Tesis sobre el tema "Spazio sacro"
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Tognon, Alessandro <1970>. "Rudolf Schwarz. La costruzione dello spazio sacro". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amsdottorato.unibo.it/8857/1/tognon_alessandro_tesi.pdf.
Texto completoThe purpose of this research is to bring out the project range architect Rudolf Schwarz has developed from the end of the XIX century to 1961, while defining his own design theory about liturgical sacred space. He is a man of broad vision, his thought is the emblem of a man living the space of reality, which discreetly pushes himself to the intelligible boundaries. The selected Schwarz’s sixty churches, projects and buildings, can be classified in different “architectural types” : “Basilica” type; “Cruciform” type and “Hall” type. It is necessary to specify that this approach considers the several and complex modification and influences that are present in each project too. With these types that Schwarz names “prototypes”, as formal simplifications that need a typological choice while they are implemented, starting from the 20s, Rudolf Schwarz lays the groundwork for a general modern spatial and collective idea of the liturgical Christian rite celebration. Purpose of the research is understanding how much the architecture and the sacred, the project and the liturgy coincide from an ideological and a formal point of view. Understanding how much the architecture, that is permeated by historically inherited shapes, is independent form the liturgical rite and how much at the same time it can suggest new liturgical possibilities, in a period when modernism and constant improvement of building technologies ensures new construction possibilities but also takes the risk of loss of values of the architectural space and of the relation between the meaning of architecture and its building.
Ottolini, Roberto <1973>. "Costruire Cluny:la definizione dello spazio sacro e dei suoi simboli nell'XI secolo". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/2533/1/Ottolini_Roberto_Tesi.pdf.
Texto completoOttolini, Roberto <1973>. "Costruire Cluny:la definizione dello spazio sacro e dei suoi simboli nell'XI secolo". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/2533/.
Texto completoBaroncioni, Andrea <1976>. "La città di Trento tra Tardo Antico e Alto Medio Evo: la genesi della città medievale e lo spazio del sacro". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amsdottorato.unibo.it/5053/1/baroncioni_andrea_tesi.pdf.
Texto completoThe excavation of the church of Santa Maria Maggiore allowed us to gain important information on the history of the city of Trento during the Late Antiquity and the process of Christianization. The first church, of the second half of Vth century AD, stands on a previous thermal structure built around the IInd century AD and is characterized by a strong monumental character. The church, with three naves, presented a raised presbytery, decorated (during the first phase) with an opus sectile then replaced in the VIth century by a polychrome mosaic. Were also found major parts of the architectural decoration of late VIIIth century, belonging to this same system, which won't be significantly modified until the completion of the subsequent medieval religious building, much less extensive and with less monumental aspect, characterized by the presence of an extensive cemetery found at north of the church. The third structural phase, organized in two naves, had rich fresco decorations, and was demolished in the Late Renaissance to build the present church.
Baroncioni, Andrea <1976>. "La città di Trento tra Tardo Antico e Alto Medio Evo: la genesi della città medievale e lo spazio del sacro". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amsdottorato.unibo.it/5053/.
Texto completoThe excavation of the church of Santa Maria Maggiore allowed us to gain important information on the history of the city of Trento during the Late Antiquity and the process of Christianization. The first church, of the second half of Vth century AD, stands on a previous thermal structure built around the IInd century AD and is characterized by a strong monumental character. The church, with three naves, presented a raised presbytery, decorated (during the first phase) with an opus sectile then replaced in the VIth century by a polychrome mosaic. Were also found major parts of the architectural decoration of late VIIIth century, belonging to this same system, which won't be significantly modified until the completion of the subsequent medieval religious building, much less extensive and with less monumental aspect, characterized by the presence of an extensive cemetery found at north of the church. The third structural phase, organized in two naves, had rich fresco decorations, and was demolished in the Late Renaissance to build the present church.
Marcuccetti, Andrea. "La costruzione dello spazio del sacro cattolico nel XXI secolo, in Italia e Francia : tra tradizione e futuro, attrattività e repulsione : I progetti delle chiese dopo il Grande Giubileo : gli esempi di Roma e Parigi". Thesis, Lille 1, 2012. http://www.theses.fr/2012LIL10171.
Texto completoWhich are the issues posed for the construction of a church in the urban fabric of the third millennium? Which are, currently, the places of worship -more or less visible- capable of attracting the faithful,the inhabitants but also migrants or visitors in transit?What kind of conflicts can the construction of a church, or more generally of a sacred space,create in a neighborhood and which could be the conditions to avoid it?In some cases, places of worship contribute to reinforce the feeling of belonging and/or identity,they are also points of orientation in the cities,which exceeds the scale of their communities,opening up to other confessions,also.They participate in urban life through many events that we can qualify within culture.This paper interrogates the notion of sacred space from the spatial point of view,through the analysis of the churches built in Rome and Paris,after the Great Jubilee,but also from the standpoint of individual and collective representations.Between tradition and future,attractiveness and repulsion,beyond the symbolic dimension (brand) of the sacred building, the thesis places the question of methodological processes that lead to the construction of a space both real and virtual.Final argument,the comparison between the Italian and French experiences can help to identify the differences between the two systems,the issues of a technical and sociological nature,in order to identify the manner in which we can overcome the monofunctional and restrictive use of the worship site,in favor of multi-functional uses,both internal and aggregated,which allow a wider ownership of these spaces,in an era where the churches are,gradually, more and more empty
FEROLDI, Alessandra. "La luce e lo stile gotico: una nuova modalità di organizzazione dello spazio sacro, una nuova visione dell’uomo e del rapporto con Dio. Le relazioni tra arte, religione e scienza nel passaggio dal XII al XIII secolo". Doctoral thesis, Università degli studi di Bergamo, 2014. http://hdl.handle.net/10446/30776.
Texto completoGhidini, Giulia <1983>. "Da sacro a pubblico: Pechino e l'evoluzione degli spazi urbani". Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17117.
Texto completoManenti, Claudia <1968>. "Luoghi di identità e spazi del sacro nella città europea contemporanea". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/3630/1/CLAUDIA_MANENTI_-_TESI.pdf.
Texto completoManenti, Claudia <1968>. "Luoghi di identità e spazi del sacro nella città europea contemporanea". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/3630/.
Texto completoBartolomei, Luigi <1977>. "Luoghi e spazi del sacro. Matrici urbane; archetipi architettonici; prospettive contemporanee per la progettazione di spazi per la cristianità". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/889/1/Tesi_Bartolomei_Luigi.pdf.
Texto completoBartolomei, Luigi <1977>. "Luoghi e spazi del sacro. Matrici urbane; archetipi architettonici; prospettive contemporanee per la progettazione di spazi per la cristianità". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/889/.
Texto completoMilhaud, Cyril. "Sacré crédit! Apogée et déclin du crédit ecclésiastique dans l'Espagne moderne". Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0135/document.
Texto completoThis project analyses the evolutions of long-term credit markets (the censos) in eraly modern Spain. After a description of the actors and the functioning of these markets in the first chapter, the second chapter focuses on the consequences of jurisdictional fragmentation on credit market integration. Then, the third chapter examines the functioning and the economic governance of a single religious order and sheds light on the integration role performed by ecclesiastical institutions. The last chapter studies the financial repression implemented by the Crown in the late eighteenth century and its decisive role in the withdrawal of religious institutions from the credit market and the subsequent credit contraction
Gaetano, Fabrizio. "Scrivere la storia. Costruzione e rappresentazione degli spazi nelle Storie di Erodoto". Doctoral thesis, Università degli studi di Padova, 2019. http://hdl.handle.net/11577/3421870.
Texto completoLe, Corre-Carrasco Marion. "Le sacré espagnol aux prises avec la Modernité (1868-1923) : étude d'un motif iconographique et littéraire, au carrefour de l'identité nationale et de la création artistique". Thesis, Paris 10, 2010. http://www.theses.fr/2010PA100143/document.
Texto completoDuring the transitional period between the 19th and the 20th century, Spain experienced an unprecedented revolution, both religious and cultural. The issue of the sacred enabled to crystallize what is at stake during this crisis. A thoroughly cross-conceptual approach shows the sacred as a keystone for the mayhem that Spanish people underwent. The role of the church in Spanish society kept being questioned, due to the underlying conflict between those who supported the church and the others who were opposed to it. This questioning was fundamental in the difficult idiosyncratic quest which shook the nation. Artists, who were both witnesses and actors of their time, unveiled and showed this political and social tension. Firstly, the analysis of the pattern of the sacred through novels and paintings underlines the evidence of the secularization that took place. Likewise, it discloses the pregnancy of a religious culture established on a permanent basis in Spanish society. Secondly, the intrinsic polymorphous aspect of this pre-modern sacred is revealed by a typology which develops the representation of the sacred, from the most obvious to the least tangible one. This dilution of the sacred is characteristic of Modernity. Finally, beyond the study of the iconographic and novelistic pattern, an analysis of the process of the sacred enhances how the artists of this era took soundings and questioned sacrality in their works of art. It also shows how sacrality, constantly changing, could not be mastered by the artists, digging the roots of a cult for art
Omes, Marco Emanuele. "La festa di Napoleone : sovranità, legittimità e sacralità nell'Europa francese (repubblica/impero francese, Repubblica/Regno d'Italia, Regno di Spagna, 1799-1814)". Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/86067.
Texto completoMARCUCCETTI, ANDREA. "La costruzione dello spazio del sacro cattolico nell XXI secolo in Italia e Francia fra tradizione e futuro, attrattività e repulsione. Esperienze a Roma e Parigi dopo il Grande Giubileo". Doctoral thesis, 2012. http://hdl.handle.net/11573/918413.
Texto completoZOCCO, SALVATORE. "Giovanni Michelucci Architetture pisane". Doctoral thesis, 2015. http://hdl.handle.net/2158/1000010.
Texto completoBENFANTE, ANGELA. "La strutturalità dello spazio-luce L'Architettura Sacra di Pier Luigi Nervi". Doctoral thesis, 2019. http://hdl.handle.net/2158/1153299.
Texto completoVizzini, Marta. "Per un riesame della pittura viterbese. Pittura e contesti nel Patrimonium Sancti Petri in Tuscia tra XIII e XIV secolo". Doctoral thesis, 2023. https://hdl.handle.net/2158/1299343.
Texto completoCaramico, Virginia. "Pitture al Sacro Speco di Subiaco fra Due e Trecento. Una rilettura delle strategie narrative fra spazi monastici e percorsi della devozione laicale". Doctoral thesis, 2019. http://hdl.handle.net/2158/1153282.
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