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Libros sobre el tema "Visual area"

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Publicado: 11 de marzo de 2023

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1

Lydia, Matthews, ed. Site to sight : mapping Bay Area visual culture. San Francisco: [s.n.], 1995.

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2

Lydia, Matthews y California College of Arts and Crafts (Oakland, Calif.), eds. Site to sight: Mapping Bay Area visual culture. San Francisco: [California College of Arts and Crafts], 1995.

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3

group), E. Area (Art, P.S.1 Contemporary Art Center. y Art Basel Miami Beach (7th : 2008), eds. Resonance: Federico Díaz, E Area : visual activism, installations, architecture. Milano: Charta, 2008.

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4

Limited, Price Waterhouse y Ecologistics Limited, eds. Visual impact study: Innisfil Landfill Site service area amendment application. Waterloo, ON: Ecologistics, 1991.

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5

Kate, Gregory, ed. Building Internet applications with Visual C++. Indianapolis, IN: Que, 1995.

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6

Gotham turnstiles: A visual depiction of rapid transit in the New York metropolitan area from 1958-1968. Flushing, NY: H&M Productions, 1992.

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7

Gray, Colette. Visual impairment in the early years child: An evaluation of training provision in the Southern Board Area. Belfast: Stranmillis Press, 2004.

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8

Kate, Gregory, ed. Building Internet applications with Visual C[plus plus] ... Kate Gregory ... [et al.]. Indianapolis: Que, 1995.

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9

Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2019 Florence. Florence: Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-869-3.

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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Science and Culture Developments & Applications; New Technical Developments & Applications; Cultural Activities – Real and Virtual Galleries and Related Initiatives, Access to the Culture Information. One Workshop regards Innovation and Enterprise. The more recent results of the Researches at national and international level are reported in the Area of Technologies and Culture Heritage, also with experimental demonstrations of developed Activities.
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10

Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2017 Florence. Florence: Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-502-9.

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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Sciences and Culture Developments and Applications; New Technical Developments & Applications; Museums - Virtual Galleries and Related Initiatives; Art and Humanities Ecosystem & Applications; Access to the Culture Information. Two Workshops regard: Innovation and Enterprise; the Cloud Systems connected to the Culture (eCulture Cloud) in the Smart Cities context. The more recent results of the Researches at national and international are reported in the Area of Technologies and Culture Heritage, also with experimental demonstrations of developed Activities.
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11

Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2018 Florence. Florence: Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-707-8.

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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Sciences and Culture Developments and Applications; New Technical Developments & Applications; Museums - Virtual Galleries and Related Initiatives; Art and Humanities Ecosystem & Applications; Access to the Culture Information. Two Workshops regard: Innovation and Enterprise; the Cloud Systems connected to the Culture (eCulture Cloud) in the Smart Cities context. The more recent results of the Researches at national and international are reported in the Area of Technologies and Culture Heritage, also with experimental demonstrations of developed Activities.
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12

Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2012 Florence. Florence: Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-130-0.

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The key aim of this Event is to provide a forum for the user, supplier and scientific research communities to meet and exchange experiences, ideas and plans in the wide area of Culture & Technology. Participants receive up to date news on new EC and international arts computing & telecommunications initiatives as well as on Projects in the visual arts field, in archaeology and history. Working Groups and new Projects are promoted. Scientific and technical demonstrations are presented.
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13

Images in libraries, museums, and archives: Description and intellectual access : papers from PACSCL (The Philadelphia Area Consortium of Special Collections Libraries), Summer Seminar, 1993. [London]: Gordon and Breach, 1995.

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14

Rik, Pinxten y Preckler Ellen, eds. Racism in metropolitan areas. New York: Berghahn Books, 2005.

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15

Ohio. Dept. of Education y Ohio. Division of Special Education, eds. Gifted students in the areas of visual and performing arts. Columbus: Ohio Dept. of Education, 1992.

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16

Benson, Robert Earl. Attaining visual quality objectives in timber harvest areas--landscape architects' evaluation. [Ogden, Utah]: U.S. Dept. of Agriculture, Forest Service, Intermountain Forest and Range Experiment Station, 1985.

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17

Benson, Robert Earl. Attaining visual quality objectives in timber harvest areas--landscape architects' evaluation. Ogden, UT: U.S. Dept. of Agriculture, Forest Service, Intermountain Research Station, 1985.

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18

Benson, Robert Earl. Attaining visual quality objectives in timber harvest areas--landscape architects' evaluation. Ogden, UT: U.S. Dept. of Agriculture, Forest Service, Intermountain Research Station, 1985.

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19

Grand County visions: A visual journey through Winter Park, Grand Lake & surrounding areas. Granby, Colo: ZBH Pub., 2000.

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20

Corby, Finney Paul, ed. Seeing beyond the word: Visual arts and the Calvinist tradition. Grand Rapids, Mich: W.B. Eerdmans Pub., 1998.

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21

Cahana, Aelad. The permit regime: Human rights violations in West Bank areas known as the "seam zone". Jerusalem: HaMoked, Center for the Defence of the Individual, 2013.

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22

Singh, Hardeep. What strategies can fashion retailers adopt in the areas of customer service and visual merchandising to improve market share?. London: LCP, 2001.

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23

Visual Tools for Differentiating Content Area Instruction Grades 38. Scholastic Teaching Resources, 2010.

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24

Walker, Nancy y Marva Cappello. Get the Picture: Visual Literacy in Content-Area Instruction. Teacher Created Materials, Incorporated, 2019.

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25

Imaging the Caribbean: Culture and Visual Translation. Palgrave Macmillan, 2010.

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26

Imaging the Caribbean: Cultural and Visual Translation. Macmillan Caribbean, 2010.

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27

Integrated Coastal Area Management Training Package: Training Manual and Visual AIDS. United Nations Publications, 2003.

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28

So, Dennis. A multi-media presentation system for control oriented local area networks (COLAN). 1990.

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29

So, Dennis. A multi-media presentation system for control oriented local area networks (COLAN). 1990.

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30

Area 2: 100 graphic designers; 10 curators; 10 design classics. London: Phaidon Press, 2008.

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31

Baily, Albert L. Multi-media presentation system based on a distributed control network. 1991.

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32

Visual motion and self-motion processing in the human brain. Berlin, Germany: Logos-Verlag Berlin, 2011.

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33

Coop Himmelblau Central Los Angeles Area High School 9 For The Visual And Performing Arts Hs9. Prestel Publishing, 2010.

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34

Gotham Turnstiles: A visual depiction of rapid transit in the New York metropolitan area from 1958-1968. H & M Productions, 1992.

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35

Whitehead, Paul y Ruth Maran. Creating Web Pages Simplified (3-D Visual Series). Hungry Minds Inc, 1997.

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36

Robichaux, Paul, Brady Merkel y Markus Pope. Building Internet Applications With Visual C++/Book and Cd-Rom. Que, 1995.

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37

Butz, Martin V. y Esther F. Kutter. Primary Visual Perception from the Bottom Up. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780198739692.003.0008.

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This chapter addresses primary visual perception, detailing how visual information comes about and, as a consequence, which visual properties provide particularly useful information about the environment. The brain extracts this information systematically, and also separates redundant and complementary visual information aspects to improve the effectiveness of visual processing. Computationally, image smoothing, edge detectors, and motion detectors must be at work. These need to be applied in a convolutional manner over the fixated area, which are computations that are predestined to be solved by means of cortical columnar structures in the brain. On the next level, the extracted information needs to be integrated to be able to segment and detect object structures. The brain solves this highly challenging problem by incorporating top-down expectations and by integrating complementary visual information aspects, such as light reflections, texture information, line convergence information, shadows, and depth information. In conclusion, the need for integrating top-down visual expectations to form complete and stable perceptions is made explicit.
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38

Woolsey, Clinton N. Multiple Visual Areas : Volume 2: Multiple Visual Areas. Humana Press, 2012.

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39

Woolsey, Clinton N. Multiple Visual Areas : Volume 2: Multiple Visual Areas. Humana Press, 2011.

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40

Yamamoto, Sakae y Hirohiko Mori. Human Interface and the Management of Information. Visual Information and Knowledge Management: Thematic Area, HIMI 2019, Held as Part of the 21st HCI ... I. Springer, 2019.

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41

Fashokun, John Adeyinka. A descriptive study of San Francisco Bay Area art instructors' perceptions of the knowledge and qualities needed for effective visual art teaching at the college level. 1987.

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42

Visuals for the Language Classroom (Longman Keys to Language Teaching). Pearson P T R, 1991.

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43

Smarter Charts for Math, Science, and Social Studies: Making Learning Visible in the Content Areas. Heinemann, 2014.

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44

Callahan, William A. Sensible Politics. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190071738.001.0001.

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Visual images are everywhere in international politics. But how are we to understand them? Callahan uses his expertise in theory and filmmaking to explore not only what visuals mean, but also how visuals can viscerally move and connect us in “affective communities of sense.” Sensible Politics explores the visual geopolitics of war, peace, migration, and empire through an analysis of photographs, films, and art. It then expands the critical gaze to consider how “visual artifacts”—maps, veils, walls, gardens, and cyberspace—are sensory spaces in which international politics is performed through encounters on the local, national, and world stages. Here “sensible politics” isn’t just sensory, but looks beyond icons and ideology to the affective politics of everyday life. This approach challenges the Eurocentric understanding of international politics by exploring the meaning and impact of visuals from Asia and the Middle East. Sensible Politics thus decenters our understanding of social theory and international politics by (1) expanding from textual analysis to highlight the visual and the multisensory; (2) expanding from Eurocentric investigations of IR to a more comparative approach that looks to Asia and the Middle East; and (3) shifting from critical IR’s focus on inside/outside and self/Other distinctions. It draws on Callahan’s documentary filmmaking experience to see critique in terms of the creative processes of social-ordering and world-ordering. The goal is to make readers not only think visually, but also feel visually—and to creatively act visually for a multisensory appreciation of politics.
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45

Co, Marshall Penn-York. South central Pa., Altoona, Johnstown, the map: Visual Encyclopedia : Featuring I-76 east-west of exit 12 (junction of I-70) west I-76-70 through Somerset, so. central Pa. area ... placename directory. 2a ed. The Company, 2000.

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46

Wilderness America Visual Journey. Whitecap Books, 2009.

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47

(Photographer), Wayne Lynch y Andy Russell (Foreword), eds. Wild Alberta: A Visual Celebration. Fifth House Books, 2005.

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48

Pinxten, Rik y Ellen Preckler. Racism in Metropolitan Areas. Berghahn Books, Incorporated, 2005.

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49

Racism in metropolitan areas. New York, NY: Berghahn Books, 2006.

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50

Pinxten, Rik y Ellen Preckler. Racism in Metropolitan Areas. Berghahn Books, Incorporated, 2005.

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