Tesis sobre el tema "Urban spectacle"
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Feinberg, Matthew Isaiah. "LAVAPIÉS, MADRID AS TWENTY-FIRST CENTURY URBAN SPECTACLE". UKnowledge, 2011. http://uknowledge.uky.edu/gradschool_diss/216.
Texto completoLasansky, D. Medina. "Italian Renaissance refashioned : Fascist architecture and urban spectacle /". View online version; access limited to Brown University users, 1999. http://wwwlib.umi.com/dissertations/fullcit/9936645.
Texto completoFoy, Elizabeth. "Spectacle: Framing the Midwestern Art Community". University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1283356889.
Texto completoGrause, Mackenzie M. "The Identity and Spectacle of Sport as a Modern Piazza". University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522337031765992.
Texto completoHallett, Mark. "The spectacle of difference : graphic satire and urban culture in London, 1700-51". Thesis, Courtauld Institute of Art (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307176.
Texto completoLowes, Mark Douglas. "Indy dreams and urban nightmares, speed merchants, spectacle, and the struggle over public space". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0027/NQ51892.pdf.
Texto completoWildman, C. E. "The 'spectacle' of interwar Manchester and Liverpool : urban fantasies, consumer cultures and gendered identities". Thesis, University of Manchester, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503596.
Texto completoKaralambo, Paul N. "Sub[urban] Detroit mediating the expression /". Cincinnati, Ohio : University of Cincinnati, 2007. http://rave.ohiolink.edu/etdc//view?acc_num=ucin1179386856.
Texto completoAdvisor: Michael McInturf . Title from electronic thesis title page (viewed May 31, 2010). Includes abstract. Keywords: Detroit; visual spectacle; mediated subject; satellite design studios. Includes bibliographic references.
Ferguson, Tiffany (Tiffany M. ). "Local public space, global spectacle : a case study on South Africa's first shipping container shopping center". Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/118209.
Texto completoThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Cataloged from student-submitted PDF version of thesis.
Includes bibliographical references (pages 63-67).
This thesis is the explication of a journey to reconcile Johannesburg's aspiration to become a 'spatially just world class African city' through the lens of the under-performing 27 Boxes, a globally inspired yet locally contested retail center in the popular Johannesburg suburb of Melville. By examining the project's public space, market, retail, and design features -- features that play a critical role in its imagined local economic development promise -- I argue that the project's 'failure' can be seen through a prism of factors that are simultaneously local and global. Furthermore, the perceived failure and reinvention of the center exemplify the tensions inherent in municipal, developer, and community aspirations for who such projects should serve and subsequently, who is welcome to access and utilize Melville public spaces. What began as a project intended to offer an anti-mall experience to a broad-ranging group of patrons is now being reconstituted as a space for Melville residents who yearn for the village-like community environment that flourished years before. These tensions between nostalgia for the past, the politics of spatial justice, and world class African urbanism provoke us to think deeply about if, when, and how divergent market and state priorities can be aligned and exploited for local social and economic impact. The research raises critical questions about how to develop and promote urban amenities, like alternative urban retail formats, that might simultaneously create value for the city's global brand and local residents; and, ideas for mitigating the friction among seemingly competing stakeholder aspirations.
by Tiffany Ferguson.
M.C.P.
NASO, MONICA. "Curated in China. Manipulating the City through the Shenzhen Bi-City Biennale of Urbanism Architecture". Doctoral thesis, Politecnico di Torino, 2021. http://hdl.handle.net/11583/2957775.
Texto completoBartlett, Voon Pow. "Spectacle as myth : Guanxi, the relational and the urban quotidian in contemporary Chinese art (2005-2008)". Thesis, University of the Arts London, 2008. http://ualresearchonline.arts.ac.uk/2311/.
Texto completoGuano, Emanuela. "Emplacing modernity : the Buenos Aires' middle-class and the politics of urban spectacle in neoliberal Argentina /". Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Texto completoReisin, Vanessa Raquel. "theatre: analogy of the city reflected inward". Thesis, Virginia Tech, 2012. http://hdl.handle.net/10919/34834.
Texto completoMaster of Architecture
Reeve, Alan Richard. "Urban design and places of spectacle : social control as an aspect of the design and management of mundane leisure space in contemporary British context". Thesis, Oxford Brookes University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363778.
Texto completoSvobodova, Karolina. "Des lieux intermédiaires dans un pays en chantier. Nouvelles réponses spatiales aux défis culturels, artistiques et urbains dans la Belgique des années 1970-1980". Doctoral thesis, Universite Libre de Bruxelles, 2021. https://dipot.ulb.ac.be/dspace/bitstream/2013/320963/7/Contrat.pdf.
Texto completoThis dissertation examines the challenges and creative processes of intermediate places (cultural sites, third-places) in the specific situation of Belgium during the 1970s. In a context of social, cultural and artistic demands and urban conflicts, as the country was undergoing institutional reforms following the first revision of the Constitution, new actors claimed their place in the city and their right to the city.Studies on intermediate places have proliferated over the past twenty years with regard to land use planning issues. A review of the state of the art reveals that while geographers, urban planners and sociologists invested contemporary spaces to analyze the territorial - and more specifically urban - dynamics to which they contribute, art and theater historians produced monographs on the invention of such new spaces and about their significance and effects in the art world.Using unedited archive collections and oral history to study three intermediate places founded in Belgium in the 1970s - the Halles de Schaerbeek, the Cirque Divers and the Raffinerie du Plan K - this research suggests to combine these two approaches by showing how, through aesthetics, design choices and the modes of sociability implemented in these places, they developed a specific urban imaginary, contributed to the experience of the city and entered the art world.The implementation of such infrastructures provided a spatial solution that would enable the development of new artistic practices, encourage other attitudes towards culture and favor celebratory modes of sociability, in a poorly dynamic cultural context. The dissertation shows how the "Do It Yourself" movement that promoted the development of intermediate places as well as their lack of organizational means made them particularly sensitive to their - institutional, urban, socio-cultural, artistic - environment and exposed them to the life and needs of the city. Consequently, it can be stated that the three cultural sites arose from a dynamic of cooperation and appropriation by the users, rather than from an oppositional logic. In light of the current model of city marketing and the aspirations of the creative city, which relies on the use of public infrastructures and cultural events for economic and marketing purposes, the historical approach of this work aims at reexamining the value of cultural places as a resource. Drawing on the history of these three sites, it calls for a reflection on the conditions of possibility of cultural infrastructure as a common.Keywords: intermediate places, requalification, common, development, appropriation, 1970, creative city, celebration, spectacle, urban imaginary, Brussels, Liege, Belgium
Doctorat en Arts du spectacle et technique de diffusion et de communication
info:eu-repo/semantics/nonPublished
Dimenstein, Marcela. "Experiências urbanas de idosos no centro de João Pessoa". Universidade Federal da Paraíba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/315.
Texto completoCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The landscape of contemporary cities, included João Pessoa, has been marked by conditions that demonstrate how the scale of man is being lost and how public space is not being guarded as a place for meetings and interaction between individuals. Nevertheless, it is still possible to find people who resist homogenization and standardization of this city model, enjoying their spaces and experiencing them. Accordingly, the aim of this study is to identify people who use and experience the city making the streets, sidewalks and plazas their sites to see and be seen. The focus of the investigation are the elderly and the search location is the center area of that capital. Methodological strategies as field observations and semi-structured interview, important tools in the field of architecture and urbanism were complemented by photography, drawing and photomontage were used. Thus, it is considered that this study rethinks policy issues such as the recent renovation of the central spaces in the city and their use / update the elderly population. Seeks to contribute to research that show the perception of the population in the city, especially from the memories and stories of their elders. Thus it was possible to investigate changes and continuities on the central space, discover elements of the history and culture of the area, such as parties, social relations of work and leisure, transportation, security, and see the relationship between the elderly and the location studied as a devious way to the problem of impoverishment of urban action.
A paisagem das cidades contemporâneas, incluso João Pessoa, tem sido marcada por condições que evidenciam como a escala do homem está sendo perdida e como o espaço público não vem sendo resguardado enquanto lugar de encontros e de interação entre os indivíduos. Apesar disso, ainda é possível encontrar pessoas que resistem à homogeneização e padronização desse modelo de cidade, usufruindo de seus espaços e vivenciando-os. Nesse sentido, o objetivo desse estudo é identificar pessoas que usam e experimentam a cidade fazendo das ruas, calçadas e praças seus locais de ver e ser visto. O foco da investigação são os idosos e o local de pesquisa é a área central da referida capital. Como estratégias metodológicas foram utilizadas a observação de campo e a entrevista semiestruturada, ferramentas importantes no campo da arquitetura e urbanismo que foram complementadas pela fotografia, o desenho e a fotomontagem. Assim, considera-se que esse estudo repensa questões como a política recente de renovação dos espaços centrais na cidade e a sua utilização/atualização pela população idosa. Busca contribuir com pesquisas que evidenciam a percepção da população na cidade, sobretudo a partir de memórias e relatos dos mais velhos. Dessa forma foi possível investigar mudanças e permanências relativas ao espaço central, descobrir elementos da história e cultura da área, como as festas, relações sociais de trabalho e lazer, transporte, segurança, e enxergar a relação entre os idosos e o local estudado como uma forma desviante à problemática do empobrecimento da ação urbana.
Binder, Kendall Joseph. "Rural Hysteria: Genre of the Reimagined Past, Spectacle of AIDS, and Queer Politics in Diana Lee Inosanto's The Sensei". Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1367081027.
Texto completoHenderson-Smith, Barbara y n/a. "From Booth to Shop to Shopping Mall: Continuities in Consumer Spaces from 1650 to 2000". Griffith University. School of Film, Media and Cultural Studies, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040618.134501.
Texto completoHenderson-Smith, Barbara. "From Booth to Shop to Shopping Mall: Continuities in Consumer Spaces from 1650 to 2000". Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367834.
Texto completoThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Film, Media and Cultural Studies
Full Text
Spina, Danton Christopher. "Confused Spaces: Theatricality as a device for defining different types of public space". DigitalCommons@CalPoly, 2013. https://digitalcommons.calpoly.edu/theses/1136.
Texto completoFlach, Guilherme Augusto. "Sobre containers e medianeras : intervenções urbanas subjetivações limiares". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/158671.
Texto completoThis research aims to explore the urban interventions in the city of Porto Alegre and its effects on ways of lives in the city. The intention is to discuss and build understandings of the forces that constitute these interventions, which often escape control and urban standardization, in other times are part of larger revitalization projects and occupation of urban space. Such interventions can be in tune with the urban art, activism art, the ephemeral, the urban, architecture and public spaces occupation movements. Through a methodology based on wanderings and cartography, in which the researcher intends to make his own body the surface of the events, narratives are constructed about the forces that make up the city. It seeks, therefore, to capture the effects of the interventions in their coping possibilities to homogenizing imperatives of the city – linked to premises of biopower and capitalistic production - or the possibility of creating and defending the potential of life, proposing new stylistic and forms of confrontation of contemporary passive nihilism. In his walks, the researcher-wandering captures effects of opening thresholds, of meeting possibilities, of dissipation of fear, spectacle production, emergency of microfacisms, gentrification, intertwining with the production of the new in the emerging subjectivities in the urban environment. For now, this production conjures subjectivities-containers, this means, armored and disposable subjectivities, according to the logic of consumption, spectacle and health reduced to the body. However, they also operate heterogeneities, produce deviations of potentiators of life when posing as sidewalls, promoting opportunities for the creation and defense of potential of life. It is problematized, therefore, how urban interventions produce narratives about the ways of life in the city, describing their disparate and paradoxical singularities.
Gündogan, Göknur. "Santralistanbul : une usine en déclin, une friche culturelle en évolution : la reconversion de la friche industrielle de Silahtarağa en Santralistanbul; un espace culturel pluridisciplinaire et campus". Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30066/document.
Texto completoSince the 1950’s, the conversion of industrial wastelands constitute an important phenomenon in Europe. Even if it is more known as a movement of urban redevelopment, it also holds a particular meaning for today’s cultural and artistic practices. These huge (vast) spaces that were abandoned by science and industries of the modern era start to become the places of alternative expressions which are convenient for exchanges between art, industry and science of contemporary times. Thus, these memorial places‐ through their particular characteristics incarnate the entity of the western contemporary societies. Starting by their facilities, the model of organization of work, and the industrial production approach that they reflect; their factories, laboratories and centers are at the crossroads of several artistic questions. The major objective of this thesis is to analyze the possibility of an interaction between art, science, and industry but also academia within the project of a particular cultural wasteland realized in Istanbul in Turkey by putting the emphasis on social –economicalechoes of such a conversion at urban level. Observing the unique example of Santralistanbul – an initiative of Bilgi University that gave life again to the ancient electricity power station of Silahtaraga‐, the point is to highlight theparticularities of the project and to focus principally on the activities concerning the domain of performing arts
Ivanov, Georgi. "Freedom of Interpretation". VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2808.
Texto completoSpina, Olivier. "Glorieuses cérémonies et honnêtes divertissements. Les Londoniens et les spectacles à Londres sous les Tudor (1525-1603)". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040185.
Texto completoSixteenth-century London underwent three important transformations. First, a dramatic demographic expansion was due to the arrival of thousands of young migrants, often poor, who settled every year in the city. Second, under the Tudor dynasty, London became the economic center of England, and the number of prosperous Londoners soared. Finally, Henry VIII initiated a process of religious reformation.From 1533, a growing number of expensive ceremonies (royal entries and civic spectacles) were organized by London authorities. In the same way, public representations of drama, bear baiting or fencers prizes are more and more numerous. This thesis would like to investigate the link between the economic, political and religious transformations and the development of a market-economy of spectacles in London.The study of the people involved in the organization of the ceremonies reveals that they are the same than those that give public representations in London and private spectacles at the royal court.Comparing ceremonies and public recreations demonstrates that, from Henri VIII to Elizabeth I, spectacles played a major role in the social integration of migrants in the urban society. On one hand, ceremonies were the occasion for London magistrates to elaborate new civic rhetoric and ideology in which the common wealth was the core value. For civic magistrates and corporations officers, the common wealth was not simply a set of discourses, it had to be achieved through the organization and the funding of the ceremonies. On the other hand, public spectacles which were constrained by economic, religious and political imperatives, contributed to the same civic integration. The Privy Council and the London institutions considered public spectacles as a form of “honest recreation” that should be encouraged. The existence of such cheap spectacles was thought to be useful to maintain the public order in an ever growing metropolis. In the 1580-1590’s, the modus vivendi surrounding spectacles was broken. The dire economic and financial situation of the city created some tensions regarding funding of ceremonies in the London institutions among the members, and between the monarchy and the City. The public spectacles became also a problem, because livery companies and parish vestries refused to collaborate with the civic magistrates. For the City fathers, the public spectacles were becoming a menace more a menace that an asset in the effort to enforce social order
Cavaillé, Fabien. "Alexandre Hardy et le rêve perdu de la Renaissance. Spectacles violents, émotions et concorde civile au début du XVIIème siècle". Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030099.
Texto completoA prolific writer, Alexandre Hardy [15??-1632] has dominated French theatre for about thirty years, providing the first professional companies with their repertoire. This dissertation studies his work as one of a professional poet, who had to make matters easier for the actors and to arouse the interest of the audience of the first urban theatres. These professional requirements account for the invention of scenes of violence which appear repeatedly, albeit with some variation, throughout the tragedies, tragi-comedies and pastorals published between 1623 and 1628. Critics have long considered such a use of pathos as a concession made to popular taste. In fact, it takes part in the creation of a theatre of the Public which, through the evidence and emotional impact of violent representation, leads the spectators to question the meaning of the community they form. I have first put into light how, in theoretical writings dealing with the problem of staging violence, such a poetical choice was related to the aethetics of marvel [meraviglia]. I have then studied the poetics and rhetoric of violence in Alexandre Hardy’s plays and shown that theatrical pathos summoned the spectators as witnesses of the action performed on stage, giving sense to their reunion. Finally I have related the search for collective emotions to a conception of urban theater which was still vivid at the end of the Renaissance – theatre as a place where spectators experimented concord. Thus Alexandre Hardy’s work reveals the ambitions and mutations of urban theatre at the beginning of the seventeenth century
Lee, Hee-Kyung. "Les arts de la rue en France : 1968-2005 : étude socio-historique". Paris 8, 2009. http://octaviana.fr/document/143290819#?c=0&m=0&s=0&cv=0.
Texto completoThe present thesis examines the socio-historical process of the construction of a relatively recent social field, from its gradual birth to the rationalization as the field of Street Arts. The empirical observations on historic companies, young companies, markets, institutions, and political devices and the theories of the field by Pierre Bourdieu, the social history by Norbert Elias, the collective dimension of art by Norbert Bandier and Rémy Ponton, and the generations of Mannheim are combined to pursue the central aims of this study: the analysis of explicit logic and objective determinations of the process of the construction of this social field and the analysis of implicit logic of the process through the confrontation between the old historic agents and newcomers This thesis consists of four parts. The analysis of the generational contents allowing individuals with different courses to come to unite into a real group and create a particular affinity, the construction of the network of Street Arts, the development of the field of Street Arts through a struggle of positioning, finally the investigation of the relationship between a new generation of artists who did not participate in this construction and the historic generations
Hernández, González Edna. "Comment l'illumination nocturne est devenue une politique urbaine : la circulation de modèles d'aménagement de Lyon (France) à Puebla, Morelia et San Luis Potosí (Mexique)". Thesis, Paris Est, 2010. http://www.theses.fr/2010PEST1106/document.
Texto completoDuring the last twenty years, the urban night originally appeared in France as a new discourse in particular concerning the new functions of lighting in the city. The evolution of the rhythms of lifestyles toward night-time schedules, the offer of services and leisure activities during night, the promotion of the night-time image of cities or at the night-time cultural events in the town-centre and the development of Illumination Master Plans are at the centre of a series of questions on cultural, political and environmental policies. The objective of this doctoral dissertation is the study of the emergence of night-time as a new sphere of action for urban policies. The adoption of the policies of illumination by the French cities, in particular the experience of the city of Lyon, appears as an international reference model. This study is based on the research work relating to diffusion and mobility of ideas and models, the transfer process of the public politics as well the work regarding the urban expertise. This dissertation aims to address questions concerning diffusion of the Lyon's experience and its re-appropriation processes in three Mexican cities: Puebla, Morelia and San Luis Potosi. This research uses the city of Lyon (France) as a case study to investigate the physical planning strategies of lighting design in the city and takes into account the production of the reference model. It then analyse the modalities of reception and appropriation of this model in the cities of Puebla, Morelia and San Luis Potosi. This is essential to show the complexities of the production of transfer of expertise of lighting design as well the dynamic contribution by local actors and the lighting designers to the production processes to the lighting policies. The urban planning based on lighting design, is a process which takes place in the international context of an "analyzer" of the local changes through the public action
Le, Guevel Yves. "La musique traditionnelle instrumentale canadienne-française en milieu urbain : le cas de Québec (1930-1960)". Master's thesis, Université Laval, 1997. http://hdl.handle.net/20.500.11794/28433.
Texto completoRossignoli, Sabina. "Diasporic identification and gender construction in the Caribbean nightlife of Paris". Thesis, Paris 5, 2013. http://www.theses.fr/2013PA05H021.
Texto completoThis thesis explores the forms of identification adopted by French Caribbean clubbers in the Parisian region in relation to the issues of gender and diaspora. My hypothesis is that clubbing is a cultural space that fosters diasporic identities and transnational socialities. Methodologically the thesis is the result of fourteen months of participant observation in Paris and one in Martinique. First I have investigated the human geographies of Antillean clubs in the banlieues of Paris by analyzing in detail the residential patterns and sense of class belonging of my informants. Next I have inscribed the night-time leisure practices in the migration patterns of these informants. I argue that the transnational character of Caribbean nightlife is a testimony to relevant diasporic constructions that have not previously been explored. However my thesis underlines how these constructions were not unproblematic for female participants. The second part of the thesis focuses on the specific transnational and diasporic character of zouk, a French Caribbean music genre. I conclude having investigated issues of gender inequality in clubs and the strategies women employ in order to participate in the dancehall scene
Erbeznik, Elizabeth Anne. "Between boulevard and boudoir : working women as urban spectacle in nineteenth-century French and British literature". Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-08-3936.
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Chiu, Yung-Teen y 邱詠婷. "The Urban Dialectics in Globalizing Taipei: The Construction of the Spectacle and The Production of An Alternative Project". Thesis, 2005. http://ndltd.ncl.edu.tw/handle/03853029194151731516.
Texto completo國立臺灣大學
建築與城鄉研究所
94
The dissertation revisits Metromarxists such as Lefebvre, Production of Space; Benjamin’s dialectical seeing and Debord’s theorization of Spectacle- in speculating the emerging globalizing consumption space of Taipei. Through urban readings of the four malls newly constructed after the millennium, the research attempts to theorize Taipei as emerging postmodern capitalist city in the construction of the ‘appearance’ , by creating one spectacular global mega-project based mainly on the spatial imagination of the Modernity, bourgeois lifestyles, and Globalization, yet only to disguise the disappearance of civil society. Unmasked by city’s urban design process which become an arena of the contested site for cultural meanings in the old paper mills factory –turned shopping mall redevelopment project: questioning who has the right to design public space of the city and who has right to interpret urban memory. Through cultural representation of space between the old paper mills workers and architect/capitalist in which the worker’s alternative project of representational spaces comprising of collective memories and identities rise above the capitalistic symbolic capital and redefine Taipei as work of art. By critical reading of malls, the malling of Taipei has manifested the globalization in spatial transformation which made the social polarization ever so apparent. This appearance is based on the hidden relaxation of local urban planning policy, professional’s regressive attitude as well as the passé imagination toward spatial form of architectural spectacles. The outside-in experience has allowed such tabular rasa the unique rhythm of Taipei rather than exception. The inside-out reading has allow one to see the forces of global luxury brand boutique became Taipei bourgeois’s imaginable ‘home’—a phantasmorphia which is under subjugating and homogenizing power . The Urban dialectics between the tradition/modern, culture/capital, private/public, preservation/development and finally the subjectivity/dulcification which can be read vividly in the ‘malling of Taipei’ is ultimately an issue of class struggle over space in consumer society. The research, based on the myrid methodologies such as textual analysis, and participatory observation find the Taipei Globalization Project , through the spatial transformation has brought Taipei not in the direction of the progress where global/Pacific Rim economic competitiveness is ever so illusive, but rather in malling the city –increasingly commodified, in which public space has become privatized and gentrified. Through the shopping mall redevelopment where people’s stories could be heard in the private project and the participatory design process not only present worker’s memories but also represent the collective work of art: ‘Taipei’ can be created, by transforming the capitalist mode of production and pointing the new design alternative project for Taipei as the emerging socially just global-city.
Huang, Wei-Jung y 黃微容. "Critique and Reconstruction of Urban Spectacle: Case Studies of Art Made Street and Community Building in Tainan Hai-An Road and Shen-Nong Street (1999-2013)". Thesis, 2014. http://ndltd.ncl.edu.tw/handle/xp9372.
Texto completo國立臺灣藝術大學
藝術管理與文化政策研究所
102
Rethinking the expansion of Neoliberalism influence in the local place, the new trend of cultural strategy applied into urban and regional redevelopment is to put cultural institution and art installment in degenerate area to stimulate capitals accumulation for shaping city landscape. The study aims to explore the urban planning and social mobilization in Tainan city; thus, the research traces the paths of local actions—art made street and community building in Tainan Hai-An Road and Shen-Nong Street by going to the neighborhoods to investigate power and capitals configuration, disposition, and mobility in order to observe Taiwan grassroots’ urban spectacle construction. The research built a urban spectacle model based on the dual viewpoints from the top-down strategic invasion and the bottom-up tactical resistance. To solve the questions about how governors and actors produced or countered spectacle, how power and capitals assimilated and excluded local culture, how they critically engaged, and how communities reacted. All for seeking an outlet for breaking the spectacle-embedded everyday life under the dominance of political governance and economic development. According to the case studies of art made street in Hai-An Road and community building in Shen-Nong Street, there’s new operation in reconstructing urban spectacle. In the thesis, due to the failed city policy which undermined the hard core of Old City Center, it engendered local actions with participation and intervention of civil groups. The public sector empowered people so that the civil society could take the positions as cultural “surrogates”, and the city government receded and acted as a manager, supervisor and investor. The result shows that after the 1999s, the action of civil society has turned its interest from sense of community cohesion to spectacle development, and everyday life has been askng to act reflectively. This is a transformation of community governance, civil society assembles the cultural elements of everyday life by remaking the spirit of Neolberalism to divert the poltical economy consfiguration. And there’s an outlet for everyday life is to escape the dominace of governors by depending on the actions of civil society.
Steenkamp, Hilke. "The urban underclass and post-authoritarian Johannesburg : train surfing (Soweto style) as an extreme spatial practice". Diss., 2011. http://hdl.handle.net/2263/30350.
Texto completoDissertation (MA)--University of Pretoria, 2012.
Visual Arts
unrestricted
Soyöz, Ufuk. "Drama on the urban stage : architecture, spectacles and power in Hellenistic Pergamon". Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-05-1179.
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Yu, Qi Fen y 余其芬. "The imagination and reconstruction of Shanghai Urban Space——The representation of Nostalgia and spectacles in JinYuchen’s FanHua". Thesis, 2016. http://ndltd.ncl.edu.tw/handle/983dda.
Texto completo國立政治大學
傳播學院傳播碩士學位學程
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Despite its rapid reconstruction of urban space over the recent times, life and culture of Shanghai have always been illustrated in literary texts. The book Fanhua, published in 2013, has depicted the life of Shanghai residents from 1960s to 1990s. It has received several literary awards and provoked a wave of nostalgia. FanHua was written in Shanghai dialect, revealing stories about ABao, HuSheng, XiaoMao and others in a dual narratives form. This study adopted text analysis mode, examining how the characters’ spatial practices could construct the differences between urban space and identity. The author, Jin has introduced a new writing genre in Shanghai Literature by leaving the traditional Masculine Narrative but at the same time, inheriting the Shanghai aesthetics of details. Via material and spatial symbolism, Jin analyses his perspectives on microcosmic daily life, power and sexual relationship and also the relationship between Shanghai and the rest of the world. While old lanes and alleys have been gradually replaced by modern skycrapers, Shanghai residents practise their own way of routine, reminiscing, remembering the details of the old Shanghai, which has become the core of Shanghai culture.
Poirier, Josianne. "Montréal fantasmagorique : illuminations monumentales et récits de ville au début du XXIe siècle". Thèse, 2018. http://hdl.handle.net/1866/21734.
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