Literatura académica sobre el tema "Time telling itself"
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Artículos de revistas sobre el tema "Time telling itself"
Rafael, Vicente L. "Telling Times". positions: asia critique 29, n.º 1 (1 de febrero de 2021): 121–39. http://dx.doi.org/10.1215/10679847-8722810.
Texto completoLambrou, Ioannis L. "Achilles and Helen and Homer’s Telling Silence". Mnemosyne 73, n.º 5 (20 de febrero de 2020): 705–28. http://dx.doi.org/10.1163/1568525x-12342656.
Texto completoHolmes, Diana. "Dancing in the Dark: Immersion and Self-Reflexivity in Nancy Huston's Danse noire". Nottingham French Studies 57, n.º 3 (diciembre de 2018): 298–310. http://dx.doi.org/10.3366/nfs.2018.0226.
Texto completoMorrill, Angie. "Time Traveling Dogs (and Other Native Feminist Ways to Defy Dislocations)". Cultural Studies ↔ Critical Methodologies 17, n.º 1 (25 de julio de 2016): 14–20. http://dx.doi.org/10.1177/1532708616640564.
Texto completoYoung, Jan y Sandra Regan. "Groups for Children of Separation/Divorce: A Metaphorical Approach". Children Australia 13, n.º 1 (1988): 4–6. http://dx.doi.org/10.1017/s0312897000001739.
Texto completoRaymaker, Dora M. "Reflections of a community-based participatory researcher from the intersection of disability advocacy, engineering, and the academy". Action Research 15, n.º 3 (14 de marzo de 2016): 258–75. http://dx.doi.org/10.1177/1476750316636669.
Texto completoWitz, Klaus G., Sung Ah Bae, Hyunju Lee, Youngcook Jun y Yongsock Chang. "Colwyn, Age 5 1/2, “Protecting Mom and Dad”". Asian Qualitative Inquiry Association 1, n.º 1 (30 de junio de 2022): 16–32. http://dx.doi.org/10.56428/aqij.2022.1.1.16.
Texto completoPile, Steve. "Echo, Desire, and the Grounds of Knowledge: A Mytho-Poetic Assessment of Buttimer's Geography and the Human Spirit". Environment and Planning D: Society and Space 12, n.º 4 (agosto de 1994): 495–507. http://dx.doi.org/10.1068/d120495.
Texto completoMoala, Kalafi. "A final word: Pasifika solutions for Pacific problems". Pacific Journalism Review 22, n.º 2 (31 de diciembre de 2016): 118. http://dx.doi.org/10.24135/pjr.v22i2.73.
Texto completoHolmes, Brooke. "At the end of the line: on kairological history". Classical Receptions Journal 12, n.º 1 (1 de enero de 2020): 62–90. http://dx.doi.org/10.1093/crj/clz027.
Texto completoTesis sobre el tema "Time telling itself"
Picard, Manon. "La smartfiction : une fiction interactive à lire, un rôle à incarner ou une partie à jouer sur son smartphone ?" Electronic Thesis or Diss., Compiègne, 2022. http://www.theses.fr/2022COMP2681.
Texto completoA smartfiction is a story to be read and played on the smartphone. Taking the technical, aesthetic, social and cultural codes of the smartphone to reinvest them in the framework of a fiction, smartfiction relies on a reflexive dimension in relation to the smartphone. By using the conventions of ordinary smartphone practices, the user of a smartfiction must project themself as a smartphone user when reading, interpreting and acting out a fictional life story. Indeed, the very nature of the story is to tell a life that is no longer mine or that is not mine. Me listening, I coincide with a telling time which projects me in the told time. The writing of the story and the devices make the telling time a construction of the reading self. Within the framework of the smartfictions, this game on time relies in particular on the instant (fictional) chat and the notifications (which I name notifictions to indicate fictional notifications). That way, the user has a framework for blending into the time of the story by articulating it to a reading time. But they interpret this story as an actor interprets a role in the theater. By embodying the role assigned to him, the user lives the time of the story as a time played in the first person. To do this, they must approach their role as if they were playing a game and thus transform the time of the story into a time of play. They must “play the ga.Me”. Narrative, theater and game are then three temporal modalities of the lived time that are reset by the smartfiction : a story that one plays and that one incarnates. A smartfiction has thus a double status, phenomenological and semiotic. Indeed, the reader-actor-player interacts with the smartfiction and synchronizes their flow of consciousness with the different objects composing it in order to live the experience of reading in the first person. They synchronize their living time with the time of the fiction. This synchronization is punctuated by the interaction with the specific codes related to the use of a smartphone, which becomes the semiotic and pragmatic framework of the smartfiction. This framework allows both the contextualization of the smartfiction and functions as a defamiliarization of the smartphone. The study, based on a corpus of eleven smartfictions, thus articulates a double phenomenological and semiotic approach. A smartfiction is a story on a smartphone that happened to someone, a story that is a game in which the user plays as an actor. With the smartfiction, we witness the birth of a format, even of a genre. The emergence of a new genre invites us to question its articulation with existing genres, or even their reconfiguration: does smartfiction correspond to another way of telling, another form of staging, another practice of acting? These questions also refer to the role of the device which stands out in these creative modes. In particular, smartfiction invites us to objectify the role of a smartphone in a narrative. Smartfiction is thus a laboratory for the analysis of creative genres and for the understanding of the role of the medium and the devices
Libros sobre el tema "Time telling itself"
Bear, IJ, T. Biegler y TR Scott. Alumina to Zirconia. CSIRO Publishing, 2001. http://dx.doi.org/10.1071/9780643104884.
Texto completoSorkin, David. Jewish Emancipation. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691164946.001.0001.
Texto completoCapítulos de libros sobre el tema "Time telling itself"
Billault, Alain. "Cnemon Meets Calasiris (2.21–2)". En Reading Heliodorus' Aethiopica, 70–79. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198792543.003.0006.
Texto completoHall, Claire. "Defining Prophecy". En Origen and Prophecy, 7–25. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192846648.003.0002.
Texto completoRigamonti, Federico. "Imprese e storytelling". En Imprese letterarie. Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-356-4/004.
Texto completoKarcı, Huri Deniz. "Transmedia Storytelling in Advertising". En Advances in Media, Entertainment, and the Arts, 818–37. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-7180-4.ch046.
Texto completoStead, Victoria C. "Customary Connection to Land and Practices of Resilience". En Becoming Landowners. University of Hawai'i Press, 2016. http://dx.doi.org/10.21313/hawaii/9780824856663.003.0002.
Texto completoBreaden, Jeremy y Roger Goodman. "MGU 2008–18". En Family-Run Universities in Japan, 125–50. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863496.003.0005.
Texto completoFreudenburg, Kirk. "Introducing Suture". En Virgil's Cinematic Art, 15—C1N31. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197643242.003.0002.
Texto completoDahiya, Surbhi. "The Hindustan Times Limited: Marching Forward with a Mission". En Indian Media Giants, 483–618. Oxford University PressDelhi, 2021. http://dx.doi.org/10.1093/oso/9780190132620.003.0005.
Texto completoLienhard, John H. "Mirrored by Our Machines". En The Engines of Our Ingenuity. Oxford University Press, 2000. http://dx.doi.org/10.1093/oso/9780195135831.003.0003.
Texto completoAllchin, Douglas. "William Harvey and Capillaries". En Sacred Bovines. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190490362.003.0032.
Texto completoActas de conferencias sobre el tema "Time telling itself"
Ribeiro Rabello, Rafaelle. "Between absence and presence: Augmented Reality as a self-fiction poetic". En LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.105.
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