Tesis sobre el tema "Tibullo"
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Cesaro, Novella <1984>. "Editoria, prassi scolastica, letteratura: la fortuna di Tibullo nella cultura italiana (1472-1945)". Doctoral thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4625.
Texto completoQuesto lavoro è finalizzato a ricostruire una storia della fortuna di Tibullo nella cultura italiana di età moderna e contemporanea, con particolare attenzione a tre ambiti: editoria, prassi scolastica e imitazione letteraria. L’analisi delle più importanti edizioni tibulliane circolanti nel territorio nazionale consente di individuare diverse fasi di sviluppo della presenza dell’elegiaco nell’editoria dei secoli XV-XX. Per quel che concerne l’insegnamento, sono stati presi in considerazione non solo volumi destinati all’apprendimento, ma anche programmi scolastici, testimonianze e giudizi di carattere morale inerenti all’autore e alla sua presenza fra le letture dei giovani. Per quanto riguarda la letteratura, l’influsso di Tibullo è costante, non solo in poesia, ma anche in prosa, nella produzione volgare e in quella neolatina. L’analisi dei procedimenti imitativi ha consentito di ricostruire una storia della cospicua fortuna letteraria di questo poeta. Allo scopo di realizzare la presente ricerca, ho compulsato e schedato 318 edizioni, di cui 102 a uso scolastico, e analizzato brani appartenenti alla produzione letteraria di 110 autori italiani.
ALVES, J. P. M. "Elegias de Tibulo: Tradução e comentário". Universidade Federal do Espírito Santo, 2014. http://repositorio.ufes.br/handle/10/3174.
Texto completoPropõe-se uma tradução literária da obra do escritor romano antigo Álbio Tibulo e um comentário-estudo que revele, simultaneamente, aspectos das elegias do poeta e um pouco do passo a passo da tradução, da engenharia de sua construção. Em um quadro assim, pressupõe-se a gênese concomitante de tradução e comentário, uma vez que um é pretexto e argumento para a existência do outro. No interior do comentário, a obra de Tibulo e as escolhas de tradução surgem lado a lado, em um só movimento. Para a confecção de tal proposta, esta pesquisa aponta, como artifício necessário e enriquecedor, o trabalho tradutor-literário como fruto de teoria da tradução, de alguns estudos críticos sobre Tibulo e a poesia antiga e da leitura de comentários filológicos às elegias do poeta clássico. Da reunião e leitura de material desse tipo, espera-se construir o entendimento de aspectos das elegias de Tibulo e do projeto de versão constante destas páginas, além de cooperar para a compreensão do gênero elegíaco antigo entre nós.
Martins, Maria Helena Aguiar. "A elocuÃÃo do amor em Tibulo". Universidade Federal do CearÃ, 2016. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=17601.
Texto completoA presente dissertaÃÃo investiga a elocuÃÃo de onze poemas da obra atribuÃda ao poeta latino Ãlbio Tibulo (c. 55-19 a.C.): os poemas 1.1-6, 1.8-9, 2.3-4 e 2.6. A delimitaÃÃo desse corpus de anÃlise baseia-se na temÃtica erÃtica e nos personagens aos quais os poemas sÃo direcionados, DÃlia, MÃrato e NÃmesis; a investigaÃÃo formal da elocuÃÃo ampara a discussÃo de aspectos dessa temÃtica; em funÃÃo disso, dividimos em trÃs ciclos os poemas a serem analisados; a elocuÃÃo de cada ciclo serà examinada em separado e depois comparada com a dos demais. Para desenvolver esta pesquisa, utilizamos como fundamentaÃÃo teÃrica estudos e comentÃrios da obra de Tibulo, textos de retÃrica da Antiguidade greco-latina e estudos de retÃrica, especialmente os que abordam a elocuÃÃo. A anÃlise dos poemas foi fundamentada principalmente na RetÃrica a HerÃnio e no Manual de RetÃrica LiterÃria, de Lausberg. Uma discussÃo mais aprofundada de poesia latina requer um exame da elocuÃÃo, pois os poetas latinos tinham o estudo da retÃrica como formaÃÃo bÃsica. Na obra de Tibulo, à perceptÃvel que a seleÃÃo e a disposiÃÃo de palavras nos versos servem-se de figuras de linguagem em consonÃncia com o conteÃdo e ainda sublevam o teor erÃtico dos poemas.
This dissertation investigates the elocution of eleven poems from Albius Tibullus (c. 55-19 BC) work: poems 1.1-6, 1.8-9, 2.3-4 and 2.6. The demilitation of this corpus of analysis is based on the erotic subject and it is also based on the characters to which the poems are addressed: Delia, Marathus and Nemesis; the formal investigation of the elocution sustains the discussion about some aspects from this subject; therefore, we divided the poems analyzed in three cycles; the elocution of those cycles is going to be analyzed separately and compared to each other. In order to develop this research, as theoretical foundation we use research and commentaries on the work of Tibullus, rhetorical texts from Greco-Roman Antiquity, and researches about rhetoric, especially those woks that develop the elocution. The analysis is based mainly on Ad Herennium and also on Manual de RetÃrica LiterÃria, from Lausberg. A further discussion of Latin poetry requires an examination of the elocution, since the Latin poets had rhetoric as their foundation. It is noticeable, that Tibullus selection and arrangement of the words in his verses utilizes figures of speech in order to mimic their content; moreover the disposition rise up the erotic content of the poems.
Martins, Maria Helena Aguiar. "A elocução do amor em Tibulo". reponame:Repositório Institucional da UFC, 2016. http://www.repositorio.ufc.br/handle/riufc/19720.
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This dissertation investigates the elocution of eleven poems from Albius Tibullus (c. 55-19 BC) work: poems 1.1-6, 1.8-9, 2.3-4 and 2.6. The demilitation of this corpus of analysis is based on the erotic subject and it is also based on the characters to which the poems are addressed: Delia, Marathus and Nemesis; the formal investigation of the elocution sustains the discussion about some aspects from this subject; therefore, we divided the poems analyzed in three cycles; the elocution of those cycles is going to be analyzed separately and compared to each other. In order to develop this research, as theoretical foundation we use research and commentaries on the work of Tibullus, rhetorical texts from Greco-Roman Antiquity, and researches about rhetoric, especially those woks that develop the elocution. The analysis is based mainly on Ad Herennium and also on Manual de Retórica Literária, from Lausberg. A further discussion of Latin poetry requires an examination of the elocution, since the Latin poets had rhetoric as their foundation. It is noticeable, that Tibullus selection and arrangement of the words in his verses utilizes figures of speech in order to mimic their content; moreover the disposition rise up the erotic content of the poems.
A presente dissertação investiga a elocução de onze poemas da obra atribuída ao poeta latino Álbio Tibulo (c. 55-19 a.C.): os poemas 1.1-6, 1.8-9, 2.3-4 e 2.6. A delimitação desse corpus de análise baseia-se na temática erótica e nos personagens aos quais os poemas são direcionados, Délia, Márato e Nêmesis; a investigação formal da elocução ampara a discussão de aspectos dessa temática; em função disso, dividimos em três ciclos os poemas a serem analisados; a elocução de cada ciclo será examinada em separado e depois comparada com a dos demais. Para desenvolver esta pesquisa, utilizamos como fundamentação teórica estudos e comentários da obra de Tibulo, textos de retórica da Antiguidade greco-latina e estudos de retórica, especialmente os que abordam a elocução. A análise dos poemas foi fundamentada principalmente na Retórica a Herênio e no Manual de Retórica Literária, de Lausberg. Uma discussão mais aprofundada de poesia latina requer um exame da elocução, pois os poetas latinos tinham o estudo da retórica como formação básica. Na obra de Tibulo, é perceptível que a seleção e a disposição de palavras nos versos servem-se de figuras de linguagem em consonância com o conteúdo e ainda sublevam o teor erótico dos poemas.
Lee-Stecum, Parshia. "Powerplay in Tibullus : reading Elegies Book One /". London ; New York ; Melbourne (Australie) : Cambridge university press, 1998. http://catalogue.bnf.fr/ark:/12148/cb370854338.
Texto completoDixon, Helen Margaret. "Studies in the transmission of Tibullus". Thesis, University of Cambridge, 2001. https://www.repository.cam.ac.uk/handle/1810/272114.
Texto completoGoga-Lambion, Stefana. "Le moi lyrique et le temps chez Catulle, Tibulle, Properce et Horace". Paris 4, 2002. http://www.theses.fr/2002PA040210.
Texto completoBeginning with the vocabulary of memory that characterizes elegiac text production, and with the allegories that translate it metaphorically, this study then uncovers the self-reflexive value of the " I "'s and of the mistress's images, around which the elegy is structured. Similarly, the subjective time that organizes the text appears to be a frame within which reflexivity occurs. In-depth theoretical reading - from the perspective of Aristotle's Poetics, Horace's Art of Poetry and On the Sublime - affords us a better understanding of the art of the elegiac poets, and of the distinctive aspects of the genre they practiced. We can thus sketch out an evolution of the elegiac discourse from Catullus' work through to Ovid's Amores, the last work to adhere strictly to the Latin erotic elegiac code
Almaida, Martínez Rosa. "Comentario de Achilles Statius a Tibulo (Libro I). Edición, traducción y estudio". Doctoral thesis, Universidad de Murcia, 2005. http://hdl.handle.net/10803/10801.
Texto completoThe work we have presented as Doctoral Thesis takes the title of 'Commentary of Achilles Statius to Tibulo (Book I). Publication, trasnlation and Study. Deals with the work of the Humanist Aquilles Statius. In the Introduction to the Thesis, we have looked at the biography of Aquilles Statius. Here the main block consists of the elegies and Estaco's commentaries on them. Next we divided the Thesis into two parts.The first part is centred on the Publication and Translation of Achilles Etaco's commentary. The second part of my thesis consists of our own valuation of Estaco's work. This evaluation has led us to a series of importants conclusions. On the second part, we have established a first division between 'textual' and 'non-textual' commentaries. We have also made it clear that the reference manuscript in Aquiles Estaco is very important. After the textual commentaries they are 'no-textual' commentaries. It is about extremely varied content notes.Nota Importante: Para leer la tesis correctamente es necesario tener instalada la fuente sgreek (ver ficheros)
Giannaki, Maria. "Le traitement littéraire des sources grecques chez Tibulle et Properce : recherches sur l’écriture élégiaque latine". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040037.
Texto completoThe history of literary genders and ideas, the semiology, the style, the metric and the literature in general are in the very centre of our research, but the greatest interest of this work lies in making apparent the evidence of continuity according to the different processes that enrich the Latin love elegy genders. Furthermore, it is noted that the principals of intertext and allusion, and hence of the metapoetry, along with the genders and genericity, appear in a hybrid writing manner very appropriate with the Augustan aesthetics of heterogeneity. As a result it is shown that the Latin love elegy is a rewriting which is based on already acquired knowledge, rich in auctorial, for new pacts of writing and lecture, therefore leaving space for a “proper Latin literary fact”. The perspective of this research is diachronic, literary (intertextuality, gender, genericity) and, at the same time, ideological
Lee-Stecum, Parshia. "Power and process : a reading of Tibullus, Elegies Book One". Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362860.
Texto completoPurton, Jeremy Stephen. "Visualisation and description in the elegies of Propertius and Tibullus". Thesis, University of Canterbury. Classics, 2011. http://hdl.handle.net/10092/5659.
Texto completoMowle, Adrien Kathleen. "Characterization of Vitellogenesis in the Bonnethead Shark Sphyrna tiburo". UNF Digital Commons, 2018. https://digitalcommons.unf.edu/etd/819.
Texto completoMateo, Decabo Eva Maria [Verfasser]. "Politik der kleinen Form : Paraklausithyron und Recusatio bei Properz, Tibull, Horaz und Ovid / Eva Maria Mateo Decabo". Heidelberg : Propylaeum, 2020. http://d-nb.info/1210219506/34.
Texto completoAnderson, Brenda Carol. "Non-Lethal Methods for Assessing Reproductive Status in Bonnethead Sharks (Sphyrna tiburo)". UNF Digital Commons, 2015. http://digitalcommons.unf.edu/etd/605.
Texto completoOsmon, Amy L. "The organization of the visual system in the bonnethead shark (Sphyrna tiburo)". [Tampa, Fla.] : University of South Florida, 2004. http://purl.fcla.edu/fcla/etd/SFE0000381.
Texto completoGonzalez, De Acevedo Melissa I. "Reproductive Biology of the Bonnethead (Sphyrna tiburo) from the Southeastern U.S. Atlantic Coast". UNF Digital Commons, 2014. http://digitalcommons.unf.edu/etd/534.
Texto completoLupi, Aurélia. "La villa attribuita a Valerius Messalla Corvinus a Ciampino (Roma), nel suo contesto storico e topografico". Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL078.
Texto completoIn summer 2012 a luxuriosus roman villa, dated to augustean age, is been discovered during an archeological escavation in Ciampino (Rome). A group of marble statues, showing the Niobids, is finded into the natatio pool. During the XIX century, in the same place, a lead pipe mentioning Valerius Messalla was discovered; this finding suggested that the villa was owned by this powerful senatorial gens. The research area, called Muro/Muri dei Francesi, is located beyond the last slope of Alban Hills in their congiuction point with Campagna Romana plan, in Rome's South-East suburbium. The plan, from the geo-morphological point of view, is crossed by a several natural ditches and a low straight ridge who link the Alban Hills to Tiber river valley: therefore – also tanks to the development of ancient roads network – this area well be one of most populated by roman aristocracy villas. The Ciampino's Niobids are similars to Florence Uffizi Museum Group, but different for the presence of some unknown characters and for iconographic rendering of details. This offer new possibilities for the knowledge and interpetation of the first Niobides group of which we dispose of an archaeological data set. The two research approaches are been: the collection and critical analysis of archives documents dated at XIX century and, as regards fieldwork research, the stratigraphic analysis of the available masonry structures (excavated for less than 40%), with the complementary realisation of detailed relief and graphic documentation. At last, the study and documentation of the archaeological materials coming from the excavation, which allowed, with sufficient tolerance, the chronology of the site to be determined
Hart, Hannah. "Molecular Identification and Functional Characteristics of Peptide Transporter 1 (PEPT1) in the Bonnethead Shark (Sphyrna tiburo)". UNF Digital Commons, 2015. http://digitalcommons.unf.edu/etd/610.
Texto completoOsmon, Amy L. "Investigation of visual fields and visually-mediated behavior in the bonnethead shark (Sphyrna tiburo)". [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002795.
Texto completoTyminski, John P. "Androgen receptors in the bonnethead shark, Sphyrna tiburo : cDNA cloning and tissue-specific expression in the male reproductive tract". [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002128.
Texto completoHull, Eric V. "Serological Changes in Three Species of Sharks (Bonnethead, Sphyrna tiburo; Blacktip, Carcharhinus limbatus and Bull, C. leucas) Associated with Capture and Restraint". NSUWorks, 1995. http://nsuworks.nova.edu/occ_stuetd/336.
Texto completoLevy, Johanne. "Pensée du recueil et pensée du poème chez les poètes néotériques et élégiaques latins : Questions de structure, d'arrangement et de composition externe et interne chez Catulle, Tibulle et les auteurs du Corpus Tibullianum, et Properce". Lyon 3, 2008. https://scd-resnum.univ-lyon3.fr/out/theses/2008_out_levy_j.pdf.
Texto completoThe authors of latin brief poetry on which this study especially focuses didn't let chance arrange their works. A detailed examination of the esthetics of the poems, of their disposition in the books and collections, of the schemes they elaborate, of the progression they create, leads to the thesis that the conception of the global structure of a collection is essential in the latin neoterics and elegiacists' work ; it can even be noticed in the poems themselves, since some of them have clearly been especially written to respond to other ones in a detailed way. Each poet of our corpus (Catullus, Tibullus, Lygdamus, Sulpicia and Propertius) uses the arrangement of his own poetic materials to deliver a particular conception of the ideal design of a brief poems' collection, of the role and importance of brief poetry and of his own insertion in a certain poetic genealogy. Therefore, the present work shows how their respective manners progressively elaborate a whole conception of the birth, construction and development of latin elegy, as opposed to other brief genres
Brouillard, Michel. "Les couleurs dans la poésie latine au premier siècle av. J.-C". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040148.
Texto completoThis study examines the use of color in the entirety of poetic works by Lucretius, Catullus, Virgil, Horace, Tibullus, Propertius, and Ovid. This study was conducted using a single reference tool of color-related terms, which allows a more thorough analysis of early Latin poetry than has typically been the case. To common terms such as albus, niger, and ruber, have been added numerous terms which implicitly signal the presence of color within the text, such as aurum (gold), ebur (ivory), marmor (marble), and sanguis (blood). A comprehensive inventory of color terms appears in a 292-pages appendix that contains summary tables showing where each term can be found in the works studied. It is therefore possible to immediately verify the presence or absence of a color term, and to map the frequency with which it appears in a particular poem or in the work of a particular poet. This study seeks to analyze and compare the use of color terms as used by each poet ; to highlight the symbolism as well as the color combinations and contrasts favored by each poet; to study the ways in which each poet paints portraits, landscapes, and various other scenes with words ; to raise questions about the absence or concentration of color in the heart of particular poems. By doing so, it becomes possible to demonstrate - in the case of epic, elegy, or satire - the profound coherence linking poetic style, the personality of the poet, the color palette, and the manner in which it is used
MONELLA, Paolino Onofrio. "Longa via. Rappresentazioni delle simbologie spaziali nell'elegia augustea". Doctoral thesis, Università degli Studi di Palermo, 2006. http://hdl.handle.net/10447/224811.
Texto completoChapman, Demian D. "Application of Molecular Techniques to Studies of the Reproductive Natural History and Conservation of Sharks: Case Studies Involving the Bonnethead, Sphyrna tiburo (Sphyrnidae) and Great White, Carcharodon carcharias (Lamnidae)". NSUWorks, 2003. http://nsuworks.nova.edu/occ_stuetd/301.
Texto completoGoetting, Cody Walter. "The Voices of Women in Latin Elegy". Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1573211149853858.
Texto completoBurkowski, Jane M. C. "The symbolism and rhetoric of hair in Latin elegy". Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:44e36b32-8c44-4dd0-8241-3206e40e67f9.
Texto completoEvans, Philippa A. "Nudus amor formam non amat artificem : representations of gender in elegiac discourse". Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017895.
Texto completoTroutier, Julien. "La sacralisation de la propriété foncière : le phénomène et ses manifestations chez les poètes de l'époque augustéenne". Besançon, 2009. http://www.theses.fr/2009BESA1022.
Texto completoThe heirs of Caesar promised their soldiers lands in Italy to facilitate mobilization for war. According to ancient authors, the triumvirate settled in Italian soil about 50. 000 veterans after the victory which led to massive expropriations. In fact, four of the five major poets of the Augustan period were affected by those expropriations. Virgil was probably deprived of his land by an unscrupulous veteran. Horace was involved with Caesar’s murderers, so he too was deprived of all his land. Sextus Propertius was deprived of the land of his family because his father had supported Lucius Antonius. Tibullus laid emphasis on the recent and sudden poverty of his family. Ovid wasn’t affected by the expropriations of 41-40 BC. However, he had important difficulties with his land because of his relagatio. Thus, roughly directly and critically, these poets made reference to expropriations. Then, as the war was over in Italy and their personal situation was getting better, they celebrated rural world and land ownership, the latter being the principal structure of Italian agriculture. Moreover, these poets wrote about gods and rituals used to protect domains. This thesis examines this particular historical situation in addressing poetic and engaged works of these five poets about lands ownership as well as about religious practices related to the guarantee of land property
Leidi, Giulia. "Tibullo nella poesia e negli studi degli Umanisti sull’elegia antica". Doctoral thesis, 2022. http://hdl.handle.net/2158/1265284.
Texto completo"Comentario de Achilles Statius a Tibulo (Libro I). Edición, traducción y estudio". Universidad de Murcia, 2005. http://www.tesisenred.net/TDR-1121105-121818/.
Texto completoVan, der Riet Jacobus Werndly. "Meaningful form : parallelism and inverse parallelism in catullus, tibullus and horace". Thesis, 1998. https://hdl.handle.net/10539/26633.
Texto completoAll the poems of Catullus and Tibullus and the first three books of Horace's Odes are investigated tor structures of parallelism and inverse paralelism (chiasmus) and thus the extent to which these devices were used is determined. Such structures are demonstrated for the first time for several poems. Sometimes additions or modifications are made to the structural analyses of other scholars, and sometimes their findings are confirmed. The notion that inverse parallelism was seldom used by Roman authors is dispelled. The freedom with which these devices were used, resulting in a great variety of deviations from strictly symmetrical structures, is demonstrated Both common and idiosyncratic features in the use of the devices by the three authors are shown. Several poems of each author are discussed to illustrate that the demonstration of a structure of parallelism or inverse parallelism is in itself an interpretative act, which can at the same time serve as a basis for further interpretation. In particular it is shown that structures of inverse parallelism often, if not always, iconically reflect the meaning of the poem (hence the title of the thesis) This ability or structures of inverse parallelism to reflect the meaning of the poem may partly account for the fact that they are used more frequently than are structures of parallelism. In the poems discussed structures of inverse parallelism iconically reflect the ideas of reversal, cyclical movement, non-progression/deadlock, balance and/or contrast and enclosure, as well as combinations of the above, such as a spiral (both progression and non-progression) or the combination of reversal and nonprogression. Continuity between the structural methods of Greek and Roman authors is demonstrated, and a theoretical framework is provided, which answers the questions how such structures can be determined, and what purposes, both practical and poetic, they serve. A literary-critical awareness of inverse parallelism in Antiquity is demonstrated. St. Augustine, especially, has a fairly developed theoretical frame of reference on the subject, in his De Genest ad Litteram
Andrew Chakane 2019
McMaster, Aven Sarah. "Liberalitas in Late Republican and Early Augustan Roman Poetry". Thesis, 2010. http://hdl.handle.net/1807/26208.
Texto completoLUPI, AURELIA. "La villa attribuita a Valerio Messalla Corvino a Ciampino (Roma) nel suo contesto storico e topografico". Doctoral thesis, 2018. http://hdl.handle.net/11573/1204921.
Texto completo