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Libros sobre el tema "Spatialized"

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Publicado: 25 de mayo de 2024

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1

Dlamini, S. Nombuso y Angela Stienen. Spatialized Injustice in the Contemporary City. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429434570.

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2

Newhouse, Katherine S. Small Spaces, Big Moments: Understanding the Spatialized Lived Experiences of Youth and Adults in Restricted Educational Programs. [New York, N.Y.?]: [publisher not identified], 2020.

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3

Activite artistique et spatialite. Paris: L'Harmattan, 2010.

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4

Jurić, Duje. Mreža oprostorene slike: Net of the spatialised picture. Zagreb: Muzej suvremene umjetnosti, 2021.

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5

Najib, Kawtar. Spatialized Islamophobia. Taylor & Francis Group, 2021.

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6

Spatialized Islamophobia. Taylor & Francis Group, 2021.

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7

Najib, Kawtar. Spatialized Islamophobia. Taylor & Francis Group, 2021.

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8

Spatialized Islamophobia. Taylor & Francis Group, 2021.

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9

Lobry, Claude, Jérôme Harmand, Alain Rapaport y Tewfik Sari. Spatialized Models of Chemostats. Wiley & Sons, Incorporated, John, 2019.

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10

Stienen, Angela y S. Nombuso Dlamini. Spatialized Injustice in the Contemporary City. Taylor & Francis Group, 2022.

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11

Dennis, Helen May. Native American Literature: Towards a Spatialized Reading. Taylor & Francis Group, 2009.

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12

Dennis, Helen May. Native American Literature: Towards a Spatialized Reading. Taylor & Francis Group, 2006.

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13

Dennis, Helen May. Native American Literature: Towards a Spatialized Reading. Taylor & Francis Group, 2006.

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14

Dennis, Helen May. Native American Literature: Towards a Spatialized Reading. Taylor & Francis Group, 2006.

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15

Stienen, Angela y S. Nombuso Dlamini. Spatialized Injustice in the Contemporary City: Experiences of Contestation. Routledge, 2022.

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16

Stienen, Angela y S. Nombuso Dlamini. Spatialized Injustice in the Contemporary City: Protesting As Public Pedagogy. Taylor & Francis Group, 2022.

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17

Stienen, Angela y S. Nombuso Dlamini. Spatialized Injustice in the Contemporary City: Protesting As Public Pedagogy. Taylor & Francis Group, 2022.

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18

Spatialized Injustice in the Contemporary City: Protesting As Public Pedagogy. Taylor & Francis Group, 2022.

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19

Stienen, Angela y S. Nombuso Dlamini. Spatialized Injustice in the Contemporary City: Protesting As Public Pedagogy. Taylor & Francis Group, 2022.

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20

Shabazz, Rashad. Carceral Matters. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039645.003.0001.

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This book explores the intersection of race, gender, sex, and geography in Chicago. It examines the relationship between people and place, as well as the geographic lessons Black Chicagoans learned during the twentieth century and the role housing and architecture, politicians and police played in those lessons. Through an analysis of interracial sex districts, cramped apartments, project housing, street gangs, urban planning, and the HIV/AIDS epidemic in Chicago, the book reveals the workings of spatialized blackness in Chicago. It argues that policing, surveillance, and architectures of confinement were used to “spatialize blackness” in the city, with racialized and gendered consequences for Black people, especially on the South Side. The book also considers how parts of Chicago's South Side were confronted with daily forms of prison or carceral power that effectively prisonized the landscape. The effects of carceral power on Black masculinity are discussed, from its entrance into Black Chicago from the first leg of the Great Black Migration to the end of the twentieth century. This introduction provides an overview of the chapters that follow.
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21

Picon, Antoine. Smart Cities: A Spatialised Intelligence. Wiley & Sons, Incorporated, John, 2015.

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22

Picon, Antoine. Smart Cities: A Spatialised Intelligence. Wiley & Sons, Incorporated, John, 2015.

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23

Picon, Antoine. Smart Cities: A Spatialised Intelligence. Wiley & Sons, Limited, John, 2015.

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24

Vásquez, Manuel A. y David Garbin. Globalization. Editado por Michael Stausberg y Steven Engler. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198729570.013.46.

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This chapter explores the key factors involved in the interaction between religion and globalization. It highlights the roles played by transnational networks, fields, and regimes, as well as migrant and religious diasporas, mass culture, and electronic media in the global circulation and appropriation of religious practices, beliefs, symbols, artifacts, and identities. Using the examples of religious networks associated with Islam, Hinduism, and Christianities, the chapter also argues that while the economic dimensions of religion in a context of globalization are central, the dynamics of global religious fields cannot be reduced to those of the world capitalist system. Religious flows and networks are multi-directional. There is thus a need to develop interdisciplinary and multi-sited approaches to these flows and networks, examining the ways in which they challenge fixed center–periphery models and produce alternative power/geometries shaping religious identities, cultures, and embodied as well as spatialized ontologies.
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25

Thurner, Christina. Time Layers, Time Leaps, Time Loss. Editado por Mark Franko. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.013.45.

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The crisis of historiography, diagnosed by postmodern theorists, is taken as a basis of methodological reflections on dance history/historiography. This chapter asks if and how dance as art and theory reflects on the problem of history and about the potential of a critical reworking, accounting, or narration of a history or histories proper to dance. Concerning the constructive character of historiography, the chapter discusses alternative models of historiography taken from other disciplines (especially literary theory) as they relate to dance and ultimately lay the foundation of a nonvectorial, “spatialized” historiography of dance. It points out that writing an alternative history of dance takes as its starting point the enmeshed model of a network, or a choreographic contemporaneity of the noncontemporaneous. Danced reenactments finally are understood as choreographic juxtapositions, as reflections of moving scenes in relation to each other in time and space, or rather through times and spaces.
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26

Germana, Michael. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190682088.003.0001.

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This introductory chapter traces the origins of Ralph Ellison’s philosophy of temporality, and illustrates how Ellison’s synthesis of the ideas of Henri Bergson and Friedrich Nietzsche precedes, and in many ways prefigures, the work of Gilles Deleuze. It also demonstrates how Ellison’s Bergsonian critique of spatialized time—a coercive form of temporality that subtends progressive history—anticipates contemporary post-Deleuzian elucidations of the reciprocal relationship between temporality and subjectivity. By attuning his readers to intensities implicit in the present, or the dynamism inherent in what Bergson called duration, Ellison affirms the open-endedness of the future while critiquing all forms of determinism. And by treating race as a matter of time, Ellison shows how the feedback loops by which a racist society chaotically reproduces itself can be destabilized by troubling the coercive temporality with which they are linked “on the lower frequencies” of our immanent existence.
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27

Germana, Michael. A Deep Pocket for the Truth of the Times. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190682088.003.0006.

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Chapter 5 treats Ellison’s music criticism as an expression of his commitment to durational time and a critique of cultural forms like bebop that, in Ellison’s estimation, lend form to a discontinuous present. Rather than suggest, as many critics have, that Ellison was simply nostalgic for danceable swing music or hostile toward emerging musical forms, this chapter shows that Ellison’s primary criticism of bebop is that it formalizes a discontinuous sense of time and thereby affirms an historical view of the past structured by an analogous, sequentially static sense of time. Ellison’s problem with bebop, in other words, is neither musicological nor sociological, but temporal. Folk jazz and the blues, by contrast, affirm a durational view of time in the form of a “pocket” or groove entirely unlike the spatialized groove of history described in Invisible Man. In short, Ellison finds in musical grooves antidotes to the groove of history.
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28

Conkie, Robert. Reverie of a Shakespearean Walker. Editado por James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.10.

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This chapter is about walking to, from, and during Shakespearean performance. It argues that this walking enhances the way a production matters for its various audience members. The first half of the chapter details several productions the author walked to and from in and around the inner city of Melbourne, and the second half details immersive and site-specific productions where walking was an integral part of the theatrical experience itself. It is argued that this walking offers an embodied and spatialized practice of (and for) engagement and reflection, both intellectual and affective, and that not just the text, but also the context, is imbued with renewed vigour. The chapter, therefore, celebrates both an incredible diversity of Shakespearean productions within a very short time frame and within a confined geography and also the various Melbourne locations and journeys that the productions encompass and enhance.
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29

Weisband, Edward. From Collective Violence to Human Violation. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190677886.003.0002.

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This chapter argues that the psychodynamics of desire contribute to the transformation of “ordinary” individuals into those who directly and indirectly support or engage in genocide, mass atrocity, and their performative dramaturgies. The chapter describes the practices of the macabresque in terms of noir ecstasy and the psychodynamics of obscene surplus enjoyment in the transgressive theaters of human violation. Comparative depictions of the macabresque in the Guatemalan, Chilean, Sri Lankan, Congolese, Darfurian, and other cases are framed by Lacanian psychosocial theory and concepts focused on ideology, fantasy, and personality that analytically transitions from festivality and the carnivalesque to the macabresque. Human violation and the desire for absolute power drive perpetrator behavior in ways that normalize their anti-normative or anomic hatred and enemy-making relative to victims’ fixed, fixated, and frozen identitarian categories that become naturalized, and often racialized. Victims suffer racialization by means of forced displacement. This produces spatialized “islands” of demonization.
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30

Haug, Annette, Christian Horn, Gustav Wollentz y Gianpiero Di Maida. Places of Memory: Spatialised Practices of Remembrance from Prehistory to Today. Archaeopress, 2020.

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31

Horn, Christian, Gustav Wollentz y Gianpiero Di Maida. Places of Memory: Spatialised Practices of Remembrance from Prehistory to Today. Archaeopress, 2020.

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32

Ltd, ICON Group. SPATIALIZER AUDIO LABORATORIES, INC.: Labor Productivity Benchmarks and International Gap Analysis (Labor Productivity Series). 2a ed. Icon Group International, Inc., 2000.

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33

Ltd, ICON Group. SPATIALIZER AUDIO LABORATORIES, INC.: International Competitive Benchmarks and Financial Gap Analysis (Financial Performance Series). 2a ed. Icon Group International, Inc., 2000.

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34

Callender, Craig. The Differences Between Time and Space. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198797302.003.0006.

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Many philosophers and physicists have mistakenly felt that physics “spatializes time,” in the famous words of Henri Bergson. Contemporary physics instead distinguishes time from space in a variety of ways. Once identified, we can ask new questions about these features. Are there connections among these features? Is it just accidental that they coincide in our world? By identifying what is special to time and finding connections amongst them, we learn something deep about the nature of time in physical theories.
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35

Prácticas de Sistemas de Información Geográfica en Ingeniería Informática: Prácticas con QGIS, R, SpatiaLite, PostGIS y GeoServer. Independently Published, 2019.

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36

Kim, Christine. Diasporic Fragility and Brokenness. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040139.003.0004.

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This chapter examines works by Korean Canadian artist David Khang and Korean American writer Susan Choi through the lens of fragility in order to understand the complexities of diasporic publics as formations of feeling. Khang's art installation Mom's Crutch (2004) and performance art project Wrong Places (2007–14) and Choi's 1998 novel, The Foreign Student, underscore the need to spatialize discussions of postcolonial intimacies and affect by reminding that diaspora is an affective formation whose participants are situated within diverse national contexts, and that this tension shapes global politics and possibilities. Indeed, their projects speak to the geopolitics of feeling and the local, national, and global structures that shape delicate memories, racialize social intimacies, and formulate Asia as a site of alterity.
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37

Jiménez, José Samos. Sistemas de Información Geográfica en el Grado de Ingeniería Informática: SIG. Prácticas con QGIS, R, SpatiaLite, PostGIS y GeoServer. Independently Published, 2019.

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38

Fitzgerald, William y Efrossini Spentzou. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198768098.003.0001.

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Part One of the introduction places the book within the framework of the recent spatial turn in the Humanities, engaging with key psychogeographical notions. It contextualizes the volume with reference to relevant studies on both Greek and Latin literature that have engaged with such perspectives. This part also explores how Roman writers themselves spatialize their narratives and maps how different contributors engage with the spatial element of the various narratives. Part Two engages with aspects of modern political philosophy, utilizing it in order to appreciate the ideological disputes inherent in space’s capacity to both represent and construct. This Part engages with various spatial theorists who attempt to write about space while avoiding polarized categorizations. Part Three provides an extensive and intertwined interpretation of all contributions, linking the varied discussions into a consideration of the qualities and potential of the written spaces.
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39

Fitzgerald, William. The Space of the Poem. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198768098.003.0007.

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Horace’s odes often make connections between different kinds of space, intimate and imperial, for instance, and it is noticeable that Horace tends to spatialize the poems themselves by putting geographical references at the beginning or end of the poem, and even by locating the lyric here and now in the middle. Ellen Oliensis has spoken of the relation between Horace’s lyric fines and ‘the larger cultural preoccupation with the masterful articulation of space’, noting that Rome’s enemies often roam the boundaries of Horace’s odes, which establish an internal order against an irregular enemy at the margins of empire. This chapter will focus on the uses to which Horace puts the space of the poem, not only in terms of the poem’s places (beginning, middle, and end) but in the characteristic spacing of Horace’s syntax. The main focus will be Odes 2.11.
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40

Rascaroli, Laura. Temporality. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190238247.003.0005.

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Opening with a discussion of the diptych form in film, seen as a dialogic structure activated in a spatiotemporal in-betweenness, this chapter focuses on films constructed around an interstice between incommensurable temporalities. In particular, it looks at filmic practices that spatialize time and at films that articulate the road as a palimpsest through which a diachronic way of thinking develops. The first case study is a diptych by Cynthia Beatt, Cycling the Frame (1988) and The Invisible Frame (2009), which follow the actor Tilda Swinton while she cycles the route along the Berlin Wall, before and after its fall, respectively. The second example, Davide Ferrario’s La strada di Levi (Primo Levi’s Journey, 2007), retraces the route traveled by the writer Primo Levi on his return to Italy after his release from Auschwitz. The temporal gaps carved and exploited by these films are at once material, historical, and ideological.
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41

Hamera, Judith. Combustible Hopes on the National Stage. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199348589.003.0004.

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This chapter argues for Detroit as an image and an actual place that spatializes and racializes the affective fallout of deindustrialization using three plays whose 2013 New York runs coincided with both the city’s impending bankruptcy and the United States’ anemic recovery from the Great Recession: Detroit by Lisa D’Amour, Detroit’67 by Dominique Morisseau, and Motown the Musical by Berry Gordy. Each play uses Detroit to explore the interpersonal consequences of opportunities and crises in racialized capitalism. Each offers audiences intimate visions of the Fordist bargain in its seeming heyday, particularly compelling in a period of lackluster economic recovery. In this chapter I introduce the formulations “re-siting” and “re-citing” to analyze the ways elements of Detroit’s incendiary history of interracial confrontations are redeployed to support images of a capitalist work ethic transcending or succumbing to racist violence, and to link the city to a seemingly race-neutral contemporary precarity.
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42

Callender, Craig. What Makes Time Special? Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198797302.001.0001.

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As we navigate through life, we model time as flowing, the present as special, and the past as “dead.” This model of time—manifest time—develops in childhood and later thoroughly infiltrates our language, thought, and behavior. It is part of what makes a human life recognizably human. Yet if physics is correct, this model of the world is deeply mistaken. This book is about this conflict between manifest and physical time. The first half dives into the physics and philosophy to establish the conflict’s existence; but it also argues that the claim that physics “spatializes” time is overstated. Rather, even relativity theory makes time special in deep and significant ways. The second half turns to psychology, biology, and more, seeking to understand why creatures like us develop manifest time. The novel picture that results is that manifest time is a natural reaction to the many cognitive and evolutionary challenges that we face. For subjects embedded in our circumstances, it makes sense to develop—even if fundamentally wrong.
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43

Hepworth, Jack. 'The Age-Old Struggle'. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800855397.001.0001.

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Drawing upon a wide range of archival material and oral histories, this book analyses the internal dynamics of Irish republicanism since the outbreak of conflict in 1969. Examining more than 500 political periodicals and ephemera, ‘The age-old struggle’ assesses the complexity of republicanism’s composition, intellectual and ideological influences, and internal dynamics amid tactical and strategic reorientation. Moreover, engaging the perspectives of more than 250 republican activists, this book illuminates how the movement’s base experienced the conflict, and how it is remembered today. Through five thematic chapters, this book explains how class, place, and networks within the movement alternately sustained, complicated, and fragmented republican politics. Republicans experienced class and interacted with class politics differently. Activists spatialised and historicised their struggle locally, nationally, and internationally. At moments of crisis and transformation in their campaign, republicans mobilised in contrasting networks which either advocated or repudiated ‘new departures’. These competing milieux mediated individual interpretations of strategic change and power dynamics within republicanism. This book’s conclusions have implications for assessments of radical movements beyond Ireland, and for understanding Irish republicanism today.
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44

Kuus, Merje. Critical Geopolitics. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190846626.013.137.

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Critical geopolitics is concerned with the geographical assumptions and designations that underlie the making of world politics. The goal of critical geopolitics is to elucidate and explain how political actors spatialize international politics and represent it as a “world” characterized by particular types of places. Eschewing the traditional question of how geography does or can influence politics, critical geopolitics foregrounds “the politics of the geographical specification of politics.” By questioning the assumptions that underpin geopolitical claims, critical geopolitics has evolved from its roots in the poststructuralist, feminist, and postcolonial critique of traditional geopolitics into a major subfield of mainstream human geography. This essay shows that much of critical geopolitics problematizes the statist conceptions of power in social sciences, a conceptualization that John Agnew has called the “territorial trap.” Along with political geography more generally, critical geopolitics argues that spatiality is not confined to territoriality. The discursive construction of social reality is shaped by specific political agents, including intellectuals of statecraft. In addition to the scholarship that draws empirically on the rhetorical strategies of intellectuals of statecraft, there is also a rich body of work on popular geopolitics, and more specifically on resistance geopolitics or anti-geopolitics. Another emerging field of inquiry within critical geopolitics is feminist geopolitics, which shifts the focus from the operations of elite agents to the constructions of political subjects in everyday political practice. Clearly, the heterogeneity of critical geopolitics is central to its vibrancy and success.
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