Literatura académica sobre el tema "Spatial imaginaries"

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Artículos de revistas sobre el tema "Spatial imaginaries"

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Keyder, Caglar y Ravi Arvind Palat. "GEOPOLITICS AND NEW SPATIAL IMAGINARIES". Critical Asian Studies 45, n.º 3 (septiembre de 2013): 393–96. http://dx.doi.org/10.1080/14672715.2013.829311.

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Alencar, Amanda y Julia Camargo. "Spatial Imaginaries of Digital Refugee Livelihoods". Journal of Humanitarian Affairs 4, n.º 3 (2 de marzo de 2023): 22–30. http://dx.doi.org/10.7227/jha.093.

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Discourses around the so-called digital economy are increasingly more present in contexts of forced displacement, with digital inclusion of refugees being framed by humanitarian agencies as a fundamental human right and an essential tool to promote access to income and skills development. While digital work can certainly bring about positive changes in forced migration settings, imaginaries around the role of the digital in refugees’ economic lives reflect a broader neoliberal project that envisions a retreat of the welfare state and that places on refugees the responsibility to integrate. This article draws on spatial imaginaries frameworks to advance the theoretical understanding of power differentials that are embodied in the use of technologies to promote refugee livelihoods. A combination of interviews, participant and non-participant observations was used to examine the perspectives of Venezuelan refugee women and humanitarian actors in the context of a digital work initiative in the city of Boa Vista, Brazil. The analysis reveals a mismatch between the imaginaries underpinning digital work opportunities and the expectations and plans of the refugee women themselves about the use of ICTs and engagement in digital forms of employability. Such disconnect can reinforce inequalities for refugee’s agency in the digital economy.
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Matus, Claudia y Susan Talburt. "Spatial imaginaries: universities, internationalization, and feminist geographies". Discourse: Studies in the Cultural Politics of Education 30, n.º 4 (diciembre de 2009): 515–27. http://dx.doi.org/10.1080/01596300903237271.

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Lingua, Valeria. "Enhancing Spatial Imaginaries of Metropolitan Renaissance: A Regional Design Approach". Sustainability 14, n.º 13 (22 de junio de 2022): 7628. http://dx.doi.org/10.3390/su14137628.

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This paper explores the contribution of Regional Design (RD), as an imaginative and creative practice aimed at the co-production of actual and future visions, to the construction and diffusion of spatial imaginaries (SI) concerning the present and future of our metropolitan cities. Despite recent studies on the performance of RD, an in-depth understanding of the interrelations between RD and SI has not yet been achieved. In order to fill this gap, the performance of RD in enhancing spatial imaginaries is approached by analysing its capacity to make the region visible, providing moments of insight and institutionalising certain imageries through processes of SI resonance. The application of these notions to the case of the Metropolitan City of Florence, by tracing the evolution of multiple spatial imaginaries and the challenges brought by the pandemic, reveals the opportunities and weaknesses of RD for grasping and even changing spatial imaginaries within processes of defining shared visions for the future of cities and regions.
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McCormack, Donna. "Canceral Imaginaries". lambda nordica 27, n.º 2-3 (4 de noviembre de 2021): 129–55. http://dx.doi.org/10.34041/ln.v27.744.

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This article examines the carceral imaginaries that emerge from the late capitalist structure of organ donation as an issue of short supply. This piece explores this issue through the lens of spatial segregation, arguing that carceral imaginaries are spaces of luxury where donors are segregated from recipients and are thereby legally murdered. The focus is Ninni Holmqvist’s novel The Unit (2008) where the future is structured through gender equality but reproductive normativity. Donors are segregated away in the luxurious unit because they have not repro- duced. Having not produced future generations of labourers, these donors must contribute to the nation by donating their body parts to the reproductive – and therefore productive – members of the nation. Focusing on Sweden’s history of eugenics and on gender equality, this article argues that the very space of care, namely the clinic, which facilitates life-saving treatments also subjects whole populations to violence and death through reproductive norms. Finally, it sug- gests that space is both that through which bodies move, but also the body itself. That is, the segregation of the body’s parts and the idea that space may be divided by borders are mutually constitutive and found both the restrictions of bodily movement through space and murder as the gift of life.
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Soudias, Dimitris. "Spatializing Radical Political Imaginaries". Contention 8, n.º 1 (1 de junio de 2020): 4–27. http://dx.doi.org/10.3167/cont.2020.080103.

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This article seeks to make sense of why participants in square occupations point to the transformative character of their experience. Drawing from narrative research on the 2011 occupation of Syntagma Square in Athens, I argue that the transformative quality of the occupation lies in the spatialized emergence and practice of radical political imaginaries in these encampments, which signify a demarcation from and an alternative to the neoliberalizing of everyday life in Greece. By scrutinizing the spatial demarcation between the “upper” and “lower” parts of the Syntagma Square occupation, one can think more carefully about the conditions of possibility for the emergence of the radical imagination.
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Georgi, F. Richard. "Spatial Imaginaries and (Transitional) Justice in Colombia’s Borderlands". Peace Review 33, n.º 4 (2 de octubre de 2021): 470–78. http://dx.doi.org/10.1080/10402659.2021.2043006.

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Beaugrand, Claire. "Borders and Spatial Imaginaries in the Kuwaiti Identity". Geopolitics 23, n.º 3 (30 de junio de 2017): 544–64. http://dx.doi.org/10.1080/14650045.2017.1341407.

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Waters, Elissa y Jon Barnett. "Spatial imaginaries of adaptation governance: A public perspective". Environment and Planning C: Politics and Space 36, n.º 4 (21 de julio de 2017): 708–25. http://dx.doi.org/10.1177/2399654417719557.

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While there is a growing literature on the institutional and scalar aspects of governance for adaptation, there remain very few studies that seek to explain how the public imagines the governance of adaptation across scales. Knowing public imaginaries of adaptation governance is important for the legitimacy and efficacy of adaptation processes. In this paper, we explain how the public imagines the governance of adaptation across scales, based on 80 in-depth interviews with coastal residents in south-eastern Australia. We find an overwhelming preference for government leadership on adaptation, little appetite for exclusively non-government responsibility regimes, and limited desire for shared public/private responsibility regimes. Participant responses indicate a broad preference for a multilevel government governance model, with responsibility weighted at local and national scales. This preference for a strong but distributed government function is at odds with the emerging tendency of governments to shift the weight of responsibility for adaptation down to local governments and to private actors.
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Haughton, Graham y Philip Allmendinger. "Fluid Spatial Imaginaries: Evolving Estuarial City-regional Spaces". International Journal of Urban and Regional Research 39, n.º 5 (septiembre de 2015): 857–73. http://dx.doi.org/10.1111/1468-2427.12211.

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Tesis sobre el tema "Spatial imaginaries"

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Crawford, Jenny Estella Joan. "Spatial imaginaries of 'coast' : case studies in power and place". Thesis, University of Newcastle upon Tyne, 2017. http://hdl.handle.net/10443/3703.

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UK land use policy since the mid twentieth century has recognized the ‘coast’ as representing key economic, ecological and cultural resources for development and management. However, the definition, understanding and role of coastal space in planning processes has attracted limited research interest until recently. The context for including coastal space in UK planning policy has changed radically in the last few years, with, for instance, new horizons in minerals and fuel extraction, nuclear power and renewable energy affecting the land/sea interface directly. At the same time, the introduction of new spatial planning systems for marine space, requiring integration with land use planning, has shifted the institutional and conceptual parameters of development policy and regulation. This PhD thesis uses case studies in two cross-border regions of the northern UK to examine how framings of spatial imaginaries of ‘coast’ operate in consolidating or challenging dominant development discourses. It takes a relational approach to the understanding of coastal space, recognizing its discursive construction by policy actors. It examines the ways in which such constructions are being harnessed within national and local planning processes, by drawing on critical discourse analysis of the positioning and mobilization of coastal imaginaries in development policy-making. Both case study areas have extensive environmental designations of international significance. The findings point to the ways in which different imaginaries of ‘coast’ in these areas are conscripted into competing discourses of local development. The discursive harnessing of spatial imaginaries of coast by dominant economic development agendas is an active mechanism of inclusion and exclusion. These findings highlight the importance, in development policy analysis, of recognizing spatial imaginaries of ‘coast’ as the focus of agonistic and deliberative debates, rather than as functional entities per se.
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Macapagal, Katrina Angela R. "The slum chronotope and imaginaries of spatial justice in Philippine urban cinema". Thesis, Queen Margaret University, 2017. https://eresearch.qmu.ac.uk/handle/20.500.12289/8975.

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This dissertation proposes that Philippine independent urban cinema reveals imaginaries of spatial justice. The works approached as Philippine urban cinema are independently produced and internationally circulated films that heavily feature or reference Philippine slums as setting, with narratives that centre on the lives of the urban poor. The theory of spatial justice as defined by leading urban theorists argues that social justice has spatio-temporal dimensions. Grounded on this foundational premise, this study approaches Philippine urban cinema in its capacity to foreground and represent the complexities of social justice as contextualised in Philippine urban conditions, with local and global trajectories. Alongside the theory of spatial justice, the dissertation draws from Mikhail Bakhtin’s theory of the “chronotope” (literally meaning time-space) to formulate a theory of the “slum chronotope” as a foundational concept for analysing the ways by which films are able to imagine issues of spatial justice, with emphasis on character configuration and narrative formation. The chapters are structured according to genres and modalities, where other chronotopes that dialogue with the slum chronotope are identified and examined. In the comingof- age chapter, the study locates “chronotopes of passage”; in the melodrama chapter, the study locates “affective chronotopes” configured by the spatial practice of walking; in the Manila noir chapter, the study locates “chronotopes of mobility”; and in the final chapter, the study locates “chronotopes of in/visibility” in the Overseas Filipino Worker genre. This study offers a novel interdisciplinary framework for analysing Philippine urban cinema, and in the process, makes a case for Philippine urban history as crucial grounds for understanding the global urbanisation of poverty.
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Sam, Jillet Sarah. "Place and caste identification| Distanciation and spatial imaginaries on a caste-based social network". Thesis, University of Maryland, College Park, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3627672.

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This thesis studies the potency of place in mobilizing social categories, and its implications for both social categories and places. I use the theory of distanciation to study associations between caste identity and place. I conducted an ethnographic study of a caste-based digital group, the Cyber Thiyyars of Malabar, to understand the connections and disconnections between the Thiyya caste and Malabar from the perspectives of different sets of actors involved in the identification of caste, namely the nation-state and members of this caste-based network. The nation-state knows the Thiyya caste in a manner that is disconnected from Malabar, while the Cyber Thiyyars of Malabar seek to re-emphasize the identification of this caste through the region. Participant observation and in-depth interviews indicate that through references to Malabar, the group seeks to establish a Thiyya caste identity that is distinct from the Ezhavas, a caste group within which the nation-state subsumes them.

I demonstrate that references to Malabar serve to counter the stigma that the Cyber Thiyyars of Malabar experience when the spatially abstract categorization of the Thiyyas interacts with notions of caste inferiority/superiority. Further, it serves as a mobilizational tool through which they hope to negotiate with the nation-state for greater access to affirmative action. I also demonstrate that caste identification continues to be relevant to the production of place. Place-based identification of the Thiyyas influences the manner in which the group envisions the physical boundaries of Malabar and how other social groups can belong to this region. Based on this analysis, I argue that framework of distanciation should incorporate not only the experience of place and social relations, but also how they are known and represented.

This dissertation establishes that even though social categories such as caste and place are not conventionally understood to be connected to each other, it is important to study the associations between them. Although the new media and globalization may prompt to us to think that place does not matter anymore, I establish that this caste group uses the language of place to organize and mobilize itself on a stronger basis in precisely this context.

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Martín, Santamaría Enrique. "Cartografías imposibles. Las ciudades imaginarias de Mario Levrero". Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL085.

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Les villes projetées dans la littérature sont des espaces idéaux pour comprendre les tensions de notre temps. En reflétant les contradictions sociales produites par l'économie, l'accès inégal au pouvoir, la coexistence entre différents groupes culturels, etc., elles nous permettent de réfléchir aux caractéristiques complexes d'un monde en mutation permanente. L’objectif principal de cette thèse est d’analyser les villes littéraires de Mario Levrero comme des dispositifs narratifs qui permettent de constater la fin de certains projets politiques, sociaux et culturels du XXe siècle face à l’émergence d’un modèle qui tend vers la mondialisation. Ce travail est basé sur une hypothèse théorique qui peut être résumée comme suit : plus la complexité de notre système politique et économique est grande, plus il est difficile d'imaginer et de représenter la réalité dont nous faisons partie. Cela est particulièrement évident dans les représentations urbaines de Levrero, qui symbolisent le sentiment de désorientation caractéristique du sujet postmoderne avant d’échouer à cartographier tout aspect de la réalité contemporaine. Cela nous permet d'analyser la portée politique de ces représentations, puisqu'elles supposent à la fois un diagnostic sans espoir du présent et une projection ratée de l’avenir. Les villes imaginaires de Levrero fonctionnent comme des scénarios de l'effondrement d'un monde connu et de l'émergence d'un monde nouveau pour lequel les personnages ne disposent d'aucun outil d'interprétation
Projected cities in literature have been proven to be ideal spaces to understand the tensions of our time. By representing the social contradictions produced by the economy, the unequal access to power or the coexistence between different cultural groups, they allow us to reflect on the complex characteristics of a world in permanent transformation. The main objective of this thesis is to analyze the literary cities of Mario Levrero as narrative devices with which to observe the coming to an end of certain political, social and cultural projects of the twentieth century in the face the emergence of a model that tends towards the dissolution of the regional in the global. This work is based on a theoretical assumption that can be summarized as follows: the greater the complexity of our political and economic system, the greater the difficulty in imagining and representing the reality we are a part of. This is particularly clear in the urban representations of Levrero, which symbolize the sense of disorientation that distinguishes the postmodern subject before the failure of every attempt to map any aspect of contemporary reality. This allows us to analyze the political significance of these representations: they entail, on the one hand, a diagnosis of hopelessness for the present and, on the other, an outlook of failure for the future. The cities of Levrero function as backgrounds for the collapse of a known world and the emergence of a brand new one with characters that lack any tools for its interpretation
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Parrini, Massimo. "Le modalità di azione nella costruzione delle Politiche Urbanistiche Intercomunali in Italia - La Toscana come caso di studio". Doctoral thesis, 2019. http://hdl.handle.net/2158/1157625.

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Il percorso di ricerca trae origine dalla constatazione che nella letteratura scientifica si segnala una limitata presenza i prodotti di ricerca sul tema della pianificazione territoriale intercomunale. Quando gli studi indagano teorie e pratiche della pianificazione di Area Vasta spesso si riferiscono a quegli strumenti prodotti da enti territoriali di scala maggiore sempre in una logica di corrispondenza tra perimetro istituzionale e di pianificazione. Il tema del superamento degli ambiti istituzionali emerge nel dibattito sul ruolo delle aree metropolitane, non nelle realtà meno dense ma comunque interessate da importanti processi di urbanizzazione. Le politiche territoriali per lo sviluppo prevedono spesso, specialmente a livello europeo, la concentrazione tematica e geografica degli interventi. Questo non aiuta i territori meno densi nel far emergere progetti valutati di minor impatto semplicemente perché si situano in ambiti con minor peso demografico. L'attuale distribuzione e rango dei vari componenti del sistema urbano italiano è di tipo policentrico quindi è possibile valorizzare la rete di relazioni fisiche, economiche e istituzionali che legano il sistema. Questo ruolo difficilmente può essere svolto da Regioni e Comuni, mentre le Province, oggi fortemente depotenziate dalla Legge Del Rio e delegittimate dal dibattito politico sulla loro eliminazione, non riescono a giocare il loro ruolo di Ente intermedio. La pianificazione strategica territoriale, prodotta ed attuata attraverso processi di governance cooperativa, contiene gli strumenti in grado di far emergere i legami stretti tra gli obiettivi delle singole municipalità. Questo approccio consentirà di aprire una nuova stagione di pianificazione strategica orientata alle realtà della città policentrica nelle aree a minore densità urbana e costituirà un utile strumento nel caso si intraprendano percorsi di rescaling della geografia amministrativa come in altri paesi d'Europa e come recentemente accennato anche in Toscana. In estrema sintesi abbiamo in Italia 3 stagioni di pianificazione intercomunale svolte in forma associata. La prima che inizia con gli anni 50 e continua fino gli anni 70 sotto gli auspici della legge urbanistica nazionale. La seconda diversificata a seconda degli indirizzi delle varie norme regionali di governo del territorio che è presente in tono di minore specialmente dopo la riforma delle autonomie locali del 1990. La terza a partire dalla riforma della Legge Delrio del 2014 risulta tutt'ora attiva nonostante i risultati del referendum costituzionale dicembre 2016 che conferma lo status quo istituzionale. Analizzare gli esiti di queste esperienze ci consente di definire le problematicità che ne hanno determinato l'insuccesso. Sulla scorta delle esperienze analizzate nella parte precedente e del framework teorico-concettuale che supporta la ricerca si intende quindi dimostrare la tesi che rispetto alle esperienze passate di pianificazione intercomunale, espresse attraverso attività principalmente volontaristiche e in forma associativa senza che emergesse il ruolo guida di un sistema urbano metropolitano, molti dei contenuti del dibattito che si è instaurato nel tempo hanno costituito degli immaginari spaziali che si sono concretizzati i segni tangibili sul territorio attraverso pratiche diversificate decretando quindi la sostanziale riuscita di una serie di episodi che fino ad oggi venivano definite fallimentari. Inoltre alla luce del mutato contesto culturale e normativo attuale sembrano essersi attenuati gli aspetti problematici di questa passata esperienza e quindi il percorso di pianificazione associata di tipo volontaristico possa costituire in futuro un utile strumento a disposizione per il governo del territorio. Negli ultimi anni la Regione Toscana è stata protagonista di un intenso rinnovamento nel campo della pianificazione territoriale e urbanistica i cui principali cardini di riferimento sono rappresentati dalla nuova Legge regionale per il governo del territorio n. 65 del 2014 e dal Piano di indirizzo territoriale con valenza di piano paesaggistico approvato nell'anno successivo. Possiamo individuare alcune esperienze con l’obiettivo di verificare se queste azioni e questi strumenti sono stati in grado di segnare attraverso una qualche forma di immaginario spaziale la narrazione urbanistica e territoriale che stava svolgendosi in quel territorio. La prima riguarda la Val di Cornia, quella di maggior durata, con maggior continuità della produzione di pratiche pianificatore e con lo strumento di pianificazione giuridicamente più solido. La seconda si riferisce al piano intercomunale del Mugello avviato alla fine degli anni ‘60, in funzione oppositiva a ruolo indifferente di Firenze, verrà approvato come un piano di coordinamento senza alcun tipo di vincolo giuridico verso i comuni, ma del quale ne sarà tenuto conto nei successivi atti autorizzativi della Regione Toscana. Infine si analizza l'esperienza dell’ ipotesi di piano comprensoriale dell’Area del Cuoio, strumento molto “debole” mai approvato, ma le cui indicazioni in termini di strategie di localizzazione delle aree produttive, di tutela degli ambiti collinari e di realizzazione di una rete infrastrutturale sono state recepite e realizzate attraverso i tradizionali strumenti urbanistici dei singoli comuni. L’azione promozionale regionale ha portato il risultato che diversi Comuni hanno presentato progetti di attività pianificazione strutturale condivisa ed i dati ci evidenziano che ad oggi sono interessati da un attività di pianificazione strutturale intercomunale ben 123 comuni (42,85% dei comuni toscani) raggruppati in 25 aree che rappresentano il 22,21% del territorio regionale e il 13,60% della popolazione residente. Alcune di queste aree corrispondo alle Unioni dei comuni, altre ai Sistemi Locali del Lavoro o alle precedenti Associazioni Intercomunali o distretti industriali, altre sono state avviate costituendo apposite convenzioni di scopo. Le geografie con le quali si stanno presentando queste esperienze sono diversificate e l'attività di ricerca è ancora in corso per individuare gli ambiti che possano favorirne il successo In questo contesto le Unioni dei Comuni possono, per la vicinanza alle problematiche socioeconomiche delle comunità, per l'esperienza maturata di diversi anni di gestione unitaria di servizi e per le esperienze di governace collaborativa-cooperativa, rappresentare una valida opzione.
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Libros sobre el tema "Spatial imaginaries"

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Wang, Ao. Spatial imaginaries in mid-Tang China: Geography, cartography, and literature. Amherst, New York: Cambria Press, 2018.

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Dibazar, Pedram y Judith Naeff, eds. Visualizing the Street. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462984356.

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From user-generated images of streets to professional architectural renderings, and from digital maps and drone footages to representations of invisible digital ecologies, this collection of essays analyses the emergent practices of visualizing the street. Today, advancements in digital technologies of the image have given rise to the production and dissemination of imagery of streets and urban realities in multiple forms. The ubiquitous presence of digital visualizations has in turn created new forms of urban practice and modes of spatial encounter. Everyone who carries a smartphone not only plays an increasingly significant role in the production, editing and circulation of images of the street, but also relies on those images to experience urban worlds and to navigate in them. Such entangled forms of image-making and image-sharing have constructed new imaginaries of the street and have had a significant impact on the ways in which contemporary and future streets are understood, imagined, documented, navigated, mediated and visualized. Visualizing the Street investigates the social and cultural significance of these new developments at the intersection of visual culture and urban space. The interdisciplinary essays provide new concepts, theories and research methods that combine close analyses of street images and imaginaries with the study of the practices of their production and circulation. The book covers a wide range of visible and invisible geographies — From Hong Kong’s streets to Rio’s favelas, from Sydney’s suburbs to London’s street markets, and from Damascus’ war-torn streets to Istanbul’s sidewalks — and engages with multiple ways in which visualizations of the street function to document street protests and urban change, to build imaginaries of urban communities and alternate worlds, and to help navigate streetscapes.
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Riquet, Johannes y Elizabeth Kollmann. Spatial Modernities: Geography, Narrative, Imaginaries. Taylor & Francis Group, 2018.

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Riquet, Johannes y Elizabeth Kollmann. Spatial Modernities: Geography, Narrative, Imaginaries. Taylor & Francis Group, 2018.

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Macapagal, Katrina. Slum Imaginaries and Spatial Justice in Philippine Cinema. Edinburgh University Press, 2021.

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Macapagal, Katrina. Slum Imaginaries and Spatial Justice in Philippine Cinema. Edinburgh University Press, 2021. http://dx.doi.org/10.1515/9781474451918.

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Macapagal, Katrina. Slum Imaginaries and Spatial Justice in Philippine Cinema. Edinburgh University Press, 2021.

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Macapagal, Katrina. Slum Imaginaries and Spatial Justice in Philippine Cinema. Edinburgh University Press, 2021.

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Slum Imaginaries and Spatial Justice in Philippine Cinema. Edinburgh University Press, 2023.

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Certomà, Chiara. Digital Social Innovation: Spatial Imaginaries and Technological Resistances in Urban Governance. Springer International Publishing AG, 2021.

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Capítulos de libros sobre el tema "Spatial imaginaries"

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Lawson, Konrad. "Regional imaginaries". En Doing Spatial History, 237–51. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429291739-17.

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Mogiani, Marco. "Alternative Spatial Imaginaries". En The Routledge Handbook of Refugee Narratives, 395–406. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003131458-41.

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Reubi, David. "Temporal and spatial imaginaries of global health". En Global Health and Geographical Imaginaries, 22–39. New York : Routledge, 2017. | Series: Routledge studies in public health: Routledge, 2017. http://dx.doi.org/10.4324/9781315723525-2.

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Cirstea, Arina. "Unnerving the Secular Imagination: Spatial Politics in Lessing’s Sufi Utopia". En Mapping British Women Writers’ Urban Imaginaries, 168–200. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137530912_7.

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Harrison, John y Hao Gu. "Planning megaregional futures: spatial imaginaries and megaregion formation in China". En Planning Regional Futures, 148–71. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003147008-8.

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Urson, Ruth, Shose Kessi y Shari Daya. "Towards Alternative Spatial Imaginaries: The Case of ‘Reclaim the City’". En Decolonial Enactments in Community Psychology, 167–90. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-75201-9_9.

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Lamond, Ian R. "Disruptive and Adaptive Methods in Activist Tourism Studies: Socio-Spatial Imaginaries of Dissent". En Qualitative Methodologies in Tourism Studies, 79–100. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003274117-7.

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Galland, Daniel y John Harrison. "Conceptualising Metropolitan Regions: How Institutions, Policies, Spatial Imaginaries and Planning Are Influencing Metropolitan Development". En Metropolitan Regions, Planning and Governance, 1–21. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-25632-6_1.

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9

Ceuterick, Maud. "Introduction: Gender, Space, and Affects in Film". En Affirmative Aesthetics and Wilful Women, 1–35. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-37039-8_1.

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Abstract The way mobility and gender are perceived and analysed in the cinema needs to change. As this chapter retraces the scholarship on gender and space, it draws attention to the binaries, starting with the figure of the flâneur, that have portrayed women as being restricted in their movement and in their wilfulness. A transformation of women’s spatial imaginaries beyond patriarchal boundaries requires the consideration of space as fluid, practised, and affective rather than conceived and fixed. Placing feminist geographer Doreen Massey’s concepts of space-time and power-geometries in dialogue with feminist film theory and affect theory shows how cinema may act as a ‘way of thinking’ towards the world and contribute to transforming negative affects into productive forces, as advocated by Rosi Braidotti.
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10

Middha, Bhavna y Ian McShane. "E-gentrification: Digital Community Engagement, Urban Change and Digital Rights to the City". En Citizen Participation in the Information Society, 141–65. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-99940-7_7.

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AbstractUrban development has, for many critical urban scholars, long been complicit with gentrification. The prolific scholarship on gentrification has also, in recent years, taken a digital turn, analysts exploring the association between gentrification and the increasing use of digital information and communication technologies (ICTs) in urban governance. This chapter extends the book’s discussion on consultative digital platforms as sites of dialogue between citizens and governments, situating these initiatives within the wider investment made by governments and commercial providers in digital urban infrastructure. This investment, supported by imaginaries such as techno-solutionism, democratic participation and ideas of a rational citizen, is shaping the social, economic and spatial dynamics of cities, bringing critical attention to what scholars, following Lefebvre, have called the digital rights to the city. We analyse data from the Melbourne case study of the DEMUDIG project to explore what we term e-gentrification—the convergent trajectories of digital ICTs and of the gentrification of formerly working-class urban locations. We contend, through using a framework of assemblage theory, that the implementation and use of digital engagement platforms may be a constituent of gentrification processes.
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Actas de conferencias sobre el tema "Spatial imaginaries"

1

Mann, Bryan. "Research Tools to Analyze and Understand Spatial Imaginaries and Their Influence on Educational Policy". En 2021 AERA Annual Meeting. Washington DC: AERA, 2021. http://dx.doi.org/10.3102/1682499.

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2

García Fernández, Manuel Ángel. "Les représentations de l’eau dans les lais merveilleux bretons". En XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2978.

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La Nature et les éléments qui se rapportent à elle font partie de l’imaginaire breton par excellence. La lande, la forêt et l’eau sous différentes formes, fontaine, rivière, lac ou encore mer, sont les espaces privilégiés dans lesquels ou près desquels va avoir lieu l’aventure qui met en contact une personne du monde féodal avec une autre de l’Autre monde celte. L’eau est un espace constituant une frontière qui permet l’accès à l’autre monde d’où provient l’être issu du merveilleux celte. Il s’agit d’un espace intermédiaire que seulement certains humains tombés dans le désespoir peuvent franchir et près duquel se trouve cet autre monde celte où habitent ces êtres des légendes celtiques intervenant pour le bonheur de ces humains malheureux monde des vivants. L’on retrouve ce shéma dans quelques lais bretons anonymes et quelques lais de Marie de france. Nous nous proposons de nous interroger sur la présence de cette « frontière humide », sa représentation et sa fonction dans la structure spatiale de ces quelques lais appartenant au merveilleux breton.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.2978
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3

González Hernández, Ana Teresa. "La femme au colt 45: un parcours dans imaginaire aquatique de Marie Redonnet". En XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3111.

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Sous l’apparence d’une écriture dépouillée et d’une narration dénudée, Marie Redonnet, écrivaine contemporaine, nous présente un univers fictionnel peuplé de personnages –féminins pour la plupart- démunis et solitaires, soumis aux grandes tensions sociales, ancrés dans un cadre spatio-temporel flou, et fréquemment plongés dans un état d’abandon existentiel, de stagnation, auquel vient contribuer la présence d’une composante clé de l’imaginaire redonnetien: l’élément aquatique. Chez Redonnet, les différentes variantes de l’eau: océans, mers, fleuves, lacs, cascades, marécages, etc, deviennent de véritables métaphores récurrentes, voire obsédantes, riches de signification. Prenant comme point de départ de notre parcours la trilogie: Splendid Hôtel, Forever Valley et Rose Mélie Rose, publiée entre 1986 et 1987, nous nous proposons d’analyser, dans un premier temps, le rôle et la signification de la présence récurrente de la thématique de l’eau dans cette trilogie. Nous dresserons, ensuite, le tableau des différentes manifestations de l’eau et des divers aspects de la symbolique aquatique dans son dernier roman: La femme au colt 45, paru en 2016. Dans ce roman, utilisant une langue épurée et minimaliste, proche du langage dramaturgique, Marie Redonnet nous pose la problématique de la précarité des réfugiés, et des sans-papiers, de la méchanceté humaine, des difficultés pour recommencer une nouvelle vie ailleurs, de « l’autre côté du fleuve », à travers l’expérience vitale de Lora Sander, une comédienne qui fuit la dictature de son pays. L’étude dans ce dernier roman de la présence de l’eau, sous toutes ses manifestations, ainsi que la signification des différents élements qui lui sont associés, nous permettra de nous interroger sur l’évolution du traitement de l’imaginaire aquatique dans la création littéraire de M. Redonnet.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.3111
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4

Leković, Milica. "Urbanismo del miedo y representacion distópica de las ciudades". En Seminario Internacional de Investigación en Urbanismo. Barcelona: Facultad de Arquitectura. Universidad de la República, 2015. http://dx.doi.org/10.5821/siiu.6143.

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El presente artículo explora como se reflejaba el miedo en la cultura popular y como influía en el planeamiento urbano a lo largo de la historia contemporánea. Mediante el análisis de los imaginarios urbanos a lo largo de los siglos XX y XXI, intentaremos averiguar cómo el planteamiento urbano se ha visto afectado por los miedos sobre un futuro incierto y apocalíptico. A través de un acercamiento teórico-conceptual e histórico-formal, abarcaremos algunos sujetos que comparten el planeamiento urbanístico y las representaciones cinematográficas de la ciudad: el modernismo, el paradigma campo-ciudad, antiurbanismo, la fragmentación y segregación espacial, la remodelación urbana y, por último, resiliencia y smart cities. This article explores how fear is reflected in popular culture and the ways it influenced urban planning throughout modern history. By analysing the urban imaginary throughout the XX and XXI centuries, we will try to find out how has urban planning been affected by fears of uncertain and apocalyptic future. Using theoretical-conceptual and historical-formal approaches, we will cover some topics that urban planning and cinematic representations of the city have in common, such as modernism, urban-rural paradigm, anti-urbanism, fragmentation and spatial segregation, urban renewal and finally, resilient and smart cities.
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5

Peimbert, Alejandro J. y Cuauhtémoc Robles. "Etnografía, análisis visual y nuevas cartografías: una posible lectura del paisaje urbano en los espacios públicos del Río Nuevo". En Seminario Internacional de Investigación en Urbanismo. Barcelona: Facultad de Arquitectura. Universidad de la República, 2015. http://dx.doi.org/10.5821/siiu.6110.

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El Río Nuevo es una zona que se ha transformado para convertirse en una infraestructura vial, y equipamientos dispersos entre baldíos. Es resultado de decisiones hegemónicas que siguen la tendencia de un desarrollo urbano atento solamente a la modernización. Ello ha violentado rutinas locales, tradiciones y lugares que forman parte de la memoria colectiva de Mexicali, México. Este trabajo trata los imaginarios urbanos y las prácticas sociales en los espacios públicos de dicha zona. El texto presenta evidencias empíricas apoyadas en el método etnográfico y en el análisis visual, registro que expone las tensiones generadas entre la asignación y la apropiación de la ciudad. Situados en el campo de los estudios socioculturales urbanos, se observa cómo la zona se ha convertido en un paisaje de la nostalgia confrontado con un paisaje del poder, disputa invisible en los mapas oficiales. Río Nuevo is an area that has been transformed to become a road infrastructure and urban facilities, scattered among vacant lots. It is the result of hegemonic decisions that follow the trend of urban development attentive only to modernize. This has violated local routines, traditions and places that are part of the collective memory of Mexicali, Mexico. This article deals with urban imaginary and socio-spatial practices in the public spaces of the area. The paper presents empirical evidence supported by the ethnographic method and visual analysis, recording that exposes the tensions generated by the allocation and appropriation of the city. It located in the field of urban socio-cultural studies; we observe how the area has become a landscape of nostalgia confronted with a landscape of power, unseen dispute on official maps.
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