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Libros sobre el tema "Visitor emotions"

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Autor: Grafiati
Publicado: 23 de febrero de 2024

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1

Chakraborty, Aruna. Emotional Intelligence: A Cybernetic Approach. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009.

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2

Paul, Marcus y Jeschke Susan ill, eds. Scary night visitors: A story for children with bedtime fears. Milwaukee: G. Stevens, 1993.

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3

Marcus, Irene Wineman. Scary night visitors: A story for children with bedtime fears. New York: Magination Press, 1990.

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4

Erich, Fromm. Sarang ŭi kisul. Sŏul Tʻŭkpyŏlsi: Munye Chʻulpʻansa, 2005.

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5

David, Hutchison. Affect and Emotion in Human-Computer Interaction: From Theory to Applications. Berlin, Heidelberg: Springer-Verlag Berlin Heidelberg, 2008.

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6

Daum, Andreas W. Kennedy in Berlin: Politik, Kultur und Emotionen im Kalten Krieg. Paderborn: Ferdinand Schöningh, 2003.

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7

author, Mao Qirong, Lin, Qing, active 2013 author y Cheng Keyang author, eds. Shi jue yu yin qing gan shi bie. Beijing: Ke xue chu ban she, 2013.

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8

Johnstone, May. The emotional effects of childbirth: A distance learning course for midwives, health visitors and others who care for women around the time of childbirth. [Doncaster]: Marcé Society, 1994.

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9

A, Tsihrintzis George, ed. Visual affect recognition. Amsterdam: IOS Press, 2010.

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10

Ceccucci, Piero, ed. Fiorenza mia…! Firenze e dintorni nella poesia portoghese d'oggi. Florence: Firenze University Press, 2009. http://dx.doi.org/10.36253/978-88-8453-329-6.

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In the Portuguese imagination Florence is justly considered the cradle of modern western civilisation. Seen and admired from the Renaissance on as the new Athens, for the Portuguese it has always represented not only a model of culture and civilisation to take as inspiration, but also and above all the locus amoenus of spiritual and intellectual harmony and balance, dreamed-of and unattainable, that floods and pervades the soul with a vague, nostalgic sentiment of admiration. Evidence of this, now as in the past, are the serried ranks of poets who for centuries have sung its praises and raised it to the rank of myth. This brief anthology proposes only a few of them, among the most renowned of recent generations. In a truly original way these poets have managed to convey to the hearts and minds of their compatriots their own stunned vision of the city, illustrating emotions that cannot fail to move even the Florentines and, in a broader sense, we Italians as a whole. Thus what is offered in these pages, in fine Italian translation, is this mesh of voices, an intimate and enthralling polyphony of city, poet and reader, unfurling in an evocative melody and proposing the legend of Florence in a new light – possibly more authentic and illuminating.
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11

Ge, Shuzhi Sam. Social Robotics: 4th International Conference, ICSR 2012, Chengdu, China, October 29-31, 2012. Proceedings. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012.

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12

Smith, Laurajane. Emotional Heritage: Visitor Engagement at Museums and Heritage Sites. Taylor & Francis Group, 2020.

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13

Smith, Laurajane. Emotional Heritage: Visitor Engagement at Museums and Heritage Sites. Taylor & Francis Group, 2020.

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14

Smith, Laurajane. Emotional Heritage: Visitor Engagement at Museums and Heritage Sites. Taylor & Francis Group, 2020.

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15

Emotional Heritage: Visitor Engagement at Museums and Heritage Sites. Taylor & Francis Group, 2020.

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16

Smith, Laurajane. Emotional Heritage: Visitor Engagement at Museums and Heritage Sites. Taylor & Francis Group, 2020.

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17

Smith, Laurajane. Emotional Heritage: Visitor Engagement at Museums and Heritage Sites. Taylor & Francis Group, 2020.

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18

Gendron, Maria y Lisa Feldman Barrett. Facing the Past. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190613501.003.0002.

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In this chapter, we outline the progression of research on facial actions associated with emotion within the discipline of psychology. We outline two dominant perspectives, one emphasizing emotions as natural kinds, and the other emphasizing emotions as constructed events. We provide an overview of the critical assumptions of each theoretical approach and demonstrate the recurring themes and tensions in the repeated emergence of these two perspectives over time. We close by suggesting that the science of emotion is, yet again, at a critical precipice with the emergence of computationally powerful computer-vision approaches and that careful consideration of the lineage of these two theoretical perspectives will allow for progress to be made with these approaches.
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19

Konar, Amit y Aruna Chakraborty. Emotion Recognition. Wiley & Sons, Incorporated, John, 2015.

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20

Austin, Pauline, Dawn McKay, Anna J. Brewster, Fiona Duncan, Elliot Balson, Damon Herd, Becca Emslie y laire Robertson. Visiting ICU: Information for Children and Young People Visiting Intensive Care. Editado por Chris Murray y Mayra Crowe. University of Dundee, 2023. http://dx.doi.org/10.20933/100001282.

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Admission to intensive care is a life changing event, not only for the individual undergoing treatment but also for their family and friends. Critical illness is often a frightening and uncertain time for all those affected. It can be particularly challenging for children and young people to understand not only what is happening but also the emotions they are feeling. It can also be very hard for parents and carers to explain what intensive or critical care actually is. This comic has been produced by a team of specialist healthcare professionals, comic creators, and academics to help children and young people understand this complex environment. The story follows Eva as she visits her mum in intensive care. Eva meets Alex, who has been a regular visitor to intensive care, where his dad is being treated. The two become friends as Alex shares his intensive care journey and we learn about the experiences that may be encountered. We hope you find this story helpful at what may be a difficult time and encourage you to ask your healthcare team if you have any questions, big or small.
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21

Gorman, Jack M. Making Connections. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780190850128.003.0006.

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Although some functions, like speech and vision, can be linked to single, specific locations in the brain, complex emotions and behaviors usually involve complex interactions among brain regions. As our brains mature, these connections are shaped by our lived experiences. Scientists in basic neuroscience laboratories have traced the pathways and networks necessary for the acquisition, expression, and extinction of one emotion: fear. Brain imaging studies have shown that these same connected brain regions are activated by fear and anxiety in humans. The “fear network” includes the amygdala, hippocampus, and prefrontal cortex. Abnormalities in activity and strength of connections in the fear network are present in children and adults with anxiety disorders and depression. Brain networks that are necessary for other emotions and behaviors have been identified, so that today we look to how our brains are connected to understand our actions and emotions.
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22

Dobbe, Klazina. Visitors Along My Cancer Journey: Emotional Release of Generational Wounds. Balboa Press, 2018.

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23

Dobbe, Klazina. Visitors along My Cancer Journey: Emotional Release of Generational Wounds. Balboa Press, 2018.

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24

Hughes, Rachel y Candice P. Boyd. Emotion and the Contemporary Museum: Development of a Geographically-Informed Approach to Visitor Evaluation. Palgrave Pivot, 2019.

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25

Startup. Emotions Are Just Visitors Let Them Come and Go: 6x9 College Ruled Line Paper 150 Pages. Independently Published, 2019.

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26

Startup. Emotions Are Just Visitors Let Them Come and Go: 6x9 College Ruled Line Paper 150 Pages. Independently Published, 2019.

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27

Startup. Emotions Are Just Visitors Let Them Come and Go: 6x9 College Ruled Line Paper 150 Pages. Independently Published, 2019.

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28

Konar, Amit y Aruna Chakraborty. Emotion Recognition: A Pattern Analysis Approach. Wiley & Sons, Limited, John, 2015.

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29

Konar, Amit y Aruna Chakraborty. Emotion Recognition: A Pattern Analysis Approach. Wiley, 2015.

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30

Konar, Amit y Aruna Chakraborty. Emotional Intelligence: A Cybernetic Approach. Springer, 2012.

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31

Furtak, Rick Anthony. Attunement and Perspectival Truth. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190492045.003.0007.

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Once we have rejected the notion of a subject-independent objectivity, we lack any basis for assuming that our emotional responses project value onto a neutral world. Love’s vision must give us unique, unequalled access to the sort of truth that it reveals. Each person’s emotional point of view, his or her attunement to the world, makes possible a distinct form of knowledge, revealing a particular truth. Our moods, temperaments, and idiosyncratic affective outlooks must fit into this book’s account of emotions as felt recognitions of significance. Each attunement involves selective attention and focus—not distortion. An observer who is not attuned in any way would not notice anything. Each person’s affective vantage point illustrates the perspectival character of existence. Because our affective outlook is a condition of apprehending axiological reality, becoming appreciative of another person’s attunement enables us to know other sides of the truth and other significant truths.
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32

Konar, Amit y Aruna Chakraborty. Emotion Recognition: A Pattern Analysis Approach. Wiley & Sons, Incorporated, John, 2014.

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33

Konar, Amit y Aruna Chakraborty. Emotion Recognition: A Pattern Analysis Approach. Wiley & Sons, Incorporated, John, 2014.

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34

Grekow, Jacek. From Content-based Music Emotion Recognition to Emotion Maps of Musical Pieces. Springer, 2017.

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35

Grekow, Jacek. From Content-based Music Emotion Recognition to Emotion Maps of Musical Pieces. Springer, 2018.

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36

Paster, Gail Kern. Minded Like the Weather. Editado por Michael Neill y David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.13.

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This chapter pursues two arguments about the body in King Lear—the matter of what, for the early moderns, went into the natural making of hard hearts, and the question of how to link natural cruelty to Lear’s embodied emotions in the storm. This argument involves the relation between the ethical implications of early modern cosmology and the play’s representation of emotions, especially the dark emotions that give rise to the evil characters’ manifest competition in cruelty—their hard-heartedness. Contrasts between the cruelty visited upon Lear by Goneril and Regan and the pain inflicted upon him by the storm will become part of the play’s representation of elemental nature, as that nature is reflected in human emotions, human behaviour, and the tempestuous physical world. In Shakespeare's representation of elemental nature Lear’s body becomes a representative tragic body.
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37

Marcus, Paul y Irene Wineman Marcus. Scary Night Visitors: A Story for Children With Bedtime Fears. American Psychological Association (APA), 1991.

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38

Marcus, Paul y Irene Wineman Marcus. Scary Night Visitors: A Story for Children With Bedtime Fears. Magination Press, 1991.

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39

Erich, Fromm. The Art of Loving. Perennial, 1989.

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40

Erich, Fromm. The Art of Loving. Continuum International Publishing Group, 2000.

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41

Liefhebben, een kunst, een kunde. Utrecht, Netherlands: Bijleveld, 1995.

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42

Erich, Fromm. The Art of Loving. Borgo Press, 1991.

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43

Fromm, Erich y Ruth N. Anshen. Art of Loving. HarperCollins Publishers, 1996.

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44

Erich, Fromm. El arte de amar/ The Art of Loving (Biblioteca Erich Fromm/ Erich Fromm Library). Paidos Iberica Ediciones S a, 2007.

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45

Erich, Fromm. El Arte de Amar. Paidos Argentina, 2000.

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46

Erich, Fromm. Die Kunst des Liebens. Manesse, 2002.

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47

Erich, Fromm. The Art of Loving. Harper Perennial Modern Classics, 2006.

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48

Erich, Fromm. Die Kunst des Liebens. Manesse-Verlag, 1998.

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49

Fromm, Erich y Noemí Rosenblatt. El arte de amar: Una investigación sobre la naturaleza del amor. Ediciones Paidós, 2014.

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50

Erich, Fromm. The Art of Loving. HarperCollins Publishers, 1996.

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