Bibliografías temáticas / Subject of the poem

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Literatura académica sobre el tema "Subject of the poem"

Autor: Grafiati
Publicado: 25 de mayo de 2024

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Artículos de revistas sobre el tema "Subject of the poem"

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Al-Husseini, Sahar Abdul Ameer Haraj. "Graphematic Emblems in Selected Poems by John Hollander Sahar Abdul Ameer Haraj Al-Husseini." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 226, no. 1 (2018): 49–60. http://dx.doi.org/10.36473/ujhss.v226i1.172.

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Graphematic poem or shape poem or pattern poem, like any other poem, is a poem that discusses diverse and common subjects like love, idea, time and many other topics ; yet with a certain difference that is the subject is similar to the printed format of the text. To say that it presents a picture of certain familiar object that is similarly the subject of the poem. Such poems are likewise termed shaped verse. They are not new for they are part of a long convention that ranges from Alexandrian Greek poets to Lewis Carroll and beyond. John Hollander(1929 –2013) is an American poet who wrote pattern poetry with a variety of diverse themes . His Types of Shape (1969) offers twenty-five shaped poems in the convention of George Herbert, a seventeenth century English poet. Graphematic poems must also to a certain degree own their special self-reflective picture in so far as the shape as well as the content are concerned. They show a wide array of themes and Hollander's graphematic poems show fascinating investigates with unbending forms that undermine the authority of his writing. Hollander in uniting content and form supports creating one authoritative outcome in the field of poetry.
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2

Al-Husseini, Sahar Abdul Ameer Haraj. "Graphematic Emblems in Selected Poems by John Hollander Sahar Abdul Ameer Haraj Al-Husseini." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES, no. 226(1) (September 1, 2018): 49–60. http://dx.doi.org/10.36473/ujhss.v0i226(1).172.

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Graphematic poem or shape poem or pattern poem, like any other poem, is a poem that discusses diverse and common subjects like love, idea, time and many other topics ; yet with a certain difference that is the subject is similar to the printed format of the text. To say that it presents a picture of certain familiar object that is similarly the subject of the poem. Such poems are likewise termed shaped verse. They are not new for they are part of a long convention that ranges from Alexandrian Greek poets to Lewis Carroll and beyond. John Hollander(1929 –2013) is an American poet who wrote pattern poetry with a variety of diverse themes . His Types of Shape (1969) offers twenty-five shaped poems in the convention of George Herbert, a seventeenth century English poet. Graphematic poems must also to a certain degree own their special self-reflective picture in so far as the shape as well as the content are concerned. They show a wide array of themes and Hollander's graphematic poems show fascinating investigates with unbending forms that undermine the authority of his writing. Hollander in uniting content and form supports creating one authoritative outcome in the field of poetry.
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3

Nugroho, Henriono. "The Famous Poet in Harpur’s Poem." ATAVISME 12, no. 1 (2009): 23–30. http://dx.doi.org/10.24257/atavisme.v12i1.154.23-30.

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This research aims to discuss literary work through stylistic analysis based on sistemic functional linguistics and literature semiotic system. The research methods used are the librarian study, descriptive method and objective intrinsic approach. The research result shows that the semantic analysis has produced the automatized linguistic meaning and foregrounded linguistic meaning. Next, the first meaning produces the subject matter and the secong meaning produces the literary meaning. Later, the literary meaning produces theme. Finally, it is proved that the subject matter tells about harmony; the literary meaning is about Shelley’s fame; and, the theme is about a famous poet.
 
 Abstrak:
 Penelitian ini bertujuan mengkaji karya sastra melalui analisis stilistika berdasarkan ilmu bahasa fungsional sistemik dan sistem semiotik karya sastra. Metode penelitian menggunakan studi pustaka, metode deskriptif, dan pendekatan intrinsik objektif. Hasil penelitian menunjukkan bahwa analisis semantik menghasilkan makna bahasa latar belakang (the automatized linguistic meaning) dan makna bahasa latar depan (the foregrounded linguistic meaning). Makna pertama menghasilkan masalah utama (subject matter) dan makna kedua menghasilkan makna sastra (literary meaning). Makna sastra menghasilkan tema. Masalah utama berkisah tentang harmoni, makna sastra tentang ketenaran Shelley, dan tema tentang seorang penyair terkenal.
 
 Kata kunci: makna bahasa latar belakang, makna bahasa latar depan, makna sastra, tema.
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السلامي, عمار. "The formative origin of the poem between emotional arbitrariness and artistic intent according to Al-Jawahiri The poem ((O Tigris of goodness)) as a model." Kufa Journal of Arts 1, no. 24 (2015): 235–56. http://dx.doi.org/10.36317/kaj/2015/v1.i24.6315.

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The poet's compositional origin differs from one poem to another, and from one situation to another. Each poem has its own circumstance, and its distinctive motives. This is why it was natural to find in Al-Jawahiri different motives and multiple origins. Sometimes it is subject to emotional arbitrariness, and at other times it is subject to artistic intent, and perhaps in many cases both of them meet with the poet during the birth of the poem, or this continues until a little later. Perhaps the best way for us to know this is what we find in the memoirs of the poet himself, of a statement of the motives of some of the poems and a description of the state that afflicted him while reciting the poem.
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5

Asfour, Mohammad. "Deconstructive Reading." International Journal of Arabic-English Studies 3, no. 1 (2002): 45–53. http://dx.doi.org/10.33806/ijaes2000.3.1.4.

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This paper examines four poems by four different poets dealing with more or less the same subject. The subject is an invitation by a young man addressed to a young woman to come and live in his world. The situation is familiar enough, and it is fraught with possibilities, both poetic and moral. The poetic possibilities have to do with whether or not it is possible to write a good poem about an immoral theme, whether a good theme elevates the poem to its own level of goodness regardless of the artistry of the poet, and whether it is possible, to begin with, to separate the artistry from the morality of the poem. The moral possibilities have to do with whether the invitation is innocent or wicked, whether both the inviter and the invited are aware of the moral complexities of the situation or not, and whether the reader has to take sides in order to appreciate the poems..
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6

Surat, Irina Z. "Calvary." Literary Fact, no. 3 (25) (2022): 163–94. http://dx.doi.org/10.22455/2541-8297-2022-25-163-194.

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The article is dedicated to the subject of the crucifixion in Russian lyric poetry of 19th–21st centuries. It studies five poems that present different images of Calvary. Analyzing A.S. Pushkin’s “Worldly power” we discover a lexical connection of the poem to prayers and liturgical texts. The poem “When rowan leaves are dank and rusting…” by A.A. Blok requires consideration from two angles: among his other Christological poems and in the light of a general among symbologists tendency of eroticizing Christian images. We demonstrate that the subject of co-crucifixion is natural for Blok, that it was slowly emerging in his lyric poetry of the 1900s. The article analyzes O.E. Mandelstam’s poem “The implacable words…” in the context of his lyric poetry of the 1910s, as well as in comparison to the later variation of the image (“Like chiaroscuro’s martyr Rembrandt…”). The research reveals “maternal projection” of the subject of Calvary on the example of the poem “Mother” by V.V. Nabokov, passages from A.A. Akhmatova’s poem "Requiem” and I.A. Brodsky's poem “Still-life.” El.A Shvarts’s poem “Rembrandt’s etching — Christ and the thieves” represents ekphrastic versions of the biblical story.
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7

Lucas, Rose. "Poetry and Breathing: Beyond subject and object." Axon: Creative Explorations 13, no. 2 (2024): 81–91. http://dx.doi.org/10.54375/001/vxzmirsxxj.

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This paper will consider the ways in which the poetic form echoes a visceral experience of embodiment that re-imagines the relationship between subject and object. Through a focus on poetic elements such as the rise and flow of line, the vital pauses of punctuation and white space together with the slip of association and metaphoricity, this paper contends that the lyric poem in particular not only recreates the experience of the respiring body but offers us an inhabited insight into an interplay of inside and outside, self and other, what sustains and what speaks. In this way, both poetry and breath can be seen to provide a deconstructued paradigm for subjectivity – a subjectivity that emerges from the flow of overlap and connectedness rather than differentiation. In this sense, the poem speaks the body as well as the body speaking the poem. Informed by a conceptual framework that includes Thích Nhất Hạnh’s concept of ‘interbeing’ as well as Levinas’ notion of the face as it meets the breathing face of the other, this discussion references the work of eco-poet Anne Elvey in addition to my own poetry project, ‘Remarkable as Breathing.’
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Kudalina, Anna A. "LOVE, DEATH AND SPEECH. ABOUT TWO POEMS BY O. MANDELSTAM AND I. BRODSKY." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 6 (2022): 82–90. http://dx.doi.org/10.28995/2686-7249-2022-6-82-90.

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The article provides a comparative analysis of O. Mandelstam’s poem “Skillful mistress of guilty glances” and “It is not that the Muse is gathering water in the mouth…” by J. Brodsky. It proves the fact of Brodsky’s borrowing the imagery of O. Mandelstam’s poem with its over re-denotation and deliberate stylistic degradation. The analysis focuses on such concepts as “love”, “death” and “speech”, each of which, while retaining the original connotations of Mandelstam’s poem, acquires a new, reduced meaning through the use of certain lexical means (for example, colloquial and jargon words) Thus, the concept of “love” in Brodsky’s poem turns out to be an ironically reduced memory, in which the lyrical subject focuses attention not on the object of his love, but on himself, unlike in Mandelstam’s poem of address. The concept of “death” is also deflected sarcastically by Brodsky, since his subject of speech speaks already from oblivion, representing “nothing inside”. The notion of “speech”, although it has a rather negative semantics in both poems, turns out to be mute in Brodsky, characteristic of just such a lyrical subject who has already crossed the threshold of death, at which the lyrical subject of Mandelstam’s poem stops.
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9

Ye, Danmin, and Dongzhu Wang. "Dynamic Coherence in the Dialogue of Subjects." Chinese Semiotic Studies 16, no. 1 (2020): 105–18. http://dx.doi.org/10.1515/css-2020-0005.

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AbstractAs the subjects to create and construct coherence in discourses, human beings should become the focus of coherence study. This paper points out the linguistic philosophical nature of discourse coherence and discusses the existence, dynamicity, and plasticity of dialogicity among subjects in coherence based on Bakhtin’s Theory of Dialogue. We demonstrate the construction of coherence on the basis of intentional space, which consists of theme, subject, and the whole context (or TSW structure). This paper analyzes two poems, one a Chinese poem and the other an English poem, as examples to verify the existence, dynamicity, and plasticity of dialogicity among subjects in the coherence space construction process. We also apply the TSW structure to the analysis of these two poems. This study provides discourse subjects with helpful tips and enhances comprehension of the discourse.
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Mandarino, Francesco Vito, Edoardo Vespa, Alberto Barchi, et al. "Precision Endoscopy in Peroral Myotomies for Motility Disorders of the Upper Gastrointestinal Tract: Current Insights and Prospective Avenues—A Comprehensive Review." Life 13, no. 11 (2023): 2143. http://dx.doi.org/10.3390/life13112143.

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Our review delves into the realm of peroral endoscopic myotomies (POEMs) in the upper gastrointestinal tract (UGT). In recent years, POEMs have brought about a revolution in the treatment of UGT motility disorders. Esophageal POEM, the first to be introduced, has now been validated as the primary treatment for achalasia. Subsequently developed, G-POEM displays promising results in addressing refractory gastroparesis. Over time, multiple endoscopic myotomy techniques have emerged for the treatment of Zenker’s diverticulum, including Z-POEM, POES, and hybrid approaches. Despite the well-established efficacy outcomes, new challenges arise in the realm of POEMs in the UGT. For esophageal POEM, the future scenario lies in customizing the myotomy extent to the minimum necessary, while for G-POEM, it involves identifying patients who can optimally benefit from the treatment. For ZD, it is crucial to validate an algorithm that considers various myotomy options according to the diverticulum’s size and in relation to individual patients. These challenges align with the concept of precision endoscopy, personalizing the technique for each subject. Within our text, we comprehensively examine each myotomy technique, analyzing indications, outcomes, and adverse events. Additionally, we explore the emerging challenges posed by myotomies within the context of the evolving field of precision endoscopy.
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Tesis sobre el tema "Subject of the poem"

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Betteridge, Tom. "'Yes, the century is an ashen sun' : poem and subject in the philosophy of Alain Badiou." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7108/.

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This thesis examines the relation between philosophy, the poem and the subject in the mature philosophy of Alain Badiou. It investigates Badiou’s decisive contribution to these questions primarily by means of comparison, especially to Martin Heidegger, Philippe Lacoue-Labarthe and Theodor Adorno, as well as by analysing Badiou’s readings of poems and prose by Paul Celan and Samuel Beckett respectively as sites of potential dialogue with his immediate predecessors. The thesis stresses the importance of French philosophy’s German heritage, emphasising not only Badiou’s radical departure from Heidegger and his legacy, but also the former’s wholesale rejection of philosophies that would, in the wake of twentieth-century violence and beyond, proclaim their own end or completion. The thesis argues Badiou’s innovative readings of Celan and Beckett to be crucial to understanding this endeavour: for Badiou, both writers use the poem to affirm novel conceptions of subjectivity capable of transcending the historical conditions of their presentation. The title quotation from Badiou’s The Century, ‘Yes, the century is an ashen sun’, anticipates both the affirmative nature of these subjective figures, and their presience, beyond the bounds of a twentieth-century ‘ashen sun’ pervaded by melancholy, for the ‘new suns’ of the twenty-first. The thesis is in four chapters. The first chapter unfolds the central concepts of Badiou’s departure from Heidegger using Paul Celan’s poems to focus the enquiry. It is guided by two of Badiou’s most condensed declarations about the poem, that, firstly, ‘the modern poem harbours a central silence’, and secondly, that ‘Celan completes Heidegger’. The second chapter exposes the political implications of Heidegger’s writings on Friedrich Hölderlin and the role of the subject therein, offering at its close some thoughts about what Badiou calls, following Philippe Lacoue-Labarthe, the poem’s ‘becoming-prose’. It concludes by drawing the poem and politics into relation by way of the philosophical category of the subject. The third chapter reads Badiou’s concept of ‘anabasis’ against Heidegger’s ‘homecoming’ in order to think the possibility of a collective political subject’s formation in the wake of Auschwitz. The final chapter examines the imbrication of the Two of love and the ‘latent poem’ in Badiou’s reading of Samuel Beckett’s late prose, contrasting this ‘affirmative’ reading of Beckett to Theodor Adorno’s earlier emphases on negation. Following its investigations of subjectivity, poem and prose throughout, the thesis concludes by returning to the title quotation in order to unfold the particular relations between subject, affirmation and negation Badiou’s philosophy enacts, and to offer further routes forward for research regarding Badiou’s philosophy and aesthetic figuration.
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2

Rollason, Christopher Richard. "The construction of the subject in the short fiction of Edgar Allan Poe." Thesis, University of York, 1987. http://etheses.whiterose.ac.uk/113/.

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This study is primarily concerned with the diverse processes of constitution and deconstitution of subjectivity at work in the writing of Edgar Allan Poe. The analysis is largely confined to the short fiction, although some reference is made to Poe's other work; twentyone tales are examined, in greater or lesser detail, with the aid of various theoretical perspectives - sociological, structuralist and, above all, psychoanalytic. The aim is to present a new reading of Poe's texts which rejects traditional "unity"-based interpretations. The thesis privileges the psychological dimension, but in textual, not biographical terms; it stresses the tales' often undervalued element of modernity as well as their receptiveness to emergent processes and discourses. The psychological dimensions analysed include: the explicit presentation of mental splitting ('William Wilson') and institutionalised madness ('The System of Doctor Tarr and Professor Fether'); the signification of alienation ('The Man of the Crowd') and self-destruction ('The Imp of the Perverse', 'The Black Cat', 'The Tell-Tale Heart') as constitutive of the subject at a determinate historical moment; the simultaneous construction and subversion of mythical signifiers of an illusory "full" subject, both metonyms (the detective, the mesmerist) and metaphors (the artwork, the interior); the symbolic emergence from repression of active female desire, perceived as threatening in the male unconscious ('The Oval Portrait', 'Ligeia'); and the disintegration of the subject under the pressure of its own repressions ('The Fall of the House of Usher'). Particular stress is laid throughout on the textual undermining of the dividing-lines between "normal" and "abnormal", "sane" and "insane", "respectable" and "criminal". It is concluded that Poe's work constitutes a map of the vicissitudes and contradictions of subjectivity in patriarchal culture; from the study of these texts, the "I" emerges as formed out of a massive repression, and as therefore constantly liable to fragmentation and rupture.
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3

Welsch, Jonathan T. "'The Mirror Stage' and other Poems and The Linguistic Subject of William Carlos Williams' Spring and All." Thesis, University of Manchester, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518824.

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The poems in this collection draw, firstly, on my interest in a tradition of American confessionalism, which, particularly in the poems of John Berryman, seems to re-articulate the 'fragmented self of Anglo-American Modernism. A second major interest is in the more radical dislocations oflyric voice in John Ashbery's poetry. In the following poems, these two influences combine in the exploration of linguistic constructions of SUbjectivity, especially that of a knowing and knowable author figure. Specific practical concerns which stem from this central interest include translation and focalization strategies, polyphony, and oblique responses to philosophical, cultural, and literary contexts. These poems also explore questions of lyrical SUbjectivity in relation to constructions of gender and sexuality, with a particular focus on masculinity. I work from the premise that the authorial voice and its claims to truth, power, and sexual and gendered identity are . continually undermined by inner incoherencies and contradictions, a process of selfsubversion which these poems work to emphasize. Inmany places, this emphasis relates to a tension between a 'disembodied' authorial/lyrical voice and the 'embodied' form of the poem, which exposes that voice to textual inconclusiveness. This tension is also examined through the problematics of lyrical address and gendered relations between the'!' and 'you'. The Linguistic Subject of William Carlos Williams' Spring and All This thesis explores the discourse of authorial subjectivity at work in the declarative prose of William Carlos Williams' 1923 book, Spring and All, now regarded as a seminal text of American Modernism. In order to re-examine what has proven for critics to be a variously interpretable relationship between subject and object in Williams' early thinking, I read Spring and All here through an interconnected chain of conceptual frameworks. More. specifically, in hopes of remapping Spring and All's fragmented notion of authorial SUbjectivity against a more diverse history of ideas, these four chapters bring the longestablished influences of visual arts and Romanticism on Williams into juxtaposition with the less biographically or historically derived contexts of structuralist linguistics and Lacanian psychoanalytic theory. By drawing on correspondences among these contexts.this thesis finally argues for a notion of radically 'linguistic' SUbjectivity underlying Williams' early poetics, which may be productively compared to earlier philosophies of a mutually constitutive dialectic between external objects and a persistent centrality of the self, as well as later 20th-century revisions which emphasize the formalistic and linguistic nature of this relationship.
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4

Metson, John. "Shelley's idea of nature : a study of the interrelationship of subject and object in the major poems." Thesis, Durham University, 1995. http://etheses.dur.ac.uk/5327/.

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The thesis offers an interpretation of Shelley's poetry which focuses on his treatment of external nature. Its main argument is that a subject-object dialectic lies at the basis of his thought and style. Manifesting itself as a tension and oscillation between dualist and monist tendencies, this dialectic underlies the opposing strains of thought associated with his sceptical idealism; it informs the relationship between various contraries with which he is recurrently concerned, such as reason and feeling, necessity and freedom, language and thought; and it accounts for some major characteristics of his style--for example, its self-reflexiveness, indeterminacy, and restless forward momentum. Nature is found to play a complex dual function in this dialectical process: first, as the circumference to the circle of which mind is the centre, it provides the material of thought and poetry; secondly, through its cyclic processes, it serves as an emblem of the mind's dynamic relationship with that material. In finding the characteristic thought-pattern of his poetry to be constituted of a creative-destructive interplay of contraries, the thesis contends that Shelley is a significant exponent of Romantic irony. Such a reading of his work mediates between an earlier tradition of interpreting him as a Platonising poet of nature and the more recent emphasis that has been given to his philosophical scepticism and political radicalism. Throughout, attention is given to the interacting influences of his direct experience of nature (as recorded mainly in his letters) and the representations of nature he encounters in his reading. The following poems, chosen for their importance in Shelley's canon and as clear illustrations of his treatment of nature, are discussed chronologically in successive chapters: Queen Mab, Master, the 1816 odes, Prometheus Unbound, Adonais, and The Triumph of Life.
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5

Silva, Lívia Carolina Alves da. "Concepções do sujeito-lírico em cantares de Hilda Hilst." Universidade Federal de Uberlândia, 2009. https://repositorio.ufu.br/handle/123456789/11797.

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Fundação de Amparo a Pesquisa do Estado de Minas Gerais<br>The present work accomplishes a systematic study about the composition of lyrical subject of Hilda Hilst in her work Cantares (2004). In order to develop this research, the methodology used was a combination of analysis and observation of the forementioned Hilst s book. Then some theoretical considerations were taken about who and how the subject is built in Hilst`s poems. By following Hilst s poetry one could face three relevant questions about her lyrical persona: the detection of a lyrical subject that recognizes himself as somebody constructed from his belonging to the other, out of him or as the self projected out of other self; the displacement of his identity by using a mask, and finally the ability of creating itself again, of thinking and constituting itself by means of the image and the word. Therefore this dissertation is organized in three chapters The being-beyond: the double face in Hilda Hilst s poetry , The self and the other behind the mask and The images and the word in Hilda Hilst s poetry in which the discussions proposed above are developed, revealing the building of a multiple and plural subjectivity.<br>O presente trabalho realiza um estudo sistemático sobre a composição do sujeito-lírico na obra Cantares (2004) da escritora Hilda Hilst. Para desenvolvimento desta pesquisa utilizou-se um método que, partindo da análise e observação da obra, permitiu tecer algumas perspectivas teóricas a respeito de quem é e como se constitui tal sujeito nas poesias hilstianas. Este trilhar nas poesias de Hilst permitiu o levantamento de três relevantes questões sobre a persona lírica da autora: a detecção de um sujeito-lírico que se sabe como alguém construído a partir de seu pertencimento ao outro, externo a ele ou o como o eu projetado fora de si; o deslocamento de um eu para uma máscara e, por fim, um reinventar-se, pensar-se e constituir-se por meio da palavra e da imagem. Tal trajetória culminou na estruturação de três capítulos O ser-além: as faces do duplo na poesia hilstiana , O eu e o outro por trás da máscara e O ser-imagem-palavra na poesia hilstiana nos quais são tratadas, respectivamente, estas três discussões, mostrando a constituição de uma subjetividade que é múltipla e plural.<br>Mestre em Teoria Literária
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6

Reis, Samara Marques dos. "Correlação estatística entre os dados de freqüências genéticas e dados de prevalência de doença podem complementar os estudos de caso-controle para identificar loci susceptibilidade em estudos de associação genética." Universidade Federal do Pampa, 2015. http://dspace.unipampa.edu.br:8080/xmlui/handle/riu/280.

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Submitted by Marcos Anselmo (marcos.anselmo@unipampa.edu.br) on 2016-04-04T15:05:19Z No. of bitstreams: 1 SAMARA MARQUES DOS REIS .pdf: 1152921 bytes, checksum: 30f5b5e9c3afbab29666da7f6e7c9033 (MD5)<br>Made available in DSpace on 2016-04-04T15:05:19Z (GMT). No. of bitstreams: 1 SAMARA MARQUES DOS REIS .pdf: 1152921 bytes, checksum: 30f5b5e9c3afbab29666da7f6e7c9033 (MD5) Previous issue date: 2015-03-04<br>Estudos de associação gene-doença mostraram uma relação entre TPH2 e a depressão em diferentes populações, estudos, no entanto, têm sido produzidos resultados contraditórios, sendo a Triptofano hidroxilase-2 (TPH2) uma enzima limitante da taxa na via sintética para a serotonina do cérebro, vários estudos relatam os polimorfismos da enzima TPH2. Dois grandes projetos, o HapMap e o 1000 genomas, organizaram a maioria dos polimorfismos a partir do estudo de várias populações disponibilizando estes dados. Este trabalho tem como objetivo desenvolver um método de estudo para obtenção de possíveis marcadores de predisposição a doença a partir da correlação entre os dados epidemiológicos e frequências populacionais de polimorfismos, baseado na hipótese de que se numa população existe maior frequência de uma determinada patologia determinada geneticamente, então as variantes envolvidas deveriam estar em maior frequência e vice-versa. O modelo usado foi o envolvimento de variantes do gene TPH2 na predisposição à depressão. Os dados obtidos com correlação positiva em um dos genótipos homozigotos e também no alelo deste homozigoto sugeriram a presença de 10 polimorfismos (14,49% do total) possivelmente envolvidos no desenvolvimento do processo depressivo. Estes dados foram comparados com dados da literatura envolvendo estudos do tipo caso controle. Nestes trabalhos foram estudados 20 dos 69 polimorfismos descritos para o gene TPH2. Com exceção de um único polimorfismo, todos os dados obtidos com a nossa estratégia apresentaram-se iguais aos dados da literatura, inclusive quanto ao alelo que determinaria predisposição à depressão quando demonstrada associação. Portanto, propomos esta estratégia como uma forma alternativa de se realizar estudos do tipo Genome-Wide Association sem a necessidade de estudos caso-controle, apenas usando dados epidemiológicos da doença, diminuindo o tempo e custo destes estudos.<br>Disease-gene association studies reported a relation between the TPH2 and depression in different populations, however some studies have produced contradictory results, being the tryptophan hydroxylase-2 (TPH2) a limiting enzyme in the rate of synthetic route of serotonin in the brain, many studies reported the polymorphisms of the TPH2 enzyme. Two big projects, HapMap and 1000 genomes, organized the major part of these polymorphisms from the study of several populations becoming these data available. This work is aimed to develop a system to obtain possible predisposition markers of a disease from the correlation between epidemiological data and population frequencies of polymorphism, based in the hypothesis that if in a population there is more frequency of a certain kind of pathology genetically determined, the variables involved should be more frequent and vice-versa. The model used was the involvement of variables of the TPH2 gene in the predisposition of depression. The data obtained with positive correlation in one of homozygous genotypes and in the allele of this homozygous suggested the presence of 10 polymorphisms (total 14,49%) possibly related to the development of depression. These data were compared to literature data involving case control studies. In these work were studied 20 from 69 polymorphisms described to the TPH2 gene. With the exception of only one polymorphism, all the data obtained through the strategy proposed in this work have been equals to the literature data, including the allele that is determinant to the predisposition of depression when it is demonstrated the association. Therefore, it is proposed this strategy as an alternative to realize this kind of Genome-Wide Association studies without the necessity of a case control study, only using the epidemiological data from the disease, decreasing the time and the cost of this study.
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Dugan, Robert. "Aphrodisiac [poem] /." Diss., Online access via UMI:, 2006.

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Gideonsson, Lisa. "Blackout poem." Thesis, Kungl. Konsthögskolan, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-27.

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En text om frånvaro och glömska som alternativ metod i skapandet. Baserad på de 26 ord som dikten Blackout poem består av, vilka relaterar till en minneslucka, skriven av Gideonsson. Med följande till texten är en 10" vinyl som innehåller 4 spår skapade av Gideonsson från 2010-2013 som relaterar till temat.<br>[I examensarbetet ingår utställningen "Instead of a tick, I went for a thump":] Utsällningen består av två stycken ljudverk vilka båda behandlar ett sorts tidsföde.\r\n\r\nInstead if a tick, I went for a thump består av två metronomer som går in och ur synk  genom den ena metronomens defekt. Deras intergrerade ljud transformeras till ett djupt bas beat som ljuder i lokalen och kan upplevas fysisk, speciellt när man sitter på bänkarna i rummet. \r\n\r\nBlackout III är en performativ ljudinstallation som består av tre rullbandare där ett magnetband löper i en sammanhängande loop. Från början ett tomt band som sedan regelbundet fylls på med sonisk information. Ljudet består av min  röst som räknar från 1 och uppåt. Detta spelas in på ena bandaren samtidigt som de andra bandarna återger vad som just spelats in. Rösten återkommer och förföljs. Material: Metronomer, rullbandare Teknik: Ljudverk, performance<br><p>Utställningen är starkt intergrerad med essän, vilken även fanns att tilgå i ett exemplar på utställningen, och vinylen fanns för lyssning,</p>
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Ireopoulos, Fil. "The film poem." Thesis, University of Kent, 2010. http://www.research.ucreative.ac.uk/id/eprint/1061.

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The thesis traces the history of the film poem as a concern and formal strategy within artists' film traditions over the last one hundred years. Via a theoretical framework (that includes Russian Formalist literary poetics, experminetal film studies, critical theory and linguistics) the investigation reveals and explicates what connects the ways different practitioners have synthesised the two terms "film" and "poem" and discusses the relevance of the "film poem" as a combinative term within a contemporary art context.
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Ndyoko, Nomtha. "Poem to be sung." Thesis, Rhodes University, 2018. http://hdl.handle.net/10962/63592.

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My collection of poems expresses the complexities that exist beneath the surface of my life – my tongue, our bleak country, the politics of having a dark skin, my ancestors who speak to me in unexplainable ways, and the speech of nature – the wind, the sea, death, birds. It is in writing poems and songs that I make a space to be alive, a space to meet my ancestors and to say the unsayable. The poems move between the ordinary, the magical, the abject, and the spiritual, often expressing the contradictions that exist within life. The main influence on my poetry has come from music, from African jazz musicians such as Zim Ngqawana, Thandiswa Mazwai and Msaki Mvana. Literary influences have come from Spanish poets such as Juan Ramón Jiménez, whose strong imagery and short lines capture profound emotion, and from ancient Chinese poetry that moves in a fluid and minimal way. I have also been inspired by the African spirituality expressed in Mazisi Kunene’s poetry and the down-to-earth associative poetry of Mangaliso Buzani and Mxolisi Nyezwa.
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Libros sobre el tema "Subject of the poem"

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Jordan, Matthew Rufus. Himself a true poem: Milton and the subject. University of Manchester, 1996.

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Subject matters: Prose poems. Xlibris LLC, 2014.

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Subject matter: Poems. Sarabande Books, 2003.

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Thorburn, Matthew. Subject to change: [poems]. Western Michigan University, 2004.

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Cervantes, James. Changing the subject: Poems. Red Hen Press, 2004.

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Subject to change: [poems]. New Issues/Western Michigan University, 2005.

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Thorpe, Michael. The unpleasant subject: Sketches around Hitler : poems. TSAR, 2001.

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The new where's that poem?: An index of poems for children : arranged by subject, with a bibliography of books of poetry. Stanley Thornes, 1994.

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1909-, Morris Helen, ed. The new Where's that poem: An index of poems for children, arranged by subject with a bibliography of books of poetry. Blackwell, 1985.

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1909-, Morris Helen Soutar, ed. The new Where's that poem: An index of poems for children, arranged by subject with a bibliography of books of poetry. 4th ed. Simon & Schuster Education, 1992.

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Capítulos de libros sobre el tema "Subject of the poem"

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Roberts, Michael Symmons. "Breath—As Subject, in Form, in Performance: An Interview with Michael Symmons Roberts." In The Life of Breath in Literature, Culture and Medicine. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74443-4_24.

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AbstractMichael Symmons Roberts discusses breath and breathlessness as a theme running through his work, beginning with his novel, Breath (2006). He also discusses breath as a subject in his poetry, the place of breathing in the sound and expressivity of voice, and the idea of poetry as ‘alive in the heart and on the tongue’. He considers how the reader can realise the printed poem as an aural structure; and how living engagement with a poem, signified in reading partly by structures of breathing, is heard in the interplay between all of a poem’s formal features. Given that a poem is likely to say more than its author knows, he discusses the implications of hearing poets read their own work; and finally considers all the elements that affect how the voice (actual or imagined) gives aural shape to a poem.
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Correll, Barbara. "Metapoetry and the Subject of the Poem in Donne and Marvell." In A Companion to Renaissance Poetry. John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118585184.ch23.

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Haslam, Michael. "The Subject of Poems." In Poets on Writing. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22048-9_11.

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Seward, Anna. "Subject Continued." In The Collected Poems of Anna Seward Volume 1. Routledge, 2015. http://dx.doi.org/10.4324/9781315642451-128.

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Seward, Anna. "Subject Continued." In The Collected Poems of Anna Seward Volume 1. Routledge, 2015. http://dx.doi.org/10.4324/9781315642451-72.

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Seward, Anna. "Subject Continued." In The Collected Poems of Anna Seward Volume 1. Routledge, 2015. http://dx.doi.org/10.4324/9781315642451-75.

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Seward, Anna. "Subject Continued." In The Collected Poems of Anna Seward Volume 1. Routledge, 2015. http://dx.doi.org/10.4324/9781315642451-114.

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Seward, Anna. "Subject Continued." In The Collected Poems of Anna Seward Volume 1. Routledge, 2015. http://dx.doi.org/10.4324/9781315642451-129.

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"2The Poem Becoming-Prose." In Badiou, Poem and Subject. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781350085886.ch-003.

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"Notes." In Badiou, Poem and Subject. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781350085886.0006.

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Actas de conferencias sobre el tema "Subject of the poem"

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Gileva, Ekaterina. "Amateur Poem As A Subject Of Philological Research." In SCTCMG 2019 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.12.04.141.

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Yu, Xiaoyue, Fangzheng Zhang, Guanqun Sun, et al. "Frequency-Tunable Narrow Linewidth THz Signal Generation by Semiconductor Lasers Subject to Mutual Optical Injection." In 2023 Asia Communications and Photonics Conference/2023 International Photonics and Optoelectronics Meetings (ACP/POEM). IEEE, 2023. http://dx.doi.org/10.1109/acp/poem59049.2023.10368973.

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Nazarova, I. "THE IMAGE OF BAM IN RUSSIAN LITERATURE OF 1970-1980’S." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3716.rus_lit_20-21/162-166.

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The construction of Baikal-Amur Mainline gave birth to such unique esthetic phenomenon as BAM literature, that became an indispensable part of the literary process of the second part of the twentieth century (this phenomenon has not been a popular subject of scholarly attention and still awaits for its researcher). BAM literature enriched and diversified the thematic repertoire of famous writers’ oeuvre. During the years of mainline construction BAM was visited by L. Oshanin, Y. Evtushenko, R. Rozhdestvensky, bard-poets N. Dobronravov, M. Plyatskovsky, N. Reznik and many others. Their poems and narrative poems comprised such book collections as Signature of the Century (1976), Mainline (1977), Railroad Joining ( Stykovka) (1984), the Flowers of Labrador Tea (2004). «The construction of the century» was also depicted by children’s writers: N. Hodza («BAM Is a Ringing Word», 1978), Z. Aleksandrova («Letters from BAM», 1980), Y. Marysaev («Blue Railroads», 1983) and others. The object of the current article is Y. Evtushenko’s narrative poem the Glade (Proseka) , that was ambiguously treated by leading Russian literary scholars as well as by the BAM authors. The poem is analyzed in the context of the industrial theme, that took its origin in the oeuvre of V. Mayakovsky and BAM literature with its unique set of images, motives and intonations.
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إبراهيم أحمد العزّي, يونس. "Halabja in Poetic Memory: The Crime and the Case." In Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/55.

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"Abstract The Halabja case, and the genocide to which the people of this city were subjected, represented an international crime with all the dimensions and connotations of the word, and thus left a wound in the memory of the human conscience, the effects of which were reflected in various forms politically, socially, and culturally. The Halabja crime constituted intellectual and literary foundations for many Iraqi and Arab poets and writers, and it became an artistic theme for many poems and literary works in the contemporary creative achievement. Among these writers was the Iraqi poet (Ahmed al-Hamd al-Mandalawi), whose poem (Execution of a City in My Country) is regarded as an artistic painting that recorded the details of this tragedy, and depicted its bloody events, in a high literary style, and a language far from complex, embodied the poetry of sadness and the memory of pain. This is what makes it a rich sample in technical and objective terms, and worthy of research and study. The stylistic approach was adopted as a method of reading and a mechanism for analysis, to reveal the aesthetics of this poem, and the mechanisms of its artistic formation, according to a critical and analytical vision, highlighting the poetics of the text and the poeticity of the creator on the one hand, the depth of tragedy and the connotations of sadness and sorrow On the other hand, the text. The study methodology necessitated dividing the research into an introduction and three sections. The introduction formed a methodological threshold - including (Halabja - the poem - and the poet), which collectively represents the external / theoretical framework of the research. As for the research sections, it was devoted to the study of the three levels of the poem - according to the mechanisms of the stylistic approach - which are respectively: the structural level, the phonemic level, and the semantic level, which the poet was able through his employment of the elements of formation and artistic construction to highlight these stylistic levels and their poetics that tempt the researcher to approach the text and critically debate it what reveals its aesthetic beauty secrets."
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TÜRK, Osman. "THE PLACE OF EDUCATION IN MEHMET AKIF'S THOUGHTS AND WORKS." In III. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress3-10.

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Mehmet Akif Ersoy, one of the important representatives of Turkish literature, has witnessed the Republican period and is a scientist and philosopher besides his poet identity. There have always been personalities who left their mark on time in the structure of societies. Akif witnessed a difficult period in social and political terms as of the period he lived. By observing the situation he was in, he tried to reflect his thoughts on the future of society to his poems. With this thought, the people tried to act in unity and solidarity and to try to overcome the conditions they were in. The author, who touches on every subject, also expressed his sensitivities on the subject of education. In the study, it was tried to determine the thoughts of the author about education and to embody the subject
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Medukha, O. V. "«TWO POEMS ON SPECIAL CHANT» BY ELENA SCHWARTZ: THE AUTHOR'S SUBJECT IN THE CONTEXT OF MODERN RESEARCH." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-02-3-2021-120.

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Petrović, Nemanja. "„DANAS SE HRISTOS U VITLEJEMU OD DJEVE RAĐA“ ZAPAŽANjA IKONOGRAFSKIH POJEDINOSTI BOŽIĆNE HIMNE KAO ODRAZA POBOŽNOSTI KRALjA MILUTINA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.763p.

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Fresco-composition, painted above the entrance of the katholikon of Žiča monastery, represents a unique scene within Serbian monumental painting from the beginning of the second decade of 14th century. This carefully thought-up picture illustrates a Christmas' Hymn which ascribes to the authorship of John of Damaskus. However, verses written on the arc, above the composition, are associated with poems of Anatoly of Constatinopole’s poetic content. Decora- tion of the entrance consists of clearly expressed theme of the portal, therefore it can be said that frescoes obviously indicate activities that could have been happening inside this space, to be precise in front of the temple’s entrance. It is important to analyze mention verses written on the arc, which belong to the poem that’s sung on the first day of the celebration of Christmas, when, it is believed, monarch himself attended. In the upper part of the composition, we can see The Mother of God on the throne with Child, surrounded by Angels, Shepherds and the Magi with their gifts. They are joined with a fragment of historic content, which additionally completes the complexity of the painting. In the lower part of the fresco-composition, there are visible two ceremonial proseccions moving towards each other. On the left side, beneath the Magi, we can see a group of cantors, monks, priesthood led by archbishop Sava III. On the right, beneath the Shephards, there is Court Retinue led by King Milutin. All participants of this saint cortege are painted wearing rich vestments with apparent attributes that define them. There are clear indications of taking over and transmitting Constantionopoli- tan models within the painting subject of gate entrance as the emphasized place as part of the ruling adventus. It is obvious that it is about iconography shaped by forceful influence of liturgy, theological literature of Incarnation, specifically the influence of hymnography in shaping different artistic models that had been growing in the Empire of Palaiologos and the land of king Milutin.
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Erickson, Varick L., Stefan Achleitner, and Alberto E. Cerpa. "POEM." In the 12th international conference. ACM Press, 2013. http://dx.doi.org/10.1145/2461381.2461407.

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Tosa, Naoko. "Interactive poem." In ACM SIGGRAPH 98 Conference abstracts and applications. ACM Press, 1998. http://dx.doi.org/10.1145/280953.282426.

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Barquero, David, Carlos Hernández, Alba Juan, et al. "MANEJO ENDOSCÓPICO DEL DIVERTÍCULO EPIFRÉNICO: POEM Y D-POEM." In 43 Congreso de la Sociedad Española de Endoscopia Digestiva. Grupo Pacífico, 2021. http://dx.doi.org/10.48158/seed2021.v26.

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Informes sobre el tema "Subject of the poem"

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Hong, Weiwei, and Jean Parsons. Guo Poem. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1665.

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Foisy, Gilles. Subject/Matter. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.7079.

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KRUPINA, E. A. OLD ENGLISH LEXEME “RINC” IN IN THE GLOSSARIES AND IN THE TEXT OF THE POEM “BEOWULF”. Science and Innovation Center Publishing House, 2022. http://dx.doi.org/10.12731/2077-1770-2021-14-1-3-51-56.

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The article considers the Old English lexeme “rinc” with the help of etymology and word formation, the author uses contrastive-comparative analysis of the headword in the glossaries and contextual analysis of the lexeme.
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Larionova, D. Web quest "the subject of media education, or media education in the subject". SIB-Expertise, 2022. http://dx.doi.org/10.12731/er0601.03102022.

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Rutkowski, R. W. International Energy: Subject Thesaurus. Revision 2. Office of Scientific and Technical Information (OSTI), 1997. http://dx.doi.org/10.2172/352913.

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Scurtescu, M., and P. Jain. Subject Identifiers for Security Event Tokens. Edited by A. Backman. RFC Editor, 2023. http://dx.doi.org/10.17487/rfc9493.

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Wright, S. Algorithms for minimization subject to bounds. Office of Scientific and Technical Information (OSTI), 1988. http://dx.doi.org/10.2172/5896167.

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Adkins, James E. DTIC Subject Categorization Study, Part 1 SCG Uses and Suggested Field Changes, Part 2 Subject Categorization Methodology. Defense Technical Information Center, 1998. http://dx.doi.org/10.21236/ada350803.

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Turner, S., D. Brown, K. Yiu, R. Housley, and T. Polk. Elliptic Curve Cryptography Subject Public Key Information. RFC Editor, 2009. http://dx.doi.org/10.17487/rfc5480.

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Kowalski, Bernadette, and Kurt VanLehn. Cirrus: Inducing Subject Models from Protocol Data. Defense Technical Information Center, 1988. http://dx.doi.org/10.21236/ada219148.

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