Tesis sobre el tema "Totalitarisme – Europe – 20e siècle"
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Quondamatteo, Sara. "L'autre XXème siècle de Czesław Miłosz et Nicola Chiaromonte : histoire d'une formation intellectuelle cosmopolite". Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL087.
Texto completoThis thesis sets out to trace the philosophical and literary research that brought Czesław Miłosz and Nicola Chiaromonte together as members of a particular intellectual formation. To understand the nature of their relationship in this intellectual milieu, we have avoided the biographical and interpretative pitfalls that would have reduced the comparative study of the two authors to a sterile search for explicit influences in thought and work. On the contrary, we have brought out the full complexity of their encounter, determined by a very particular historical-political and cultural conjuncture. Czesław Miłosz's voice seems so close to Nicola Chiaromonte's not only because of participation in the same events and the same political climate of the twentieth century, but also thanks to the common attention paid to the need to define an ethical foundation for the freedom of thought, language and human action in a context of widespread massification that has taken on a nefarious magnitude in totalitarian ideologies.From different socio-cultural backgrounds, their research then turned towards an attempt to rediscover the tragic dimension of history, in opposition to the determinisms of the twentieth century that reduced man to an isolated monad, bent to the demands of numerous historical necessities. As Gino Bianco observes, both authors seem to develop a parallel aversion "to historicism based on the conviction that, despite the fury and horror of history, man is an absolute, and that this absolute resides in consciousness".The research, which reveals how Miłosz's and Chiaromonte's thought and writing are in constant oscillation between the socio-political and metaphysical dimensions, is original in that it is largely based on textual analysis. Reflection on the relationship between history and the individual is not at a speculative, theoretical level; on the contrary, it takes place in a writing process that is not detached from the biographical trajectories of the two authors. Both attempt to understand the bewilderment of modern man in the face of history, recognizing themselves first and foremost among those individuals caught in its stranglehold.The texts analyzed reveal the position occupied by both authors in their analyses, namely that of critical spectators of the phenomena described. In the chosen texts, the speaker is also the one who has lived, who remembers and therefore bears witness. It is in the impossibility of separating the man from his experience and the thinker-writer from his judgment and assessments, that Polish researcher W. Karpiński identifies the point of contact between the two authors, to whom he attributes the use of a particular literary form, that of "reality sketches" (szkice rzeczywistości). Karpiński sees their writing as a form of resistance to the manipulations and distortions produced by twentieth-century logocracies, as a reappropriation of the signifying function of the word. It is in this semantic presupposition, in the aspiration to a renewed coincidence between language and reality, that both authors aspire to a renewal of the ethical foundations of modern man. We could even speak of semantic existentialism, for their writing, despite stylistic differences, is driven by the same urgency to respond to ideological propaganda by conducting metalinguistic reflection
Ondoua, Patrice-William. "Les rapports Europe-Etats-Unis, 1980-1992". Paris 8, 1999. http://octaviana.fr/document/174466412#?c=0&m=0&s=0&cv=0.
Texto completoBednarz, Anita. "Les mystères de la passion en Europe au 20e siècle". Paris 3, 1996. http://www.theses.fr/1997PA030108.
Texto completoDifferent periods have chosen the utopia of the stage where the ordinary place and time are no longer current to tell anything whatever in this quasi-sacred rectangle where the imaginary, the death and the resurrection of the christ only penetrate. What about the mystery passion plays in europe in the twentieth century ? the murky periods that stake out these ages and our century disrupt the cultural symbolic system and give rise to spiritual crises. The easter event our mysteries celebrate allows not only to resort to the model that jesus-christ proposes, but it ensures the possibility of another story, the genesis of a new world. It's this escatological future, the utopia as a symbol of another life the christian celebrations have to make live symbolically. In our mysteries, this outlook is shown directly on the stage which tries through the theatral language, its signs and its symbols to reveal the secret of the world, of the life and of man. The eighty-eight mysteries of our corpus counted through thirteen european countries allow a spatial and textual analysis as well as a query on the sacred representation in the twentieth century
Nérard, François-Xavier. "Protestation et dénonciations dans l'URSS stalinienne, 1928-1941 : étude d'une pratique sociale et politique". Paris 1, 2003. http://www.theses.fr/2003PA010503.
Texto completoMontarsolo, Yves. "L'Eurafrique, contrepoint de l'idée d'Europe : le cas français, des origines aux négociations des Traités de Rome". Aix-Marseille 1, 2006. http://www.theses.fr/2006AIX10096.
Texto completoGuénard-Maget, Annie. "La présence culturelle française en Europe centrale et orientale avant et après la seconde guerre mondiale (1936-1940, 1944-1949)". Paris 1, 1994. http://www.theses.fr/1994PA010665.
Texto completoJacobsen, Rikke. "Le mobilier en bois en Europe après la seconde guerre mondiale". Paris 4, 2009. http://www.theses.fr/2009PA040002.
Texto completoThis cross-study of the European forest, the production and the different sorts of wood, reveals the importance of wood in European furniture design in the period from the end of the Second World War until the beginning of the eighties. The furniture design of European countries such as Finland, Sweden, Denmark, Germany, Great Britain, France and Italy has been studied. The sensorial aspect of wood as well as its symbolism has also been explored. Two countries, France and Denmark, have been put forward as they are particularly revealing of two different approaches. Would the time of hegemony of wood in the creation of furniture be passed ? Several findings seem to point out the contrary. Where is the true place of the wood in furniture design to be found in the post-war period ? And what are the reasons ?
Nazeran, Kiasa. "L'acteur européen en quête de l'organicité au XXe siècle". Thesis, Bourgogne Franche-Comté, 2020. http://www.theses.fr/2020UBFCC011.
Texto completoFirst half of the twentieth century. Rise of teleological illusions, dispersion of the researchers of Origin, victory of alienating forces, crushing of the will to be. All this could not stifle the noble spirits' passion to remain or become beings of integrity. We think of Nietzsche, Tolstoy and Bergson. These seekers of the state of Being had many students. To name only five: Stanislavski, Chekhov, Copeau, Decroux and Grotowski. From their masters, these students inherited an important idea: "surpassing oneself" is the sine qua non of integrity. Hence their interest in great tragic or comic characters. They all have one thing in common: they are willing to do without anything in order for the truth to be revealed. To embody these characters was the dream of the aforementioned artists. To realize this dream, they made a long term work. This work enabled them to take decisive steps towards the hard-to-reach threshold of organicity
Roy, Eve. "Autour d'Archigram, représentations architecturales utopiques et imaginaires en Europe de 1960 à 1975". Aix-Marseille 1, 2008. http://www.theses.fr/2008AIX10083.
Texto completoDevolder, Daniel. "Cycles démographiques et cycles économiques de longue période dans les pays occidentaux : 15e-20e siècle". Paris, Institut d'études politiques, 1994. http://www.theses.fr/1994IEPP0019.
Texto completoIn search of long demographic-economic cycles by way of an analysis of demographic fluctuations and a synthesis of the works of historians and economists on economic fluctuations. We study two kind of cycles. First a thirty years fluctuation in West European birth time series for the sixteenth to the eighteenth centuries. We argue that their causes was the late age at marriage of women and, more fundamentally, a change in the agrarian structure of those societies. Second, we study a fifty years fluctuation in fertility time series of post industrial revolution societies which occurred in a striking parallelism with the Kondratieff economic cycle
Dethier, Guy. "Les mutations de la sidérurgie française face à la mondialisation : (concurrence et développement de la construction européenne)". Paris 4, 2004. http://www.theses.fr/2004PA040030.
Texto completoThe French steel industry, as a basis of numerous economical activities, could hardly avoid trade globalization and its worldwide development. For long a national activity by the nature of its production, its patrimonial management will be as well. The two major world conflicts will thrust the steel industry activity into the heart of the idea of European construction, idea that had mainly been developed around political projects. The urge for peace after World War II and the need to ensure the development of the French steel production brought Jean MONNET to propose a solution to these issues. The European steel community resulting from the CECA treaty would thus be the basis of development of trade and allow an enlargement to other fields and other partners than the six founding countries. This new deal would not yield rapidly any significant mutations for the French steel industry due to the strong market demand which will prevail until the 1974 crisis. This crisis would push forward new steel protagonists and new highly competitive fields of production leading traditional steel industries to the bankruptcy. The necessary restructuring resulting from this situation, backed by Communauty measures, after nationalization, then privatization of the sector in France, would lead to the restoration of profitable business, high external development and activity globalization. This evolution will lead the French steel industry to take part in the creation of the world leader in the profession
Lorin, Francis. "La compétition intermodale dans les transports publics de voyageurs en Europe dans les années 1980". Paris 9, 1987. https://portail.bu.dauphine.fr/fileviewer/index.php?doc=1987PA090079.
Texto completoHirsch, Yaël. "Réflexions sur la conversion juive : les implications politiques et sociales du transfert identitaire dans la première moitié du 20e siècle en Europe". Paris, Institut d'études politiques, 2009. http://www.theses.fr/2009IEPP0038.
Texto completoYaël Hirsch's work focuses on the shifting identities of European Jews who converted to Christianity in the 20th century. She studied the lives and the writings of thirty Jewish intellectuals who converted (or were tempted to convert) to Christianity. Among them : Henri Bergson, Simone Weil, Jean-Marie Lustiger, Max Jacob, Edith Stein, Hermann Broch, Franz Rosenzweig and Etty Hillesum. She also interviewed about thirty former hidden children, who were born Jewish but had to hide -and sometimes to convert to Christianity- in order to survive WWII. No matter how deep their Christian faith, all these converts still considered themselves as Jews after their baptism. Why couldn’t they leave their Jewish identity behind, if they believed in another religion ? Apostates from Judaism were not numerous in the 20th century; but their strong and marginal choice to try to change identity brings about new material on "The Jewish Question", i. E. , why Jews remain Jews, even when they don't observe the Law of their fathers anymore. With the help of History, Sociology, Psychology, and Literary critique, Yaël Hirsh is questioning the bond remaining between the converts and their original Jewish identity after baptism, in order to find new approaches to this very classical political question
Morel, Ludovic. "Thierry Maulnier : de la Jeune Droite révolutionnaire à l'ordre établi ?" Thesis, Université de Lorraine, 2013. http://www.theses.fr/2013LORR0301.
Texto completoFrom the Action Française Movement, which he joins in the late 20's, to the AcadémieFrançaise, who elect him to a seat with them, and so consecrate his much honored literary career, Thierry Maulnier seems to have navigated between two extreme goals ; namely, promoting an "aristocratic revolution", siding with a "Young Right Movement" inspired by Maurras, and, later on, achieving some intellectual status within the Establishment. Then there comes the year of "Liberation" (of France from the nazi grip), when he is said to have joined in the System, thus betraying his former friends ; however, this well-spread interpretation is as faulty as the label "dissident from the Action Française", that has stuck to him to this day. In the 1930's, Thierry Maulnier explores the economic and social fields to situate himself and to find an alternative for the liberal/capitalistic democracy he cannot stand. The years of Vichy Government, and the German ocupation of France,brought a deep change in his vision of the world, a change that took him away from Maurras ; from then on, he continues his lonely course, far from the Young Right members, though he may meet some of their names in the reviews in which he is a contributor ; he gets involved in other forms of artistic and intellectual expression, such as drama ; yet, he will never reject or denounce his past. In spite of some genuine changes in his political postures, this singular intellectual route displays many persistent ideas, recognizable in his fights against communism, totalitarianism, decolonizing, in his defense of Western civilization that is sinking, according to him. Maulnier's six decades of intellectual life are like a window open on the XXth century history, and on the political trends he is acquainted with
Boeglin, Jean-Georges. "Influence du modèle catholique des relations Eglise-Etat sur les législations religieuses en Europe". Université Marc Bloch (Strasbourg) (1971-2008), 2004. http://www.theses.fr/2004STR20081.
Texto completoAfter having described what the catholic model of the relations between Church and State is- in its history and its contents, the second part of the thesis makes the analysis of the different european States in which the different religions know a especial juridical treatment. This analysis is led by the question of the influence of the catholic model on the pluralistic situation of the religions. The last part of the thesis studies how the political Union of Europe and the religions could make treatises and agreements of different juridical kinds which would be inspired by the rich relations between the Roman-Catholic Church and the States
Jonveaux, Isabelle. "L'économie des monastères : recomposition d'une utopie dans la modernité religieuse en comparaison européenne". Paris, EHESS, 2009. http://www.theses.fr/2009EHES0116.
Texto completoMonastic utopia integrates of necessity economic activities which it tries to deny because off it religious character. Monks spread then an arsenal of strategies of reorganization to reconcile economy and religious life. These tensions between work and prayer are essential of the monastic life, but modernity and secularization of society bring with them new data who require monks a more successful economy. The social background which defines the status of the monk depends on each country, and the European comparison between France, Italy, Germany and Belgium allows to determine the intrinsic characteristics of the monastic economy and those which are contingent, according to place and period in whom it takes place. The more the monks seem extraworldly, the more their products win in symbolic value, so building a charismatic economy. Although in theory outside the world, the monastery is not nevertheless hermetic to its outside environment. Even, we can observe offers and demands between society and monasteries, this last one answers to demands of tradition and natural which society is expecting. Role of monks in the religious modernity thus recomposes around a new charisma which is not only religious. Unlike to the institutional Church, monks keep more credibility thanks to the other canals of communications which they can develop with the world, in particular by economy
Chalikia, Martha. "Corps, art et société : l'identité féminine dans l'art contemporain russe avant et après la chute du mur de Berlin et ses répercussions dans les autres pays orthodoxes de l'Europe de l'Est". Paris 1, 2004. http://www.theses.fr/2004PA010704.
Texto completoCharton, Laurence. "Calendriers familiaux et rapport au temps : la diversification des comportements et des parcours familiaux en Europe". Université Marc Bloch (Strasbourg) (1971-2008), 2003. http://www.theses.fr/2003STR20055.
Texto completoImportant changes marked the last four decades of Western societies, as much as in the ways of production organisation, the regulation of the social states and the make-up of the family as in the social relations of sex. These changes are indissociable, inherent in today's social dynamics. The question consists of apprehending this social evolution. One way to achieve this could be to determine the evolution of how families are formed by using various grounds of observation, data collection and analysis methods. This research is constituted of three parts each corresponding to a specific approach of contemporary family changes. .
Anakesa, Kululuka Apollinaire. "L'Afrique noire dans la musique savante occidentale au XXe siècle". Paris 4, 2000. http://www.theses.fr/2000PA040126.
Texto completoAllemang, Marie-Odile. "Treize ans de missionnariat beachy-amish en Europe occidentale (1981-1994) : premiers résultats et enseignements". Orléans, 1997. http://www.theses.fr/1998ORLE1021.
Texto completoIn the triumphant United States of the 1990's, what has interested us the life of Amish communities whose adventure began in Alsace. In the heart of the world's greatest power, these "plain people" continue to live as they did in the 17th century, when their movement first appeared in the mennonite milieu. The Amish, along with the mennonites and hutterites, are the last representatives of the anabaptist groups who arose in continental Europe in the 16th century. Whereas in Europe the Amish movement ended up by merging with the group from which it sprang, in the United States it occupies a place which is distinct from that of the mennonites, and it assumes a position which is in contrast with american society, a sociery it believes embodies the vanities of the world. However, the 20th century has witnessed the emergence within the Amish movement of a dissident group, the beachy amish, who partially accept technological progess, and who are motivated by a strong missionary instinct. Among other regions, they are attracted to Europe as a place to spread the gospel, and have tried to regain a foorhold on the European continent following the second world war-in Germany in the 1950's, in Alsace in 1981, in flemish belgium in 1986 and finally in Ireland in 1992. It is with these last three attempts of the Amish to reestablish themselves that our research is concerned. Focusing on the problems of education, language, and daily life, we have attempted to analyse the effects of cultural and religious shock of thid return to the continent of their origins, both upon the missionaries and upon their audience
Druet, Sarah. "La Poésie faite par tous : Partage poétique et poétique du partage dans le surréalisme européen de l'entre-deux-guerres". Tours, 2003. http://www.theses.fr/2003TOUR2024.
Texto completoPuzdriac, Camelia. "Espace individuel et groupal pour penser la transition en Roumanie : approche psychosociologique clinique". Paris 10, 2008. http://www.theses.fr/2008PA100033.
Texto completoAt the end of the year 1989, the Romanian people entered a multi-dimensional period of transition. Along the 20th century, it went through a very sinuous period of its history - through monarchy, wars, temporary governments, a repositioning of its frontiers, a long communist period, followed by a short revolution that took place in a period of rather brutal mutations of the countries in the soviet block, even if Romania had a special position in this context. This research has been realized on four generations, by means of semi-coordinated individual and group interviews. It is about a clinical perspective on the daily life of the Romanian people, which analyses the relation of the individuals as a psychic, family group and social subject, through the instrumentality of a social contract, created by the communist regime. The ability a subject can create / find in himself in order to adapt to the post-communist period changes and to new external social groups - thus, to his own potential future - depends on a fragment of the irrepresentable psychological marks which he shares with the collective events which left a mark on the destiny of his predecessors and on his own delusive investment in these marks. All along the life histories of our participants, we emphasized the social contract established by the regime with the common citizen, depending on the characteristics of the tyrannical bond, on the perverse mechanism of creating and maintaining this contract and on the totalitarianism's effects on the psychic in Romania
Ferlin, Patricia. "La Femme à la Belle Époque : Le cas de GYP". Orléans, 1988. http://www.theses.fr/1988ORLE1002.
Texto completoIn spite of her aristocratic background and heritage, la comtesse de martel, gyp as she is known in literature, didn't really feel she belonged to her class. Her childhood, and then her later life as a woman, her political involvement and above all, the fact that by force of circumstances she made her living of writing, set her apart from the others members of her social class. In her novels, this fallen aris tocrat, which she contrasts with the other categories women such as flirts, parvenus and jewesses. Despite the character sketch of the superior woman who in fact acts as the author's alter ego, and succeeds on a social level, gyp's heroines are normally victims and unhappy in their amorous adventures. Gyp makes the following observation : la belle epoque excludes the idea of a feminine elite, as portrayed by the author, from its development and satis
Oloba, Likanda. "Les acteurs étatiques dans la coopération au développement Europe-Afrique à l' ère postbipolaire". Toulouse 1, 2002. http://www.theses.fr/2002TOU10052.
Texto completoCooperation in development Europe-Africa is currently called in to question because the states which are the principal and central actors know a rupture at the level of their interests, roles and political logic concerning the cooperation. This cooperation is also subject to various constraints such as changes in the European union, rivalry of Central and Eastern European countries, rivalry between France and the U. S. In the Sub-saharian Africa as well as the vulnerability of the African states themselves. The emergence of a multiplicity of differing types of actors pursuing multipol interests, roles and political logic increase the degree of complexity and uncertainty
Costa, Catherine. "Harmonisation fiscale européenne : utilisation d'un modèle à générations imbriquées à deux pays". Aix-Marseille 2, 1998. http://www.theses.fr/1998AIX24019.
Texto completoEudes, Émeline. "Vers une poétique d'un langage plastique dans l'art contemporain finlandais, islandais et norvégien". Paris 8, 2009. http://www.theses.fr/2009PA083684.
Texto completoFor historical and geographical reasons (independence settled in the 20th century, isolated position at the edge of Europe, ever-present weather conditions and natural environment. . . ), the act of language has become in Finland, Iceland and Norway a decisive moment for self-representation and the exploration of one owns environment. From this state of things, the research work has a close look at the on-going of this notion of language through the arts of each of these countries, making over-cross historical, cultural and artistic concerns. With such an aim as to go beyond the simple constitution of a Nordic art iconography, this essay consists into considering from an aesthetical point of view the artistic act in a particular context. While witnessing of the rising up of a certain type of creation, the relations between image and language, making and perceiving, imagination and sociologic imaginary are being investigated under a new perspective. The first part is devoted to the practice of drawing in Finland. The works of about ten artists enable to overview the status given to the graphic mark in the creation of a phatic link, first step prefiguring the word. The second part is about the tradition of writing and narrative among Icelandic artists. With as cultural background the medieval Sagas, the practice of the artist book and of the sung narration are the study place of the words not only as a literacy matter but a fine art one as well. The last part deals with motion and performance in Norway. Through the presence of bodies and their movements, the indexicality appears to become a fundamental pattern for local artistic practices. Eventually, the notion of landscape is a useful leitmotiv, which helps into making understandable the links between the experience of their environment by the artists and the spectators, and the art works
Gillissen, Christophe. "L'impact de la Communauté Européenne sur la politique étrangère irlandaise : 1973-1993". Caen, 1995. http://www.theses.fr/1995CAEN1166.
Texto completoIreland's accession to the European Community in 1973 has changed its foreign policy both in relation to its contents an d to its formulation. As far as its contents are concerned, there has been a modenisation of Irish foreign policy since 1973 : Ireland has extended its diplomatic network, adopts a more moderate profile in international affairs, and has invested more in world trade. But its adaptation to european political cooperation does encounter problems at times: the very principle of concerted action is difficult to reconcile with its traditional policy of neutrality, and ireland's pragmatic approach in the field of foreign policy since 1973 is sometimes contradicted by more committed stances. This is due to some estent to the influence of the European Community on the formulation of foreign policy in Ireland. Indeed, one can establish a close link between Ireland's accession to the European Community and a phenomonon of democratisation of foreign policy in Ireland. The three referenda on European membership have reinforced the role and influence of public opinion and pressure groups in foreign policy decision-making, for instance, to the detriment of that of the executive power. This evolution of the institutional balance of powers has had an impact on the very contents of Irish foreign policy, to the point of threatening its coherence at times, and thus constitutes an essential element in the study of Irish foreign policy since 1973
Gueslin, Julien. "La France et les petits états baltes : réalités baltes, perspectives françaises et ordre européen : 1920-1932". Paris 1, 2004. http://www.theses.fr/2004PA010628.
Texto completoWarnet, Jean-Manuel. "Le laboratoire théâtral au XXe siècle : un espace de recherche pour le théâtre d'art". Rennes 2, 2005. http://www.theses.fr/2005REN20044.
Texto completoThe 20th century history of theatre practice in Europe is marked by notable places for experimentation which, as workshops, studios or research centres, can be collectively described as theatre laboratories. The theatre laboratory is a specific place and time where a collective of stage professionals, led by a mentor, conducts research in various domains of theatre practice without the urgent need to produce something for an immediate audience. Theatre laboratories emerged in parallel with the trend to give a key part to art theatre and to the personality of the stage director. Russia was the first country for experimentation with the Art Theatre studio in Moscow in 1905. That founding experience was the stimulation for creating many other studios for research on acting, those of the “system” of Stanilavski, Soulerjitski, Mikhaïl Tchekhov, Boleslavski, Vakhtangov, and that of Meyerhold in the URSS in 1913-1917. Following attemps by Edward Gordon Craig and Jacques Copeau, the latter combined teaching and research in the achieved or utopian form of an experimental school. In the first half of the twentieth century, the theatre laboratory found its models essentially in the religious community or, for the case for Meyerhold in URSS, in the political avant-garde. It was not until the sixties that a new form of laboratory emerged, under the leadership of Jerzy Grotowski. This new format followed the path set by Stanilavski, and it provided the impetus for Peter Brook's and Eugenio Barba's ultimate successes. Reflection on this notion of laboratory over the 20th century and throughout the continent provides a new view of the history of theatre art. The reflection is an attempt to unveil the depths of theatre-related work and to examine the underlying process rather than is spectacular results
Kim, Eun-ho Paulin. "Art nouveau et art du vitrail". Paris 8, 1987. http://www.theses.fr/1987PA080194.
Texto completoThis is the work of a plastic art profesional, fascinated by art nouveau in architecture and naturelly in stained glass work. The introduction - although general - deals as well with glass considered as a living substance. This aspect is developped in the work itself. - historical function of stained glass, completed by an exhibition of the "ecole de nancy" and j. Gruber. - illustration of the art by its most prominet artists : paintors, stained glass designers, architects. - presentation my own practice and exhibition of my works : copies restorations, creations including the most recent ones
Dupuigrenet, Desroussilles de Bletterie Brigitte. "Le jardin, seuils et arborescences : une quête de sens". Limoges, 2007. http://aurore.unilim.fr/theses/nxfile/default/e26460b5-7e16-4c96-b343-b8f0a25a7cd2/blobholder:0/2007LIMO2004.pdf.
Texto completoHallair, Gaëlle Frédérique. "Histoire croisée entre les géographes français et allemands de la première moitié du XXe siècle : la géographie du paysage (Landschaftkunde) en question". Paris 1, 2010. https://halshs.archives-ouvertes.fr/tel-01730408.
Texto completoHage, Julien. "Feltrinelli, Maspero, Wagenbach : une nouvelle génération d’éditeurs politiques d’extrême gauche en Europe occidentale, 1955-1982 : histoire comparée, histoire croisée". Versailles-St Quentin en Yvelines, 2010. http://www.theses.fr/2010VERS030S.
Texto completoRose in the 1960s and 1970s by the hope brought by the decolonization and by may 68, a new generation of political publishers provided a platform for the intellectual and aesthetical vanguards of their time. Fighting against a fierce censorship, they responded to the birth of a new left-wing tendency strengthened by anti-imperialism away from communist and social democrat parties and were the precursors of the political book boom that took off concomitantly throughout occidental Europe, also representing the «cultural areas» topic updated by the rise of mass culture. From a global –both comparative and crossed– history perspective, this study is centered in the work and the political and intellectual path of three major publishers of that time. By reassessing the part of the cultural metropoles and that of the nodal and strategic points of Algiers, Havana or West-Berlin, it compares three specific patterns of political publishers: Giangiacomo Feltrinelli and his large professional publishing house in Milan, François Maspero, bookseller and publisher in Paris, Klaus Wagenbach and his small literary publishing house in West-Berlin. With the decline of activist movements and the political shift to neoliberalism, the beginning of the 1980s ended that experience and forced them to re-adapt themselves to new forms of mass literature, taking a political and aesthetical turn that brought a complete reconfiguration of the intellectual and publishing field
Dalipagic, Catherine. "Nous autres et le bolchevisme". Paris 4, 1987. http://www.theses.fr/1987PA040342.
Texto completoThe utopian society as imagined by Zamiatin in his 1921 novel we provides a good insight into the political, intellectual, artistic and literary life during the first years of soviet power. This period (1917-1921) of civil war and wartime communism saw the emergence in Russia of a bolchevik society based upon radically new principles. With remarquable awareness of these events, Zamiatin showed the deep transformation that occurred in the relationships between the state and the individual, the state and art, the state and science and religion. The first part of this work, "the state and the individual", refers to the making of the soviet state as well as the universal state in we. The second part, "the state and the art", looks into the role of a writer and the purpose of art. In the third part science is considered for its accomplishments within the bolchevik society and equally as a theory of that society. The bolchevik attitude towards religion is analysed through the writings of Lenin, Bogdanov, Lunatcharski and Gorki. These years 1917 to 1921 are essential for a proper understanding of bolchevik ideology
Chassagne, Philippe. "Les réseaux criminels des Balkans". Paris 1, 2008. http://www.theses.fr/2008PA010522.
Texto completoHa, Hyung-Ju. "Le poème dramatique et la mise en scène dans le théâtre contemporain". Paris 8, 2008. http://www.theses.fr/2008PA082971.
Texto completoThroughout this research, and by making comparisons with poetical drama, we have tried to find an answer to the question that we had asked on the autonomy of art. With contemporary theatre, very often the audience does not understand what the author intends to tell. In addition, this theatre is sometimes void of any dramatic emotion and some talk about "withered stages". To put together our argument, we chose to go back to the XIXth century. As a first step, we could state that, although this indifference is somehow represented on the stage, it does not mean that art is autonomous. To explore this point, we used the thought of Adorno. Coming back to this empirical subject, or to reality, we considered the fragmented & daily life-based writing of Vinaver to be a "writing of the interstice". However, in this writing, by his way of putting side to side uttered sentences, the speech makes sense only two or three times out of ten. Somehow this author lets his writing go as a loose gun. The novelty is in the rhythm, but it is based on a measuring of what is without measure. The consequence is a "singular effectuation" in his theatre. In a second step, thanks to Rancière, we understood that, through this anti-representation, what is in question is not any resemblance as such, but only resemblance in its relation to the three constraints of representation. In a third step, having understood what has just been described, we looked at fiction through the reversing of the platonician mimesis. The mimetic regime is, so to speak, a substitution, so much so that even the idea is only fiction. The mimetic regime is, so to speak, a substitution, so much so that even the idea is only fiction. This fiction does not provide us with imagination only, but it claims for poetry. So, we have considered choreography as a proof of authenticity. In this context, we examined the plays of Grumberg and those of Bond, looking at the juxtaposition of images and words, the tension and dramatisation of violence. In a last step, we scrutinised the art of Wilson of directing actors in order to illustrate the undoubling of a common surface, not well understood until now
Karm, Miguel. "L'Europe à l'économie du politique : Les contributions des premiers néo-libéraux aux projets de gouvernance économique de l'Europe: paradigmes doctrinaux et implications politiques (1938-1958): institutionnalisation, intervention restauratrice et régulation du marché, planisme libéral, fédération et communauté des nations". Paris 2, 2005. http://www.theses.fr/2005PA020066.
Texto completoPereira, de Matos Maria João. "Paisagens urbanas contemporâneas de Montanha : metodologia para uma abordagem conceptual em arquitectura na Covilhã". Paris 8, 2011. http://octaviana.fr/document/169179494#?c=0&m=0&s=0&cv=0.
Texto completoThis research is positioned within the field of contemporary architecture and landscape as components of the image of the mountain city. Its issues are framed in a qualitative perspective and enquiry fields are analysed using a methodology based on perception by the senses. An analysis of the Alpine context - paradigm of the European mountain in every sense -, aims to provide clues leading to a médiance in a Portuguese mountain urban context: the city of Covilhã, in the Serra da Estrela. The research axis regarding Alpine reality focus on three main aspects: the influence of the Alpine paradigm in the European space, the Alpine architecture as landscape construction since the Modern Movement, and the specificities of the Alpine urban context. The latter concerns the evolution of the relation between city and mountain, and the current issues and trends, observed from different levels. These range from the scale of international relations to the scale of the localised urban fragment. On this smaller scale, the architecture of new interventions, while considering its surrounding landscape, can assume an important role both for the reconstruction of a genius loci between city and mountain, and for the competitiveness of the urban milieu in association with its territory. Three spaces in three Alpine cities have been studied and compared from this perspective: the Curial ensemble in Chambéry, the new Thermal Baths of Meran and the renewal of Castelgrande in Bellinzona. From the critical observation of those three case studies and of the urban and architectural context of Covilhã, ensues the proposition of a methodology to approach the site of the ancient castle of Covilhã, focused on landscape, aiming for a successful intervention which will express the art of a place between city and mountain. Moreover, this proposition considers also the importance of architecture as an icon in the current context of urban competitiveness
Mejri, Mohamed. "La musique classique arabe du Mashreq au XXème siècle et ses rapports avec l'Occident". Paris 4, 1998. http://www.theses.fr/1998PA040094.
Texto completoIn the 20th century, music has experienced rapid growth in the orient as well as in the occident. And, in the Mashreq, musicians, thanks to the phonograph, the cinema and the radio, have been able to hear western music in their daily lives. The notion has taken root that this music could add new elements and improve the style of traditional music. Western influences were welcome by those who thought that occidentalization of music would counter the stagnation into which traditional music has fallen. The way in which the influence was exerted differed from country within the mashreq. This work outlines the course of this evolution. The most important factor is the adaptation of European polyphony to Arab music. The present work tries to answer a question: is this musical style primarily a source of enrichment, or is it fundamentally in contradiction with the essence of traditional music? In addition to exploring the problems of acculturation, this research explores the repertory of the ud through a study of taqasim, focusing on developments on the 20th century. This part of the study is based on the writer's personal experience as a player of the ud. The approach therefore is a personal one which is complemented by work in the field - recording the taqasim of several musicians from the syro-egyptian school at different times during the course of the writer's travels in Egypt and the Middle East. The problem of western influences on the classical music of the mashreq is examined in detail in the second part of this work. In this context, research was carried out in Egypt, Lebanon, Syria and Iraq but also in turkey. In the course of his travels, the author has had occasion to meet some musicians who are very well-known in their own countries. This has permitted him to create a sort of anthology of musical works which can serve to illustrate the evolution of musical style in this region in the 20th century
Berthelot, Jean. "La maîtrise des situations de changement dans les entreprises de sous-traitances". Rennes 2, 2005. http://www.theses.fr/2005REN20009.
Texto completoFraixe, Catherine. "Art français ou art européen ? : l'histoire de l'art moderne en France : culture, politique et récits historiques, 1900-1960". Paris, EHESS, 2011. http://www.theses.fr/2011EHES0115.
Texto completoThis thesis studies a series of « histories of modern art », which circulated in France between 1900 and 1960, as a « hypertext» whose transformations can be understood as political reinterpretations of the same question, that is the form of the community they« describe ». Thus in the first half of the XX th Century, those narratives establish complex relations, and sharp distinctions, between «nation» and «Europe », «people» and «elites », «ethnic groups» and «races ». The organicist model the Third Republic favoured around 1900 and which triumphed al the Salon d'Automne would structure during three decades a narrative which referred either to the so-called psychology of the peoples or to the creative power of an elite, which according to the Action française, would save a Western Civilisation rooted in a Latin tradition. At the end of 1920s, the imperialist model of a « French Europe », dear to the maurrassians, coexisted with a narrative stressing the ethnic caracteristics of each « Europeân people ». Ln the early 30s, the political myth of a Latin Civilisation was at last dispeIIed in favour of the biological conception of a « Latin Europe » composed of ethnie groups belonging to the same « racial type ». A new « history of art» was designed to spread ideas similar to those of the diverse European fascisms. The «history of modern art », focused on international avant-gardes expressing the values of the « free world », that American and European groups tried to impose in the early 1950s, would then conflict not only with nationalist representations but also with the supranational, ethno-racial, « European » models of the interwar period
Debrabant, Camille. "La peinture à l'épreuve du postmodernisme : Etats-Unis - Europe, 1962-1989". Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010649.
Texto completoIn 1981, the fate of painting subject to the most contradictory declarations on both sides of the Atlantic : “A New Spirit in Painting” is celebrated as the medium 's death certificate is being promulgated Symbol of the greenbergian 's modernism and repoussoir bourgeois, damaged by the avant-garde from the Sixties and Seventies, painting is the target of choice for post-modernism theoreticians, who revive the cliché of rivalry with photography. Once clarified the economic or ideological stokes associated with institutional and theoretical strategies, it will be necessary to confront the critical discourse to the analysis of artistic procedures elaborated between the early Sixties and late Eighties. Far from excluding either of these two mediums, these procedures act towards continuous reconfigurations of combinations between painting and photography
Fernandez, Soriano Victor. "Le fusil et l'olivier: l'Espagne franquiste, la Grèce des colonels et les droits de l'Homme en Europe, 1949-1977". Doctoral thesis, Universite Libre de Bruxelles, 2013. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209476.
Texto completoDoctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished
Breuil, Xavier. "Femmes, culture et politique : histoire du football féminin en Europe de la grande guerre jusqu'à nos jours". Thesis, Metz, 2007. http://www.theses.fr/2007METZ017L/document.
Texto completoSoccer - being the most popular sport on earth - is not simply recreation in order to entertain or to stimulate. Historians have reminded us how first in Great Britain and later, since the inter-war years on the whole continent, this sports has conquered a crucial place in politics of European nation-states: male masses have seen in it a powerful vector of integration into the public sphere. This political dimension cannot be ignored if one is interested in gender relations within soccer. Yet the social, economic and cultural progress of which women benefited during the 20th century are not enough to understand the disparities that have been observed in the development of women’s football in Europe. Actually, in a statistical study published in 2000 the International Football Federation (FIFA) underlines the setback of Finland over Norway, Denmark and Sweden even if the condition of women is as good as in its Scandinavian neighbours. The FIFA study also highlights that the number of licensees in Spain is four times higher that that of France or Great Britain even its practice developed fifteen years later. In comparing the evolution of women’s soccer in the different European countries including the former Warsaw pact countries from World War I until today this study intends to demonstrate how soccer has reflected the imbalance of genders in national public affairs and contributed to their exclusion. Our analysis is on the one hand based on archives of different ministries and national and international federations and on the other on European-wide sports press
Putz, Dominique. "La figure architecturale : le projet comme dispositif". Thesis, Grenoble, 2013. http://www.theses.fr/2013GRENH028/document.
Texto completoL'auteur n'a pas fourni de résumé en anglais
Balazs, Adam. "La pensée en exil : François Fejtö, Emil Cioran, Czeslaw Milosz, et Sándor Márai". Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCC240/document.
Texto completoExile, in the twentieth century, becomes a genuine human condition. It is not a punishment reserved to well-known individuals. Nonetheless, bibliography tends to omit this novelty and confounds exile with emigration. Emigration is not a condition, but a route, a journey, a movement one can follow on the map. Thus geography remains the main metaphor of a condition, and the very essence of exile continues to be evasive within research on the topic. It is by thinking through the respective experiences of four East European intellectuals that I propose to contribute to current research. Exile and emigration often go together. The two concepts being distinct, they form a couple of concepts. My aim is to use this couple, exile-emigration, to analyse connections between geography and condition and to shed light on the contemporary relevance of past experiences: these experiences, peculiar to Eastern Europe, nostalgic about Central Europe – nostalgy that the four intellectuals actually share – allow us to specify in a more accurate way our more than contemporary questionings
Hessas, Hakim. "L'Europe dans la revue Europe : analyse sémantique et statistique de corpus". Paris, EHESS, 2010. http://www.theses.fr/2010EHES0036.
Texto completoHow "Europe" is represented with in the Review Europe? This research is meant to answer this question through a semantic and statistical investigation of a corpus of texts extracted from the Review itseIf since its fouodation in 1923, up to the year 2000. This review posed itseIf to be a rupture space with the preceding period of time represented as "declining". Based on the construction of the semantic course (trajectory), the different analyses show permanences through the themes like living body and the myth of Europe. Moreover, Europe is defined in the Review as opposed to a farther ever islamic Orient, paradoxically embodied in the secular Turkey, that of the aftermath of Kemal's Revolution
Girard-Hamrouni, Micheline. "Pour une analyse créatrice du regard à l'oeuvre dans les démarches picturales de Kandinsky, Mondrian, Malevitch, Klee et Pignon Ernest". Paris 1, 2003. http://www.theses.fr/2003PA010688.
Texto completoCytlak, Katarzyna Maria. "Les utopies grises : projets architecturaux d'Alex Mlynárčík, Tadeusz Kantor et Jozef Jankovič dans l'Europe centrale des années soixante-dix". Paris 1, 2012. http://www.theses.fr/2012PA010517.
Texto completoYi, Mi-jeong. "L' évolution du modernisme dans l'art en Corée au XXe siècle : réalité, identité et modernité". Paris 1, 2005. http://www.theses.fr/2005PA010592.
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