Artículos de revistas sobre el tema "The great longing"
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FREILICH, JERRY. "A LONGING LOOK AT THE GREAT PLAINS". BioScience 54, n.º 4 (2004): 363. http://dx.doi.org/10.1641/0006-3568(2004)054[0363:allatg]2.0.co;2.
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Kashchuk, Oleksandr. "Droga doskonalenia chrześcijańskiego w nauczaniu Grzegorza Wielkiego". Ruch Biblijny i Liturgiczny 61, n.º 2 (30 de junio de 2008): 143. http://dx.doi.org/10.21906/rbl.355.
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The main purpose of the article is to look at the doctrine of Gregory the Great and explore his teaching on the means, through which a Christian can advance spiritually, i.e. achieve a spiritual unity with God. According to the teaching of Gregory the Great, a hu- man being in his/her nature constantly pursues God. To realize human natural longing, the human needs the assistance of God’s grace. The human should consent to the cooperation with God’s grace. First of all, one should discover and wake up in one’s self the longing for God, which is the force d’être of every spiritual development. This longing for God is a state of the introductory unity with God. To improve and solidify this longing human’s should purify it from the earthly devotion, then spiritually improve one’s self in the reading of the Holy Scripture, model one’s self after the life of just people, pray, make use of sacramental grace, observe the commandments of God, and do good deeds.
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Kryvyi, P. A., G. L. Gumeniuk y Yu V. Bratchykova. "Serhiy Winogradsky – a great Ukrainian". Infusion & Chemotherapy, n.º 3 (24 de octubre de 2022): 57–64. http://dx.doi.org/10.32902/2663-0338-2022-3-57-64.
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ABSTRACT. The article dedicated to the personality formation of the world’s outstanding microbiologist Serhiy Mykolayovych Winogradsky who lived and worked in the second half of the 19th and the first half of the 20th century in the conditions of the Ukrainian environment. The circle of his friends and students, the feeling of longing for his native Ukraine during his life in exile, the history of the discovery of the chemosynthesis process described in the paper. The attempts of the Russian scientific historiography to present him as a Russian scientist are debunked.
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Ounane, Ahmed. "El Amor En El Islam: Análisis De Conceptos y Contextos Basados En La Traducción". Traduction et Langues 16, n.º 1 (31 de agosto de 2017): 196–209. http://dx.doi.org/10.52919/translang.v16i1.841.
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Love in Islam: Analysis of Concepts and Contexts based on Translation
Love is the noblest human feeling, the dimension of affliction and longing par excellence. In the Islamic context, studious, sages and poets have shone since ancient times; they praised and experienced intense moments of this distinguished human sentiment. Among them, great personalities stand out who shaped it in their writings, experiences and adventures, such as Ibn Ḥazm of Córdoba, author of The Dove Necklace or Ibn Qayyim al Jawziyya author of Rawḍat al muhibbīn wa nuzhat al muṣtāqīn (Garden of lovers and walk of the longing), in addition to the great Sufi sheikhs. In this work we try to analyze and highlight the different forms that characterize love within the Islamic conception, in its different facets, based mainly on the translation of contextual samples.
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ROPER, MICHAEL. "NOSTALGIA AS AN EMOTIONAL EXPERIENCE IN THE GREAT WAR". Historical Journal 54, n.º 2 (11 de mayo de 2011): 421–51. http://dx.doi.org/10.1017/s0018246x11000082.
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ABSTRACTThis article is concerned with the longing for home of British soldiers during the First World War. What, it asks, can such longings reveal about the psychological impact of trench warfare? Historians have differed in the significance that they ascribe to domestic attachments. Some argue that a ‘cultural chasm’ developed between the fronts, producing anger and disillusionment among soldiers which would surface fully fledged after the war, while others assert the continuing vitality of the links with home. Evidence for both these perceptions can be found in the letters written by British soldiers to their families. The functions of nostalgia could range from reassurance or momentary relief from boredom and impersonal army routines, through flight from intolerable anxiety, to survival through the power of love. Although animated by solitude, nostalgia provided a means of communication with loved ones. Its emotional tones varied according to the soldier's age and the nature of his attachments to home. The young soldier's reminiscences of home conveyed, not just the comforting past, but the hateful present. Nostalgia, being rooted in early memories of care, could be a potent vehicle for arousing the anxieties of loved ones, especially mothers. Among married men, the desire to return to wives and children could provide a powerful motivation for survival. This analysis suggests a different and more varied account of the genesis of the ‘disillusionment story’ of the war than is put forward in some recent studies. Among men of the ‘war generation’ particularly, disillusionment was not only a post-war construction, an artefact of cultural memory, but a powerful legacy of the emotional experience of the war itself.
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G.Chandu. "SOUL LONGING FOR AGAPE LOVE IN THE POEM “REMEMBER” BY CHRISTINA ROSETTI". Journal of English Language and Literature 10, n.º 01 (2023): 92–97. http://dx.doi.org/10.54513/joell.2023.10111.
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“Literature is the art of discovering something extraordinary about ordinary people and saying with ordinary words something extraordinary.” says -Boris Pasternak. Several literary works engage readers deeply by the narratives they tell or the messages they convey. Readers are consistently motivated by biographies of notable people as well as true tales of bravery, selflessness, and other admirable traits. Such books act as both a bible of values and a window into the life of notable people for the general public. The main types of literature: Drama, Fable, Autobiography, Biography, Poetry, Prose, Science Fiction, and Journalistic Literature. Poetry is a great motivator when we try to learn it. It is rich in tradition, culture and language and gives a great opportunity to learn a language. The main function of poetry is to interpret life. There are poets who have pictured death as both a friend and an enemy. Some claim that passing away can provide relief from troubles and anguish, while others claim that it is cruel and robs a person of the fun and pleasure the world has to offer. In this paper, an attempt has been made to present Christina Rossetti’s longingness to be remembered even after death that separates her from her lover in the poem “Remember”.
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Potts, Matthew. "Longing for an Absent God: Faith and Doubt in Great American Fiction by Nick Ripatrazone". American Catholic Studies 132, n.º 1 (2021): 90–91. http://dx.doi.org/10.1353/acs.2021.0008.
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Perkiewicz, Patrycja y Kelly Shannon. "Environmental consequences of the longing for power: Revisiting Lower Silesia’s landscapes under Frederick the Great". Journal of Landscape Architecture 16, n.º 2 (4 de mayo de 2021): 68–85. http://dx.doi.org/10.1080/18626033.2021.2015206.
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Madan, Amman. "Avijit Pathak, On Social Constraints and the Great Longing: An Essay on the Human Condition." Society and Culture in South Asia 3, n.º 1 (enero de 2017): 120–24. http://dx.doi.org/10.1177/2393861716669465.
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Shen, Rui. "Melody Master Tchaikovsky: Analysis of Ethnic Colors in the Piano Suite "Four Seasons"". Highlights in Art and Design 3, n.º 2 (4 de julio de 2023): 13–20. http://dx.doi.org/10.54097/hiaad.v3i2.9851.
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Tchaikovsky was a great musician in Russia during the Romantic period. Due to his melodic works, he was known as the "master of melody" in Russia and received an honorary doctoral degree from the University of Cambridge in the United Kingdom. His creative genres cover a wide range of opera, dance, symphonies, concertos, and piano works. His music incorporates the characteristics of folk songs and his works reflect the oppressive psychology of the Russian people under the Tsar's rule, as well as their longing and longing for a better life in the future. He is committed to revealing the conflicting emotions within people's hearts. His later works are full of strong dramatic conflicts, his own thoughts on life, and fiery emotional colors. This article takes Tchaikovsky's piano suite "Four Seasons" as the text, and analyzes the ethnic characteristics of Tchaikovsky's works from the perspective of ethnology, using acoustic methods. The aim is to clarify the ethnic colors in "The Four Seasons" and reveal the profound ethnic connotations in Tchaikovsky's music works by utilizing elements such as harmony and melody.
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Hamilton, Geoff. "ANNIHILATING ALL THAT'S MADE: Beckett's and The Pastoral Tradition". Samuel Beckett Today / Aujourd'hui 15, n.º 1 (1 de noviembre de 2005): 325–39. http://dx.doi.org/10.1163/18757405-015001028.
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This article focuses on the importance of pastoral parody in . Conceptions of a rejuvenating natural world persist in the novel, but are vigorously and decisively undercut. Pastoral's representative characters, who traditionally cope with their weakness and exposure to hostile elements by constructing consoling narratives, often in song, emerge in as unconsoled wanderers, speaking at length and with great longing of speaking no more. Pastoral is exposed for its contemporary impotence, but the tradition carries on, employed and eschewed within a characteristically self-effacing rhetoric.
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Degen, Julian Michael. "Les Reines de Perse aux pieds d‘Alexandre. Rezeption des exemplum virtutis von Curtius Rufus bis Charles le Brun". historia.scribere, n.º 8 (14 de junio de 2016): 47. http://dx.doi.org/10.15203/historia.scribere.8.459.
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The history of Alexander the Great was from his time on a very popular medium for facts and also common known fictions, what let Alexanders deeds become very longing for other rulers, like Louis XIV. He hired Charles le Brun to paint a representative passage of Alexanders history, what he liquidated through the lecture of Cutius Rufus’ historia Alexandri Magni. This paper is about the transformation of ancient sources with their intentions into 17th century France. I created the thesis of „mental horizons“ to depict the motives of adoption into the historical perception.
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Kotlewski, Tadeusz. "Buscar, escuchar y abrirse al Amor". Studia Bobolanum 30, n.º 2 (5 de abril de 2019): 119–32. http://dx.doi.org/10.30439/sb.2019.2.6.
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The article shows how in the light of God’s Mercy a human being rediscovers and realises the basic truth that in his/her heart is a great longing and hunger for God’s love. God invites to listen to what He says to humans through the words of the Holy Bible. He invites people to listen and realise the loving presence of God inside. The author of the article shows that trust is the fruit of a relationship in which a person knows that he/she is loved. Trust presupposes a longing for God and a sincere search for Him in everything. The road to trust is expressed in three attitudes: in seeking God inside; in sensitive listening to His voice in one’s heart; and in trustingly opening oneself to His love and immersion in His mercy. Thanks to loneliness, silence and prayer, a human being discovers the Source of life which lies deep inside his/her heart. In the human being, in his/her interior is the source from which he/she draws life and nourishes hope. Immersion in this source of mercy means that one experiences inner change.
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Priyam, Chayanika. "Book Review: Avijit Pathak, On Social Constraints and the Great Longing: An Essay on the Human Condition". Journal of Human Values 22, n.º 1 (24 de diciembre de 2015): 71–72. http://dx.doi.org/10.1177/0971685815608069.
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Hammer, K. Allison. "Epic Stone Butch". TSQ: Transgender Studies Quarterly 7, n.º 1 (1 de febrero de 2020): 77–98. http://dx.doi.org/10.1215/23289252-7914528.
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Abstract Through application of the contemporary term transmasculinity and the more historical stone butch, the author questions the critical tendency to perceive American writer Willa Cather only as lesbian while ignoring or undertheorizing a transgender longing at play in her fiction, short stories, and letters. While biographical evidence must not be approached as simply coterminous with literary production, as literature often exceeds or resists such alignments, Cather's letters in particular suggest a strong identification with her male fictional alliances. Analysis of her letters alongside two of her most treasured, and disparaged, novels, One of Ours (1922) and The Professor's House (1925), conveys Cather's wish for an idealized masculinity, both for herself and for Western culture, that would survive two coeval historical processes and events: the closing of the American frontier and the First World War. Through what the author calls a stone butch “armature,” she and her characters retained masculine dignity despite historical foreclosure of Cather's manly ideal, Winston Churchill's Great Man, who was for her the artistic and intellectual casualty of the period. Cather expressed the peculiar nostalgic longing present in stone butch, and in the explosion of new forms of transmasculinity in the present. This suggests that historical transgender styles don't disappear entirely, even as new categories emerge.
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Toner, P. G. "Tropes of Longing and Belonging: Nostalgia and Musical Instruments in Northeast Arnhem Land". Yearbook for Traditional Music 37 (2005): 1–24. http://dx.doi.org/10.1017/s0740155800011206.
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In the musical traditions of the Yolngu of northeast Arnhem Land, in northern Australia, the evocation of ancestrally-significant places is of primary ideological and aesthetic importance. This is primarily done through song texts, when a singer “paints a picture” of a place in the mind's eye of the audience; when done with great skill, such evocation can produce strong feelings of nostalgia as listeners recall those places and the personal and ancestral events which took place there. Musical instruments can also be used in this way, either through tropes in the song texts, which make reference to the instrument and its ancestral significance, or through the actual sound of the instrument as an enacted trope during the musical performance itself. In either case, the mention or use of musical instruments can resonate powerfully with ideas about ancestors, people and places, making musical instruments important symbols in Yolngu culture.
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Abishek, U. "Sexuality, Identity and (Be)longing: The Realistic Representation of Gay Identity in KA Bodyscapes". Shanlax International Journal of English 11, n.º 4 (1 de septiembre de 2023): 27–30. http://dx.doi.org/10.34293/english.v11i4.6639.
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Film is an influential medium to catalyze the social change. Like other fine arts film is both a piece of social reality and a vehicle of depicting the True-reality rather than idealizing and stereotyping it. Films have unpretentious effect on society’s perspective. Film has without a doubt contributed a great deal to the strange development in India. Sexual minority comprises of that multitude of individuals who fall under the classifications of Lesbians, Gays, Bisexuals and Transsexuals. Projection of orientation generalizations in films shapes society’s view of orientation jobs. The over-immersion of the sexual orientation generalizations in the movie, KA Bodyscapes directed by Jayan K.Cherian, brings about the deception of orientation which gets implanted in the human psyche and is given from one age to another as an adequate view.
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Ananyeva, Svetlana V. "Concept of Memory and National Image of the World in Literary Texts of Alexander Kahn". Polylinguality and Transcultural Practices 17, n.º 3 (15 de diciembre de 2020): 343–51. http://dx.doi.org/10.22363/2618-897x-2020-17-3-343-351.
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A fairly common trend in the global literary process is when writers - representatives of their nation and their culture - live outside their historical homeland. The search for answers to the most important questions of our time and the challenges of globalization in relation to the ethnocultural world concern each of them. A. Kahns work reveals how opposition of ones own versus the other conveys the national image and national attitude. The principle of equality and recognition of the other as an equal to oneself is the basis of dialogue. Novels and essays by A. Kahn are largely autobiographical and aim at understanding the path of the compatriots, their mission on earth. The path of national literature in the mind of A. Kahn is from the literature of despair through the literature of longing and overcoming to the endless great literature of a great heart.
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Bilić, Anica. "Dva cvjetna soneta antuna Gustava Matoša". Danubius Noster 10, n.º 3 (2022): 5–18. http://dx.doi.org/10.55072/dn.2022.3.5.
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Flowers are frequent and priveleged literaray motifs in Matoš’s work, elevated to a symbolic level. This paper interpretatively analyzes literary representations of two flowers of great symbolic potential: pansy and lily-of-the-valley from the sonnets Maćuhica (Pansy) and Srodnost (Kinship), the hallmarks of Matoš’s poems, and anthology and canonical texts of Croatian poetry. It is determined through analysis that flowers are a poetical expressions of Matoš’s longing for the ideal of beauty on a concrete, symbolical, poetological and programmatic level. It is established in the conclusion that Matoš’s poetical flowers are highly artistically treated and cultivated, that is, aestheticized, representing aestheticism as the first period of the age of modernism.
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Jędrzejewski, Sylwester. "Koncepcje mesjańskie judaizmu po deportacji babilońskiej". Ruch Biblijny i Liturgiczny 57, n.º 3 (30 de septiembre de 2004): 173. http://dx.doi.org/10.21906/rbl.513.
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Dramatic events of year 587/586 triggered off a new way of thinking of Israelites over their history. It helped to think about resurrection not only in a traditional way – a ruler from the House of David, the King–Messiah and the Shepherd–Messiah. The lacks of political independence made people think of a new Kingdom. They were looking for a nationalist Messiah, who would realistically restore the kingdom of David and Salomon. The Son of Man, through his deep relationship with God, expressed a longing for ideal Kingdom, where God can reign. The Messiah, just and chosen by God, would represent those, who saw Israel as a great Kingdom of Israel, perfectly keeping the Law and living in peace. The Son of God, mysterious pre-existent Messiah, represents those, who yearn for a new and great leader, who is supported by almighty God and who would restore a worldly, wonderful Kingdom.
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Gordillo Montaño, M. J., S. V. Boned Torres, L. Rodriguez Rodriguez y M. De Amuedo Rincon. "Natsukashii". European Psychiatry 65, S1 (junio de 2022): S403. http://dx.doi.org/10.1192/j.eurpsy.2022.1021.
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Introduction NATSUKASHII: Japanese word that means happy nostalgia, it is the moment in which memory transports you to a beautiful memory that fills you with sweetness. NOSTALGY: (from the classical Greek [nóstos], “return”, and [algos], “pain”) feeling of sadness, suffering of thinking about something that has been had or lived in a stage and now not. In bipolar disorder, patients are more likely to complain of dysphoria than euphoria. Hypomanic periods often provide pleasant relief from depression. Patients experience this situation as pleasant, positive and longing once it has remitted, since they feel more creative, active and sociable. Objectives We intend to draw attention to the blurred limits of the state of euthymia, even when stable there is a sustained emotional hypersensitivity, which must be learned to identify and coexist. Behind the desire to be euthymic, in certain patients there is a desire to remain hypomanic and / or manic due to the fact that they have tasted absolute happiness. Methods After several interviews with stable patients, we have realized that a great majority want to re-experience the sensations of a hypomanic episode. Results After a bibliographic search we have realized that in the West there is no term in psychopathology that describes that longing that they verbalize as “maniac lives happier” Conclusions Special attention must be paid to these patients since they have less adherence to treatment and risk of abandoning it. Disclosure No significant relationships.
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Van Geel, Rolf, Tilly Houtmans y Hans Tenten. "Introjective and anaclitic psychopathology in self-narratives: Idiographic assessment with Hermans’ Self-Confrontation Method". International Journal of Personality Psychology 5 (20 de diciembre de 2019): 36–63. http://dx.doi.org/10.21827/ijpp.5.35813.
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Within a hybrid framework of attachment and depression theory, we investigated whether introjective and anaclitic vulnerabilities can be detected in a person’s self-narrative as elicited with the Self-Confrontation Method (SCM). One hundred participants held a thorough self-investigation with one of five trainees, in which every person formulated ‘valuations’ (i.e., short sentences about personally relevant concerns) and, subsequently, rated to what degree certain feelings were evoked by every separate text. We extracted several measures from these idiographic data, including scales representing the prominence of certain themes according to the SCM typology (e.g., ‘unfulfilled longing and loss’, ‘anger and opposition’, and ‘powerlessness and isolation’). By analyzing the correlational patterns of the aggregated SCM-based measures and the questionnaire-based measures about attachment orientation and depressive personality vulnerability, we uncovered meaningful relationships. The results of a canonical correlational analysis indicated that an intensified sense of ‘powerlessness and isolation’ is a sign of a general psychopathological vulnerability (related to depression), ‘anger and opposition’ is associated with introjective features (distrust in others and need for control), and ‘unfulfilled longing and loss’ is associated with anaclitic features (pleasing and dependency). In an exploratory qualitative study, we used a cluster-based classification into attachment groups for the exhaustive screening of the content of negative valuations of (a selection of) insecurely attached persons (n = 15). This hermeneutic approach disclosed characteristic themes for each of the preoccupied, dismissive-avoidant and fearful-avoidant attachment styles which are discussed in great detail.
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Oliveira, Cassio de. "Russian Civic Criticism and the Idyllic Dream in Ivan Goncharov’s "Oblomov"". RUS (São Paulo) 14, n.º 25 (30 de noviembre de 2023): 31–46. http://dx.doi.org/10.11606/issn.2317-4765.rus.2023.212654.
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Nikolai Dobroliubov’s and Dmitrii Pisarev’s reviews of Ivan Goncharov’s novel Oblomov have gone into history as exemplars of Russian civic criticism. Their main argument centers on the eponymous protagonist’s seeming inability to exit his lethargic condition, which they interpret as a symptom of the Russian status quo at the time of the Great Reforms. In the present article, I argue that the case of Oblomov demonstrates the limits of the civics’ mimetic criticism. The dominant chronotope of the novel, namely the idyll, indicates that Oblomov is not in essence a novel about the hero’s inability to change (which would presuppose a willingness to, or desire for, said change), but rather about his longing for a restorative past which is ultimately inaccessible to him.
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Moody, Ivan. "Mensagens: Portuguese Music in the 20th Century". Tempo, n.º 198 (octubre de 1996): 2–10. http://dx.doi.org/10.1017/s0040298200005313.
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These lines of Fernando Pessoa (1888–1935), the great poet of Portuguese modernism, may seem at first sight to invoke the principal element of fado, Portugal's national music: the element represented by that famously untranslatable word suadade, implying longing, nostalgia, homesickness … However, they hide far deeper resonances. Mensagen (Message), the poetic sequence from which they come, is a profound exploration of Portugal's history, a modern counterpart to Camoens's great 16th-century epic The Lusiads. It is connected to the nationalist Integralismo Lusitano movement, and to Sebastianism. Other poets, particularly Mario Sa-Carneiro (1890–1916), and plastic artists, notably Amadeo de Sousa Cardoso (1887–1918) and Jose de Almada Negreiros (1893–1970), similarly reflect the strength of these patriotic and mystical ideas in Portugal during the country's deepening social crisis in the early part of the century. But Pessoa, who famously split himself into several persons, each with their own name, style and poetic output, may also stand as a symbol of the different currents Portuguese composers have ridden in search of their national identity.
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Lippert, Dorothy. "Science and Humanity". International Journal of Cultural Property 16, n.º 2 (mayo de 2009): 195–98. http://dx.doi.org/10.1017/s0940739109090134.
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The Genographic Project is a fantasy of an idea. It represents the instinct of humankind to seek to understand ourselves, right down to the smallest pieces of our essential being. To follow this longing for knowledge is to be in the company of every great explorer that has ever been, from the first hominid moving beyond the boundaries of African Eden to the intrepid women, men, and children who sailed the seas beyond the mainland of Southeast Asia to become the first occupants of the continent of Australia, to the men and women perhaps not yet born who will seek to land on and inhabit planets other than this one. Such journeys reveal ways of relating to new worlds and, in that process, instruct us in new ways of being human. As another great journey of exploration, this search within ourselves may teach us equally as much. To be certain, none of our journeys thus far have been without hardship, and it is naive to think that this or any exploration is free from challenges.
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Stępniewska, Alicja. "Sędziwi ojcowie – Laertes i Priam w epopejach Homera". Vox Patrum 56 (15 de diciembre de 2011): 61–72. http://dx.doi.org/10.31743/vp.4208.
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Subject of the article are experience and sufferings two fathers – Laertes, King of Ithaca and Priam, King of Troy. They both had that experience in its old age, but in different dimension. Son of the first of fathers – Odys has disappeared without tidings, but he came back to Ithaca after twenty years of wandering, to the great joy of longing father. The son of the second of fathers – Hector was killed in a duel with Achilles. The aged Priam in difficult conversation with his son’s killer is reminding Achilles the suffering of his aged father Peleus, who is living in loneliness, to break heart of Achilles. Due to well-aimed arguments, particularly adduction for the feckless old age of the father, aged Priam reaches intentional point – gets corpse of his son back.
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Bram, Shahar. "Postcards from Europe: The Workings of Memory and the Role of Language in Tuvia Ruebner’s Postcard Poems". European Journal of Jewish Studies 10, n.º 2 (16 de agosto de 2016): 151–70. http://dx.doi.org/10.1163/1872471x-12341289.
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Tuvia Ruebner’s postcard poems undermine the stereotypical, commercial image that tourist postcards wish to create. The name of the poem and the structure hint at such postcards, but attempt to change their appearance, to broaden the limits of the present, and integrate the past into it. The poet offers a memento that combines presence and absence, what is visual and what is verbal, and an inner and an outer reality. The individual memory is thus woven into a collective memory. These poems offer a sober worldview where Europe turns out to be the source of pain and longing, alongside great joys and pleasures. Ruebner’s postcard poems subvert the normative boundaries and binary divisions, providing the reader with a deeper look at human nature, and at the workings of memory.
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Montiglio, Silvia. "Wandering philosophers in Classical Greece". Journal of Hellenic Studies 120 (noviembre de 2000): 86–105. http://dx.doi.org/10.2307/632482.
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The wandering philosopher is best known to us as a Romantic ideal that projects one's longing for physical and mental withdrawal. Rousseau's ‘promeneur solitaire’ does not cover great distances to bring a message to the world. His wanderings, most often in the immediate surroundings, rather convey spiritual alienation. But the ‘promeneur solitaire’ is not the only kind of wandering philosopher known in Western culture. Itinerant philosophers existed already in antiquity. During the Roman empire, many sages wandered all over the Mediterranean world. They went about for the sake of intellectual and spiritual enrichment, but essentially to spread their teaching and to intervene in local quarrels as religious consultants. Wandering connoted their ambiguous status in society—both in and out—and thereby enhanced their charisma and endowed them with an aura of superior power.
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Boeck, Brian J. "The Kuban’ Cossack Revival (1989–1993): The Beginnings of a Cossack National Movement in the North Caucasus Region*". Nationalities Papers 26, n.º 4 (diciembre de 1998): 633–57. http://dx.doi.org/10.1080/00905999808408592.
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The Cossacks are coming straight out of some nineteenth century nightmare. Those fearsome horsemen once again stalk the Russian steppes, whips stashed in their belts, defending God and country and longing for the restoration of the Romanov dynasty.Kyle Crichton,New York TimesThe emergence of a strong Cossack movement has great implications for the future of Russia and the post-Soviet space. It is at once the glorification of a mythical past and a powerful alternate vision of the future. Old questions of Cossack identity are once again being debated and a Cossack presence is strongly felt in the cities of southern Russia. In the volatile North Caucasus region the Cossack revival has increasingly assumed many of the features of national movements in other areas of the former Soviet Union.
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SEGUEDEME, Hergie Alexis y Kossi Joiny TOWA-SELLO. "Machiavellism in William Shakespeare’s Macbeth: A Critical Study". IRA International Journal of Education and Multidisciplinary Studies (ISSN 2455-2526) 6, n.º 2 (7 de marzo de 2017): 170. http://dx.doi.org/10.21013/jems.v6.n2.p4.
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<em>The aim of this article is to showcase and discuss Machiavellism in William Shakespeare’s play portraying by the tragedy attitudes on Macbeth and the challenge around Scotland kingdom power in British society during the Elizabethan period. This study has carried out a great desire of William Shakespeare’s Macbeth characters and their double dealing to get the Scotland kingdom great power or get-up-and-go throughout strong or a longing through unnatural power act of ambitious characters. In the process, this article has highlighted some cogent impacts of a great glory and the side effect of a foolish ambition throughout unethical practice. Indeed in order to meet up its objective, this article has carried out its criticism against the backdrop of literary theories of Psychoanalysis, New Historicism and Womanism. The findings of this study reveal that Macbeth is a royal entertainment, for all those of us who enjoy the suspense and excitement of a murder story. It could be interpreted Shakespeare’s play as a moral lesson. Throughout this scientific work, Macbeth teaches us, in a new way, the old lesson that crime does not pay. All in all Macbeth is a sinister, violent drama, full of fear, evil and death. The language of the play creates this dark drama.</em>
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Gale, Monica. "Virgil's metamorphoses: myth and allusion in the Georgics". Proceedings of the Cambridge Philological Society 41 (1996): 36–61. http://dx.doi.org/10.1017/s0068673500001929.
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felix qui potuit rerum cognoscere causas 490atque metus omnis et inexorabile fatumsubiecit pedibus strepitumque Acherontis auari.fortunatus et ille deos qui nouit agrestisPanaque Siluanumque senem Nymphasque sorores. (Geo. 2.490–4)[Happy is he who has been able to learn the causes of things, andhas trampled underfoot every fear, and unyielding Fate, and the dinof greedy Acheron. Fortunate, too, is he who knows the rustic gods,Pan and old Silvanus and the sister Nymphs.]In these famous words, Virgil expresses his ambivalent relationship with his great didactic model, Lucretius. The double makarismos suggests a declaration of allegiance to two incompatible views of the world: the rationalist philosophy of Epicurus and a nostalgic longing for the simple rustic piety which the Romans of the late Republic and early Empire were so fond of attributing to the farmer and the countryman.
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Dolinskaya, Elena B. "SERGEI RACHMANINOFF AND NIKOLAI MEDTNER: LIFE AND CREATIVE PARALLELS". Arts education and science 2, n.º 35 (2023): 165–69. http://dx.doi.org/10.36871/hon.202302165.
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Today the whole world celebrates a jubilee date — the 150th anniversary of the birth of Sergei Vasilyevich Rachmaninoff. The Moscow Conservatory conducts monographic programs in all of its four halls, where all genres of the composer's legacy are presented: three operas are staged, all symphonic works are played, all romances are sung. This article is devoted to the creative interrelations and great friendship between S. V. Rachmaninoff and N. K. Medtner from the conservatory years. It focuses on the later work of the two composers, whose main genres are marked by stylistic parallels. This is about Russianness in their work, about the abiding longing for their beloved homeland, which nourished their inspiration until the last years of their lives. The stylistic comparisons are based on Rachmaninoff's "Symphonic Dances" and Medtner's Piano Quintet, Rachmaninoff's Fourth Piano Concerto and Medtner's Third Piano Ballade Concerto.
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Salami, Ali y Saeedeh Esmailzadeh. "FROM WEDLOCK TO DEADLOCK: MADAME BOVARY’S PATH TOWARD SELF-DESTRUCTION". Folia linguistica et litteraria XIII, n.º 45 (septiembre de 2023): 275–91. http://dx.doi.org/10.31902/fll.45.2023.16.
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By undertaking an investigation into the unexplored thicket of nineteenth-century ideology, this study reappraises the rationale behind Emma Bovary’s suicide. The historical examination in this article reveals that the doctrine of the separate spheres exerted a great influence on the lives of middleclass women. Furthermore, the practice of this doctrine resulted in the reinforcement of a rigid housewife/harlot dichotomy. As the upshot of such an ideology, an association was made between women in public and the public women i.e. the prostitutes. By unearthing the traces of this ideology in Madame Bovary, this article aims to substantiate that as a middle-class woman, Emma’s longing for public life culminates in her identification with the figure of the prostitute. This abject metamorphosis, which is the ramification of societal adherence to the doctrine of separate spheres, ushers her toward her ultimate suicidal act.
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Garvin, Tom. "Priests and patriots: Irish separatism and fear of the modern, 1890-1914". Irish Historical Studies 25, n.º 97 (mayo de 1986): 67–81. http://dx.doi.org/10.1017/s0021121400025347.
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The political leadership of the independent state that emerged after 1920 was formed in the years after the fall of Parnell in 1891. The cultural atmosphere of the period in which the new leaders had grown up was suffused with a nationalist and anti-modernist romanticism, a sense that a civilisation was perhaps dying and a scepticism about the possibility or even desirability of mass democracy As has been argued elsewhere, the young men and women who were to lead the separatist movement were children of their time. Like their contemporaries elsewhere in Europe, they sensed that the twentieth century would bring great changes; they anticipated with dread or longing the great wars that so many writers predicted; they tended to rebel against their elders, often in the name of ideals inculcated by those elders; they tended toward a romantic and messianic nationalism.' They tended also to think moralistically rather than scientifically; their social thought was derived from ethics rather than from politics or economics. The culture from which they came was dominated by a catholic world-view, and their real intellectual mentors were the priests of the catholic church.
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Buhagiar, Michael. "A Greek Lyric Metre as Vector of the Self in the Poetry of Arthur Symons and Christopher Brennan". Victoriographies 2, n.º 2 (noviembre de 2012): 163–80. http://dx.doi.org/10.3366/vic.2012.0086.
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Arthur Symons was a major influence on the Australian poet Christopher Brennan (1871–1932). For his long poem The Wanderer, Brennan took from Symons's poetry of the fin de siècle the theme of longing for a lost love, and much of its associated imagery and rhythms. Chief among the latter is the dochmial rhythm of the Aeschylean drama, which expresses, in shorter irregular lines, the spasmodic emotional ejaculations of the common people, and stands in contrast to the measured iambic rhythm and longer lines of the great speeches of the nobles. Eros was highly problematic for both writers, contributing to Symons's breakdown of 1908, and Brennan's ongoing psychological crises of the 1890s. I propose that both writers’ employment of the dochmial rhythm in longer, measured lines, was to ennoble the Self as a subject worthy of respect and study, in a way typical rather of modernism than Decadence.
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Fan, Chen y Yanghuan Long. "The Secularization of Religious Figures: A Study of Mahoraga in the Song Dynasty (960–1279)". Religions 13, n.º 2 (17 de febrero de 2022): 177. http://dx.doi.org/10.3390/rel13020177.
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Mahoraga dolls, a type of figurine showing a child holding a lotus leaf, are sacrifice utensils that were commonly used in the Qixi Festival to pray for reproduction throughout the Song Dynasty in China. Scholars pay great attention to the Buddhistic origins of Mahoraga, relating it to different figures within Buddhism and discussing its religious artistic values. This paper focuses on the transformation of this cultural appropriation in Chinese society by discussing the localization of Mahoraga as well as the reasons behind the use of Mahoraga in worship in Qixi in particular. We believe that the population crisis and national population policies in the Song Dynasty stimulated Chinese people’s longing for procreation and this desire was responded to by the secularization and popularization of Buddhism in China, together with the increased prosperity of citizen culture, which ultimately promoted the popularity of Mahoraga in Song society.
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Shulman, Ernest. "Edgar Allan Poe: Drawing the Line between Self-Destructive Life Style and Actual Suicide". OMEGA - Journal of Death and Dying 34, n.º 1 (1 de enero de 1996): 29–69. http://dx.doi.org/10.2190/3c77-7240-wndc-bbke.
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Edgar Allan Poe, an alcoholic from age seventeen onward, died at age forty. Besides his alcoholism, he was self-destructive in various other ways. He was constantly in debt, lived often in abject poverty, could not hold a job, feuded with the literary establishment and most other writers, lied and plagiarized, and usually changed residences at least once a year. Nevertheless, his ability to win the love and devotion of many women, especially his wife and mother-in-law, provided the basis of his great achievements as writer, magazine editor, and literary critic, and his total commitment to American literature. Poe's history of bereavement, beginning with his mother's death when he was three, and his longing to join loved ones in the next world, help to support an interpretation of his death as neither disguised suicide nor an accident, but as death with a suicidal element.
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Thomas, Owen C. "Theology and Experience". Harvard Theological Review 78, n.º 1-2 (abril de 1985): 179–201. http://dx.doi.org/10.1017/s0017816000027437.
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In the light of these warnings from two philosophers who are attended to very carefully by contemporary theologians it might be expected that theologians would use the term “experience” with considerable caution. Exactly the opposite, however, seems to be the case. Contemporary theologians are talking a great deal about experience and, as we shall see, without much clarity or precision. This is probably the result of the swing of the theological pendulum to the left in the latter half of this century. It is also probably determined by the “hunger for experience” (Gadamer, Biersdorf) which has emerged in Western culture since the sixties. This in turn I take to be an aspect of a contemporary romantic movement which, like its predecessor in the last century, is marked by a reaction against the effects of modern science and technology and their accompanying secularism and rationalization of society, and by a longing for a deeper experience of the self, the world, and the divine.
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Guo, Xinyue. "On the analysis of Imperial diaspora awareness of white South Africans in Doris Lessing’s The Golden Notebook". Journal of Education, Humanities and Social Sciences 8 (7 de febrero de 2023): 2492–98. http://dx.doi.org/10.54097/ehss.v8i.5018.
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As Alice Ridont and Susan Watkins remarked in their symposium Doris Lessing: Border Crossings, born in Persia, raised in Rhodesia and living in her parents’ hometown---England postwar, Doris Lessing’s experiences of space border crossings has an important influence on the thematic and cultural border crossings of her literary creations. Lessing’s experiences of border crossing both physically and spiritually are in a great degree her diaspora experiences. Influenced by her parents and sense of personal identification, Lessing had an awareness of imperial diaspora in her early years, reflected by the white South Africans in her work The Golden Notebook. This sense of imperial diaspora is embodied in idealizing the motherland, treating the culture of the resident country as the “margin”, whereas taking that of native land as the “centerpiece”, and having a partiality for the lifestyle from motherland, and meanwhile longing for a return to the motherland. This preference to the "myth of roots" is not an exception but a common feature of the imperial diasporas.
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Thomas, Julia Adeney, Prasannan Parthasarathi, Rob Linrothe, Fa-ti Fan, Kenneth Pomeranz y Amitav Ghosh. "JAS Round Table on Amitav Ghosh,The Great Derangement: Climate Change and the Unthinkable". Journal of Asian Studies 75, n.º 4 (noviembre de 2016): 929–55. http://dx.doi.org/10.1017/s0021911816001121.
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Amitav Ghosh, perhaps Asia's most prominent living author, moves among many genres and across vast territories. His fiction—The Circle of Reason(1986),The Shadow Lines(1988),The Glass Place(2000),The Hungry Tide(2004), andThe Ibistrilogy—takes us from Calcutta where he was born in 1956 to the Arabian Sea, Paris, London, and back again to the Indian Ocean, the Bay of Bengal, and beyond. His nonfiction—In an Antique Land(1992),Dancing in Cambodia and at Large in Burma(1998), andCountdown(1999)—rests on a PhD in social anthropology from Oxford. He went to Alexandria, Egypt, for his dissertation research. His science fiction,The Calcutta Chromosome, won the Arthur C. Clarke Award in 1997. His essays—published inThe New Yorker, The New Republic, andThe New York Timesand collected inThe Iman and the Indian(2002)—address major issues such as fundamentalism. Indeed, most of his work addresses big questions, exploring the nature of communal violence, the traces of love and longing across generations, manifold religious manifestations, and the systematic pain of colonial oppression. The deep and abiding theme of many works is anthropogenic environmental damage, now boldly and directly addressed inThe Great Derangement: Climate Change and the Unthinkable(2016). Married to accomplished fellow author Deborah Baker, whose work traces the Asian peregrinations of Allen Ginsberg, the literary milieu of Laura Riding, and the complexity of Islamic conversion, Ghosh has taught at Harvard, Columbia, Queens College, and Delhi University. He has won more prizes and honorary doctorates, and been a fellow at more famous institutions and a distinguished visitor in more far-flung places, than you can shake a stick at. He even has two homes: Brooklyn and Goa. In short, Ghosh's profile makes you wonder if there might not be more than one of him.
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Wohl, Michael J. A., Anna Stefaniak y Anouk Smeekes. "Longing is in the memory of the beholder: Collective nostalgia content determines the method members will support to make their group great again". Journal of Experimental Social Psychology 91 (noviembre de 2020): 104044. http://dx.doi.org/10.1016/j.jesp.2020.104044.
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Berrar, Daniel, Naoyuki Sato y Alfons Schuster. "Quo Vadis, Artificial Intelligence?" Advances in Artificial Intelligence 2010 (24 de febrero de 2010): 1–12. http://dx.doi.org/10.1155/2010/629869.
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Since its conception in the mid 1950s, artificial intelligence with its great ambition to understand and emulate intelligence in natural and artificial environments alike is now a truly multidisciplinary field that reaches out and is inspired by a great diversity of other fields. Rapid advances in research and technology in various fields have created environments into which artificial intelligence could embed itself naturally and comfortably. Neuroscience with its desire to understand nervous systems of biological organisms and systems biology with its longing to comprehend, holistically, the multitude of complex interactions in biological systems are two such fields. They target ideals artificial intelligence has dreamt about for a long time including the computer simulation of an entire biological brain or the creation of new life forms from manipulations of cellular and genetic information in the laboratory. The scope for artificial intelligence in neuroscience and systems biology is extremely wide. This article investigates the standing of artificial intelligence in relation to neuroscience and systems biology and provides an outlook at new and exciting challenges for artificial intelligence in these fields. These challenges include, but are not necessarily limited to, the ability to learn from other projects and to be inventive, to understand the potential and exploit novel computing paradigms and environments, to specify and adhere to stringent standards and robust statistical frameworks, to be integrative, and to embrace openness principles.
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Kim, Natalya V. "Russian Emigration's Literary Heritage in China: a Cultural Code". Humanitarian Vector 16, n.º 1 (febrero de 2021): 118–24. http://dx.doi.org/10.21209/1996-7853-2021-16-1-118-124.
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The article is devoted to the literary heritage of the Russian emigration in China and the Russian cultural code, which was preserved in the works of emigrants. A brief overview of the scientific literature, which formed the basis of the research methodology, and a description of the centers of Russian emigration in the Middle Kingdom - Harbin and Shanghai, the living conditions of emigrants are given. The relevance of the topic is due to the attention of modern researchers to the insufficiently studied literary heritage of the “eastern branch” of the Russian emigration.The material for the research was the works from the ten-volume “Literature of Russian emigrants in China” published in 2005 in Beijing. In this work, an integrated research approach is used, when various literary methods are combined with general scientific, linguistic, and private ones. The ten-volume collection includes the works of almost a hundred of Russian writers and poets in China, who for various reasons found themselves in emigration in Harbin, Shanghai and other Chinese cities. This work reveals the frequency themes of emigre creativity: Motherland, China-stepmother, historical events, faith in God, separation, longing for the Fatherland, etc. Basically, these are cultural codes, encoded information transmitted to us by our ancestors and allowing us to identify Russian culture: “Motherland”， “Holy Russia”，“Faith”，“God”，“Icon”，“Love”，“Home”， “Family”，“Soul”，“Hope”，“War”，“Separation”，“Foreign”， “Longing for the Homeland”，etc., as well as concepts (code units) that make up the concept sphere of the Russian picture of the world.The peculiar cultural mission of the Russian writers and poets of the “eastern branch” is that their literature is as much a cultural monument of their time as the works of emigrant writers of the “western branch”. Russian emigrants not only preserved their native culture, language, traditions, religion in exile but also increased the cultural heritage of Russia. The literary work of Russian emigrants in China should become a full-fledged part of the great Russian literature. Keywords: Russian emigrant literature, Russia, China, cultural heritage, cultural code, theme
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Rutsala, Kirsten. "Families Lost and Found: Orphans and Orphanhood in Post-Soviet Cinema". Anuari de Filologia Lleng�es i Literatures Modernes - LLM, n.º 9 (15 de diciembre de 2019): 1–9. http://dx.doi.org/10.1344/aflm2019.9.1.
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The motif of absent fathers occurs in many Russian films, especially those produced during the Thaw, reflecting the reality of families destroyed and fragmented by World War II and the Terror. The nuclear family functions as a microcosm of the state, and in its turn the state is represented as a family; the absent father frequently stands for Stalin, the “Father of Nations,” whose death has left the orphaned country in turmoil. In Russian cinema of the 1990s and 2000s, the motifs of fragmented families and orphaned children occur frequently, often representing the loss of security and defining cultural narratives in the post-Soviet landscape. This article examines the subject of both functional and actual orphanhood in Andrei Zviagintsev’s film The Return and Andrei Kravchuk’s film The Italian as it parallels the post-Soviet experience of uncertainty, rejection of previously held societal beliefs, and longing to return to the "small family," rather than the Soviet collective “great family” (to borrow Katerina Clark's terms from her seminal work The Soviet Novel).
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KNOTT, MICHAEL y MACIEJ WITKOWSKI. "Dr Mieczyslaw Jan de Sas Kropiwnicki (1912-1971): The first Polish veterinarian to perform a caesarean section on a brood mare". Medycyna Weterynaryjna 77, n.º 02 (2021): 6495–2021. http://dx.doi.org/10.21521/mw.6495.
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The paper presents the life story of Dr Mieczysław Jan de Sas Kropiwnicki, Polish solder, member of the “Cichociemni” paratrooper group during World War II and a veterinarian, who practiced in RSA and who became famous after he had successfully performed a pioneering operation of a cesarean section on a mare in 1957. The tangled history of his life shows this great patriot entangled in the turbulent fates of the World War II and as a representative of our veterinarian profession, determined enough, to study veterinary medicine in Scotland (Edinburgh) once again, after his diploma from the Veterinary Medicine Academy in Lwów was lost, and then to nostrificate it to join the Royal College of Veterinary Surgeons to finally start his practice in RSA. A lot of details of Dr Kropiwnicki’s life were elaborated on by one of the authors – his grandson, who was born and raised in Africa and finally settled in Poland – the country of his grandfather’s origin, which was the place he had not been able to return to, but had been longing for all his life.
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Kather, Regine. "Humans as Social Being and Part of Nature". Tattva - Journal of Philosophy 5, n.º 1 (26 de julio de 2013): 75–90. http://dx.doi.org/10.12726/tjp.9.5.
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Humans are, as Cassirer has demonstrated, an animal symbolicum that interprets the world by means of signs. Since the second half of the 20 th century the relation of cultures is influenced strongly by modern technology: On the one hand, nearly every culture is longing for modern technology to achieve a more comfortable life; and, on the other, modern technology changes the way of life deeply. At first sight technology seems to be a neutral instrument, a mere tool that is compatible with every way of life and does not interfere into religious and ethical orientation. But it is definitely an expression of cultural values; it produces completely new wishes and hopes and undermines inevitably traditional forms of life – a process, which implies great dangers and opportunities. First, humans must reflect on their way of life consciously and decide autonomously between alternatives; secondly the growing social standard leads to the destruction of nature which is the basis of human life. Though living in different cultures, humans have the ethical obligation to preserve nature – for their own and nature‟s sake.
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Procop, Natalia. "The Homecoming of Ștefan Sadovnicov". Dialogica. Revistă de studii culturale și literatură, n.º 2 (septiembre de 2023): 119–26. http://dx.doi.org/10.59295/dia.2023.2.12.
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Ștefan Sadovnicov is the artist who approaches several genres of painting. His creative activity is based on the connection of the three fields of arts: painting, music and literature. He writes poems, evokes the old times, paints. That is why the city of his childhood and youth – Bălți – appears to him represented as a universe rich in colors, shapes, sounds, etc. In all the works with this motif we feel the artist’s affection for the city of his soul. Ștefan Sadovnicov is one of the few artists of great sensitivity, depth and intelligence. The series of paintings with the title „the city that no longer exists...”, executed in the 70s–80s, are not just simple landscapes with buildings specific to the time, they retain deep meanings. The main reasons are longing, going back in time, nostalgic memories, etc. the visual artist did not simply paint the urban landscape, but selected the histories of the streets and buildings of Bălți, looked for old pictures and asked the residents. He approached the subject philosophically, drawing a parallel between the city and people who have souls.
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Zhamangulova, Nazira. "LIFE AND WORK OF ABDYKALYK CHOROBAEV". Alatoo Academic Studies 2020, n.º 3 (30 de septiembre de 2020): 238–44. http://dx.doi.org/10.17015/aas.2020.203.28.
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Abdykalyk Chorobaev is a great representative of the Kyrgyz poets of the older generation, an outstanding folklorist, Kyrgyz ethnologist, follower of Togolok Moldo, genealogist, Honored Worker of Culture of the Kyrgyz SSR, member of the Union of Writers of the USSR. The poet made a significant contribution to the development of Kyrgyz literature. He has his own writing style and his own creative theme, which makes him different from other poets. In the work of A. Chorobaev there are songs on the theme: Nostalgia for the homeland, longing, mourning, labor, love, falling in love, glorification of folk art, women's theme, freedom, children's world, the importance of education, etc. His works include art, sermons , legends and other diverse genres. What distinguishes the poet from his contemporaries is that he was able to move from folklore to professional literature and continue his activities in two main areas of literature: in folklore and in Kyrgyz written literature. This article provides a general overview of the life and work of the poet.
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Furuhashi, Tadaaki. "Biological Male “Gender Identity Disorder” Is Composed of Essentially Distinguishable Core and Periphery Groups". Ethical Human Psychology and Psychiatry 13, n.º 1 (2011): 64–75. http://dx.doi.org/10.1891/1559-4343.13.1.64.
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In Japan, greater numbers of people with gender identity disorders (GID) are seeking professional help. The aim of our study is to show the clinical significance of classifying them into two subgroups when we address biological males with GID. From January 2001 to August 2009, 27 biological male patients with GID were consecutively examined at a university hospital in a major city in Japan. We formulated patients’ own past history concerning their gender identity on the basis of their narratives presented in several interviews. The present study suggested that Japanese biological male patients with GID who have, since childhood, manifested a special longing for feminine clothes and behaviors, could be positioned as a “core group;” and, patients with an uncomfortable feeling about their own sex that did not appear until adolescence could be positioned as a “periphery group.” As a result of psychotherapy in our samples, while the “core group” patients did not waver in their conviction that “I am a woman,” the cross-gender identification eventually disappeared in the “periphery group.” Identifying these two subgroups proved to be of great importance in deciding the management strategy for biological males with GID.
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Al-Jaf, Ali y Maitham Alhamed. "Synopsis of Folkloric Significance with Orientations to Different Iraqi Replicas of Folklores Civilizations, Traditions, and Customs: Tales' Genres are presented as Illustrations". International Journal of Linguistics, Literature and Translation 5, n.º 7 (6 de julio de 2022): 32–49. http://dx.doi.org/10.32996/ijllt.2022.5.7.5.
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Folklore has been associated with stories and sayings due to it being a social adhesive that makes people together and shares their customs, traditions, conventions, and civilizations. The aim of this study is to illustrate the importance and significance of Iraqi folklore in terms of its precious, valuable, and wealthy information, particularly in Iraqi Literature and folkloric resources and inheritances. Ali Baba and the Forty Thieves" (Arabic: علي بابا والأربعون لصا) is a folk tale from the One Thousand and One Nights. The undoubted masterpiece of ancient Iraq - and one of the great works of world literature - is the Babylonian Epic of Gilgamesh. The Babylonian Epic of Gilgamesh is a long narrative poem that examines the universal human search for meaning and longing for life. It was originally the work of an anonymous Babylonian poet who lived in Iraq more than 3,700 years ago. He composed the epic in the Akkadian language, but the literary traditions of Gilgamesh also inform five shorter narrative poems in the Sumerian language, and these are even older. The study uses a qualitative and descriptive style and approach to illustrate the salience of Iraqi heritage and folkloristic information.