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Libros sobre el tema "Spaces of production"

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Autor: Grafiati
Publicado: 14 de marzo de 2023

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1

Sturlaugson, Brent. Production of indigenous spaces. Berkeley, CA: IASTE, 2018.

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2

Fairchild, Nikki, Carol A. Taylor, Angelo Benozzo, Neil Carey, Mirka Koro y Constanse Elmenhorst. Knowledge Production in Material Spaces. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003029007.

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3

Khan, M. Ali. On the interiors of production sets in infinite dimensional spaces. [Urbana, Ill.]: College of Commerce and Business Administration, University of Illinois at Urbana-Champaign, 1987.

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4

Powell & Pressburger: A cinema of magic spaces. London: I.B. Tauris, 2005.

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5

L, Ghose Patrick S., ed. Tacit urbanism: Hawkers and the production of space in everyday Kolkata. Rotterdam: Post Editions, 2009.

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6

The spaces of Latin American literature: Tradition, globalization, and cultural production. New York: Palgrave Macmillan, 2008.

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7

B, Le Heron Richard, ed. Economic spaces of pastoral production and commodity systems: Markets and livelihoods. Farnham, Surrey, England: Ashgate Pub. Company, 2011.

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8

Shakespeare's staged spaces and playgoers' perceptions. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014.

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9

Rosemberg, Muriel. Le marketing urbain en question: Production d'espace et de discours dans quatre projets de villes. Paris: Anthropos, 2000.

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10

1966-, Light Andrew y Smith Jonathan M, eds. Philosophy and geography II: The production of public space. Lanham: Rowman & Littlefield Publishers, 1998.

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11

Experience and conflict: The production of urban space. Farnham, Surrey: Ashgate Pub. Co., 2009.

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12

Vigmo, Sylvi. New spaces for language learning: A study of student interaction in media production in English. Göteborg: University of Gothenburg, Acta Universitatis Gothoburgensis, 2010.

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13

1904-, Noguchi Isamu, ed. Spaces of the mind: Isamu Noguchi's dance designs. New York: Limelight Editions, 2000.

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14

Olds, Kris. Globalization and the production of new urban spaces: Pacific Rim mega-projects in the late 20th century. Vancouver: Centre for Human Settlements, School of Community and Regional Planning, University of British Columbia, 1996.

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15

Olds, Kris. Globalization and the production of new urban spaces: Pacific Rim mega-projects in the late 20th century. Vancouver: Centre for Human Settlements, School of Community and Regional Planning, University of British Columbia, 1996.

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16

Scott, Allen John. Flexible production systems and regional development: The rise of new industrial spaces in North America and Western Europe. Toronto: Centre for Urban and Community Studies, University of Toronto, 1988.

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17

Lehtovuori, Panu. Experience and conflict: The dialectics of the production of public urban space in the light of new event venues in Helsinki 1993-2003. Espoo: Helsinki University of Technology, Centre for Urban and Regional Studies, 2005.

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18

Cabannes, Yves, Mike Douglass y Rita Padawangi, eds. Cities in Asia by and for the People. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462985223.

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This book examines the active role of urban citizens in constructing alternative urban spaces as tangible resistance towards capitalist production of urban spaces that continue to encroach various neighborhoods, lanes, commons, public land and other spaces of community life and livelihoods. The collection of narratives presented here brings together research from ten different Asian cities and re-theorises the city from the perspective of ordinary people facing moments of crisis, contestations, and cooperative quests to create alternative spaces to those being produced under prevailing urban processes. The chapters accent the exercise of human agency through daily practices in the production of urban space and the intention is not one of creating a romantic or utopian vision of what a city "by and for the people" ought to be. Rather, it is to place people in the centre as mediators of city-making with discontents about current conditions and desires for a better life.
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19

The production of space. Oxford, OX, UK: Blackwell, 1991.

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20

The production of space. Oxford: Blackwell, 1991.

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21

Fantasmas en tránsito: Prácticas discursivas de videastas mexicanas. Col. Narvarte Poneiente, Benito Juárez [Mexico]: Universidad Autónoma de la Ciudad de México, 2009.

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22

Production of Alternative Urban Spaces. Taylor & Francis Group, 2018.

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23

Fairchild, Nikki. Knowledge Production in Material Spaces. Taylor & Francis Group, 2021.

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24

Fairchild, Nikki. Knowledge Production in Material Spaces. Taylor & Francis Group, 2021.

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25

Fisker, Jens Kaae, Letizia Chiappini, Lee Pugalis y Antonella Bruzzese. Production of Alternative Urban Spaces. Taylor & Francis Group, 2020.

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26

Pallarés, Ana Morcillo. Manhattan's Public Spaces: Production, Revitalization, Commodification. Taylor & Francis Group, 2021.

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27

Pallarés, Ana Morcillo. Manhattan's Public Spaces: Production, Revitalization, Commodification. Taylor & Francis Group, 2021.

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28

Pallarés, Ana Morcillo. Manhattans Public Spaces: Production, Revitalization, Commodification. Routledge, 2021.

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29

Pallarés, Ana Morcillo. Manhattan's Public Spaces: Production, Revitalization, Commodification. Taylor & Francis Group, 2021.

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30

Alan, Moore. Making Room: Cultural Production in Occupied Spaces. Other Forms, 2016.

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31

Stebbins, Robert. Leisure Music Production. Editado por Roger Mantie y Gareth Dylan Smith. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190244705.013.1.

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Making music is largely a serious leisure activity, and as with all serious leisure it takes place in a set of physical spaces, each with its own special meaning for the participant. That meaning has roots in the core activities conducted there. Stebbins has identified and explored seven types of spaces for serious leisure, six of which pertain to making serious music. They are conquered space, showcase space, resource space, sales space, helping space, virtual space, and tourist space. Each is discussed in detail sufficient to show how it can help explain the lifestyle of the modern amateur and professional musician. The main types of today’s musician are included in this analysis: jazz, rock, folk, and classical. Furthermore, the analysis proceeds from the core activities comprising the musical life, as these unfold in the different places where that life occurs.
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32

Subversive Property : Law and the Production of Spaces of Belonging: Law and the Production of Spaces of Belonging. Routledge, 2014.

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33

Fisker, Jens Kaae, Letizia Chiappini, Lee Pugalis y Antonella Bruzzese. Production of Alternative Urban Spaces: An International Dialogue. Taylor & Francis Group, 2018.

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34

Fisker, Jens Kaae, Letizia Chiappini, Lee Pugalis y Antonella Bruzzese. Production of Alternative Urban Spaces: An International Dialogue. Taylor & Francis Group, 2018.

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35

Fisker, Jens Kaae, Letizia Chiappini, Lee Pugalis y Antonella Bruzzese. Production of Alternative Urban Spaces: An International Dialogue. Taylor & Francis Group, 2018.

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36

Fisker, Jens Kaae, Letizia Chiappini, Lee Pugalis y Antonella Bruzzese. Production of Alternative Urban Spaces: An International Dialogue. Taylor & Francis Group, 2018.

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37

Lopez, Fanny, Olivier Coutard y Margot Pellegrino. Local Energy Autonomy: Spaces, Scales, Politics. Wiley & Sons, Incorporated, John, 2019.

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38

Lopez, Fanny, Olivier Coutard y Margot Pellegrino. Local Energy Autonomy: Spaces, Scales, Politics. Wiley & Sons, Incorporated, John, 2019.

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39

Lopez, Fanny, Olivier Coutard y Margot Pellegrino. Local Energy Autonomy: Spaces, Scales, Politics. Wiley & Sons, Incorporated, John, 2019.

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40

Lopez, Fanny, Olivier Coutard y Margot Pellegrino. Local Energy Autonomy: Spaces, Scales, Politics. Wiley & Sons, Incorporated, John, 2019.

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41

Knowledge Production in Material Spaces: Disturbing Conferences and Composing Events. Taylor & Francis Group, 2021.

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42

Castro, Juan E. Spaces of Latin American Literature: Tradition, Globalization, and Cultural Production. Palgrave Macmillan, 2008.

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43

Lesh, Charles N. Writing of Where: Graffiti and the Production of Writing Spaces. Syracuse University Press, 2022.

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44

Keenan, Sarah. Subversive Property: Law and the Production of Spaces of Belonging. Taylor & Francis Group, 2015.

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45

Carey, Neil, Carol A. Taylor, Mirka Koro, Nikki Fairchild y Angelo Benozzo. Knowledge Production in Material Spaces: Disturbing Conferences and Composing Events. Taylor & Francis Group, 2021.

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46

Writing of Where: Graffiti and the Production of Writing Spaces. Syracuse University Press, 2022.

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47

Keenan, Sarah. Subversive Property: Law and the Production of Spaces of Belonging. Taylor & Francis Group, 2014.

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48

Castro, Juan E. De y Juan E. de Castro. Spaces of Latin American Literature: Tradition, Globalization, and Cultural Production. Palgrave Macmillan, 2008.

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49

Carey, Neil, Carol A. Taylor, Mirka Koro, Nikki Fairchild y Angelo Benozzo. Knowledge Production in Material Spaces: Disturbing Conferences and Composing Events. Taylor & Francis Group, 2021.

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50

Castro, Juan E. De. Spaces of Latin American Literature: Tradition, Globalization, and Cultural Production. Palgrave Macmillan Limited, 2008.

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