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Libros sobre el tema "Substance (dravya)"

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Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 31 de julio de 2024

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1

Kumārī, Suśīlā. Vaiśeshika darśana meṃ nitya dravya-nirūpaṇa. Dillī: Vidyānidhi Prakāśana, 2020.

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2

Baitz, Jon Robin. The substance of fire, and other plays. New York: Theatre Communications Group, 1993.

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3

Baitz, Jon Robin. The substance of fire, and other plays. New York: Theatre Communications Group, 1993.

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4

Baitz, Jon Robin. The substance of fire & The film society: Two plays. Garden City, N.Y: Fireside Theatre, 1991.

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5

Baitz, Jon Robin. The substance of fire ; &, The film society: Two plays. Garden City, New York: Fireside Theatre, 1991.

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6

Baitz, Jon Robin. The substance of fire & The film society: Two plays. Garden City, N.Y: Fireside Theatre, 1991.

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7

Baitz, Jon Robin. The substance of fire & The film society: Two plays. Garden City, N.Y: Fireside Theatre, 1991.

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8

Baitz, Jon Robin. The substance of fire & The film society: Two plays. Garden City, N.Y: Fireside Theatre, 1991.

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9

Baitz, Jon Robin. The substance of fire & the film society: 2 plays by Jon Robin Baitz. Garden City, New York: Fireside Theatre, 1991.

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10

James, Reynolds y Zoe Zontou. Addiction and performance. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2014.

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11

Preminger, Otto. The man with the golden arm. West Orange, NJ: AudiOptics, 1992.

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12

Kakoullē, Toula. To magiko philtro: Paidiko theatro. Leukōsia: [s.n.], 1999.

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13

Theatre, Royal Court, ed. That face. London: Faber, 2007.

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14

S, Burroughs William. Naked lunch: The restored text. New York: Grove Press, 2001.

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15

S, Burroughs William. Naked lunch. New York: Grove Press, 1992.

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16

S, Burroughs William. Naked lunch. New York: Grove Press, 2003.

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17

S, Burroughs William. Naked lunch. London: Flamingo, 1993.

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18

S, Burroughs William. Naked lunch. New York: Grove Press, 2002.

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19

S, Burroughs William. El almuerzo desnudo. Barcelona: Editorial Anagrama, 1989.

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20

S, Burroughs William. Naked lunch. New York: Grove Weidenfeld, 1992.

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21

Grauerholz, James y Barry Miles, eds. Naked Lunch. 5a ed. New York, USA: Grove Press, 2009.

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22

Conan, Doyle A. 福尔摩斯探案集: Sherlock Holmes: Selected Stories. Beijing: Foreign Language Teaching & Research Pr., 1995.

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23

Conan, Doyle Arthur. Sherlock Holmes: Selected stories. Oxford [Oxfordshire]: Oxford University Press, 1985.

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24

Conan, Doyle A. Sherlock Holmes: Selected stories. New York: Avenel Books, 1985.

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25

Conan, Doyle Arthur. Sherlock Holmes: Selected stories. Oxford: Oxford University Press, 2008.

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26

Conan, Doyle Arthur. Sherlock Holmes: Selected stories. London: Chancellor, 1985.

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27

Carroll, Paul Vincent. Shadow and Substance. Kessinger Publishing, LLC, 2007.

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28

Carroll, Paul Vincent. Shadow And Substance. Kessinger Publishing, 2005.

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29

Sihra, Melissa. Shadow and Substance. Editado por Nicholas Grene y Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.35.

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In spite of the very important role of women in the development of Irish theatre through the twentieth century, their contribution has continued to be marginalized, with ‘women’s drama’ set off against an implicit male norm. This was still obvious in the Abbey Theatre’s centenary programme, in which no play by a woman featured on the theatre’s main stage. The work of Charabanc Theatre Company, a women’s collective, and the highly successful plays of Marie Jones emerging from that company can be contrasted with the male-dominated Field Day in terms of a disparity of critical attention. Marina Carr, the Irish woman playwright best known internationally, in spite of the strong gender concerns of her plays, has been reluctant to identify herself as ‘feminist’ because of its associations. It has only been in the twenty-first century that the work of women playwrights and directors has been accepted as part of mainstream theatre .
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30

Ācārya Devasena’s Ālāpa Paddhati – The Ways of Verbal Expression श्रीमदाचार्य देवसेन विरचित आलाप पद्धति. Vijay Kumar Jain, 2024.

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31

Zysk, Jay. Shadow and Substance: Eucharistic Controversy and English Drama Across the Reformation Divide. University of Notre Dame Press, 2017.

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32

Shadow and Substance: Eucharistic Controversy and English Drama Across the Reformation Divide. University of Notre Dame Press, 2017.

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33

Green, Andrea. Like Bees to Honey. Dramatic Pub Co, 2001.

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34

Guirgis, Stephen Adly. Motherfucker with the Hat. Theatre Communications Group, Incorporated, 2017.

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35

That Face. Faber & Faber, Limited, 2008.

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36

That face. London: Faber & Faber, 2007.

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37

Eugene, O'Neill y Jessica Lange. Long Day's Journey into Night: Critical Edition. Yale University Press, 2014.

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38

Grewal, Gwenda-lin. Thinking of Death in Plato's Euthydemus. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192849571.001.0001.

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Thinking of Death places Plato’s Euthydemus among the dialogues that surround the trial and death of Socrates. A premonition of philosophy’s fate arrives in the form of Socrates’ encounter with the two-headed sophist pair, Euthydemus and Dionysodorus, who appear as if they are the ghost of the Socrates of Aristophanes’ thinkery. The pair vacillates between choral ode and rhapsody, as Plato vacillates between referring to them in the dual and plural number in Greek. Both the structure of the dialogue and the pair’s back-and-forth arguments bear a striking resemblance to thinking itself. In its immersive remove from reality, thinking simulates death even as it cannot conceive of its possibility. Euthydemus and Dionysodorus take this to an extreme, and so emerge as the philosophical dream and sophistic nightmare of being disembodied from substance. The Euthydemus is haunted by philosophy’s tenuous relationship to political life. This is played out in the narration through Crito’s implied criticism of Socrates—the phantom image of the Athenian laws—and in the drama itself, which appears to take place in Hades. Thinking of death thus brings with it a lurid parody of the death of thinking: the farce of perfect philosophy that bears the gravity of the city’s sophistry. Thinking of Death also includes a new translation of the Euthydemus that pays careful attention to grammatical ambiguities, nuances, and wit in ways that substantially expand the reader’s access to the dialogue’s mysteries.
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39

Matheson, Richard, Albert Zugsmith y Jack Arnold. The incredible shrinking man. 2011.

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40

O'Neill, Eugene. Long Day's Journey into Night. Econo-Clad Books, 1999.

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41

Eugene, O'Neill. Long Day's Journey into Night. Demco Media, 2000.

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42

Eugene, O'Neill. Long Day's Journey into Night: Second Edition (Yale Nota Bene). 2a ed. Yale University Press, 2002.

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43

Eugene, O'Neill. Long Day's Journey into Night. 2a ed. Tandem Library, 2003.

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44

S, Burroughs William. Naked Lunch (Harperperennial Classics). Flamingo, 1986.

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45

S, Burroughs William. Naked lunch. Grove Press, 2014.

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46

S, Burroughs William. Naked Lunch. Time Warner Audiobooks, 1995.

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47

S, Burroughs William. Naked Lunch (1960s A). Flamingo, 2001.

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48

S, Burroughs William. Naked Lunch (Harper Perennial Modern Classics). HarperPerennial, 2005.

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49

S, Burroughs William. Naked Lunch: The Restored Text. Grove Press, 2001.

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50

S, Burroughs William. Naked Lunch. Grove Press, 1991.

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