Tesis sobre el tema "Thomason Collection"
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Kemp, Helen. "Collecting, communicating, and commemorating : the significance of Thomas Plume's manuscript collection, left to his Library in Maldon, est. 1704". Thesis, University of Essex, 2017. http://repository.essex.ac.uk/20651/.
Texto completoParpoil, Catherine. "Patrimonisation d'une collection : le legs de la collection Raoul de Rochebrune (1849-1924) au musée Dobrée, Nantes (1930)". Montpellier 3, 2007. http://www.theses.fr/2007MON30018.
Texto completoThe Raoul Rochebrune’s legacy (1849-1924) is a collection of 1024 pieces, representing a large period from prehistory to XIX° century. It is mainly focused on European cutting weapons and harnessing pieces, with historical or heraldry characteristics, assigned to medieval period. Developed around the nucleus transmitted by his father O. De Rochebrune (1824-1900), the collection of this aristocrat from Vendée and fortunate amateur is the picture of a life lead in harmony with : his time, participating to the rediscovery of chivalry times and emergence of national archaeology, the private collection phenomenon which appears in France during the XVIII th. Century, his social position as a provincial notable whose castle de la Court, at St-Cyr-en Talmondais (Vendée), contains the results of his various researches. Since 1930, this collection has never been globally studied. Belonging to a specific domain, this corpus is qualified as original because of : the inventor’s personality, investigating the historicity and publishing his discoveries, his capacity to ask for the best experts’ advices, the disparity of the collection, the origin of the pieces, the documentation coming with, the collection process oriented –since 1986- to transmission. This work prove today the interest for a precise analysis of the context in which that unique French amateur’s collection’s has been organised. The thesis integrate the reasoned catalogue of the collection, constituted by pieces which became rare and not very studied outside the art market
Hirsch, Julian. "The Oberlin Near East Study Collection in Context". Oberlin College Honors Theses / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1590254692197989.
Texto completoGrosset-Clergeau, Marie-Jeanne. "Catalogue raisonné des peintures de Thomas Couture demeurées dans les collections publiques en France". Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37603999g.
Texto completoSpielmacher, Mark. "Technologized subjects in the novels of Thomas Pynchon and Don Delillo". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0009/NQ32858.pdf.
Texto completoHämmerling, Jens [Verfasser], Thomas [Akademischer Betreuer] Guhr y Klaus [Akademischer Betreuer] Hornberger. "Collective Motion in Quantum Many-Body Systems / Jens Hämmerling. Gutachter: Klaus Hornberger ; Thomas Guhr. Betreuer: Thomas Guhr". Duisburg, 2011. http://d-nb.info/1016172656/34.
Texto completoGrosset-Clergeau, Marie-Jeanne. "Catalogue raisonné des peintures de Thomas Couture demeurées dans les collections publiques en France". Paris 4, 1987. http://www.theses.fr/1987PA040478.
Texto completoThe catalogue presents principally paintings from French museums; they are classified by sort, portraits, compositions, genre paintings, landscapes, still-lives, showing the variety of couture's work. The compositions are accompanied by their preparatory studies. Ten pictures are presented as attributions at the end of the catalogue. For each painting, the study-plan is simple: description, exhibitions, bibliography, and study. The most important problem is the datation. Sometimes, the evolution of couture's technique and style gives a solution. The biography and work in its whole are shortly studied in the introduction. The rigorous preparative work of Couture is shown in the studies for Les Romains de la décadence, L'Enrôlement des volontaires, Le Baptême du prince impérial, La Noblesse. The series illustrating a same subject, as well as Damoclès and Le Roi de époque, emphasize the edifying aspect of couture's painting. But the portraits, the landscapes, the still-lives, show a less-known more attractive and closer to us couture. The artist's influence on Manet is evocated; his insertion in the society and art of his time as well. Couture appears as the painter of the …
Maclennan, Heather Mary. "Antiquarianism, master prints and aesthetics in the new collecting culture of the early nineteenth century". Thesis, Birkbeck (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325552.
Texto completoJin, Shan [Verfasser], Thomas [Akademischer Betreuer] Sikora, Dorothea [Akademischer Betreuer] Kolossa y Ivo [Akademischer Betreuer] Keller. "Noise robust open vocabulary information retrieval in large spoken document collection / Shan Jin. Gutachter: Thomas Sikora ; Dorothea Kolossa ; Ivo Keller. Betreuer: Thomas Sikora". Berlin : Technische Universität Berlin, 2015. http://d-nb.info/1075807484/34.
Texto completoClark, Sarah. "THE POPULAR IMAGES OF JOHN BROWN AND THOMAS "STONEWALL" JACKSON". Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3816.
Texto completoM.A.
Department of History
Arts and Humanities
History MA
D'Arpa, Daniel Sebastian. "DOMINICAN SPANISH IN CONTACT WITH ST. THOMAS ENGLISH CREOLE: A SOCIOLINGUISTIC STUDY OF SPEECH VARIATION ON ST. THOMAS, U.S. VIRGIN ISLANDS". Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/352711.
Texto completoPh.D.
This dissertation will demonstrate that a variety of Dominican Spanish in contact with St. Thomas English Creole (STTEC) revealed many features which are consistent with Dominican Spanish in other contact environments and some new features which are emerging as the result of uniquely STTEC influences. The most notable feature is the appearance of the vowel [ɛ] in Dominican Spanish, which in STTEC is highly indexical to St. Thomian identity. In the present sociolinguistic analysis, it was found that the variability of [ɛ] was significantly influenced by the following phonological segment, syllable stress, the language of the token, and the speakers’ social network ties and self-ascribed identity. This dissertation also includes a socio-historical background of St Thomas, U.S. Virgin Islands, a description of St Thomas English Creole, and a history of immigration patterns of people from the Dominican Republic to St Thomas, U.S.V.I.
Temple University--Theses
Spoel, Philippa M. "Disciplinary and bodily decorum in eighteenth-century British elocution, a rhetorical study of works by Thomas Sheridan, John Walker, and Gilbert Austin". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq22240.pdf.
Texto completoLewis, Daniel. "THOMAS JEFFERSON AND THE EXECUTION OF THE UNITED STATES INDIAN POLICY". Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3890.
Texto completoM.A.
Department of History
Arts and Humanities
History MA
Grogan, Elise Kathleen. "Thomas Hart Benton's Indiana Murals in History and Memory". Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/396679.
Texto completoM.A.
Thomas Hart Benton was commissioned to paint murals depicting Indiana history for the Indiana state pavilion at the 1933 Century of Progress Exposition in Chicago. The completed Indiana murals were twelve feet high and over two hundred feet long, wrapping around the entire exhibition hall. Visitors to the Indiana pavilion experienced Indiana’s history through a continuous stream of narrative imitating the flow of time. After several years of storage following the fair, the panels were given to Indiana University in Bloomington in 1938, where they currently reside. While most scholarship has focused on the original message and context of the Indiana murals, the murals’ nearly seventy-five year display at IU necessitates a more thorough analysis of the murals at the university, with specific attention to the contextual changes since the time of the fair. The relocation of the murals to IU and the resultant restructuring of their historical narrative have altered perceptions of their imagery and attributed new meanings to the historical scenes Benton depicted. The aim of this study it to better understand the complex nature of Benton’s Indiana murals by exploring the ways in which changes in context result in alteration of the original message and the viewers’ reception of the murals. My research explores the murals’ role in university politics, reactions to the murals by their university audience, and recent controversies. A study of the Indiana murals in terms of the fluidity of historical construction and the effects of collective memory on their reception is significant because it leads to a greater understanding of the present’s cultural ideals, and begins to explain why the murals continue to elicit such strong reactions from viewers—whether to protest against their presence at the university or promote their preservation for the benefit of future generations.
Temple University--Theses
Qdemat, Asma Verfasser], Thomas [Akademischer Betreuer] [Brückel y Joachim [Akademischer Betreuer] Mayer. "Nanoparticle assemblies: order by self-organization and collective magnetism / Asma Qdemat ; Thomas Brückel, Joachim Mayer". Aachen : Universitätsbibliothek der RWTH Aachen, 2020. http://d-nb.info/1229938818/34.
Texto completoFecko, Kristin. "The Relevance of Benjamin Franklin's and Thomas Jefferson's Technical Writing for Modern Communicators". Master's thesis, University of Central Florida, 2014. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6270.
Texto completoM.A.
Masters
English
Arts and Humanities
English; Technical Communications Track
Barreteau, Frédérique-Edwige. "La pratique et le goût d'un collectionneur d'estampes à Nantes, durant la seconde moitié du XIXème siècle : Thomas Dobrée (1810-1895)". Rennes 2, 2007. http://www.theses.fr/2007REN20010.
Texto completoThomas Dobrée (1810-1895), heir to a family of Nantes traders, gathered a collection of three thousand two hundred and fifty five prints from XVe to XIXe centuries mainly schools of North, with a predilection for the French school of the XVIIe century and a passion for Dürer and Rembrandt. These engravings in their majority were acquired at the time of the auction sales of the Drouot hotel and abroad of 1850 to 1880, via merchants of reputations : Vignères, Clément and Loizelet. Dobrée was in competition famous amateurs such as Dutuit, Rothschild, Behague, etc. The force of the Nantes funds lies in the great quality of works obtained, in their prestigious sources and the richness of the handwritten sources preserved within the five hundred catalogues of auction sales, some annotated, present in the invaluable library of the Dobrée museum. These new data make it possible to understand the mechanisms of the formation of a collection of engravings during the second half of the XlXe century, by putting forward the practice of an amateur and the tastes which chaired its choices and to confront them with those of its contemporaries
Cooley, Jessica Allene. "An Inartistic Interest: Civil War Medicine, Disability, and the Art of Thomas Eakins". Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/197655.
Texto completoM.A.
While there is an extensive and distinguished body of scholarship exploring the intersection of Thomas Eakins and medical science, his art has not been contextualized critically in relation to American Civil War medicine or the institutional practices of the Army Medical Museum. Within the context of Civil War medicine, Eakins's heroic portraits of surgeons and scientists become more than a reflection of his personal admiration of science and medicine, more than a reflection of the growing professionalization of the medical community in the United States, but implicates him in the narrative of offsetting the horrors wrought by the Civil War by actively enshrining the professionalization of medicine and claims to the advancement of body-based research. Furthermore, while there is an extensive and distinguished body of scholarship exploring the intersection of Thomas Eakins and the body from the perspective of race, gender, and sexuality, the consideration of his work from the perspective of critical disability theory has not been contemplated. Civil War medicine is critical to the art of Thomas Eakins because it demystifies his fascination with the human body, and engages him in the aesthetic reconstruction of disabled veterans and the cultural privileging of the healthy body during and after the American Civil War. By historicizing the science and medical practices that Eakins used and by critically examining his depictions of the body through the lens of disability studies, my thesis raises new critical questions about two of the most researched and theorized topics in Eakins scholarship: medicine and the body.
Temple University--Theses
Kriechbaumer, Thomas [Verfasser], Hans-Arno [Akademischer Betreuer] Jacobsen, Damian [Gutachter] Dalton y Hans-Arno [Gutachter] Jacobsen. "Methodologies for Distributed Acquisition and Collection of Electrical Energy Data / Thomas Kriechbaumer ; Gutachter: Damian Dalton, Hans-Arno Jacobsen ; Betreuer: Hans-Arno Jacobsen". München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/117991399X/34.
Texto completoCavalié, Hélène. "Pierre Germain dit le Romain (1703-1783). Une vie à l'ombre des orfèvres du roi". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040280.
Texto completoThe Parisian silversmith Pierre Germain the Roman (1703-1783). A career near the silversmiths of the king. The Parisian silversmith Pierre Germain the Roman (Villeneuve-lès-Avignon, 1703-Paris, 1783), known for his book the Éléments d’orfèvrerie, had an original career. During his youth he worked for the silversmiths of the king, Thomas Germain (1726-1729); and after some time in Rome (1729-1733), worked for Jacques Roettiers (1733-1736) and as an apprentice for Nicolas Besnier from 1736. Master in 1744, he kept working for Roettiers until 1755-1756. Great messenger of the University, fond of engravings, he published in 1748 the largest book of models of the time, Élémentsd’orfèvrerie, 100 plates of rococo religious and civil silverware, engraved by Bacquoy and Pasquier, reprinted and copied until the 19th century in France and abroad (London, Turin). He also published in 1751 a short Livre d’ornemens. Installed quai des orfèvres, he had a small production, 1410 kg of silver up to his death, beautiful or simple objects,including orders for Joseph I of Portugal under contract for François Thomas Germain (1755-1756, 1765), for the Wal de Baronville family (1761-1763), the princess of Asturias in collaboration with Philippe Caffieri and Thomas Chancellier (1765), the Wandalin Mnisech (1762-1764), the Rocheblave (1777), the count of Artois and the princess of Ligne (1782). This study also covers artists he knew well: in Paris, his masters Germain, Roettiers, Besnier, his collegue Denys Frankson, his apprentices Ange Joseph Aubert and Pontaneau; in Avignon, the Clerc and Mézangeau families and Claude Imbert, his parents the architects J.-B. and François Franque, the organ builder Charles Boisselin; in Marseille, the Durand and Giraud families and his nephew Antoine Germain
Ewoldt, Amanda Marie. "The Lady of the Lake and chivalry in the Lancelot-Grail Cycle and Thomas Malory's Morte Darthur". Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4761.
Texto completoID: 030646268; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.A.)--University of Central Florida, 2011.; Includes bibliographical references (p. 58-60).
M.A.
Masters
English
Arts and Humanities
English; Literacy, Cultural, and Textual Studies Track
Timm, Thomas [Verfasser] y Wim [Akademischer Betreuer] Martens. "Exploration of Large-Scale SPARQL Query Collections : Finding Structure and Regularity for Optimizing Database Systems / Thomas Timm ; Betreuer: Wim Martens". Bayreuth : Universität Bayreuth, 2020. http://d-nb.info/1205804811/34.
Texto completoLento, Stephen Casimir. "CYBERSPATIAL PARADIGMS IN THOMAS PYNCHON'S THE CRYING OF LOT 49 AND DON DELILLO'S WHITE NOISE". Diss., Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/115419.
Texto completoPh.D.
Between the 1960s and 1990s, Thomas Pynchon and Don DeLillo both registered and attempted to influence the development of a mode of cultural perception organized around computer technologies that we can call a "cyberspatial paradigm." This cyberspatial worldview involves a dual ontology in which experienced reality is generated by a fundamentally different, hidden one. This way of organizing experience parallels the structure of cyberspace, in which a hidden set of data gives rise to a world that is experienced spatially. This dissertation examines the responses Pynchon and DeLillo mount to their shared perception that American culture is beginning to be organized around this paradigm. Their responses are particularly clear in The Crying of Lot 49 and White Noise and the dissertation focuses on those texts. While sharing many similarities in the way in which they respond to the cultural paradigm of cyberspace, Pynchon and DeLillo primarily differ in the degree to which they sense the interactive potential in the cyberspatial paradigm. Pynchon sees American culture as setting the stage for meaningful collaboration between individuals. This interactive potential in Pynchon's novels involves a search for a way out of the system of simulation and control, which raises the possibility of intervening in the creation of experienced reality in a way that--since it is fundamentally cooperative in nature--skirts the hegemonic demands of a dominant, totalitarian culture. However, this collaboration comes at the cost of the individual. The collaboration of individuals dissolves into a totalitarian demand for obedience. DeLillo, on the other hand, doesn't see escape from the system of simulation and control as a viable possibility. Neither does he see collaboration along the fringes of society as possible in a culture that has become so adept at absorbing the fringe into the mainstream of corporate profitability. The task for his characters, then, is to find a way to live within the constraints of simulated, virtual reality. In the process, his characters create themselves as individuals, carving out a small pocket of space in which they can create their own universe without giving in to the demands of the system. The two authors represent opposing impulses that are connected in a cyclical way: Pynchon's impulse creates a collaborative space, but, since this space is inevitably taken over by powerful others, it results in the dissolution of the individual that originally made this collaborative space possible. DeLillo's impulse starts from the end point of the Pynchonian one: the individual has become nothing more that what the marketing departments of corporate America has said it is. By going deeper into this unsettling reality, DeLillo demonstrates how the individual can re-emerge under these circumstances, thereby creating the sorts of individuals capable of engaging in Pynchonian collaboration.
Temple University--Theses
Dávalos, Patrícia Miranda. "Ficção e autobiografia: uma análise comparativa das narrativas de Thomas Bernhard". Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8144/tde-03032010-121929/.
Texto completoThis work deals with the comparison of the first autobiographical volume of the Austrian writer Thomas Bernhard, Die Ursache. Eine Andeutung (1975), with his novel Auslöschung. Ein Zerfall (1986), which has some characteristics of the autobiographical genre. The comparison intends to show how the same themes are configured in both cases and how the differences can be related to the different intentions and different moments of writing. Being noted as fiction allows the author more freedom to experiment formally and to intensify the attack he developed against his origins, while in the autobiography, although it also has a strong critical aspect, he puts his arguments in a restrained way, dealing with issues of verisimilitude and authenticity, which are typical for this genre. Furthermore, this text will try to analyse how the novel, written in the same context as the autobiography, completes it and functions like a kind of remark to the autobiographical work.
Kunu, Vishma. "Renunciant Stories Across Traditions: A Novel Approach to the Acts of Thomas and the Buddhist Jātakas". Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/498944.
Texto completoPh.D.
This study brings excerpts from the Acts of Thomas (Act 1.11-16 and Act 3.30-33) together with two Buddhist jātakas (Udaya Jātaka - #458 and Visavanta Jātaka -#69) to consider how stories might have been transmitted in the early centuries of the common era in a milieu of mercantile exchange on the Indian Ocean. The Acts of Thomas is a 3rd century CE Syriac Christian text concerned with the apostle Thomas proselytizing in India. The jātakas are popular didactic narratives with a pronounced oral dimension that purport to be accounts of the Buddha’s previous lives. Syriac Christians possessed knowledge about Indian religious practices linked to renunciation, and it is plausible that they adapted Buddhist jātakas to convey Christian ideas in the account of Thomas journeying to India and converting people there. Epigraphic evidence from the western Deccan in India attests to yavana, or Greek, patronage of Buddhist institutions in cosmopolitan settings where ideas and commodities circulated. Against the grain in scholarship on early Christianity that tends to privilege Latin and Greek sources, this project moves the lens of analysis eastward to consider Indian influence on early Christianity as expressed in the Acts of Thomas. A literary comparison of the texts under consideration with reference to the historical and cultural context of exchange reveals similar models of renunciant practices in Buddhism and Christianity that establishes new grounds for consideration of interconnectivity across ‘East’ and ‘West.’
Temple University--Theses
Quèguiner, Anne Thomasseau Jean-Marie. "Les costumes à la Comédie-Française (1665-1847), du secret au visible". Saint-Denis : Université de paris VIII, 2008. http://www.bu.univ-paris8.fr/web/collections/theses/QueguinerThese.pdf.
Texto completoYu, Shelly. "Inadequacies of the modernization theory : a critique". Honors in the Major Thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1343.
Texto completoBachelors
Sciences
Political Science
Lothstein, Alexander. "THEORY AND PRACTICE: VIEWING INDUSTRIAL INNOVATION AS A PROCESS THROUGH AN EXAMINATION OF THE CREATION OF THE AMERICAN SYSTEM OF MANUFACTURING". Master's thesis, Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/437328.
Texto completoM.L.A.
Despite the vast research on industrial innovation in the United States, little shows innovation as a process from the theoretical origins to its practical application. The image that emerges from the overall literature is one showing only the importance of applied innovation. This thesis argues that historians need to reevaluate how manufacturing advancements are studied in the United States. Using the creation of the American System of Manufacturing as a case study, this study focuses on innovation as a connected process from its theoretical origins to its applied state. This study focuses less on the individuals involved and more on the system itself. This accomplishes two points. First is that it shows that the idea is more important than the peoples. Second is that this thesis provides a greater understanding of how the American System of Manufacturing came to fruition. By examining these two points, this thesis demonstrates that historians need to look beyond the traditional application-only focus that has plagued the study of technological history. Instead historians must show industrial innovation as both the creation of the theoretical concept and the systems practical application.
Temple University--Theses
West, Tiffany. "A Generation of Race and Nationalism: Thomas Dixon, Jr. and American Identity". FIU Digital Commons, 2016. http://digitalcommons.fiu.edu/etd/2579.
Texto completoAkila, Maram [Verfasser] y Thomas [Akademischer Betreuer] Guhr. "Beyond Universality - Deviations of spectral statistics and collective short time phenomena in many-body quantum chaos / Maram Akila ; Betreuer: Thomas Guhr". Duisburg, 2018. http://d-nb.info/1162056975/34.
Texto completoWilliams, Tony Paxton. "Caliban's Victorian Children: Racial Negotiations from Emancipation to Jubilee". Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/216583.
Texto completoPh.D.
This dissertation examines the various discursive expressions of black agency that formed the stereotypical representations of African descendants found in Victorian racial discourse. It is, therefore, an analysis of the discursive practices of peoples of African descent and not of the actual stereotypes frequently associated with Victorian racial discourse. I believe that a close reading and analysis of the discursive practices of peoples of African descent subject to British rule will generate more focused critical narratives about the fantasies that plagued the British imagination well into the twentieth century. This study also suggest that contemporary scholars should start looking at Victorian racial discourse as an active dialogue and conversation with the Other, rather than a description of the psychology of power.
Temple University--Theses
Al-Ali, Haifa Kathrin [Verfasser], Christoph [Gutachter] Baerwald y Thomas [Gutachter] Berg. "The impact of the age of HLA-identical siblings on mobilization and collection of PBSCs for allogeneic hematopoietic cell transplantation : The impact of the age of HLA-identical siblings onmobilization and collection of PBSCs for allogeneichematopoietic cell transplantation / Haifa Kathrin Al-Ali ; Gutachter: Christoph Baerwald, Thomas Berg". Leipzig : Universitätsbibliothek Leipzig, 2015. http://d-nb.info/1239566492/34.
Texto completoRiall, Ernest. "Making fashionable furniture in England and France during the 'age of elegance'". Thesis, Bucks New University, 2010. http://bucks.collections.crest.ac.uk/10115/.
Texto completoJones, Jamie. "Chemophysical Characteristics and Application of Biosorption Activated Media (BAM) for Copper and Nutrient Removal in Stormwater Management". Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5954.
Texto completoM.S.
Masters
Civil, Environmental, and Construction Engineering
Engineering and Computer Science
Environmental Engineering; Environmental Engineering Sciences
Knoop, Christine [Verfasser], Thomas [Gutachter] Raab y Christina [Gutachter] Dornack. "Anaerobic treatment of municipal organic waste from separate collection : digestate properties and substance flows during two-stage digestion and subsequent aerobic treatment / Christine Knoop ; Gutachter: Thomas Raab, Christina Dornack". Cottbus : BTU Cottbus - Senftenberg, 2019. http://d-nb.info/1185489894/34.
Texto completoCooper, Casey Jo. "The dissolution of the monasteries by King Henry VIII and its effect on the econmoy sic], political landscape, and social instability in Tudor England that led to the creation of the poor laws". Honors in the Major Thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/364.
Texto completoB.A.
Bachelors
Sciences
Political Science
Karsch, Susanne [Verfasser], Andreas [Akademischer Betreuer] Janshoff, Andreas [Gutachter] Janshoff, Jörg [Gutachter] Großhans, Sarah [Gutachter] Köster, Florian [Gutachter] Rehfeldt, Silvio [Gutachter] Rizzoli y Thomas [Gutachter] Burg. "Collective Mechanical Behavior of Epithelial Cells - The Impact of Micro-Wounding / Susanne Karsch ; Gutachter: Andreas Janshoff, Jörg Großhans, Sarah Köster, Florian Rehfeldt, Silvio Rizzoli, Thomas Burg ; Betreuer: Andreas Janshoff". Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2019. http://d-nb.info/1189419521/34.
Texto completoHage, Ralph. "The ethics of identity /". Montréal : Université du Québec à Montréal, 2005. http://accesbib.uqam.ca/cgi-bin/bduqam/transit.pl?&noMan=24249428.
Texto completoHook, Sarah. "Reading the gallery : portraits and texts in the mid- to late nineteenth century". Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:87ad5989-055a-4777-9418-5f636afd6f96.
Texto completoMaltais, Aaron. "Global Warming and Our Natural Duties of Justice : A cosmopolitan political conception of justice". Doctoral thesis, Uppsala : Univ, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016985368&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Texto completoGünther, Thomas [Verfasser] y A. [Akademischer Betreuer] Albers. "Methode zur Optimierung von Motor-Dauerlauf-programmen als Teil des Validierungsprozesses auf der Basis thermomechanisch schädigungsgleicher Ersatzkollektive am Beispiel eines Al-Si-Zylinderkopfes = A method for optimization of engine durability-test-programs as a part of the validation process based on a load-collective with thermomechanical equivalent damage by the example of an Al-Si cylinder head / Thomas Günther ; Betreuer: A. Albers". Karlsruhe : KIT-Bibliothek, 2021. http://d-nb.info/123507255X/34.
Texto completoSchmidt, Darren W. "Reviving the past : eighteenth-century evangelical interpretations of church history". Thesis, St Andrews, 2009. http://hdl.handle.net/10023/829.
Texto completoLindfield, Peter Nelson. "Furnishing Britain : Gothic as a national aesthetic, 1740-1840". Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3490.
Texto completoHincapié, Giraldo Leonardo. "Yseut et Wîs : une lecture junguienne des personnages féminins dans Le Roman de Wîs et Râmîn et dans les romans de Tristan". Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030114.
Texto completoIn this work we will be comparing two feminine characters (Iseult and Vis) from several medieval stories: the romances of Tristan and the romance of Vis and Ramin. These characters will be analyzed using Jungian theory about archetypes and Collective Unconscious. Our basic premise considers that the same archetypal principle drives the two characters: The Archetypal Feminine. We know that the characters of Iseult and Vis belong to stories whose origins are mythological: Celtic origins for the heroine of Tristan romances and Persian origins for the heroine of Gorgani’s romance. Based on this, one can see how the drawing up of these two characters owes much to other mythical images of Femininity and Woman, in the cultural and mythological context of each literary work. What do we truly know and understand about the heroines of these important stories? What do we truly know and understand about their function and their role in the plot of these romances? This work holds two objectives related to these questions. One, to trace the drawing up of the characters from mythology to literature. The other, to identify the echoes of folktales and traditional literature which resonate in these stories even today. Analyzing these two characters as symbols of the same archetype, can allow us to compare the dynamic of the Archetypal Feminine into these literary works, and to identify their narrative function in the two different outcomes of the stories. Iseult and Vis would be then the crystallizations of a collective image about Woman and Femininity. They appeared in two different cultures, at the same moment of history: The Middle Ages
"The Thomas G. Everett Collection: A Compendium of Selected Materials Donated by Bass Trombonist Thomas G. Everett". Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.53538.
Texto completoDissertation/Thesis
Doctoral Dissertation Music 2019
Riascos, Ivan. "Doubting Thomas: The Testaments". Master's thesis, 2014. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6164.
Texto completoM.F.A.
Masters
Visual Arts and Design
Arts and Humanities
Emerging Media; Studio Art and the Computer Track
Chang, Tung-wen y 張東文. "The study of Thomas Hobbes's political thought : collective domination overcoming individual freedom". Thesis, 1999. http://ndltd.ncl.edu.tw/handle/20178496831106805737.
Texto completoMeehan, Susan Eyster. "An introduction to letters written to Thomas Meehan during the mid-nineteenth century from the private collection of J. Franklin Meehan". 2001. http://emp3.hbg.psu.edu/theses/available/etd-11132001-143144/.
Texto completoLee, Elizabeth Lightfoot. "White fantasies : dirt, desire, and art in late nineteenth-century America /". 2002. http://americanart.si.edu/collections/exhibits/thayer/index.html.
Texto completoFenn, Julia Geraldine. "Chance encounters: The construction of meaning through the process of assemblage in the boxes of Joseph Cornell and contemporary jewellery of Thomas Mann". Thesis, 2006. http://hdl.handle.net/10539/1532.
Texto completoThis thesis is a study of the box constructions of New York artist Joseph Cornell from the early 1930s to the late 1960s, and the influence of his work on that of contemporary American jeweller Thomas Mann, as well as my own artistic production. The key areas of focus are the process of assemblage and the implications of the box format, with the following themes being explored: miniature space and time; preciousness; fetishism and voyeurism. These are followed through into the section on my own work, where the additional subjects of the history of collecting, automata and the stop-frame animation of filmmaker Jan Švankmajer are discussed. The conclusion that I reach is about the potential power residing in found objects, which form the basis of Cornell’s, Mann’s and my own work.