysis of Mahri orature". Brill’s Journal of Afroasiatic Languages and Linguistics 9, n.º 1-2 (2017): 106–18. http://dx.doi.org/10.1163/18776930-00901012.

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The question of the metrical organization of Arabian vernacular orature has historically been defined by two approaches: one holds that its metrical system is based on patterned beats of stress, while the other proposes regular alternations of long and short vowels. In this article, I describe some preliminary experiments in using a digital method to derive visual spectrograms of the same lines of Mahri poetry performed in two different modes: chanting and recitation. Given the discrepancy in results between the two, my findings suggest that the organizational rhythm of bedouin vernacular poetry is contingent on performance and is not intrinsic to the poetic text itself. The results further cast suspicion on the salience of vocalic quantity or syllabic quality as the prime determinants of Bedouin vernacular prosody.

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35

Taufani, Abduh Rafif. "Budaya Pecinta Kopi dan Gaya Hidup Urban Kedai Kopi di Surabaya: Analisis Visual Semiotika Spasial". Jurnal Media dan Komunikasi 1, n.º 1 (1 de noviembre de 2020): 23. http://dx.doi.org/10.20473/medkom.v1i1.22926.

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This research are focused on cultural identity and urban lifestyle that being representated throu symbols on coffeeshops in Surabaya. The research are conducted using vernacular semiotics or better called as spatial semiotic analysis. The researcher are interested due to current trends of third-wave coffeshops and how they identify themselves as a coffee lovers, also how third-wave customers put meaning in urban lifestyle in general throu themselves, visual gimmick, and interior design of the coffeeshops. Vernacular Semiotic are chosen as an analytic instruments because the visual elements surrounding the coffeshops and their customers are treated as visual text. The meaning behind coffee-drinkin activity are actively produced by the urban dwellers that habitate the spatial space of the coffeeshops. This research conclude that urban dwellers/customers are more drawn into the meaning throu visual elements to go to coffeeshops rather than the actual beverages. Therefore urban dwellers are also consuming the meaning behind every activity they are doing. The consumed meaning is either produced by the urban dwellers or the coffeshop itself.

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36

Geddes, George F. "Vernacular Parallels: Brochs and Blackhouses". Vernacular Architecture 41, n.º 1 (diciembre de 2010): 15–27. http://dx.doi.org/10.1179/174962910x12838716153727.

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37

McCann, John. "A Vernacular Window of 1618". Vernacular Architecture 41, n.º 1 (diciembre de 2010): 81–83. http://dx.doi.org/10.1179/174962910x12838716154005.

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38

Philippou, Nicos. "The Legibility of Vernacular Aesthetics". Photographies 3, n.º 1 (14 de abril de 2010): 85–98. http://dx.doi.org/10.1080/17540760903561165.

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39

Smith, Fred T., Jean-Louis Bourgeois y Carollee Pelos. "Spectacular Vernacular: The Adobe Tradition". African Arts 24, n.º 1 (enero de 1991): 94. http://dx.doi.org/10.2307/3336884.

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40

Meeus, Hubert. "Printing vernacular translations in sixteenth-century Antwerp". Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online 64, n.º 1 (2014): 108–37. http://dx.doi.org/10.1163/22145966-06401005.

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41

Eubanks, Charlotte. "Visual vernacular: rebus, reading, and urban culture in early modern Japan". Word & Image 28, n.º 1 (enero de 2012): 57–70. http://dx.doi.org/10.1080/02666286.2012.655467.

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42

Jurriëns, Edwin. "Reconnecting with the Urban Vernacular through Post-New Order Visual Art". Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 179, n.º 2 (29 de junio de 2023): 175–215. http://dx.doi.org/10.1163/22134379-bja10052.

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Abstract Indonesia’s urbanization and economic development projects during the New Order established regimes of visuality that ignored aspects of everyday urban life. Contemporary Indonesian artists attempt to share untold histories and stories of everyday life from the urban past or give expression to the social and creative challenges and opportunities of the urban present. This article focuses on multimedia artist Maryanto and new media art collective Ruang MES 56. Maryanto’s use of allegory and his notion of art as a ‘space of exception’ constitute thoughtful ways of engaging with the transformations of people’s urban environments and identities. MES 56’s work utilizes the critical and humorous potential of the ludic to deal with the new urban realities and possibilities under democratic reform. I argue that artistic exception does not exclude but in some ways strengthens, and in other ways contradicts, reconnection with the everyday realities of Indonesian urban life.

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43

Tuma, René T. "PROFESSIONAL INTERPRETATION IN SPORTS TRAINING – AN ANALYSIS OF THE COMMUNICATIVE PRACTICES OF VERNACULAR VIDEO ANALYSIS". ГОДИШЊАК ЗА СОЦИОЛОГИЈУ 25, n.º 1 (13 de noviembre de 2020): 9–31. http://dx.doi.org/10.46630/gsoc.25.2020.01.

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This paper deals with the communicative practices and expert vision. It shows that interpretation of video-recordings is not a purely cognitive, but rather an ongoing communicative accomplishment. Based on the analysis of video recordings and ethnographic research, it the analysis shows how professionals in sports training themselves use audio-visual data to generate knowledge. The analysis is based on the theoretical background of communicative constructivism and addresses the participants’ use of technology, the situative bodily performance of making things visible and the local production of knowledge as a communicative practice. The specific forms exhibit the characteristics of local cultures of “vernacular video analysis”. While the paper highlights the situative aspects of interpretation work it also embeds them in the wider framework of a field specific arc of work. Keywords: visual data, vernacular video analysis, communicative practices, bodily performances, local production of knowledge

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44

Groth, Paul. "Making New Connections in Vernacular Architecture". Journal of the Society of Architectural Historians 58, n.º 3 (septiembre de 1999): 444–51. http://dx.doi.org/10.2307/991538.

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45

McCleary, Ann. "Review: Vernacular Architecture by Henry Glassie". Journal of the Society of Architectural Historians 61, n.º 2 (1 de junio de 2002): 255–57. http://dx.doi.org/10.2307/991861.

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46

Marshall, Howard Wight. "Perspectives in Vernacular Architecture. Camille Wells". Winterthur Portfolio 20, n.º 4 (diciembre de 1985): 312–14. http://dx.doi.org/10.1086/496251.

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47

Lara, Fernando Luiz. "Modernism Made Vernacular: The Brazilian Case". Journal of Architectural Education 63, n.º 1 (octubre de 2009): 41–50. http://dx.doi.org/10.1111/j.1531-314x.2009.01027.x.

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48

Auffrey, Christopher y Henry Hildebrandt. "Exploring Vernacular Signage Along America's Legacy Roadscapes". Interdisciplinary Journal of Signage and Wayfinding 5, n.º 2 (23 de diciembre de 2021): 47–54. http://dx.doi.org/10.15763/issn.2470-9670.2021.v5.i2.a93.

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The context in which a sign is displayed and viewed, reflecting the surrounding natural, built and socio-cultural environments in which it is placed, is essential for how well a sign is able to perform its intended visual communication function to orient, inform, persuade, and/or regulate. To this end, signage research must give appropriate attention to contextual factors, especially along highways where natural, built, and socio-cultural environments may continually change. This field report describes efforts to document and assess vernacular signage found along America’s legacy highways. Vernacular signs include a range of contextually designed and placed displays, usually connected to unique local businesses. The focus here is on how vernacular signs respond to contextual factors and often control their own contexts, and as such provide insight into the design, placement, and regulation of contemporary signs of all types.

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Proksell, Michelle y Gabriele de Seta. "A Cabinet of Moments: Collecting and Displaying Visual Content from WeChat". Cabinet, Vol. 2, no. 2 (2017): 88–94. http://dx.doi.org/10.47659/m3.088.art.

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The Chinternet Archive is a collection of tens of thousands of digital images that artist Michelle Proksell has been collecting over years of everyday use of Chinese social messaging app WeChat. These images all come from public WeChat accounts that Michelle finds through a location-based function of the app called “People Nearby”. By regularly exploring the social media profiles of individuals in a one-kilometer radius from her geographical position, Michelle has been able to collect visual content shared by WeChat users in several Chinese cities as well as ten countries around the world. From filtered selfies to cheesy graphics, and from recurring themes of vernacular photography to emerging genres of postdigital aesthetics, the images collected in the Chinternet Archive offer precious and intimate insights into the everyday lives of Chinese digital media users. This essay introduces Michelle’s collection, presents various research projects and artworks through which the authors have made use of the archive, discusses the potentialities of working with visual content as well as the dangers of appropriating found images in the era of ubiquitous photography. Keywords: archive, China, found images, vernacular photography, WeChat

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50

Johnson, Matthew. "Vernacular Architecture: The Loss of Innocence". Vernacular Architecture 28, n.º 1 (junio de 1997): 13–19. http://dx.doi.org/10.1179/030554797786050653.

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