Literatura académica sobre el tema "Theatre for all audiences"
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Artículos de revistas sobre el tema "Theatre for all audiences"
Zehra, Shamail, Kiran Karamat y Niza Qureshi. "THEATRE IN THE DIGITAL AGE: CHALLENGES AND AUDIENCE VIEWING EXPERIENCES". Pakistan Journal of Social Research 05, n.º 01 (4 de marzo de 2023): 609–16. http://dx.doi.org/10.52567/pjsr.v5i01.1384.
Texto completoPukelytė, Ina. "Front Theatre and Variety Theatre in Lithuania During World War II". Art History & Criticism 16, n.º 1 (1 de diciembre de 2020): 95–104. http://dx.doi.org/10.2478/mik-2020-0006.
Texto completoCaldwell, Niall y Kathryn Nicholson. "Star quality: celebrity casting in London West End theatres". Arts Marketing: An International Journal 4, n.º 1/2 (30 de septiembre de 2014): 136–55. http://dx.doi.org/10.1108/am-10-2013-0022.
Texto completoBennett, Susan. "Theatre Audiences, Redux". Theatre Survey 47, n.º 2 (12 de septiembre de 2006): 225–30. http://dx.doi.org/10.1017/s0040557406000196.
Texto completoHarvey, Dustin. "Theatre for Small Audiences". Canadian Theatre Review 126 (marzo de 2006): 45–47. http://dx.doi.org/10.3138/ctr.126.008.
Texto completoBird, Kym y Ed Nyman. "Quipping Against the Pricks: Comedy, Community and Popular Theatre". Canadian Theatre Review 77 (diciembre de 1993): 8–12. http://dx.doi.org/10.3138/ctr.77.002.
Texto completoMahoney, Alison M. "Oily Cart's Space to Be: Exploring the Carer's Role in Sensory Theatre for Neurodiverse Audiences during COVID-19". Theatre Survey 62, n.º 3 (23 de agosto de 2021): 340–43. http://dx.doi.org/10.1017/s0040557421000260.
Texto completoBannerman, Marian White. "TYA in Canada: Navigating the Paradoxes". Canadian Theatre Review 133 (marzo de 2008): 53–61. http://dx.doi.org/10.3138/ctr.133.008.
Texto completoMcClelland, Graeme. "When in Quarantine: Bringing Theatre Home with Boca del Lupo". Canadian Theatre Review 191 (1 de agosto de 2022): 100–102. http://dx.doi.org/10.3138/ctr.191.016.
Texto completoDUTT, BISHNUPRIYA. "Introduction". Theatre Research International 42, n.º 3 (octubre de 2017): 323–26. http://dx.doi.org/10.1017/s030788331700061x.
Texto completoTesis sobre el tema "Theatre for all audiences"
Taylor, Crispin. "‘It’s All in The Timing’ – A Research Project that explores the complexities in the relationship of Actor to Audience, in Musical Theatre". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2021. https://ro.ecu.edu.au/theses/2434.
Texto completoWijesiri, Narayana Don Nimal Wijesiri. "Representation of identity in Sinhala theater: The impact of the religious/charity model". Thesis, Queensland University of Technology, 2022. https://eprints.qut.edu.au/235387/1/Nimal%2BWijesiri%2BThesis%2B%282%29.pdf.
Texto completoTrabelsi, Rabeb. "Spatialité, scénographie et imagination créatrice dans quatre créations tout-public de Joël Pommerat : Le Petit Chaperon rouge, Pinocchio, Cendrillon et Contes et Légendes". Electronic Thesis or Diss., CY Cergy Paris Université, 2024. http://www.theses.fr/2024CYUN1287.
Texto completoThis research aims to study the creative process of Joël Pommerat in four creations for all audiences, namely Little Red Riding Hoood, Pinocchio, Cenderella and Tales and Legends and the place of scenography in Joël Pommerat's work. How does this artist reinterpret fairy tales to provide new interpretations of these ancient texts through theatre ? What new elements emerge in Tales and Legends ? In what way does the director allow the spectator to have a fresh perspective on contemporary society by addressing everyday subjects ?The scenographic elements in this artist's work play a key role in the originality of his creations through the development of scenic spaces that are both magical, fictional and even futuristic. Scenography represents a gateway or bridge bringing about this "metamorphosis" from tradition to current events (in the three adaptations of tales) and from current events to the near future (in Tales end Legends).This research aims to demonstrate how Pommerat exploits the wonderful space of the tale or fieldwork to create new spaces, at once political and fictional. How does the tale become a tool for problematizing the societal crisis of today and a gateway to new creations by our artist ? At what levels does cinematographic aesthetic in Pommerat's work contribute to stimulating the spectator's imagination ? How do scenographic elements participate in the creation of a modern visual space? What methods does Pommerat employ to guide the spectators' perception and reflection in his all-age creations ?
Asiedu, Awo Mana. "West African theatre audiences : a study of Ghanaian and Nigerian audiences of literary theatre in English". Thesis, University of Birmingham, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288805.
Texto completoHayes, S. "Building community : a sociology of theatre audiences". Thesis, University of Salford, 2006. http://usir.salford.ac.uk/2034/.
Texto completoBetzien, Angela Jane. "Hoods : creating political theatre for young audiences". Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/19238/1/Angela_Betzien_Exegesis.pdf.
Texto completoBetzien, Angela Jane. "Hoods : creating political theatre for young audiences". Queensland University of Technology, 2007. http://eprints.qut.edu.au/19238/.
Texto completoWoods, Penelope. "Globe audiences : spectatorship and reconstruction at Shakespeare's Globe". Thesis, Queen Mary, University of London, 2012. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8299.
Texto completoGroschel, Uwe. "Audiences and participants : researching theatre users at Contact, Manchester". Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/audiences-and-participants-researching-theatre-users-at-contact-manchester(ed0dbc91-5fc5-44ea-a7c8-627691ab8e1e).html.
Texto completoSoulstein, Seth Koozel. "Macbeth as Avatar : fandom in British Romantic theatre audiences". Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/41995.
Texto completoLibros sobre el tema "Theatre for all audiences"
Snyder-Young, Dani y Matt Omasta. Impacting Theatre Audiences. London: Routledge, 2022. http://dx.doi.org/10.4324/9781032214146.
Texto completoAsiedu, Awo Mana. West African theatre audiences: A study of Ghanaian and Nigerian audiences of literary theatre in English. Birmingham: University of Birmingham, 2003.
Buscar texto completoO'Toole, John, Ricci-Jane Adams, Michael Anderson, Bruce Burton y Robyn Ewing, eds. Young Audiences, Theatre and the Cultural Conversation. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-7609-8.
Texto completoListon, Karen. An exploratory study into the attitudes of the Dublin population to theatre. Dublin: UniversityCollege Dublin, 1990.
Buscar texto completoMalomo, Jide. The theatre audience in Nigeria: A survey of audience attendance at the National Arts Theatre, Lagos. Ibadan, Oyo State, Nigeria: Ibadan, 2002.
Buscar texto completoFreshwater, Helen. Theatre & audience. Houndmills, Basingstoke, Hampshire, UK: Palgrave Macmillan, 2009.
Buscar texto completoMarisa, Smith, ed. Seattle Children's Theatre: Six plays for young audiences. Lyme, NH: Smith and Kraus, 1997.
Buscar texto completoBennett, Susan. Theatre audiences: A theory of production and reception. London: Routledge, 1990.
Buscar texto completoDieleman, Cock, Ricarda Franzen, Veronika Zangl y Henk Danner. Dramaturgy. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724968.
Texto completo1933-, Jennings Coleman A., ed. Theatre for young audiences: 20 great plays for children. New York: St. Martin's Press, 1998.
Buscar texto completoCapítulos de libros sobre el tema "Theatre for all audiences"
Farmer, Paul. "5. Touring One & All!" En After the Miners’ Strike, 67–82. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0329.07.
Texto completoFarmer, Paul. "3. One & All!" En After the Miners’ Strike, 37–60. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0329.05.
Texto completoPickering, Kenneth y Mark Woolgar. "Audiences and Spectators". En Theatre Studies, 152–73. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-349-92330-4_10.
Texto completoWebb, Tim. "Sensory Theatre Audiences". En Sensory Theatre, 53–58. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003091288-12.
Texto completoWerner, Sarah. "Audiences". En Shakespeare and the Making of Theatre, 165–79. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-28493-8_10.
Texto completoMacleod, Joseph. "Special Audiences". En The New Soviet Theatre, 64–84. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003228660-6.
Texto completoAikman, Lisa, Jennifer Roberts-Smith, Stan Ruecker, Kate Crozier, Jessica Hutchison, Carin Lowerison, Signy Lynch et al. "Theatre for relationality". En Impacting Theatre Audiences, 145–60. London: Routledge, 2022. http://dx.doi.org/10.4324/9781032214146-13.
Texto completoMcConachie, Bruce. "General Cognition for Theatre Audiences". En Engaging Audiences, 23–63. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230617025_2.
Texto completoHeim, Caroline. "Participant observation in practice and techniques for overcoming researcher insecurity". En Impacting Theatre Audiences, 26–38. London: Routledge, 2022. http://dx.doi.org/10.4324/9781032214146-3.
Texto completoPearce, Celia. "Playing ethnography". En Impacting Theatre Audiences, 124–35. London: Routledge, 2022. http://dx.doi.org/10.4324/9781032214146-11.
Texto completoActas de conferencias sobre el tema "Theatre for all audiences"
Lisowski, Daniel. "Motion Capture Body Tracking and Functional Safety in Dynamically Controlled Theatre Automation Systems". En 10th International Conference on Human Interaction and Emerging Technologies (IHIET 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004077.
Texto completoPostolache, Inga. "Premises of the appearance of the Romanian musical: pages of history". En International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.13.
Texto completoFischer, Andre. "New transmedia design for traditional film festivals". En LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.121.
Texto completoDima, Mariza. "Engaging theatre audiences before the play". En the 2013 Inputs-Outputs Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2557595.2557600.
Texto completoCONDURACHE, Dumitriana. "A Diverse Beauty: Amore, by Pippo Delbono". En The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0015.
Texto completoSimpson, James y Rory Foster. "Liveness for Contemporary Audiences: Developing online-togetherness in metaverse theatre audiences". En Proceedings of EVA London 2022. BCS Learning & Development, 2022. http://dx.doi.org/10.14236/ewic/eva2022.25.
Texto completoMulvany, Gerard T. "Because the Night - Immersive Theatre for Digital Audiences:". En CHI PLAY '22: The Annual Symposium on Computer-Human Interaction in Play. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3505270.3558374.
Texto completoOrmanlı, Okan. "Relationship Between Movie Theaters and Audience During the Pandemic: “Beyoğlu 1989 E-Bulletin” as an Example". En COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.028.
Texto completoLock, Daniel, David Gochfeld y Ben Kirman. "Hybrid Improvisational Theatre: A Thematic Review of the Production Processes". En 12th International Conference on Human Interaction and Emerging Technologies (IHIET 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005493.
Texto completoTOMUȘ, Ionuț. "General Considerations on Performing Poetry in the Current Performing Arts Context". En The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0012.
Texto completoInformes sobre el tema "Theatre for all audiences"
Rogers, Amanda. Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season. Swansea University, noviembre de 2023. http://dx.doi.org/10.23889/sureport.65084.
Texto completoMcIntyre, Phillip, Susan Kerrigan y Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.
Texto completoDomanick, Joe. Communicating to Build Trust: A Best Practices Guide for Law Enforcement Specialists in Latin America and the Caribbean. Inter-American Development Bank, septiembre de 2016. http://dx.doi.org/10.18235/0006324.
Texto completoRuiz, Pati, Kelly Mills, Keun-woo Lee, Merijke Coenraad, Judi Fusco, Jeremy Roschelle y Josh Weisgrau. AI Literacy: A Framework to Understand, Evaluate, and Use Emerging Technology. Digital Promise, junio de 2024. http://dx.doi.org/10.51388/20.500.12265/218.
Texto completoYilmaz, Ihsan, Shahram Akbarzadeh y Galib Bashirov. Comprehending the Tactics of Strategic Digital Disinformation Operations (SDIOs). European Center for Populism Studies (ECPS), septiembre de 2023. http://dx.doi.org/10.55271/pp0024.
Texto completoCothron, Annaliese, Jose Louro, Elizabeth Alpert, Don Clermont y Valerie Nieto. The State of Veteran Oral Health in Iowa: Understanding Outcomes and Opportunities for Improving Oral Health and Well-Being for Iowa Veterans. American Institute of Dental Public Health, 2024. http://dx.doi.org/10.58677/roll2812.
Texto completoYilmaz, Ihsan, Shahram Akbarzadeh y Galib Bashirov. Strategic Digital Information Operations (SDIOs). European Center for Populism Studies (ECPS), septiembre de 2023. http://dx.doi.org/10.55271/pp0024a.
Texto completoCavallo, Eduardo A., Andrew Powell y Eduardo Fernández-Arias. Is the Eurozone on the Mend? Latin American Examples to Analyze the Euro Question. Inter-American Development Bank, julio de 2014. http://dx.doi.org/10.18235/0011642.
Texto completoBozek, Michael y Tani Hubbard. Greater Yellowstone Network amphibian monitoring protocol science review: A summary of reviewers’ responses. National Park Service, junio de 2022. http://dx.doi.org/10.36967/nrr-2293614.
Texto completoOrtiz, Veronica, Joaquin Tintore y Nicole Köstner. EuroSea Guide of communication and dissemination activities for enhanced visibility of innovation in ocean observing and forecasting for a sustainable ocean. EuroSea, 2023. http://dx.doi.org/10.3289/eurosea_d8.10.
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