Bibliografías temáticas / Temple of Athena (Sounion, Greece)

Literatura académica sobre el tema "Temple of Athena (Sounion, Greece)"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 27 de julio de 2024

Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros

Elija tipo de fuente:

Índice

Consulte las listas temáticas de artículos, libros, tesis, actas de conferencias y otras fuentes académicas sobre el tema "Temple of Athena (Sounion, Greece)".

Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.

También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.

Artículos de revistas sobre el tema "Temple of Athena (Sounion, Greece)"

1

van Rookhuijzen, Jan Zacharias. "How not to Appease Athena: A Reconsideration of Xerxes' Purported Visit to the Troad (Hdt. 7.42–43)". Klio 99, n.º 2 (7 de febrero de 2018): 464–84. http://dx.doi.org/10.1515/klio-2017-0033.

Texto completo
Resumen
Summary: This article investigates the topography in Herodotus' account of Xerxes' visit to the Troad in 480 BC, which consists of Mount Ida, the Scamander river, the temple of Athena Ilias at Troy and the tumuli in the surrounding landscape. It suggests that this episode, rather than taking us back to historical events of 480 BC, may (partly) be a product of Greek imagination in the ca. fifty years between Xerxes' invasion of Greece and the publication of the „Histories“, with the landscape of the Troad functioning as a catalyst. To this end, the article traces the Iliadic associations of these places, exposes several topographical problems, and explains how the stories frame Xerxes' visit as hubristic. While the article is not concerned with the historicity of the episode per se, it suggests that this historicity cannot automatically be accepted, as has hitherto generally been done.
Los estilos APA, Harvard, Vancouver, ISO, etc.
2

Allegranti, Ivan. "FASHION SHOWS IN ARCHAEOLOGICAL HERITAGE SITES". Design/Arts/Culture 1 (11 de junio de 2020). http://dx.doi.org/10.12681/dac.25910.

Texto completo
Resumen
This article has the aim to investigate the relationship between fashion and archaeological heritage sites. This paper start from the analysis of the International Laws regulating the protection both of cultural heritage as well as archaeological heritage such as the UNESCO World Heritage Convention of 1972 or article 167 of the Treaty on the Functioning of Europe. After, it will be devoted to outline the international recommendations on the preservation of cultural heritage. Soon after, the paragraph 5 traces the relationship between archaeological heritage sites and fashion shows made by the most important fashion brands in the world. For instance, paragraph 5 of the paper analyzes a concrete case of a show, the show of Greek designer Mary Katrantzou who showed her collection at the Temple of Poseidon on top the Cliff of Cape Sounion. Thanks to this, it will be analyzed Greek’s law on the protection of antique and cultural heritage. The main achievement of this research, achieved trough the reading and in-depth analysis of international laws, international conventions and the Greek Law 3028/2002 “On the Protection of Antiquities and Cultural Heritage in General”, is the outlining of the discipline concerning private events in archaeological heritage spaces in Greece.
Los estilos APA, Harvard, Vancouver, ISO, etc.

Tesis sobre el tema "Temple of Athena (Sounion, Greece)"

1

Hammond, Leslie. "The miniature votive vessels from the Sanctuary of Athena Alea at Tegea /". free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9974708.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.

Libros sobre el tema "Temple of Athena (Sounion, Greece)"

1

The Sanctuary of Athena at Sounion. Princeton: The American School of Classical Studies at Athens, 2014.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
2

Però, Anna. La statua di Atena: Agalmatofilia nella "Cronaca" di Lindos. Milano: LED, 2012.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
3

Mark, Ira S. The Sanctuary of Athena Nike in Athens: Architectural stages and chronology. Princeton, N.J: American School of Classical Studies at Athens, 1993.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
4

Giraud, Demosthenes. Meletē apokatastaseōs tou naou tēs Athēnas Nikēs: Architektonikē meletē apokatastaseōs. Athēna: Hypourgeio Politismou, Epitropē Syntērēseōs Mnēmeiōn Akropoleōs, 1994.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
5

Skounakē, Ioulia. Eikonographia programmata dēmosiōn ktēriōn. Rethymno: Panepistēmio Krētēs, Tmēma Historias kai Archaiologias, Tomeas Archaiologias kai Historias tēs Technēs, 2003.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
6

Theodoropoulou-Polychroniadis, Zetta. Sounion Revisited: The Sanctuaries of Poseidon and Athena at Sounion in Attica. Archaeopress, 2015.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
7

Sounion Revisited: The Sanctuaries of Poseidon and Athena at Sounion in Attica. Archaeopress, 2015.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
8

Archeologia e religione ad Argo: I santuari di Apollo Pythios e Athena Oxyderkes. Roma: Arbor sapientiae, 2015.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.

Capítulos de libros sobre el tema "Temple of Athena (Sounion, Greece)"

1

Fagan, Brian. "Greece Bespoiled". En From Stonehenge to Samarkand. Oxford University Press, 2006. http://dx.doi.org/10.1093/oso/9780195160918.003.0007.

Texto completo
Resumen
The grand tour took the young and wealthy to Rome and Naples, but not as far as Greece, which had sunk into oblivion under its Byzantine emperors, who began to rule in A.D. 527. For seven hundred years Greece remained masked in obscurity as Crusaders, Venetians, and then Turks established princedoms and trading posts there. The Turks entered Athens in 1455 and turned the Parthenon and Acropolis into a fortress, transforming Greece into a rundown province of the Ottoman Empire. Worse yet, the ravages of wind, rain, and earthquake, of villagers seeking building stone and mortar, buried and eroded the ancient Greek temples and sculptures. Only a handful of intrepid artists and antiquarians came from Europe to sketch and collect before 1800, for Greek art and architecture were still little known or admired in the West, overshadowed as they were by the fashion for things Roman that dominated eighteenth-century taste. A small group of English connoisseurs financed the artists James Stuart and Nicholas Revett on a mission to record Greek art and architecture in 1755, and the first book in their multivolume Antiquities of Athens appeared in 1762. This, and other works, stimulated antiquarian interest, but in spite of such publications, few travelers ventured far off the familiar Italian track. The Parthenon was, of course, well known, but places like the oracle at Delphi, the temple of Poseidon at Sounion—at the time a pirates’ nest— and Olympia were little visited. In 1766, however, Richard Chandler, an Oxford academic, did visit Olympia, under the sponsorship of the Society of Dilettanti. The journey took him through overgrown fields of cotton shrubs, thistles, and licorice. Chandler had high expectations, but found himself in an insect-infested field of ruins: Early in the morning we crossed a shallow brook, and commenced our survey of the spot before us with a degree of expectation from which our disappointment on finding it almost naked received a considerable addition. The ruin, which we had seen in evening, we found to be the walls of the cell of a very large temple, standing many feet high and well-built, its stones all injured . . .
Los estilos APA, Harvard, Vancouver, ISO, etc.
2

"The Temple of Athena:". En The Sanctuary of Athena at Sounion, 85–160. American School of Classical Studies at Athens, 2017. http://dx.doi.org/10.2972/j.ctv9hj9bh.10.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
3

"The Temple of Athena in Context". En The Sanctuary of Athena at Sounion, 161–218. American School of Classical Studies at Athens, 2017. http://dx.doi.org/10.2972/j.ctv9hj9bh.11.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
4

"Afterlife of the Temple of Athena". En The Sanctuary of Athena at Sounion, 219–52. American School of Classical Studies at Athens, 2017. http://dx.doi.org/10.2972/j.ctv9hj9bh.12.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
5

Osborne, Robin. "Cultural History". En The Oxford History of the Archaic Greek World, Volume II, 273—C12N18. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197644423.003.0012.

Texto completo
Resumen
Abstract Chapter 12 addresses the question of whether there was a distinctive Athenian culture. This is explored briefly with regard to the local alphabet and Athenian pottery, which has been more extensively discussed in Section 4.5, and then extensively through a history of Athenian sculpture. Athenian sculpture is traced through the great series of kouroi and korai from Athens and Attica, from the Dipylon and Sounion kouroi to the Anavyssos kouros, Aristodikos, and the Kritian Boy, and from the “Berlin Standing Goddess” and the funerary kore of Phrasikleia through the extraordinary sequence of korai from the Athenian acropolis. It is also traced through the architectural sculpture on temples (already discussed in Section 11.3), and through sixth-century grave reliefs. Among minor arts, jewelry is discussed. A short history is also provided of Athenian literature,
Los estilos APA, Harvard, Vancouver, ISO, etc.
6

"The Small Temple in the Sanctuary of Athena". En The Sanctuary of Athena at Sounion, 53–84. American School of Classical Studies at Athens, 2017. http://dx.doi.org/10.2972/j.ctv9hj9bh.9.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
7

Fant, Clyde E. y Mitchell G. Reddish. "Smyrna". En A Guide to Biblical Sites in Greece and Turkey. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780195139174.003.0046.

Texto completo
Resumen
Izmir, the modern name for the city that once was known as Smyrna, is the third largest city in Turkey, with a population of around 3 million. Situated on the Aegean coast, it is Turkey’s second busiest port. Not only is Izmir an interesting place itself to visit, but the city also serves as a good base from which to visit several important sites in the area, such as the ancient cities of Ephesus, Sardis, Miletus, Didyma, and Priene. The ancient city of Smyrna, which according to some reports was the birthplace of Homer, was commercially successful due to its harbor and its location (approximately 35 miles north of Ephesus) at the end of a major route through Asia Minor. The earliest settlement at this location was in the first half of the 3rd millennium B.C.E. on a hill known as Tepekule in the Bayraklï suburb of the city. In the 10th century B.C.E., the first Greek colonists from Aeolia settled at Tepekule. They remained there until the end of the 8th century, when Ionian Greeks took over. Excavations at the site have uncovered houses from the 9th to the 7th centuries B.C.E. In the 7th century a temple to Athena was built. This temple was destroyed around 600 B.C.E. by King Alyattes of Lydia when he captured the city. The people of Smyrna rebuilt and enlarged the temple, but it was destroyed again around 545 B.C.E., this time by the Persians. An insignificant settlement in the 5th and 4th centuries B.C.E., the site was finally abandoned. According to a story related by Pausanias (Description of Greece 7.5.1–3), the city was refounded by Alexander the Great, who was instructed in a dream to establish a new city on Mt. Pagus (now the site of the Kadifekale, or “Velvet Fortress”). The new city was actually not started until the beginning of the 3rd century by the Hellenistic ruler Lysimachus. During the subsequent centuries Smyrna, situated around the harbor, grew and prospered. By the 1st century B.C.E., Strabo was able to describe Smyrna as “the most beautiful of all” cities (Geography 14.646).
Los estilos APA, Harvard, Vancouver, ISO, etc.
Ofrecemos descuentos en todos los planes premium para autores cuyas obras están incluidas en selecciones literarias temáticas. ¡Contáctenos para obtener un código promocional único!

Pasar a la bibliografía