Tesis sobre el tema "Thangka Art"
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Assis, Vinicius de [UNESP]. "Thangka: a pintura sagrada tibetana: tradição, história e método". Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/141973.
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O presente estudo intenta apresentar os princípios básicos, históricos e processuais, da pintura tradicional tibetana, thangka. Tal objetivo se justifica pela escassez de estudos em língua portuguesa sobre o assunto. Ainda que seja perceptível nos tempos atuais uma expansão dos estudos asiáticos no Brasil, em confluência com uma crescente aproximação e interesse pela cultura oriental na contemporaneidade; esta pesquisa, por meio de estudo de campo, levantamento bibliográfico e histórico, busca a investigação e exposição do profundo e específico âmbito do simbólico, sagrado e tradicional na pintura tibetana. Acreditando que o reconhecimento das artes e teorias estéticas não eurocêntricas corroboram a cognição e produção da inestimável diversidade cultural humana.
The following study intends to present the basic, historical and procedural principles of the traditional Tibetan painting, thangka. This objective is justified by the lack of studies in Portuguese on the subject. Although it is noticeable nowadays an expansion of Asian studies in Brazil, in confluence with a growing approach and interest in Eastern culture in contemporary society; this dissertation, by field research, literature and history, wishes to investigate, explain and expose the deep and specific scope of the symbolic, sacred and traditional in Tibetan painting. Believing that the recognition of the arts and non eurocentric aesthetic theories corroborate the cognition and production of the invaluable human cultural diversity.
Livingston, Amy Miller. "A study of the iconography, style, and origin of three Tibetan Thangka paintings". The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407398055.
Texto completoAssis, Vinicius de 1984. "Thangka : a pintura sagrada tibetana: tradição, história e método /". São Paulo, 2016. http://hdl.handle.net/11449/141973.
Texto completoBanca: José Leonardo do Nascimento
Banca: Cibele Elisa Viegas Aldrovandi
Resumo: O presente estudo intenta apresentar os princípios básicos, históricos e processuais, da pintura tradicional tibetana, thangka. Tal objetivo se justifica pela escassez de estudos em língua portuguesa sobre o assunto. Ainda que seja perceptível nos tempos atuais uma expansão dos estudos asiáticos no Brasil, em confluência com uma crescente aproximação e interesse pela cultura oriental na contemporaneidade; esta pesquisa, por meio de estudo de campo, levantamento bibliográfico e histórico, busca a investigação e exposição do profundo e específico âmbito do simbólico, sagrado e tradicional na pintura tibetana. Acreditando que o reconhecimento das artes e teorias estéticas não eurocêntricas corroboram a cognição e produção da inestimável diversidade cultural humana.
Abstract: The following study intends to present the basic, historical and procedural principles of the traditional Tibetan painting, thangka. This objective is justified by the lack of studies in Portuguese on the subject. Although it is noticeable nowadays an expansion of Asian studies in Brazil, in confluence with a growing approach and interest in Eastern culture in contemporary society; this dissertation, by field research, literature and history, wishes to investigate, explain and expose the deep and specific scope of the symbolic, sacred and traditional in Tibetan painting. Believing that the recognition of the arts and non eurocentric aesthetic theories corroborate the cognition and production of the invaluable human cultural diversity.
Mestre
Choudhury, Anamika. "Traditional art and craft of Sub- Himalayan Darjeeling: historical study". Thesis, University of North Bengal, 2019. http://ir.nbu.ac.in/handle/123456789/4026.
Texto completoMoeller, Robin Ann. ""No thanks, those are boy books" a feminist cultural analysis of graphic novels as curricular materials /". [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3331264.
Texto completoTitle from home page (viewed on Jul 24, 2009). Source: Dissertation Abstracts International, Volume: 69-11, Section: A, page: 4231. Advisers: David Flinders; Marilyn Irwin.
Wright, Delane E. (Delane Elizabeth). "Poppin' Their Thang: African American Blueswomen and Multiple Jeopardy". Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc278053/.
Texto completoAllingham, Pauline Kay y n/a. "Thank God it's Friday : occupational stress and coping among Catholic primary teachers". University of Canberra. Teacher Education, 1996. http://erl.canberra.edu.au./public/adt-AUC20060531.155625.
Texto completoKällback, Winter William y Tove Backman. "”I really hope you guys are enjoying this. Thank you so much for watching!” : En kvalitativ och kvantitativ studie av interaktionen mellan YouTubare och deras publik". Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-119040.
Texto completoThapa, Magar Asha. "Enlightening Dark Tourism in Nepal". Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404606/.
Texto completoMitchell, Kevin G. "Equipping a volunteer group at First Baptist Church, Wolfe City, Texas, to develop "personal crisis testimonies" which express thanks to God for his faithfulness in providing strength for recovering from difficulties so that participants will use their experiences in comforting others who are hurting and witnessing to the lost /". Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.
Texto completoEric, MANIRAGUHA, NTAGWIRUMUGARA Etienne y Nenad GLODIC. "UTILIZATION OF WIND POWER IN RWANDA: Design and Production Option". Thesis, KTH, Skolan för industriell teknik och management (ITM), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-240659.
Texto completoI WISH TO PUBLISH MY THESIS
Fenollosa, Artés Felip. "Contribució a l'estudi de la impressió 3D per a la fabricació de models per facilitar l'assaig d'operacions quirúrgiques de tumors". Doctoral thesis, Universitat Politècnica de Catalunya, 2019. http://hdl.handle.net/10803/667421.
Texto completoLa presente tesis doctoral se ha centrado en el reto de conseguir, mediante Fabricación Aditiva (FA), modelos para ensayo quirúrgico, bajo la premisa que los equipos para obtenerlos tendrían que ser accesibles al ámbito hospitalario. El objetivo es facilitar la extensión del uso de modelos como herramienta de preparación de operaciones quirúrgicas, transformando la práctica médica actual de la misma manera que, en su momento, lo hicieron tecnologías como las que facilitaron el uso de radiografías. El motivo de utilizar FA, en lugar de tecnologías más tradicionales, es su capacidad de materializar de forma directa los datos digitales obtenidos de la anatomía del paciente mediante sistemas de escaneado tridimensional, haciendo posible la obtención de modelos personalizados. Los resultados se centran en la generación de nuevo conocimiento para conseguir equipamientos de impresión 3D multimateriales accesibles que permitan la obtención de modelos miméticos respecto a los tejidos vivos. Para facilitar la buscada extensión de la tecnología, se ha focalizado en las tecnologías de código abierto como la Fabricación por Hilo Fundido (FFF) y similares basadas en líquidos catalizables. Esta investigación se alinea dentro de la actividad de desarrollo de la FA en el CIM UPC, y en este ámbito concreto con la colaboración con el Hospital Sant Joan de Déu de Barcelona (HSJD). El primer bloque de la tesis incluye la descripción del estado del arte, detallando las tecnologías existentes y su aplicación al entorno médico. Se han establecido por primera vez unas bases de caracterización de los tejidos vivos – principalmente blandos – para dar apoyo a la selección de materiales que los puedan mimetizar en un proceso de FA, a efectos de mejorar la experiencia de ensayo de los cirujanos. El carácter rígido de los materiales mayoritariamente usados en impresión 3D los hace poco útiles para simular tumores y otras referencias anatómicas. De forma sucesiva, se tratan parámetros como la densidad, la viscoelasticidad, la caracterización de materiales blandos en la industria, el estudio del módulo elástico de tejidos blandos y vasos, la dureza de los mismos, y requerimientos como la esterilización de los modelos. El segundo bloque empieza explorando la impresión 3D mediante FFF. Se clasifican las variantes del proceso desde el punto de vista de la multimaterialidad, esencial para hacer modelos de ensayo quirúrgico, diferenciando entre soluciones multiboquilla y de mezcla en el cabezal. Se ha incluido el estudio de materiales (filamentos y líquidos) que serían más útiles para mimetizar tejidos blandos. Se constata como en los líquidos, en comparación con los filamentos, la complejidad del trabajo en procesos de FA es más elevada, y se determinan formas de imprimir materiales muy blandos. Para acabar, se exponen seis casos reales de colaboración con el HJSD, una selección de aquellos en los que el doctorando ha intervenido en los últimos años. El origen se encuentra en la dificultad del abordaje de operaciones de resección de tumores infantiles como el neuroblastoma, y en la iniciativa del Dr. Lucas Krauel. Finalmente, el Bloque 3 desarrolla numerosos conceptos (hasta 8), actividad completada a lo largo de los últimos cinco años con el apoyo de los medios del CIM UPC y de la actividad asociada a trabajos finales de estudios de estudiantes de la UPC, llegándose a materializar equipamientos experimentales para validarlos. La investigación amplia y sistemática al respecto hace que se esté más cerca de disponer de una solución de impresión 3D multimaterial de sobremesa. Se determina que la mejor vía de progreso es la de disponer de una pluralidad de cabezales independientes, a fin de capacitar la impresora 3D para integrar diversos conceptos estudiados, materializándose una posible solución. Para cerrar la tesis, se plantea cómo sería un equipamiento de impresión 3D para modelos de ensayo quirúrgico, a fin de servir de base para futuros desarrollos.
Cai, Jie y 蔡捷. "The Combination and Conversion of Thangka Art Style and Interactive Multimedia-Take the Causality of Environmental Pollution for example". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/8u8btx.
Texto completo中原大學
商業設計研究所
103
Following the industrial revolution in the 18th century, human society has advanced at an immeasurable and significant rate. Apace with the improvements in productivity and technology, people have created comfortable and convenient lifestyles at the expense of natural ecosystems. Consequently, mountains are deforested, rivers and oceans are turbid, and the sky is gray. The world is no longer as beautiful as heaven but rather as horrible as hell. Ecological imbalance has led to extinction, the spread of diseases, famines, and natural disasters. Nature is lashing with various disasters, as if to punish people. In religion, hell is the place where evildoers receive punishments and atone for their crimes after death. Today, people are already answering for the bad karma they have generated for polluting the earth, even before they leave this world. Based on the concept of hell, this study will elucidate the karmic causality between peoples’ pollution behavior and the resulting natural disasters that they face. The study allows the viewers to experience the sense of “falling into hell” by combining the Thangka religious painting style and a multimedia interactive design pattern through the combination and transformation of multimedia. The researchers anticipate that the results of present study will serve as a deterrence to awaken people’s awareness regarding human coexistence with nature and thereby, convey the importance of environmental protection.
"Thank You". Tulane University, 2015.
Buscar texto completoacase@tulane.edu
LIAO, PEI-YU y 廖珮宇. "Cleaning and Conserving of Textile Cultural Artifacts - Case Study of Four-arm Guanyin Silk Tapestry Thangka". Thesis, 2017. http://ndltd.ncl.edu.tw/handle/pz76yb.
Texto completo國立雲林科技大學
文化資產維護系
105
Thangkas (in Tibetan language, also named Sku-Thang) is a typical Tibetan art of colorful embroidery, tapestry, or painting on cotton, silk appliqué, or paper in form of scrolling and so called Tibetan encyclopedia. Among these artistic skills, Thangkas with the tapestry skills owned their preciousness by their complicated and tedious time consuming work. Fabric textiles artifacts after a long time, could be easily damaged by water, dust, light of the environmental and artificial causes. Some damages would affect the appearances, the touching and even the smells of the fabrics. Through the effective cleaning and conserving action would prevent further degradation of the fabrics. Cleaning was a irreversible interfering action on the artifacts, an over or unsuitable cleaning could raise the damages. Hence, a thorough consideration and evaluation of cleaning plan to these artifacts was needed. Four-Arm Guanyin Silk Tapestry Thangka was the artifact case study in this study. Through the existing objects and references, materials and artistic technique of silk tapestry Thangka and the meaning of the Four-Arm Guanyin were thus illustrated. The components, construction and composition of the tapestry Thangka were investigated with scientific instrumental analysis and the fabricated methods for establishing the most fundamental information before cleaning and conserving. Colorimeter, FTIR and reflective UV-VIS were used for resolving the components of the fabric, colors of the silk and the fabric consistency of the tapestry Thangka. And hence the project of the cleaning could be well planned after knowing the tapestry technique and the actual contaminated situation. The actual condition, the conserving ethics and the requirement of the owner of the artifact were taken into consideration for the systematic cleaning and conserving project. Colorimeter and digital microanalysis were used before and after cleaning and conserving for dictating the effectiveness of the work.
Chen, Jim-Song y 陳錦松. "Analysis of the color presentation of dead light and art of Thang-ka by utilizing digital coloring". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/87029147003004211050.
Texto completo國立花蓮教育大學
科技藝術研究所
96
The presentation of light is crucial in conveying religious notions. Different colors represent distinct notions. It is particularly important in the teaching of life and death in Tibetan Buddhism. In the book 《The Tibetan Book of the Dead》 written by Padma Sambhava, it says that Five-Buddha will shine their own light in the first five days during the Chonyid Bardo. There are five colors in the light, blue, white, yellow, red and green. The deceased can be released if he/she can realize the light, and will reborn in the pure Buddha world. The phenomenon of the shinning light by Five-Buddha is explained by Sogyal Rinpoche as “Each one has his specific Mandala style”, in the Tibetan just as the presentation of Thang-Ka. The skin color of the master in Thank-Ka matches with the light of the Five-Buddha, but it is not easily comprehensible in the correlation between the artistic symbols of Thank-Ka and religious notions. Therefore, the research deals with cases of Near-Death Experience domestic and foreign to prove the correlation between death and light to analyze the color presentation of dead light by utilizing the coloring system of Japanese PCCS to analyze the color samples of Thang-Ka with digital coloring, accompanies with the theory of harmonic. Through the analysis of digital coloring, it can facilitate the public awareness and understanding of the religious content of Tibetan Buddhism as well as offering the opportunity for the public to experience the artistic beauty of Thang-Ka. By dint of the process of digitalization, the color presentation of the master in Thang-Ka can demonstrate the colors and scenes seen by the deceased.
Morais, Soraia Vitória Rodrigues Bento. "“Thank you for tragedy, I need it for my art” – O sofrimento como motor da obra e a obra como meio de sobrevivência psíquica". Master's thesis, 2017. http://hdl.handle.net/10400.12/5237.
Texto completoE se nos pudéssemos sentar com Kurt Cobain, figurativamente, face-a-face? Kurt abandonado, sozinho e vazio, convida-nos a tentar percebê-lo: “por favor lê o meu diário, olha para as minhas coisas e tenta compreender-me”. Foi através dos seus pensamentos mais íntimos, materializados nos seus diários e através de algumas das suas composições, que pudemos pensar no papel do sofrimento e das tensões internas e externas, enquanto motores da sua obra, e de como esta se apresenta como estratégia que permitiu a sua sobrevivência psíquica e que o manteve vivo até ao momento em que se eclipsou, tal como ele descreveu: “é melhor morrer que desvanecer”. Pela sua obra, Kurt deu forma ao seu mundo interno, materializou o seu estado de sofrimento e por ela tentou dar-se a conhecer e a transmitir o que procurava: uma relação suficientemente autêntica que o reparasse, uma relação que o transformasse e transformadora, na busca de sentido.
ABSTRACT: What if we could sit with Kurt Cobain face to face? Abandoned, alone and feeling empty, Kurt draws us to an understanding of him: "please read my diary, look at my things and try to figure me out". His most intimate thoughts, materialized in his journals and in some of his compositions, he ask us about the role of suffering, the internal and external tensions, as the cataclyst of his work, and how it presents itself as a strategy allowing his psychic survival that kept him alive until he was eclipsed, as he described: "It is better to die than to fade away". Through his work, Kurt shaped his inner world, materialized his state of suffering and tried to draw knowledge of who he was and who he was looking for: an authentic relationship that would repair him, a relationship that would transform him and cause transformation in the search of meaning.
Smith, Pamela Anne. "Whatever happened to Tuatapere : are we doing very nicely thank you? : a thesis presented in partial fulfillment of the requirements for the degree of Master of Philosophy in Social Work, Massey University, Palmerston North, New Zealand". 2009. http://hdl.handle.net/10179/1322.
Texto completoŠimandlová, Nikola. "Kampaň Děkujeme, odcházíme v období 2010-2011 : případová studie". Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-329115.
Texto completoEric, MANIRAGUHA. "UTILIZATION OF WIND POWER IN RWANDA : Design and Production Option". Thesis, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-149574.
Texto completoRwanda has considerable opportunities development energy from hydro sources, methane gas, solar and peat deposits. Most of these energy sources have not been fully exploited, such as solar, wind and geothermal. As such wood is still being the major source of energy for 94 per cent of the population and imported petroleum products consume more than 40 per cent of foreign exchange. Energy is a key component of the Rwandan economy. It is thus recognized that the current inadequate and expensive energy supply constitutes a limiting factor to sustainable development. Rwanda’s Vision 2020 emphasizes the need for economic growth, private investment and economic transformation supported by a reliable and affordable energy supply as a key factor for the development process. To achieve this transformation, the country will need to increase energy production and diversify into alternative energy sources. Rwandan nations don’t have small-scale solar, wind, and geothermal devices in operation providing energy to urban and rural areas. These types of energy production are especially useful in remote locations because of the excessive cost of transporting electricity from large-scale power plants. The application of renewable energy technology has the potential to alleviate many of the problems that face the people of Rwanda every day, especially if done so in a sustainable manner that prioritizes human rights.