Bibliografías temáticas / Victor Turner

Literatura académica sobre el tema "Victor Turner"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 24 de enero de 2023

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Artículos de revistas sobre el tema "Victor Turner"

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Dawsey, John C. "VICTOR WITTER TURNER, KAVULA!" Sociologia & Antropologia 11, n.º 3 (diciembre de 2021): 1107–11. http://dx.doi.org/10.1590/2238-38752021v11317.

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Darnell, Regna. "Victor Turner Prize Awarded". Anthropology News 49, n.º 2 (febrero de 2008): 28. http://dx.doi.org/10.1525/an.2008.49.2.28.1.

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Turner, Edith. "Exploring the Work of Victor Turner". Suomen Antropologi: Journal of the Finnish Anthropological Society 33, n.º 4 (1 de enero de 2008): 26–44. http://dx.doi.org/10.30676/jfas.v33i4.116460.

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Victor Turner broke anthropology free from cultural determinism when it was anchored in the reductionist theories of Durkheim. Like Tolstoy in his recognition of the origin of violence in government, Turner recognized the origin of the denaturing of cultures in culture’s own penchant for the building of social structures in order to perpetuate itself. He saw in the cracks between structures, and in the liminal gaps necessary for changes in structure, the revival of the lost immediacy of social relationships and the communitas that is its mark. Nowadays one may include signs of spirituality in those gaps, although that spirituality has been a topic previously tabooed in anthropological circles or hidden under structural analysis. Turner saw the inconvenient truth that if structuralism as a value and philosophy (plus what we now see as the violence inseparable from the political state, along with neoconservatism and neoliberalism—business doctrines multiplied by themselves ad infinitem) were to continue as the world’s philosophy, we would continue with wars and the smothering of the natural flexibility of social intercourse (see Robert Putnam 2000, who shows in stark figures how sociality in general is losing ground in our era). Keywords: Victor Turner, social process, rites of passage, liminality, communitas, anthropologyof experience, brain studies
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Bigger, Stephen. "Victor Turner, liminality, and cultural performance". Journal of Beliefs & Values 30, n.º 2 (agosto de 2009): 209–12. http://dx.doi.org/10.1080/13617670903175238.

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Pritchett, James A. "Victor Turner and contemporary cultural performance". Journal of the Royal Anthropological Institute 15, n.º 3 (septiembre de 2009): 636–37. http://dx.doi.org/10.1111/j.1467-9655.2009.01577_6.x.

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Darnell, Regna. "Basso Wins 1997 Victor Turner Prize". Anthropology News 38, n.º 8 (noviembre de 1997): 21–22. http://dx.doi.org/10.1111/an.1997.38.8.21.4.

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Wels, Harry, Kees van der Waal, Andrew Spiegel y Frans Kamsteeg. "Victor Turner and liminality: An introduction". Anthropology Southern Africa 34, n.º 1-2 (enero de 2011): 1–4. http://dx.doi.org/10.1080/23323256.2011.11500002.

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Kapferer, Bruce. "Victor Turner and The ritual process". Anthropology Today 35, n.º 3 (junio de 2019): 1–2. http://dx.doi.org/10.1111/1467-8322.12502.

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Dawsey, John C. "Victor Turner e antropologia da experiência". Cadernos de Campo (São Paulo, 1991) 13, n.º 13 (30 de marzo de 2005): 163. http://dx.doi.org/10.11606/issn.2316-9133.v13i13p163-176.

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Em 1980, no encontro anual da AmericanAnthropological Association, Victor WitterTurner, Edward Bruner e Barbara Myerhofforganizaram um simpósio sobre antropologiada experiência. Deste simpósio resultaria TheAnthropology of Experience (1986), com o arti-go, “Dewey, Dilthey, and Drama: An Essay inthe Anthropology of Experience”, de Turner(1986).
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McLaren, Peter L. "A Tribute to Victor Turner (1920-1983)". Anthropologica 27, n.º 1/2 (1985): 17. http://dx.doi.org/10.2307/25605173.

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Tesis sobre el tema "Victor Turner"

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Benzing, Tobias. "Ritual und Sakrament : Liminalität bei Victor Turner /". Frankfurt am Main : P. Lang, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015596791&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Costa, Grasielle Aires da. "Ritual em Richard Schechner e Victor Turner: aspectos de um diálogo interdisciplinar". Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/5704.

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This work aims to analyze the concepts of ritual developed by Richard Schechner and Victor Turner. This is realized through the definition, analysis and discussion of the concepts looking for the dialog between Schechner and Turner. The research was developed by reading and analysing the major volumes published by these authors, what is Schism and Continuity; Forest of Symbols; The Ritual Process; Dramas, Fields and Metaphors and From Ritual to Theater by Turner and made by Schechner Environmental Theater; Essays on Performance Theory; Between Theater and Anthropology; The Future of Ritual and Performance Studies. Was not found any work like this. It is an inedited and presented an important review on Schechner‟s and Turner‟s written. The ritual concept needs this multiplicity look to take a new breath and look up different sea-lines. This job has a methodological richness because points out precisely the fact that the research belongs analyse the field "between" the theatre and anthropology. It is not remand to any discipline and the same time belongs to all of them. This is a bibliographic study what can provide theoretical support for various research fields.
Este trabalho visa à análise do diálogo interdisciplinar e liminar estabelecido entre Richard Schechner e Victor Turner através da definição, análise e discussão do conceito de ritual em suas obras. A pesquisa foi desenvolvida através da leitura e fichamento dos principais volumes publicados destes autores, sendo eles Schism and Continuity; Forest of Symbols; The Ritual Process; Dramas, Fields and Metaphors e From Ritual to Theater de Turner e de Schechner Environmental Theater; Essays on Performance Theory; Between Theater and Anthropology; The Future of Ritual e Performance Studies. Não foram encontrados registros de trabalhos semelhantes. Sendo esse um trabalho inédito e que oferece uma revisão dos escritos destes dois autores. Discutir o ritual por esta perspectiva multifacetada é abrir o leque de novas possibilidades de discussão de um conceito tão importante e que tendo sido já tão discutido necessita de novo fôlego para ganhar novos horizontes. Trata-se de um trabalho considerado liminar, pois sua riqueza metodológica está justamente no fato de a pesquisa localizar-se no "entre" o teatro e a antropologia. Não se prende a nenhuma disciplina e ao mesmo tempo pertence a muitas. Trata-se de um estudo bibliográfico que poderá servir de aporte teórico para os mais variados campos de pesquisa.
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Dutton, Edward Croft. "Liminality, communitas and student evangelical groups : a critique of the group theories of Victor Turner and Mary Douglas". Thesis, University of Aberdeen, 2005. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU205736.

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This thesis critiques aspects of the work of Mary Douglas and Victor Turner. It develops previous criticisms and pursues them in greater depth, questioning the degree to which these respective models are universal. It is a mainly anthropological study of the relationship between a university and the largest evangelical group operative at that university. It draws upon participant observation fieldwork with Oxford Inter-Collegiate Christian Union, Aberdeen University Christian Union and Navigators Studenten Leiden. This thesis examines the degree of liminality at each university and compares this to the degree of liminality and communitas observed in the university's evangelical group, Firstly it criticises Turner's understanding of liminality and communitas. It argues that liminality can, in fact, be highly structured and that communitas is not necessarily an absence or near-absence of structure. It suggests that the more liminal a situation is the more communitas there will be on one level but the more structure there will be on another. In making this argument, the thesis argues that university is a Rite of Passage and liminal phase. It demonstrates that the more liminal the university, the more structured the evangelical group will be, the tighter the group's boundaries will be and the more differentiated the group will be. But, at the same time, the mores structured the evangelical groups are, the greater communitas it finds in their ritual activity. Oxford is found to be the most liminal university and Leiden the least. Thus it criticises the underlying assumptions of Douglas' "Grid/Group" Model as well as Turner's. In order to examine the degree of structure and differentiation in the group, the thesis looks at members' use of language, their religious beliefs, life-style beliefs, the nature of their meetings, the significance of conversation and the clothes they wear. In order to assess the degree of communitas at the meetings, the thesis examines the degree of communitas caused by prayers, hymns, public speakers, Bible Studies and Testimony.
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Troselj, Ivana. "Victor Turner and the theatre of war: A reflection on the value of Psyops, culture and performance during conflict". Thesis, Troselj, Ivana (2011) Victor Turner and the theatre of war: A reflection on the value of Psyops, culture and performance during conflict. Honours thesis, Murdoch University, 2011. https://researchrepository.murdoch.edu.au/id/eprint/7375/.

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Conventional 'force-on-force' warfare is a thing of the past (Kilcullen 2009: 292). Much has changed in the conduct of war since Carl von Clausewitz's opus on War (Clausewitz 1997) was first published in 1832; the ongoing digitisation of the contemporary battlefield promises swifter and more intense battle at a lower cost-to-combat ratio (Goldenstein and Jacobwitz 1996: 10); while a rise in low-intensity and insurgent war is anticipated to continue within the developing world (McLaughlin 1989: 1-2). The only thing one may say with any certainty about the future of warfare is the diverse nature of its conduct (Black 2001: 82); an the enduringly psychological nature of all kinds of human conflict (Paddock 1996: 33). Despite this, contemporary Western militaries continually re-enact the principles of conventional war; even where unsuited, while the psychological dimension of war is often the least appreciated and engaged (Stillwell 1996: 319), even though it is 'human' forces that provide conflict with its many variables (Leonhard 2000: 209-2011). A misunderstanding of these forces has resulted in a shortfall of resourcing, continuity and training for Psychological Operations (Psyops) (Paddock 1996: 34); while appreciation for the soft power of Psyops and the human elements of war have been diminished by an empirical, neo-Clausewitzian strategic framework (Van Crevald 1991: 148-149) and a particularly Western and Postmodern notion of Technological Determinism (Black 2001: 97). I believe that importing Victor Turner's performance theory into existing military doctrines will provide a useful heuristic model for working with these problems, because of its unique perspective on the dramatic power of symbol, performance and conflict; and I believe that this will further enhance the military's understanding and appreciation of Psyops' unique capabilities, along with the more human elements of warfare; while supplying a much-needed process-oriented understanding of human culture and conflict at strategic level.
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Hammer, Julia Maria. "Crossing limits : liminality and transgression in contemporary Scottish fiction". Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25923.

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In my thesis, I aim to show that a focus on liminality in contemporary Scottish fictional texts illustrates underlying developments of relevant social phenomena with regard to class issues, gender and sexual identity. The anthropological concept of liminality looks at a situation of “being between”. The liminar faces a situation of having to renegotiate their values and perceptions in order to proceed. Liminality always involves the existence of limits which have to be transgressed and against which the individual negotiates a personal situation. I further hypothesise that the transgression of limits can be seen as an instrument to create order. I take an anthropological approach to my thesis. Arnold van Gennep’s early studies on rites of passage and Victor Turner’s study of liminality originate in the observation of tribe-internal, social structures of personal development. Van Gennep assumes a tripartite structure among which liminality is the middle stage, the phase in which the initiand has to perform tasks to re-enter and become part of the community. Turner isolates the middle stage and transfers this concept to western societies. This theory is taken up and developed further by several literary critics and anthropologists. While the transgression of limits is often regarded as a violation of those norms which regulate societies, the transgression of limits in a rite of passage and connected with liminality is a vital aspect and socially necessary. Several concepts are related to this theory, which will play a major role in my thesis: Turner’s permanent liminality, Mikhail Bakhtin’s carnivalesque as well as Foucault’s transgression. In the first chapter, I contrast two of Alasdair Gray’s novels, stating that the most powerful message of social and capitalist criticism is not just visible on the surface of the hyperbolic texts, but particularly prominent in liminal passages. The theories of Bakhtin and Turner plays the most important role in this chapter. In the second chapter, A. L. Kennedy’s novels are contrasted. In So I am Glad a difficult psycho-social issue is solved by a liminal trigger-figure, Paradise is an example of the destructive and restrictive effects of permanent liminality. In chapter three, I deal with the issue of passing and an individual redefinition of gender identity. The performativity of masculinity reveals ambiguous definitions of gender and morale. The Wasp Factory portrays a form of masculinity which has destructive effects on the individual and its environment. It is the tension in the liminal situation of a gender myth, a brutally performed masculinity and the character’s biological sex which expresses a harsh criticism of society’s definition of masculinity. In Trumpet, the binary model of gender is questioned. The text suggests a different definition of identity as fluid, passing between the two ‘extremes’, formulating the possibility of a state of being ‘something in-between’. It is the confrontation with this ‘otherness’ which provokes a wave of rejection and protest in the environment of the individual passing as a member of the ‘other sex’. In this case, it is not the obvious liminal individual, but his son who undergoes a process of change and thus a process of renegotiating his strict value system. The final chapter deals with liminal spaces and how these reflect and support the internal development which the protagonists undergo. The choice of Orkney as a mystical place and the fictional setting in a war game show that liminal spaces – both real and fictitious – trigger a personal development and reconnect present day life in Scotland with historical events which have had a shaping role for Scottish and European life.
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Ablahad, Marlen. "Bära Sorg Föra Liv : En studie om begravningsritualer bland syrianer/assyrier i hemlandet och i Sverige". Thesis, Linköping University, Department of Religion and Culture, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-5255.

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This essay describes the phases of funeral rituals between the Syrian/Assyrian, and compares the homeland with Sweden. It describes the stage of rituals according to Victor Turner schema of separation, margin or limin, and aggregation. The rituals religious significance agrees with Clifford Geertz’s theory about the importance of religious beliefs for the human being

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Larsson, Kristoffer. "Myt, ritual och konsumtion : Religionsvetenskapliga studier kring konsumism". Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper, KV, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-26237.

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Syftet med denna uppsats är att undersöka konsumism med hjälp av religionsvetenskapliga teorier om ritual och myt. Med hjälp av framförallt Victor Turners ritualteori och Bruce Lincolns mytteori studerar vi exempelfallen Harley Davidson, Saab, Coca-Cola, Corona, Mountain Dew och Snapple samt hur köpcentra och stormarknader kan fungera som rituellt rum.Med konsumism menar vi konsumtion som en kulturellt viktig handling. Ett fenomen som uppstår när vi har så pass mycket materiella tillgångar att vi har möjlighet att köpa saker för att vi vill ha dem, inte för att vi behöver dem. För vårt religionsvetenskapliga grundperspektiv använder vi oss av Clifford Geertz religionsdefinition.Vi har visat att reklamer kan studeras utifrån ett religionsvetenskapligt perspektiv, då framförallt som myter. Med hjälp av en strukturalistisk analysmetod kan vi påvisa att exempelvis Coca-Colas underliggande mytem är en myt vänskap, där den rituella handlingen av att ge en Coca-Cola till någon mytiskt skapar en slags samhörighet och vänskap. Corona har å sin sida skapat sig en rituell och mytisk ö på vilken deras reklamer fungerar. Vi kan se hur Mountain Dew och Snapple använder sig av en slags minimal offentlig religion för att skapa sina egna märken som kulturellt betydelsefulla symboler.Vi diskuterar även vad som händer med våra religionsvetenskapliga begrepp när vi applicerar dem på ett material som vanligtvis inte betraktas som religionsvetenskapligt, och menar att det finns en intressant korsbefruktning mellan olika kulturvetenskapliga områden.
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Stål, Ann-Jeanett. "Aspects of Liminality in Eilis Ni Dhuibhne's The Dancers Dancing". Thesis, Högskolan Dalarna, Engelska, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:du-2131.

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In this essay I refer Eilis Ni Dhuibhne’s narrative construction of the main characters and the theme of the novel The Dancers Dancing, in the context of the anthropologist Victor Turner’s concept of liminality. Thus the summer in the Gaeltacht that five teenage girls experience, can be understood as a depiction of the liminal phase in a rite of passage. Ni Dhuibhne’s differently constructed characters enlighten different aspects of liminality and through the céilí dance their experiences are exposed. Furthermore this essay suggests that Julia Kristeva’s notion of the chora, which can be associated to dance, is also relevant when describing the unbounded and unlimited process that radically can reform social structures. I conclude that the liminal space offers an area of many possibilities. It functions as a free zone where the main characters can freely explore their personal issues that trouble them, or the difficulties of their own society.
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Ibezim, Alexander Chibuzo. "The analysis of the rite of infant baptismal ritual as found in the Anglican Book of Common Prayer in the light of Turner's theory of rituals". Theological Research Exchange Network (TREN) Access this title online, 2006. http://www.tren.com.

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Ericksen, Connie. "Burial Plots: Finding Theatre in the Thanatology of Colonial North Coast Peru". BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6713.

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Spain's invasion of the Andes initiated a social drama unprecedented in the experience of the Andean natives. Spanish and Spanish-conscripted native chroniclers wrote extensively about Inca pageantry, spectacle, and ritual, and hastily attributed pagan belief to performances they witnessed or heard about. With equal haste, the Spanish appropriated performance as means of introducing and enforcing Christianity. In this thesis, I treat performance as the central feature of Andean Colonial transition. Performance may be viewed as an ephemeral feature of the Andean transition but fortunately, in mortuary performances (dealing with death and treatment of the body); there are many theatrical elements that survive in mortuary contexts (e.g., staging, setting, costumes, make-up, props, and choreography). Archaeology, history, and ethnographic observation together illustrate that performance has alternately established, celebrated, or subverted Andean power relations during hundreds of years. Mortuary performances are especially excellent commentaries about religious climate of Colonial Peru. In this thesis I analyze mortuary performance in Colonial and contemporary Peru. I argue that the Colonial Spanish saw performance as evidence of belief and sought to transform pagan belief to Christian belief. Ultimately, communities, religion, and performance itself were transformed; integrated and reintegrated into dynamic personal and public expressions.
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Libros sobre el tema "Victor Turner"

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1968-, St John Graham, ed. Victor Turner and contemporary cultural performance. New York: Berghahn Books, 2008.

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Bräunlein, Peter J. Zur Aktualität von Victor W. Turner. Wiesbaden: VS Verlag für Sozialwissenschaften, 2012. http://dx.doi.org/10.1007/978-3-531-93241-5.

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Victor Turner Revisited: Ritual as Social Change. Atlanta, GA: Scholars Press, 1991.

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Ritual und Sakrament: Liminalität bei Victor Turner. Frankfurt am Main: Lang, 2007.

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Giovanna, Palutan, ed. Il noi politico del Nord Est: Migranti, locali e Victor Turner. Milano, Italy: FrancoAngeli, 2010.

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Matteis, Stefano De. Echi lontani, incerte presenze: Victor Turner e le questioni dell'antropologia contemporanea. Urbino: Montefeltro, 1995.

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Earthly Father, Heavenly King: Fleshly trials turned to spiritual victory. Reading, Pa: Cure Ministries, 1997.

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Puza, Verena. Die Eucharistie als liminales Ritual: Ein praktisch-theologischer Beitrag im Gespräch mit der Ritualforschung Victor Turners. Berlin: Lit, 2013.

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Nationalist in the Viet Nam wars: Memoirs of a victim turned soldier. Bloomington: Indiana University Press, 2012.

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Engineers of victory: The problem solvers who turned the tide in the Second World War. Toronto: HarperCollins Publishers, 2013.

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Capítulos de libros sobre el tema "Victor Turner"

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Brunotte, Ulrike. "Turner, Victor Witter". En Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19738-1.

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De Boeck, Filip. "Turner, Victor Witter". En Encyclopedia of African Religions and Philosophy, 675. Dordrecht: Springer Netherlands, 2021. http://dx.doi.org/10.1007/978-94-024-2068-5_375.

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Brunotte, Ulrike. "Turner, Victor Witter: The Ritual Process". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19739-1.

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Bräunlein, Peter J. "Zur Aktualität Victor Turners: Anregungen und Kritik". En Zur Aktualität von Victor W. Turner, 143–63. Wiesbaden: VS Verlag für Sozialwissenschaften, 2012. http://dx.doi.org/10.1007/978-3-531-93241-5_12.

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Bräunlein, Peter J. "Von den Ndembu zum Broadway: Eine biographische Skizze". En Zur Aktualität von Victor W. Turner, 7–10. Wiesbaden: VS Verlag für Sozialwissenschaften, 2012. http://dx.doi.org/10.1007/978-3-531-93241-5_1.

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Bräunlein, Peter J. "Körper, Geist und Kultur – neurobiologische Verheißungen". En Zur Aktualität von Victor W. Turner, 113–25. Wiesbaden: VS Verlag für Sozialwissenschaften, 2012. http://dx.doi.org/10.1007/978-3-531-93241-5_10.

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Bräunlein, Peter J. "Wilhelm Dilthey und die Geister: Victor und Edith Turners Anthropology of Experience". En Zur Aktualität von Victor W. Turner, 127–41. Wiesbaden: VS Verlag für Sozialwissenschaften, 2012. http://dx.doi.org/10.1007/978-3-531-93241-5_11.

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Bräunlein, Peter J. "Struktur und Funktion – die britische Social Anthropology". En Zur Aktualität von Victor W. Turner, 11–20. Wiesbaden: VS Verlag für Sozialwissenschaften, 2012. http://dx.doi.org/10.1007/978-3-531-93241-5_2.

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Bräunlein, Peter J. "Konflikt und Aktion – die Manchester Schule der Ethnologie". En Zur Aktualität von Victor W. Turner, 21–32. Wiesbaden: VS Verlag für Sozialwissenschaften, 2012. http://dx.doi.org/10.1007/978-3-531-93241-5_3.

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Bräunlein, Peter J. "Afrikanische Lehrjahre: Das „soziale Drama“ der Ndembu". En Zur Aktualität von Victor W. Turner, 33–42. Wiesbaden: VS Verlag für Sozialwissenschaften, 2012. http://dx.doi.org/10.1007/978-3-531-93241-5_4.

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Actas de conferencias sobre el tema "Victor Turner"

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McMorrough, Julia. "All Access: Better Fits for Architecture". En 2019 Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.70.

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In 1975, disability activist Victor Finkelstein modestly but pointedly proposed an “imaginary example which turns the world upside down,” where wheelchair users lived together in a village no longer obliged to accommodate the able-bodied, who found themselves comparatively disabled by their ill fit into their surroundings. That same year, Peter Eisenman’s pointedly disorienting House VI was completed, intentionally confounding inhabitation by even the most robust physical specimens. Nearly two decades earlier, in 1956, Selwyn Goldsmith contracted polio in the same year he earned his degree from the Bartlett School of Architecture. With his drawing hand paralyzed, his life and career had to adjust themselves accordingly. His life’s work would engage his insights into both realms –architecture and disability – and in his seminal work, Designing for the Disabled, he upended established views on ‘medical disability,’exposing instead the idea that architecture was responsible for the creation of disabling environments, and, further, that “the architect can prevent people from being disabled when they use buildings.”
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Narciso, Isabella Gadotti y Eunice Helena Sguizzardi Abascal. "O ANDAR TÉRREO NA CIDADE CONTEMPOR NEA: Os casos do Brascan Century Plaza e o Edifício Pátio Victor Malzoni". En Seminario Internacional de Investigación en Urbanismo. Bogotá: Universidad Piloto de Colombia, 2022. http://dx.doi.org/10.5821/siiu.10289.

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This article consists of a brief presentation of the results obtained in a research carried out on the appropriation of ground floors architectures areas in corporate buildings in the city of São Paulo, with a focus on the cases of Brascan Century Plaza and Pátio Victor Malzoni Building. Based on the importance of the ground floor of a building, the quality of the design of the ground floor added to a proposal for urban design with elements capable of encouraging appropriations and fruition are decisive factors to establish the public character of a space, mainly in dense areas of great cities. The guiding question is, in turn, to show how the architectures on the ground floors of these projects can become relevant examples of spaces for improving the urban experience. Keywords: Apropriation, corporative buildings, ground floor, urban experience. Topic: Public space and urban design in contemporary metropolis. Este artigo consiste na breve exposição de resultados obtidos em uma pesquisa realizada sobre a apropriação de térreos de edifícios corporativos na cidade de São Paulo, com o foco nos casos do Brascan Century Plaza e do Edifício Pátio Victor Malzoni. Partindo em torno da importância do andar térreo de uma edificação, afirma-se a qualidade do projeto do pavimento térreo, somada à uma proposta de desenho urbano com elementos capazes de incentivar as apropriações e a fruição, são fatores decisivos para estabelecer o caráter público de um espaço, principalmente em áreas adensadas de grandes cidades. A questão norteadora é mostrar como as arquiteturas dos andares térreos desses projetos podem vir a ser exemplos pertinentes de espaços para a melhoria da experiência urbana. Palavras-chave: Apropriação, edifícios corporativos, andar térreo, experiência urbana. Bloco temático: Espacio público y proyecto urbano en la metrópolis contemporánea.
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Parfylo, Ihor. "SUBJECT OF THE VICTIM INTERROGATION DURING THE INVESTIGATION OF FALSIFICATION AND TURNOVER OF FALSIFIED MEDICINES". En SCIENTIFIC PRACTICE: MODERN AND CLASSICAL RESEARCH METHODS. European Scientific Platform, 2021. http://dx.doi.org/10.36074/logos-26.02.2021.v1.36.

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Barnett, Ralph L., Adam A. E. Ziemba y Theodore Liber. "Slipping on Concrete: A Case Study". En ASME 2009 International Mechanical Engineering Congress and Exposition. ASMEDC, 2009. http://dx.doi.org/10.1115/imece2009-10052.

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The notion of slipperiness is rarely associated with a concrete walkway. The aggressive nature of this surface invariably satisfies the classical criterion of a safe floor. The case study described in this paper challenges this preconception. It involves a woman who enters an indoor stairwell of a parking lot and slips on the dry concrete landing while approaching the stairs with her arm outstretched to grasp the railing. The current state-of-the-art of human slipping provides this victim with no remedy at law. This paper presents a forensic and safety study that focuses on slip and fall. Slip is usually analyzed by a classical system that has no redeeming features. This protocol provides a go/no-go criterion that proclaims a walking surface safe if its interaction with a surrogate material (e.g. leather) produces an average coefficient of friction greater than 0.5. It turns out that many walkers slip on such mythical “safe” floors. The subject case adopts a modern theory of human slipping that quantitatively predicts the number of walkers who will slip on a given surface including concrete landings.
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Varbanov, Ilia y Georgi Brestnichki. "STUDY OF COORDINATION ABILITIES AND THEIR RELATIONSHIP TO ANTICIPATION IN ATHLETES". En INTERNATIONAL SCIENTIFIC CONGRESS “APPLIED SPORTS SCIENCES”. Scientific Publishing House NSA Press, 2022. http://dx.doi.org/10.37393/icass2022/04.

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Coordination abilities are a set of human properties manifested in the training process and in competitive activity, which determines the success in the management of motor actions of different coordination levels (Lyach, 2002). According to Anochin (1979), an anticipation is a particular form of “overtaking reflection”, in which the image of the result of the action of its actual appearance (occurrence) is formed in the mind of man. Based on this statement, we will try to improve the performance of athletes. Improving the results by choosing the right action according to the feedback received after the first attempt and focusing attention and actions on rational and pragmatic implementation, which we expect to improve results and reduce repetitions in the study of new actions. In our view, a way to achieve this goal would be through work to improve the anticipation capabilities of athletes. The problem of anticipation in sports games is of utmost importance for achieving victory in the completion between offender and defender. Coordination of movements is related to coordination with objects, people, animals, and machines, the behavior and movement of which are often unpredictable (Videv, 2015). In turn, anticipation produces skill-actions (respectively, counteractions) that are confidently carried out within a fraction of a second, called “improvisation”, which is significantly increased by targeted multi-year preparation from childhood (7-8 years). Based on everything so far mentioned, we decided to test the coordination abilities of athletes and, at the same time, see how they would act in subsequent situations similar to the previous one to improve their performance by applying their anticipation skills. Our results point to our assertion that creating an image of your work and bringing anticipation actions into the implementation of performance, in this case, the implementation of various coordination exercises, would improve the performance of athletes.
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Informes sobre el tema "Victor Turner"

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Girdap, Hafza. Book Review: The Turkish Malaise – A Critical Essay. European Center for Populism Studies (ECPS), abril de 2022. http://dx.doi.org/10.55271/br0012.

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Author Cengiz Aktar argues that Turkey is witnessed a victory of a non-democratic system—and the majority of society supports this transition. The regime consolidates its discriminatory, oppressive, autocratic politics by gaining the support of non-AKP constituents through the discourse of “native and national.” Thus, the situation in Turkey is not a simple deviation from the norm; it is a more complex socio-political conundrum. In other words, the regime represented by Recep Tayyip Erdogan, is not the reason for but the result of society’s mindset which is a reasonable part of the “Turkish malaise.”
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STATEMENT OF THE NATIONAL ACADEMY OF EDUCATIONAL SCIENCES OF UKRAINE. National Academy of Educational Sciences of Ukraine, febrero de 2022. http://dx.doi.org/10.37472/saveukraine.

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We consider it criminal and strongly condemn the violation of the territorial integrity and borders of Ukraine by the Russian Federation. We also consider inadmissible the statements of the leadership of the Russian Federation regarding our state, interference in the internal affairs of Ukraine by denying its civilizational subjectivity and demanding the abandonment of its own path of development. With great gratitude and confidence in the victory, we turn to the defenders of Ukraine: we are together, we are convinced of the strength and steadfastness of those who defend Democracy, Freedom, and Human Values! Resistance is not just military resistance. The opposition of every citizen is not to succumb to provocations and panic, to prevent escalation of tensions, to refute fakes, to maintain clarity of thinking. A patriot is someone who invests in the development of the country and preserves its defense capabilities in a way accessible to him. For representatives of pedagogical and psychological sciences — is to maintain the national identity and unity of the nation at the level of consciousness of every citizen, territorial community, society. This is the strengthening of the subjectivity of every citizen through his awareness of Ukrainian history from the times of Kyivan Rus, Ukrainian mentality of freedom from the Cossack era, the spirit of Ukrainian democracy from the Constitution of Philip Orlyk, invincibility of the Ukrainian army from the victories of Peter Konashevych-Sahaidachnyi and Bohdan Khmelnytskyi, exercise of self-awareness by Hryhorii Skovoroda and Taras Shevchenko. Scientists of the National Academy of Educational Sciences of Ukraine, as always, are ready for a dialogue with anyone who finds himself in difficult life circumstances, in situations of confusion or uncertainty, who needs advice or psychological help. We all have hard work ahead of us every day. But our goal is common and high — to preserve the sovereignty and territorial integrity of Ukraine. To this end, we have worked for Ukraine′s independence, we have also worked for the development of our state for the last 30 years, for this, we are mobilizing for further struggle! We will win! Glory to Ukraine!
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