Artículos de revistas sobre el tema "Theatre for all audiences"
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Zehra, Shamail, Kiran Karamat y Niza Qureshi. "THEATRE IN THE DIGITAL AGE: CHALLENGES AND AUDIENCE VIEWING EXPERIENCES". Pakistan Journal of Social Research 05, n.º 01 (4 de marzo de 2023): 609–16. http://dx.doi.org/10.52567/pjsr.v5i01.1384.
Texto completoPukelytė, Ina. "Front Theatre and Variety Theatre in Lithuania During World War II". Art History & Criticism 16, n.º 1 (1 de diciembre de 2020): 95–104. http://dx.doi.org/10.2478/mik-2020-0006.
Texto completoCaldwell, Niall y Kathryn Nicholson. "Star quality: celebrity casting in London West End theatres". Arts Marketing: An International Journal 4, n.º 1/2 (30 de septiembre de 2014): 136–55. http://dx.doi.org/10.1108/am-10-2013-0022.
Texto completoBennett, Susan. "Theatre Audiences, Redux". Theatre Survey 47, n.º 2 (12 de septiembre de 2006): 225–30. http://dx.doi.org/10.1017/s0040557406000196.
Texto completoHarvey, Dustin. "Theatre for Small Audiences". Canadian Theatre Review 126 (marzo de 2006): 45–47. http://dx.doi.org/10.3138/ctr.126.008.
Texto completoBird, Kym y Ed Nyman. "Quipping Against the Pricks: Comedy, Community and Popular Theatre". Canadian Theatre Review 77 (diciembre de 1993): 8–12. http://dx.doi.org/10.3138/ctr.77.002.
Texto completoMahoney, Alison M. "Oily Cart's Space to Be: Exploring the Carer's Role in Sensory Theatre for Neurodiverse Audiences during COVID-19". Theatre Survey 62, n.º 3 (23 de agosto de 2021): 340–43. http://dx.doi.org/10.1017/s0040557421000260.
Texto completoBannerman, Marian White. "TYA in Canada: Navigating the Paradoxes". Canadian Theatre Review 133 (marzo de 2008): 53–61. http://dx.doi.org/10.3138/ctr.133.008.
Texto completoMcClelland, Graeme. "When in Quarantine: Bringing Theatre Home with Boca del Lupo". Canadian Theatre Review 191 (1 de agosto de 2022): 100–102. http://dx.doi.org/10.3138/ctr.191.016.
Texto completoDUTT, BISHNUPRIYA. "Introduction". Theatre Research International 42, n.º 3 (octubre de 2017): 323–26. http://dx.doi.org/10.1017/s030788331700061x.
Texto completoFurlong, Anne. "Shared communicative acts in theatre texts in performance". International Journal of Literary Linguistics 9, n.º 3 (12 de julio de 2020): 1–23. http://dx.doi.org/10.15462/ijll.v9i3.121.
Texto completoFurlong, Anne. "Shared communicative acts in theatre texts in performance". International Journal of Literary Linguistics 9, n.º 3 (12 de julio de 2020): 1–23. http://dx.doi.org/10.15462/ijll.v9i3.121.
Texto completoBeauchamp, Hélène. "Theatre for Young Audiences in Japan – A Canadian Perspective". Canadian Theatre Review 85 (diciembre de 1995): 29–33. http://dx.doi.org/10.3138/ctr.85.007.
Texto completoSchneider, Robert y Nathan Schneider. "A Dive and a Dance with Kabuki Vaudeville: Taishū Engeki Comes Back!" New Theatre Quarterly 36, n.º 3 (agosto de 2020): 256–71. http://dx.doi.org/10.1017/s0266464x20000470.
Texto completoSamitov, Dmitry G. "THE FIRST REGIONAL THEATRES OF THE UNITED STATES AS AN ALTERNATIVE TO BROADWAY COMMERCIALISM". Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, n.º 40 (2020): 190–96. http://dx.doi.org/10.17223/22220836/40/16.
Texto completoWartemann, Geesche. "“Not All Performing Is Acting”1: Models of Theatre as Research in Contemporary Theatre for Young Audiences". Youth Theatre Journal 27, n.º 2 (julio de 2013): 121–29. http://dx.doi.org/10.1080/08929092.2013.837700.
Texto completoO’donnell, Darren. "The Talking Creature: Adventures with Audiences". Canadian Theatre Review 119 (junio de 2004): 13–15. http://dx.doi.org/10.3138/ctr.119.003.
Texto completoMakarova, A. "No, It’s All Wrong! Director’s Theatre in Opera: Fidelity to the Work, Fidelity to the Audience". Versus 2, n.º 6 (18 de septiembre de 2023): 95–108. http://dx.doi.org/10.58186/2782-3660-2022-2-6-95-108.
Texto completoPlowright, Poh Sim. "The Birdwoman and the Puppet King: a Study of Inversion in Chinese Theatre". New Theatre Quarterly 13, n.º 50 (mayo de 1997): 106–18. http://dx.doi.org/10.1017/s0266464x0001099x.
Texto completoWolf, Stacy. "Talking About Pornography, Talking About Theatre: Ethnography, Critical Pedagogy, and the Production of ‘Educated’ Audiences ofEtta Jenksin Madison". Theatre Research International 19, n.º 1 (1994): 29–36. http://dx.doi.org/10.1017/s0307883300018794.
Texto completoOjoniyi, Bode. "Postdigital theatre: Beyond digital alienation of live theatre on the Nigerian performance space". Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists 23, n.º 2 (7 de marzo de 2024): 161–75. http://dx.doi.org/10.4314/ntj.v23i2.5.
Texto completoMoher, Frank, Connie Gault, Bruce McManus y Anne Nothof. "The Third Ascent, Sky, The Chinese Man Said Goodbye". Canadian Theatre Review 63 (junio de 1990): 70–72. http://dx.doi.org/10.3138/ctr.63.010.
Texto completoAsst. Prof. Hadeel Aziz Mohammed Ridha, (Ph.D.) * y Prof Salih M. Hameed (Ph.D.). "Re-entering the Absurd in the Twenty First Century: A Study in Richard Nelson's Pandemic Trilogy The Apple Family". International Journal for Humanities & Social Sciences (IJHS), n.º 1 (30 de junio de 2023): 6–13. http://dx.doi.org/10.69792/ijhs.23.1.2.
Texto completoIacobuţe, Ramona-Petronela. "Theater Festivals - a Collective Archive". Theatrical Colloquia 9, n.º 2 (1 de diciembre de 2019): 216–23. http://dx.doi.org/10.2478/tco-2019-0028.
Texto completoKempe, Andrew J. "Widening Participation in Theatre through ‘Relaxed Performances’". New Theatre Quarterly 31, n.º 1 (30 de enero de 2015): 59–69. http://dx.doi.org/10.1017/s0266464x15000068.
Texto completoFanyam, Joel Avaungwa y Bem Alfred Abugh. "Making theatre in digital spaces: The imperative of Ijov Mbakuv on social media platforms". Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists 23, n.º 2 (7 de marzo de 2024): 137–46. http://dx.doi.org/10.4314/ntj.v23i2.3.
Texto completoFilewod, Alan. "Celebrating Twenty Years". Canadian Theatre Review 79-80 (junio de 1994): 3. http://dx.doi.org/10.3138/ctr.79-80.fm.
Texto completoBeauchamp, Hélène. "Forms and Functions of Scenography: Theatre productions for young audiences in Quebec". Canadian Theatre Review 70 (marzo de 1992): 15–19. http://dx.doi.org/10.3138/ctr.70.003.
Texto completoSidnell, Michael J. "Where We Are Now: Festival de théâtre des Amériques, 2003". Canadian Theatre Review 117 (enero de 2004): 66–71. http://dx.doi.org/10.3138/ctr.117.016.
Texto completoRewa, Natalie. "Le Festival international du théâtre de jeune publics: Growing Up". Canadian Theatre Review 45 (diciembre de 1985): 44–49. http://dx.doi.org/10.3138/ctr.45.006.
Texto completoSEDGMAN, KIRSTY. "Audience Experience in an Anti-expert Age: A Survey of Theatre Audience Research". Theatre Research International 42, n.º 3 (octubre de 2017): 307–22. http://dx.doi.org/10.1017/s0307883317000608.
Texto completoAyres, Peter. "Shakespeare in St John’s". Canadian Theatre Review 54 (marzo de 1988): 34–38. http://dx.doi.org/10.3138/ctr.54.007.
Texto completoMiles, Patrick. "Cheshire Cats in the Theatre: a Translator and the Fringe Experience". New Theatre Quarterly 16, n.º 4 (noviembre de 2000): 359–63. http://dx.doi.org/10.1017/s0266464x0001410x.
Texto completoPage, Malcolm. "The Growth of Professional Theatre in Vancouver, 1963-1999". Canadian Theatre Review 101 (enero de 2000): 15–18. http://dx.doi.org/10.3138/ctr.101.003.
Texto completoHatley, Barbara. "Contemporary Indonesian Theatre in the Regions: Stage Idiom and Social Referentiality". Theatre Research International 19, n.º 1 (1994): 17–28. http://dx.doi.org/10.1017/s0307883300018782.
Texto completoSkjoldager-Nielsen, Daria. "Theatre Talks". Nordic Theatre Studies 33, n.º 2 (17 de junio de 2022): 58–71. http://dx.doi.org/10.7146/nts.v33i2.132872.
Texto completoMd Khir, Roselina Johari. "Developing Theatre for the Young in Malaysia: Benefits and Challenges". Jurai Sembah 1, n.º 1 (16 de junio de 2020): 1–7. http://dx.doi.org/10.37134/juraisembah.vol1.1.1.2020.
Texto completoAvram, Cristi. "Theatre for Young Audiences – 3 Texts Mihai Ignat – Selma Dragoş – Andrei Ursu". Theatrical Colloquia 8, n.º 2 (1 de diciembre de 2018): 401–9. http://dx.doi.org/10.2478/tco-2018-0030.
Texto completoCornici, Antonella. "3. National Theatre Live. The Beginning of a Revolution". Review of Artistic Education 25, n.º 1 (1 de marzo de 2023): 120–25. http://dx.doi.org/10.2478/rae-2023-0017.
Texto completoBrewster, Yvonne. "Drawing the Black and White Line: Defining Black Women's Theatre". New Theatre Quarterly 7, n.º 28 (noviembre de 1991): 361–68. http://dx.doi.org/10.1017/s0266464x00006060.
Texto completoVandenbroucke, Russell. "Making Theatre during COVID-19". Harold Pinter Review 5, n.º 1 (1 de mayo de 2021): 17–27. http://dx.doi.org/10.5325/haropintrevi.5.2021.0017.
Texto completoKrstić, Nataša. "А New Theatre Experience: Page Experience Signals". AM Journal of Art and Media Studies, n.º 26 (15 de octubre de 2021): 129–41. http://dx.doi.org/10.25038/am.v0i26.476.
Texto completoSaddlemyer, Ann y John Ripley. "Early Stages: Theatre in Ontario 1800-1914". Canadian Theatre Review 72 (septiembre de 1992): 82–83. http://dx.doi.org/10.3138/ctr.72.018.
Texto completoCOX, EMMA. "Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre'sEvery Year, Every Day, I Am Walking". Theatre Research International 37, n.º 2 (3 de mayo de 2012): 118–33. http://dx.doi.org/10.1017/s030788331200003x.
Texto completoNa-pombejra, Dangkamon. "Confronting Otherness through Theatre: On Directing The Merchant of Venice for Thai Audiences". Manusya: Journal of Humanities 23, n.º 3 (23 de diciembre de 2020): 335–51. http://dx.doi.org/10.1163/26659077-02303004.
Texto completoGreen, Reina. "The Challenges of Park Performance: Pericles in Halifax’s Point Pleasant". Canadian Theatre Review 128 (septiembre de 2006): 47–52. http://dx.doi.org/10.3138/ctr.128.010.
Texto completoBickis, Heidi. "Expanding the Margins of Our Narrative: A Review". Canadian Theatre Review 125 (enero de 2006): 124–28. http://dx.doi.org/10.3138/ctr.125.022.
Texto completoQamaniq, David y Cindy Cowan. "On Independence and Survival". Canadian Theatre Review 73 (diciembre de 1992): 18–21. http://dx.doi.org/10.3138/ctr.73.006.
Texto completoGoldhill, Simon. "Reading Performance Criticism". Greece and Rome 36, n.º 2 (octubre de 1989): 172–82. http://dx.doi.org/10.1017/s0017383500029740.
Texto completoDan, Marcela Livia. "Cum a transformat pandemia artele?" Symbolon 23, SI (2022): 57–64. http://dx.doi.org/10.46522/s.2022.s1.6.
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