Literatura académica sobre el tema "Trinidad (Group of artists)"
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Artículos de revistas sobre el tema "Trinidad (Group of artists)"
Ferris, Lesley. "THE CHALLENGES OF ARCHIVING AND RESEARCHING CARNIVAL ART". Theatre Survey 50, n.º 1 (22 de abril de 2009): 127–34. http://dx.doi.org/10.1017/s0040557409000106.
Texto completoCole, Thomas B. "Group of Artists". JAMA 307, n.º 7 (15 de febrero de 2012): 642. http://dx.doi.org/10.1001/jama.2012.99.
Texto completoMolloy, Molly. "Book Review: Field Recordings of Black Singers and Musicians: An Annotated Discography of Artists from West Africa, the Caribbean and the Eastern and Southern United States, 1901–1943". Reference & User Services Quarterly 58, n.º 3 (22 de junio de 2019): 194. http://dx.doi.org/10.5860/rusq.58.3.7057.
Texto completoGreen, Alison. "Citizen Artists: Group Material". Afterall: A Journal of Art, Context and Enquiry 26 (enero de 2011): 17–25. http://dx.doi.org/10.1086/659292.
Texto completoSturken, Marita. "Women Artists’ Group Fights Discrimination". Afterimage 25, n.º 6 (mayo de 1998): 5. http://dx.doi.org/10.1525/aft.1998.25.6.5.
Texto completoFowler, Joan. "Women Artists Action Group Seminar". Circa, n.º 41 (1988): 26. http://dx.doi.org/10.2307/25557339.
Texto completoCummins, Pauline. "The women artists action group". Women's Studies International Forum 11, n.º 4 (enero de 1988): 403–4. http://dx.doi.org/10.1016/0277-5395(88)90093-3.
Texto completoSimpson, A. J. H. y S. R. Heard. "Group B streptococcal carriage during pregnancy in Trinidad". Journal of Hospital Infection 29, n.º 2 (febrero de 1995): 156–57. http://dx.doi.org/10.1016/0195-6701(95)90199-x.
Texto completoRawstrone, Annette. "We've explored…artists". Nursery World 2024, n.º 2 (2 de febrero de 2024): 28–29. http://dx.doi.org/10.12968/nuwa.2024.2.28.
Texto completoKostova-Panayotova, Magdalena. "In a Free State (V.S. Naipaul’s Half a Life)". Balkanistic Forum 29, n.º 3 (1 de noviembre de 2020): 57–69. http://dx.doi.org/10.37708/bf.swu.v29i3.2.
Texto completoTesis sobre el tema "Trinidad (Group of artists)"
Apte, Savita. "Unchallenged dichotomies : modernism and the Progressive Group in India". Thesis, SOAS, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504469.
Texto completoDuran, Adrian R. "Il Fronte Nuovo delle Arti realism and abstraction in Italian painting at the dawn of the Cold War, 1944--1950 /". Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 0.87 Mb., p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3220804.
Texto completoThorpe, Josh. "Here hear my recent compositions in a context of philosophy and western 20th century experimental art /". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ59209.pdf.
Texto completoRoza, Alexandra M. "Towards a modern Canadian art 1910-1936 : the Group of Seven, A.J.M. Smith and F.R. Scott". Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20178.
Texto completoCass, Jeremy Leeds. "FASHIONING AFROCUBA: FERNANDO ORTIZ AND THE ADVENT OF AFROCUBAN STUDIES, 1906-1957". Lexington, Ky. : [University of Kentucky Libraries], 2004. http://lib.uky.edu/ETD/ukyhpst2004d00216/cassdissertation.pdf.
Texto completoTitle from document title page (viewed Jan. 7, 2005). Document formatted into pages; contains v, 253 p. Includes abstract and vita. Includes bibliographical references (p. 236-250).
Borders, Elizabeth Furlong. "Working in an Artist Collective in Portland Oregon: The artistic benefits of cooperation and place in an underground art world". PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/188.
Texto completoStokes, Justine Frances. "We're Changing the Way We Do Business: A Critical Analysis of the Dixie Chicks and the Country Music Industry". Oxford, Ohio : Miami University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1228361434.
Texto completoDessy, Clément. "Les écrivains devant le défi nabi: positions, pratiques d'écriture et influences". Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209795.
Texto completoOutre ces considérations historiques, le rapprochement souhaité entre les deux groupes fut tel que la production littéraire ne put qu’être influencée par les théories des Nabis. La tendance "formaliste" représentée par ce groupe pictural a souvent conduit les chercheurs à prendre acte de l'autonomie tant du littéraire que du pictural dans les échanges entre Nabis et écrivains. Les influences sont cependant nombreuses de la peinture vers la littérature. Il est toutefois nécessaire de prendre en compte des écrivains oubliés par l'histoire littéraire, tels Romain Coolus, Gabriel Trarieux ou Louis Lormel, pour percevoir les effets de cette influence picturale. La reprise d'un dispositif de couleurs, exaltées ou déformées, le jeu poétique sur le thème de la ligne ou de l'arabesque fondent une recherche d'effet visuel dans l'écriture qui entend renouveler les images poétiques. Ce constat entre en résonance avec la rénovation picturale revendiquée par les Nabis. Des esthétiques communes entre peintres et écrivains, tournant autour des notions de synthèse, simplicité, de la référence à l'enfance ou à la fantaisie humoristique rassemblent Nabis et poètes qui les soutiennent dans une communauté d'initiés à l'art nouveau.
Doctorat en Langues et lettres
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Goldman, Noémie. "Un Monde pour les XX: Octave Maus et le groupe des XX :analyse d'un cercle artistique dans une perspective sociale, économique et politique". Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209691.
Texto completoNous avons ainsi voulu replacer le groupe des XX dans son contexte économique, politique et social. La diversification des approches et des sources était donc un aspect essentiel de nos recherches. Plusieurs voies d’approche ont été empruntées, telles que l’histoire culturelle, la sociologie de l’art, l’histoire du marché de l’art, l’analyse politique ainsi que l’étude de la visual culture.
Dans un premier temps, nous analysons l’émergence de la nouvelle scène artistique construite autour du groupe des XX. Nous débutons par une analyse plus monographique du parcours de Maus afin de définir les qualités essentielles de l’animateur d’art qu’il incarne, ainsi que son rôle dans la reconfiguration du milieu culturel. Ensuite, notre étude se concentre sur la mobilisation d’un public autour des salons et la mise en place d’un nouveau marché de l’art aux XX.
Dans un second temps, notre étude se penche sur les œuvres créées par les XX et sélectionnées par le public d’amateurs fidèles au groupe. Nous éclairons cette production artistique en y décelant les influences des questionnements et des prises de position sociales et politiques du public des XX, défini précédemment. L’analyse iconographique et stylistique des œuvres s’accompagne d’un travail sur ce milieu culturel, et particulièrement sur ses positions face aux débats sociaux de l’époque. Cette étude aboutit, d’une part, à une description approfondie du public des XX, et, d’autre part, à une meilleure compréhension de l’originalité de la production esthétique des artistes du groupe. /
This PhD thesis concentrates on the mechanisms by which the artistic world in Brussels was reorganized at the end of the 19th century. The research focuses on the places, institutions, publics, art markets and aesthetic developments that characterized the new artistic scene constructed around the “Salon des XX”. The purpose of this study is to demonstrate that this artistic circle, led by Octave Maus, produced an art influenced by social, political and economic issues. Another aim has been to analyze the public that defended the artists by studying its social, cultural and generational nature.
This thesis, which is divided into two parts, for the first time explores the circle of the XX in its economic, political and social environment. The diversification of sources and scientific methods was therefore an essential aspect of the research. Different methods were applied such as, for example, the cultural history, the sociology of art, the history of the art market, political sciences and the visual culture.
The first part of this study is about the emergence of a new artistic scene founded around the “Groupe des XX”. The first objective was to investigate the personal and professional path followed by Octave Maus, the manager of the XX, who played a major role in the evolution of the cultural world. Subsequently the research focuses on the mobilization of a particular public and the creation of a new art market around the XX’s exhibitions.
The second part of this thesis considers the works of art created by the artists of the “Groupe des XX” and chosen by the public for private collections. New light is shed on this artistic production by the study of the social and political position of the XX’s public, considered as a social group. Hence the iconographic and stylistic analysis of the works goes together with a study of the XX’s milieu, and in particular with its political action. The present thesis, and the method that aims to study the works in parallel with the public’s social nature, lead to a better understanding of the cultural milieu and, at the same time, of the originality of the XX’s artistic creation.
Doctorat en Histoire, art et archéologie
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McBride, Margaret. "Changing the art culture of Newcastle: the contribution of the Low Show Group of artists". Thesis, 2010. http://hdl.handle.net/1959.13/928250.
Texto completoBeginning in 1961, the Low Show Group was an active collective of women artists, exhibiting in Newcastle. The group members were Norma Allen, Mary Beeston, Betty Cutcher (Beadle), Elizabeth Martin, Lillian Sutherland and Rae Richards. Madeleine Scott Jones and Lovoni Webb also exhibited in later Low Show Group exhibitions. These artists continued to work independently and Richards is still making and exhibiting art. This study examines the context in which the group was formed and how this impacted on their decision to form a collective. Their contribution to art and craft, art education and the cultural life of Newcastle is documented through their exhibitions and careers. The theories of Howard Becker regarding art as a collective action, is used as a framework to examine the success of the Low Show group. Through a discussion of shared and individual careers as practitioners, their community service and their role as teachers, their influence is shown on the artistic practices of their students and colleagues and on the art world of their time. Newcastle’s background as a convict settlement and an industrial centre had developed a working class culture with a strong masculine influence. While some individual women artists were able to develop a career in fine arts, there was a long battle to establish a city art gallery and in 1961 there were no commercial galleries. The formation of the Low Show Group is shown to be as much about the society in which they lived as their artistic ambitions. The development of the Newcastle Technical Art School, and the formation of the Newcastle University College, was identified as the catalyst for the initial flowering of fine art. The experience of the Low Show artists first as students of this school, and in some cases as teachers, was the impetus for their desire to develop careers as professional artists. This evaluation of their contribution to the fine arts indicates how the contribution of this regional group of artists was important in paving the way for the present growth and a promising future of the fine arts in Newcastle.
Libros sobre el tema "Trinidad (Group of artists)"
artists), Trinidad (Group of. Harrach GT: Künstlerische Analyse und Entwürfe für die Neunutzung des historischen Harrachparks = Harrach GT : artistic analysis and projects for new uses of the historic Harrach Park. Wien: Universität für angewandte Kunst, 1999.
Buscar texto completoGallery, Delhi Art, ed. Continuum: Progressive artists' group. New Delhi: Delhi Art Gallery, 2011.
Buscar texto completoTony, Bradshaw, Bloomsbury Workshop y Sherborne House (Sherborne, Dorset, England), eds. The Bloomsbury group artists. Sherborne: Sherborne House, 2002.
Buscar texto completoDingwerth, Shaun Thomas. The Richmond Group artists. Bloomington, Indiana: Indiana University Press, 2014.
Buscar texto completoInc, ebrary, ed. Apache MyFaces Trinidad 1.2: A practical guide : develop JSF web applications with Trinidad and Seam. Birmingham, U.K: Packt Pub., 2009.
Buscar texto completoZaini, Syahrul Niza Ahmad. Destiny: Young group show. Kuala Lumpur: Balai Seni Visual Negara, 2013.
Buscar texto completoGillian, Naylor, ed. Bloomsbury: The artists and designers bythemselves. London: Macdonald/Orbis, 1989.
Buscar texto completoGallery, Delhi Art, ed. Mumbai modern: Progressive artists' group, 1947-2013. New Delhi: Delhi Art Gallery, 2013.
Buscar texto completoInternational, Ora. Artists 8: Future Legacies : The ORA group of Eight Safed artists. [S.l.]: ORA International, 1990.
Buscar texto completoIfill, Max B. The radical socio-political tradition in Trinidad society: Why Not? Discussion Group and intellectual expression of radicalism in Trinidad society. [Trinidad]: The People's Democratic Society, 1994.
Buscar texto completoCapítulos de libros sobre el tema "Trinidad (Group of artists)"
Clarke, Paul. "Performing Art History: Non-Linear, Synchronous and Syncopated Times in Performance Re-Enactment Society’s Group Show (Arnolfini, Bristol 2012)". En Artists in the Archive, 116–42. Abingdon, Oxon; New York: Routledge,: Routledge, 2018. http://dx.doi.org/10.4324/9781315680972-13.
Texto completoKiliszek, Joanna. "Living Simulacrum". En Cultural Inquiry, 219–29. Berlin: ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_22.
Texto completoMazzanti, Anna. "Operazione Arcevia. Existential Community. The Reality of the Experience and the Utopia of the Vision". En Springer Series in Design and Innovation, 569–83. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_54.
Texto completoCangiano, Serena, Davide Fornari y Azalea Seratoni. "Re-search, Re-enactment, Re-design, Re-programmed Art". En Cultural Inquiry, 141–50. Berlin: ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_15.
Texto completo"Ottoline Morrell: Artists Revels". En The Bloomsbury Group, editado por S. P. Rosenbaum, 312–16. Toronto: University of Toronto Press, 1995. http://dx.doi.org/10.3138/9781487573768-057.
Texto completo"The Black Artists’ Group". En Flyboy 2, 50–55. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822373995-007.
Texto completo"The Black Artists’ Group". En Flyboy 2, 50–55. Duke University Press, 2016. http://dx.doi.org/10.1215/9780822373995-014.
Texto completo"Problems of Deranged Minds, Artists, and Psychiatrists". En The Cybernetics Group. The MIT Press, 1991. http://dx.doi.org/10.7551/mitpress/2260.003.0008.
Texto completo"Contemporary Artists Respond to the Baby Dolls". En Walking Raddy, editado por Kim Vaz-Deville, 285–313. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817396.003.0020.
Texto completo"The Collective Impossible: Erfurt’s Women Artists Group". En Parallel Public. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/12748.003.0008.
Texto completoActas de conferencias sobre el tema "Trinidad (Group of artists)"
Reiser, Susan y Phill Conrad. "A processing primer for artists". En SIGGRAPH '17: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3084863.3107579.
Texto completo"Session details: SIGGRAPH Core: HDRi for artists". En SIGGRAPH '08: Special Interest Group on Computer Graphics and Interactive Techniques Conference, editado por Kirt Witte, Christian Bloch, Hilmar Koch, Zap Andersson y Gary M. Davis. New York, NY, USA: ACM, 2008. http://dx.doi.org/10.1145/3260713.
Texto completoMokhov, Serguei A., Miao Song, Sudhir P. Mudur y Peter Grogono. "Dataflow VFX Programming and Processing for Artists and OpenISS". En SIGGRAPH '20: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3388763.3407760.
Texto completoEales, R. T. Jim y Dharani Perera. "Creativity Support: Insights from the Practices of Digital-Atomic Artists". En Proceedings of HCI 2007 The 21st British HCI Group Annual Conference University of Lancaster, UK. BCS Learning & Development, 2007. http://dx.doi.org/10.14236/ewic/hci2007.3.
Texto completoDias, Mariana, Pedro Coelho, Rui Figueiredo, Rita Carvalho, Veronica Orvalho y Alexis Roche. "Creating Infinite Characters From a Single Template: How Automation May Give Super Powers to 3D Artists". En SIGGRAPH '24: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2024. http://dx.doi.org/10.1145/3641233.3664339.
Texto completoKashina, M. A. "BEST PRACTICES OF CREATIVE INDUSTRIES: SUCCESS FACTORS OF THE SOUTH KOREAN BOY BAND BTS IN RUSSIA (BASED ON THE MATERIALS OF A SOCIOLOGICAL STUDY)". En CONVERSION PROBLEMS AND REGULATION OF REGIONAL SOCIO-ECONOMIC SYSTEMS. INSTITUTE OF PROBLEMS OF REGIONAL ECONOMICS OF THE RUSSIAN ACADEMY OF SCIENCES, 2023. http://dx.doi.org/10.52897/978-5-7310-6198-8-2023-52-37-51.
Texto completo"Session details: Professional Development and Education: Know your rights: a legal primer for software developers, artists and content creators". En SIGGRAPH '08: Special Interest Group on Computer Graphics and Interactive Techniques Conference, editado por Gil Irizarry, Gregory P. Silberman y Neer Gupta. New York, NY, USA: ACM, 2008. http://dx.doi.org/10.1145/3260717.
Texto completoLord, Francois. "An OpenUSD Production Pipeline with Very Little Coding: Empowering 3D artists with a parallel workflow using off-the-shelf software". En SIGGRAPH '24: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2024. http://dx.doi.org/10.1145/3641233.3664307.
Texto completoForrest, Brent James. "The Time Filter System: Advanced Time Manipulation for Animators and Effects Artists: How I Learned to Stop Worrying and Love Matrix Math". En SIGGRAPH '23: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3587421.3595412.
Texto completoPaul, Simon, Kadija Dyall y Quinn Gabriel. "An Independent Analysis of the Performance Characteristics and Economic Outcomes of the Liza Phase 1 Development Offshore Guyana Using Public Domain Data". En SPE Trinidad and Tobago Section Energy Resources Conference. SPE, 2021. http://dx.doi.org/10.2118/200951-ms.
Texto completoInformes sobre el tema "Trinidad (Group of artists)"
Sequeira, Dora María, Ileana Alvarado V. y Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, agosto de 2007. http://dx.doi.org/10.18235/0006438.
Texto completoKupfer, Monica E. Perceptive Strokes: Women Artists of Panama. Inter-American Development Bank, marzo de 2013. http://dx.doi.org/10.18235/0006215.
Texto completoAbdellatif, Omar S., Ali Behbehani y Mauricio Landin. Trinidad and Tobago COVID-19 Governmental Response. UN Compliance Research Group, marzo de 2021. http://dx.doi.org/10.52008/tt0501.
Texto completoKhadr, Ali, Oliver Peña-Habib y Stefania De Santis. Independent Country Program Review Trinidad and Tobago 2016-2020. Inter-American Development Bank, abril de 2021. http://dx.doi.org/10.18235/0003852.
Texto completoPollock, Wilson. Pivot the Future Makers: Building our People and Places. Editado por Musheer O. Kamau, Sasha Baxter y Golda Kezia Lee Bruce. Inter-American Development Bank, abril de 2021. http://dx.doi.org/10.18235/0003188.
Texto completoEspinasa, Ramón y Malte Humpert. Energy Matrix Country Briefings: Antigua & Barbuda, Bahamas, Barbados, Dominica, Grenada, Guyana, Haiti, Jamaica, St. Kitts & Nevis, St. Lucia, St. Vincent and the Grenadines, Suriname, and Trinidad &. Inter-American Development Bank, febrero de 2014. http://dx.doi.org/10.18235/0008096.
Texto completoGrau, Javier, Horacio Terraza, Germán Sturzenegger, Alfredo Rihm y Diana Milena Rodríguez Velosa. Solid Waste Management in Latin America and the Caribbean. Inter-American Development Bank, agosto de 2015. http://dx.doi.org/10.18235/0006297.
Texto completoIDB Group Country Profile: Trinidad and Tobago 2005-2019. Inter American Development Bank, agosto de 2020. http://dx.doi.org/10.18235/0002551.
Texto completoA Challenging Endeavor: The Arts in Trinidad and Tobago. Inter-American Development Bank, mayo de 2002. http://dx.doi.org/10.18235/0006229.
Texto completoHighlights from the Collection of the Art Museum of the Americas of the Organization of American States (OAS): Outstanding works by artists from the Spanish, English, French, and Dutch Speaking Caribb. Inter-American Development Bank, agosto de 2007. http://dx.doi.org/10.18235/0008217.
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