Literatura académica sobre el tema "Tchaikovsky"
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Artículos de revistas sobre el tema "Tchaikovsky"
Seibert, Donald C. "The Enchantress and Problems of Pacing in the Operas of Tchaikovsky: An Informal Interview with David Lloyd-Jones". Nineteenth-Century Music Review 4, n.º 1 (junio de 2007): 103–17. http://dx.doi.org/10.1017/s1479409800000082.
Texto completoMaes, Francis. "Tchaikovsky, Onegin, and the Art of Characterization". Arts 13, n.º 3 (30 de abril de 2024): 82. http://dx.doi.org/10.3390/arts13030082.
Texto completoZhen, Li. "The Origins of Theatricality in Vocal Art of Alexander Tchaikovsky". Университетский научный журнал, n.º 79 (24 de abril de 2024): 100–105. http://dx.doi.org/10.25807/22225064_2024_79_100.
Texto completoStepanidina, Ol'ga Dmitrievna y Viсtor Anatolyevich Demidov. "The influence of French lyrical romances on creativity of P. Tchaikovsky and their significance in the formation of the performing principles of the Russian chamber-vocal culture of the mid-XIX century". PHILHARMONICA. International Music Journal, n.º 3 (marzo de 2022): 52–68. http://dx.doi.org/10.7256/2453-613x.2022.3.37842.
Texto completoSkvirskaya, T. Z. "Pages of the History of the Creation of the Cantata Moscow by P.I. Tchaikovsky: Unpublished Correspondence between the Composer and P.A. Richter". Art & Culture Studies, n.º 4 (diciembre de 2023): 578–603. http://dx.doi.org/10.51678/2226-0072-2023-4-578-603.
Texto completoVinogradova, A. S. "The Man of the Theater from the Environment of P.I. Tchaikovsky: K.N. De‐Lazari". Art & Culture Studies, n.º 3 (octubre de 2021): 306–33. http://dx.doi.org/10.51678/2226-0072-2021-3-306-333.
Texto completoGoldin, Vladislav I. "N. V. Tchaikovsky and A. I. Denikin: Dialogue, Collaboration, and Controversy of the Anti-Bolshevik Movement Leaders in the Days of the Civil War in Russia: Documents from Russian and Foreign Archives". Herald of an archivist, n.º 1 (2022): 81–97. http://dx.doi.org/10.28995/2073-0101-2022-1-81-97.
Texto completoBrown, David. "Tchaikovsky". Musical Times 133, n.º 1791 (mayo de 1992): 221. http://dx.doi.org/10.2307/1193695.
Texto completoFanning, David. "Tchaikovsky". Nineteenth-Century Music Review 3, n.º 1 (junio de 2006): 150–53. http://dx.doi.org/10.1017/s1479409800000471.
Texto completoCampbell, Stuart. "Tchaikovsky". Nineteenth-Century Music Review 1, n.º 1 (junio de 2004): 193–95. http://dx.doi.org/10.1017/s1479409800002056.
Texto completoTesis sobre el tema "Tchaikovsky"
Dyachkova, Yelena. "Piotr Tchaikovsky and the Bible". Musikgeschichte in Mittel- und Osteuropa ; 5 (1999), S. 77-84, 1999. https://ul.qucosa.de/id/qucosa%3A15625.
Texto completoDyachkova, Yelena. "Piotr Tchaikovsky and the Bible". Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-224596.
Texto completoKoch, Marelize. "‘n Pedagogiese analise van Tchaikovsky se Jeugalbum Op. 39". Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/65564.
Texto completoDissertation (MMus)--University of Pretoria, 2017.
Music
MMus
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Leaman, Kara Yoo. "Analyzing Music and Dance| Balanchine's Choreography to Tchaikovsky and the Choreomusical Score". Thesis, Yale University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10584953.
Texto completoGeorge Balanchine was one of the most prolific and influential choreographers of the twentieth century. He was also a skilled musician, trained at the St. Petersburg Conservatory. His ballets have been celebrated for their musicality by prominent dancers and musicians alike. However, the concept of choreographic musicality, and the means by which it is achieved in his ballets, has remained largely elusive. This dissertation analyzes two works that Balanchine set to music by Pyotr I. Tchaikovsky: Tschaikovsky Pas de Deux (1960), set to an interpolation in Swan Lake (1877), and Theme and Variations (1947), set to the fourth movement of the Third Orchestral Suite (1884). The analyses combine perspectives from traditional music analysis, dance transcription, and digital video annotation. The methodology takes advantage of Balanchine's strong musical literacy to examine, first, the musical scores, as he did, and then his choreographies in relation to the scores. The analyses connect elements of his choreography directly to their probable sources in the music, and they show that Balanchine was guided by discernible priorities in setting dance to music: that dance and music reflect a partnership rather than dominance by one party; that dancers move with unreserved energy, reflected in steps that cross musical boundaries or anticipate musical ideas; and that dance establish a strong relationship with its music before it is free to conflict with it. Balanchine's choreomusical style encompasses many different types of relationships between music and dance, and he achieved what may be described as musical artistry by a variety of choreographic techniques. The analyses in this study offer a detailed view of important aspects of Balanchine's multifaceted choreomusical style.
To examine Balanchine's choreography, this dissertation presents a method for transcribing dance in a music-based notation system that prioritizes the representation of pitch with rhythm. It introduces a new "choreomusical notation" that maps "choreographic pitch" (or, spatial height) onto the vertical axis and "choreographic rhythm" onto the horizontal axis of a musical staff. Using this notation, visual representations of dance and music are aligned in a "choreomusical score," and analytic paradigms developed in music theory are applied to works of dance with music. Unlike most other systems of dance notation, this choreomusical notation is not intended to capture choreography in a comprehensive way; rather, it is designed to distill some of the most musically salient elements of a dance into notation for the purpose of intermedia analysis. Compared with other choreomusical analyses that use dance notations, this dissertation brings Balanchine's ballets and their musical scores into closer visual and cognitive proximity. This choreomusical notation can also be adapted to reflect musically salient aspects of other dance styles. Sample analyses showing extended applications, with excerpts from minuet, Bulgarian folk dancing, cartoon, and rave dancing, are included in the final chapter.
Lin, Louise Jiayin. "Sergei Tanayev (1856-1915) an analysis of his Piano concerto in E-flat major and its relationship toTchaikovsky's Piano concerto no. 1 /". Lecture recital, recorded Dec. 1, 2006, in digital collections. Access restricted to the University of North Texas campus connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3648.
Texto completoSystem requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 24, 2000, June 24, 2002, Jan. 24, 2005, and Dec. 1, 2006. Includes bibliographical references (p. 37-38).
Boeskool, Breighan M. "Harmonic Refraction, Structural Thresholds, and the Chromatic Prism: A Neo-Riemannian Transformational and Geometrical Approach to the Music of Pyotr Ilyich Tchaikovsky". University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1592134139003178.
Texto completoDyachkova, Yelena. "Tchaikovsky’s Liturgy as a directive for the world-outlook of the Russian intelligentsia". Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-219054.
Texto completoSpriggs, Olga A. "A Choral Conductor’s Guide to Pyotr Ilyich Tchaikovsky’s “Moscow” Coronation Cantata". University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439307279.
Texto completoHao, Chenyang. "A Pedagogical Guide for Tchaikovsky's Ablum for the Young, Op. 39". OpenSIUC, 2015. https://opensiuc.lib.siu.edu/theses/1823.
Texto completoAlexander, David Robert 1955. "Tchaikovsky's "Third Symphony": An analysis of its form, harmony, and style". Thesis, The University of Arizona, 1989. http://hdl.handle.net/10150/291559.
Texto completoLibros sobre el tema "Tchaikovsky"
1939-2008, Krimets Konstantin, Kisin Evgenii? 1971-, Moskovskii? simfonicheskii? orkestr, Bolshoi? teatr Rossii Balet, Cromwell Productions y Films for the Humanities (Firm), eds. Tchaikovsky. Princeton, N.J: Films for the Humanities & Sciences, 2004.
Buscar texto completoRachlin, Ann. Tchaikovsky. Hauppauge, NY: Barron's, 1993.
Buscar texto completoNice, David. Tchaikovsky. New York: Simon & Schuster, 1995.
Buscar texto completoClark, Elizabeth. Tchaikovsky. Hove: Wayland, 1988.
Buscar texto completoill, Morris Tony, ed. Tchaikovsky. New York: Bookwright Press, 1988.
Buscar texto completoSusan, Hellard, ed. Tchaikovsky. London: Gollancz, 1993.
Buscar texto completoSusan, Hellard, ed. Tchaikovsky. London: Gollancz, 1993.
Buscar texto completoDavid, Brown. Tchaikovsky remembered. Portland, Or: Amadeus Press, 1994.
Buscar texto completoDavid, Brown. Tchaikovsky remembered. London: Faber and Faber, 1993.
Buscar texto completoVenezia, Mike. Peter Tchaikovsky. Chicago: Childrens Press, 1994.
Buscar texto completoCapítulos de libros sobre el tema "Tchaikovsky"
Faro, C. "Tchaikovsky, Peter Ilyich". En Who's Who in Gay and Lesbian History, 435–36. 2a ed. London: Routledge, 2020. http://dx.doi.org/10.4324/9781003070900-450.
Texto completoSeaman, Gerald R. y Katherine H. Seaman. "Tchaikovsky’s Musical Works". En Pëtr Il’ich Tchaikovsky, 1–51. New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315649139-1.
Texto completoSeaman, Gerald R. y Katherine H. Seaman. "Tchaikovsky’s Literary Works". En Pëtr Il’ich Tchaikovsky, 53–83. New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315649139-2.
Texto completoSeaman, Gerald R. y Katherine H. Seaman. "Bibliography: Musical Works". En Pëtr Il’ich Tchaikovsky, 85–179. New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315649139-3.
Texto completoSeaman, Gerald R. y Katherine H. Seaman. "Bibliography: General". En Pëtr Il’ich Tchaikovsky, 181–350. New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315649139-4.
Texto completoPoznansky, Alexander. "Tchaikovsky as Communist Icon". En From Symbolism to Socialist Realism, editado por Irene Masing-Delic, 357–66. Boston, USA: Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618111449-038.
Texto completoMontgomery, Alan. "Mussorgsky, Tchaikovsky, and the Five". En Opera Coaching, 102–4. Second edition. | New York : Roiutledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780367809676-19.
Texto completo"Tchaikovsky". En Russians on Russian Music, 1880–1917, 1–41. Cambridge University Press, 2003. http://dx.doi.org/10.1017/cbo9780511481901.003.
Texto completo"TCHAIKOVSKY". En Orchestral Masterpieces under the Microscope, 633–43. Boydell & Brewer Ltd, 2023. http://dx.doi.org/10.2307/j.ctv2p40rm3.88.
Texto completo"TCHAIKOVSKY". En Orchestral Masterpieces under the Microscope, 597–605. Boydell & Brewer Ltd, 2023. http://dx.doi.org/10.2307/j.ctv2p40rm3.83.
Texto completoActas de conferencias sobre el tema "Tchaikovsky"
Gafarov, Timur Ilmirovich. ""Children's album" by P.I. Tchaikovsky". En III International applied research conference for pupils, Chair Lyubov Dmitriyevna Noskina. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-81127.
Texto completoHashida, Mitsuyo. "Variation from “Tchaikovsky pas de Deux”". En ACM SIGGRAPH 98 Conference abstracts and applications. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/280953.289346.
Texto completoTonchuk, P. O. "“Elegie” by S. V. Rachmaninov as a Reflection of the Composer’s Worldview". En IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-140-153.
Texto completoNaiko, Natalia. "The Refraction of Musical Ideas by P. Tchaikovsky in the Works of D. Shostakovich". En 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.11.
Texto completoЕмельянова, Графира Николаевна. "A TRIP TO THE PAST, OR A LOOK FROM THE FUTURE". En Социально-экономические и гуманитарные науки: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Декабрь 2020). Crossref, 2021. http://dx.doi.org/10.37539/seh294.2020.13.94.007.
Texto completoPrevlovšek, Anita. "Music in the Life and Literary Works of Anton Pavlovich Chekhov". En Socratic Lectures 8. University of Lubljana Press, 2023. http://dx.doi.org/10.55295/psl.2023.ii20.
Texto completoТроицкая, Э. Н. y О. В. Петрухина. "APPLICATION OF MULTIMEDIA TECHNOLOGIES IN THE PROJECT OF REVALORIZATION OF ARCHITECTURAL HERITAGE". En Мультимедиа: современные тенденции IX Международная научно-практическая конференция. Crossref, 2024. http://dx.doi.org/10.54874/9785605054290_248.
Texto completoDunaeva, Tamara. "Section of rare and valuable publications of the library named after M. V. Lomonosov, branch of the municipal library “B. P. Hasdeu”". En Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.12.
Texto completoLysenkova, Elena. "R.R. TCHAIKOVSKI - A TRANSLATERAND A THEORIST OF TRANSLATION". En ЯЗЫК. КУЛЬТУРА. ПЕРЕВОД = LANGUAGE. CULTURE. TRANSLATION. Science and Innovation Center Publishing House, 2019. http://dx.doi.org/10.12731/lct.2019.20.
Texto completoSiwen, Wang. "Art Appreciation of Tchaikovsky’s Piano Piece: Dumka". En 2022 International Conference on Comprehensive Art and Cultural Communication (CACC 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220502.043.
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