Tesis sobre el tema "Space and time – Poetry"
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Wan, Yu-pui y 溫羽貝. "Time and space in Zheng Chouyu's Poetry". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B3963405X.
Texto completoWright, Derand Errol. "The Kitchen of Tomorrow and Other Space-Time Anomalies". OpenSIUC, 2012. https://opensiuc.lib.siu.edu/theses/807.
Texto completoMiner, Lauren A. "Surrender to the Spinning: poems". VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3813.
Texto completoGorton, Lisa. "Donne's cosmos : some aspects of his images of space and time". Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310354.
Texto completoWan, Yu-pui. "Time and space in Zheng Chouyu's poetry Zheng Chouyu shi de shi jian yu kong jian /". Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B3963405X.
Texto completoRezende, Jussara Neves. "A simbolização nas imagens poéticas de Cecília Meireles e Sophia de Mello Breyner Andresen: tempo e espaço". Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-22082007-141356/.
Texto completoIn a same age marked by philosophical reflections about the time and their relations with the space, Cecília Meireles and Sofia de Mello Breyner Andresen handed over to the world their first poetic pieces of writing, in which they reveal that those same reflections is not far from poetry. The other way round, in a space-time characterized by the transiency of things, the poetry shows itself as a way of balance in the middle of the passage, avoiding the total being\'s dispersion. This being the case, our analysis tries to focus the forms that space and time take on the poetry of both writers, investigating the possibility of those \"chronotopos\" be useful to the revelation of the human experience in the time and the space.
Cintra, Sonia Maria de Araujo. "Relações espaciotemporais na obra poética de Cesário Verde: fragmentação e busca de totalidade". Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-23112009-145427/.
Texto completoFrom the analysis of the space-time relations en the poem O Sentimento dum Ocidental we want to demonstrate that the poetic work of Cesário Verde is constructed by an incessant process of fragmentation and search for totality. Its cohesion shows, in a synthetic way, a world view and it constitutes a summary of the cesarian problematic, considering not only the poems of this phase or specific cycle, but the whole of his poetry. These two functions, cohesion and problematic, reveal the prevalence of the poetic unity of Cesário, despite its apparent thematic diversity and originality of style which presents some impressionist traces. Taking into consideration the differences of context, the process above mentioned reflects the crisis we live nowadays. Even though the contemporary crisis shows itself in a different manner, we can perceive some of its roots already expressed in Cesários verses, what admits an approaching between Literature and Geography
Bertges, Lívia Ribeiro. "Jogo e poesia visual : a dinâmica dos naipes na obra OLHLO2 de Knorr". Universidade Federal de Mato Grosso, 2015. http://ri.ufmt.br/handle/1/213.
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CAPES
A poesia visual coloca a visão como âmago do processo criativo, deslocando-se no tempo como um método voltado à forma estética da palavra. Afastada da simples ideia de lidar somente com a imagem, a poesia visual abarca características plásticas envolvendo o verbal e não verbal. A poesia ligada à visualidade irrompe o século XX e percorre o século XXI, em que a presença dos computadores impulsiona a experimentar novas modalidades. Nesse contexto, esta dissertação visa analisar, sob diferentes perspectivas semiológicas, a obra literária OLHLO2: Poesia Visual (2007), do poeta contemporâneo Luiz Augusto Knop de Mendonça – KNORR, a qual chama a atenção pelas rupturas estruturais do livro/jogo. Este se constitui de uma caixa pequena, em que a abertura lateral mostra cinquenta e quatro lâminas, cada qual com um poema independente. No verso das lâminas, legendas aparecem com o título, ano de produção e dizer explicativo. Apesar de uma demarcação temporal de execução, o marco principal do livro/jogo é uma desordem sequencial das lâminas poéticas. Pretende-se neste trabalho mostrar como a sintaxe tempo e espaço norteiam as escolhas pictóricas dos poemas selecionados, enquanto naipes do jogo de Knorr (2007). Assim, busca-se compreender como na obra o tempo está ligado ao aspecto não linear da língua caro ao jogo poético inerente à literatura. Do mesmo modo, objetiva-se entender como a noção de espaço, a partir da espacialidade da linguagem e do não verbal, implementa uma maneira de enxergar variados sentidos da experiência de estar no mundo e significar(-se). Bem como entender o curinga, como aquele que perpassa as noções de tempo e espaço. Vê-se o curinga como um conjunto de cartas que privilegia o uso das ambiguidades e a concomitâncias de sentidos interpretativos. Para realização de tais análises, serão escolhidas quarenta e oito poemas que, ao tematizarem sobre tempo, espaço e curinga revelam suas significações como jogo poético-visual.
Visual poetry puts vision at the core of the creative process, running through time as a method concerning the aesthetical shape of the word.Far from the oversimplifying idea of dealing only with image, visual poetry embraces features of the visual arts which connect the verbal and the non verbal. Poetry characterized by visual aspects bursts into the 20th century and goes through the 21st century, in which the presence of computers motivates experiences with new modalities. In this context, the present work aims at analyzing, under distinct semiological perspectives, the literary work "OLHLO2: Poesia Visual" (2007), by the contemporary poet Luiz Augusto Knop de Mendonça - KNORR, which captures attention due to the structural break within the book/game. OLHLO2 consists in a small box, where the side opening shows 54 cards, each of which contains a poem that is independent from the others. At the back of the cards, subtitles appear along with the title, year of production and a brief explanation. Despite of a temporal demarcation of execution, the main landmark of the book/game is the sequential disorder of the poetical cards, each card containing one single poem. This work intends to show how the syntax of time and space guide the pictorial choices of the selected poems as suits of the game by Knorr (2007). In this sense, the goal is to understand how, in OLHO2, time is connected to the nonlinear aspect of the language, so important to the poetical play inherent to literature. Similarly, the purpose is also to understand how the notion of space, through the spatiality of the verbal and of the non verbal, implements a way of seeing multiple meanings of the experience of being in the world and to betake oneself. Understanding the wild cards as those which run through the notions of time and space is also a goal. The wild cards are seen as the ensemble of cards that evidence the ambiguities and the concomitance of different interpretative meanings. The analysis is made through the choice of forty-eight poems that, by bringing about the themes of time, space and of wild cards, reveal their multiple meanings as a visualpoetic game.
Carneiro, Euripedes Leoncio. "DRUMMOND: O POETA QUE ESPIA EXPIANDO". Pontifícia Universidade Católica de Goiás, 2014. http://localhost:8080/tede/handle/tede/3198.
Texto completoCarlos Drummond de Andrade s poetic work prompts the theme of spyexpiating (espia-expiando, in the Portuguese original), a demonstration of poetic truth in and of itself, through a dialectic-aesthetic prism, with deductive method and reflections, amassing the metaphysical, philosophical and poetical processes wherein the very author is both theme and object, and his work is a true Drummondian anthropology. The main goal of this paper is an attempt at demonstrating that the poet s lyrical self is in an expiatory state, in suffering for having spied, contemplated the outside world, living in a state of unrest in time and space, which allows for the relief of this state of disenchantment, the return poetic memorialism to the beginning, Itabira, which has been remembered, since the first poem in 1930 published in the book Alguma Poesia (Some Poetry, in literal translation) , as a lovely place, metaphorically preserved, thus behaving as the prodigal son of Brazilian poetry. The contact with Drummondian poetry surprises and captivates those who seek it, not only for the aesthetic pleasure, but also for the acute reflection which takes readers and makes them participants in this existential drama, to free them through poetry so they can bask in transcendence, in metaphors. The object is the word embodied in the poem, the saving Word. This research is based on the reflections of thinkers and literary critics such as Michel Foucault, Octavio Paz, Gaston Bachelard, Gilberto Mendonça Teles, Affonso Romano de Sant Anna, among others. The focus on the struggle of the imprisoned soul, impotent before the reality that threatens it, but which reveals itself in the poem, making the latter a freeing, solidary weapon, enabling withdrawal into the sources of emotion, which is larger than the stage of suffering; into the magic, the charm of art and language, as the all-saving, purifying water that flows from the lyrical self. All of this is ultimately combined into the charisma of the poet.
O texto poético de Carlos Drummond de Andrade é revelador do tema espiaexpiando, demonstração da verdade poética por si mesma, num prisma dialéticoesteticista, com um método e reflexões dedutivas ao consubstanciar os procedimentos metafísicos, filosóficos, poéticos, nos quais o próprio autor é tema e objeto, e a sua obra, uma verdadeira antropologia drummoniana. O objetivo principal, neste trabalho é a tentativa de demonstrar que o eu lírico do poeta encontra-se em estado de expiação, sofrimento, por ter espiado, olhado o mundo exterior, vivendo um estado de desassossego, no tempo e no espaço, o que possibilitará como alívio desse estado de desencanto, o retorno - memorialismo poético ao ponto de partida, Itabira que desde o primeiro poema, publicado em 1930, no livro Alguma Poesia é retomada na lembrança como fonte de amabilidade preservada metaforicamente, comportando assim, como o filho pródigo da poesia brasileira. O contato com o texto poético drummondiano surpreende e prende quem o busca, não somente pelo prazer estético, mas pela aguda reflexão que toma o leitor e o faz partícipe desse drama existencial a se libertar na poesia, se alimentar da transcendência, das metáforas. O objeto é a palavra corporificada no poema, como verbo salvador. Toma-se como suporte para esta pesquisa, as reflexões de pensadores e críticos literários como Michel Foucault, Octavio Paz, Gaston Bachelard, Gilberto Mendonça Teles, Affonso Romano de Sant Anna, entre outros. Enfocar o embate da alma prisioneira, impotente diante da realidade que a ameaça, mas que se revela no poema, transformando-o em arma libertária, solidária, possibilitando o recolher-se para as fontes da emoção, que é maior que o estágio de sofrimento, para a magia, encantamento da arte e da linguagem que salva como água purificadora vinda do eu lírico, da transcendência metafórica para outra realidade povoada pelo reino das palavras que passa a ser o carisma do poeta.
Dias, Márcio Roberto Soares. "Os espaços móveis da memória na poesia de Carlos Drummond de Andrade". Programa de Pós-Graduação em Letras e Linguística da UFBA, 2009. http://www.repositorio.ufba.br/ri/handle/ri/10735.
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Esta tese orienta-se por uma leitura da lírica drummondiana, através da qual sobressai a análise da relação afetivo cognitiva que o poeta estabelece com elementos (pessoas, espaços, instituições...) perdidos na nebulosa do tempo, evidenciando-se, sobretudo, a mediação da dimensão temporal como recurso dinamizador da relação poesia/espaço. No atrito com o tempo corrosivo, o poeta dedica-se a registrar as conquistas e as perdas da maturidade, enriquecendo sua obra com a expressão das tensões vividas pelo homem que, lúcido, caminha para a dissipação. Por um lado, essa inscrição da existência na série cronológica faz nascer a noção de que a temporalidade é, em si, cega e irreversível, visto a seqüência dos tempos não garantir um traçado evolucionista do inferior para o superior. Por outro lado, a maturidade sobrevinda faculta-lhe um gesto de resistência: o seu deslocamento em direção aos antepassados para compreender a conformação de sua consciência permite-lhe restabelecer laços afetivos, e, nesse processo, recriar lingüisticamente o seu passado. Uma parcela considerável de sua poesia memorialística traz um tom profundamente marcado pela dúvida, pela inquietude, pelo sentimento de culpa. Esse período de autoanálise mais dura faz sua poesia resvalar na mitificação da família e da Minas Gerais de sua infância, o que acaba por lançar sobre si próprio certa suspeição, marcada principalmente pelo motivo do desajuste familiar. A partir de Lição de coisas, já aos 60 anos de idade, e principalmente com Boitempo, observa-se na poesia de Drummond uma disposição biográfica sem a pungência ou a acrimônia que se percebem em outros versos nos quais o poeta trata de si mesmo ao longo de sua obra.
Salvador
Wolff, Nadège. "Lumière et obscurité dans les Argonautiques d'Apollonios de Rhodes". Thesis, Lyon, 2018. http://www.theses.fr/2018LYSEN072/document.
Texto completoThrough this thesis, we aim to prove the various roles played by light and darkness in Apollonius Rhodius'Argonautica. In the first part, a lexical study specifically explores the terms expressing the ideas of light and darkness, in comparison to the Homeric references. Our thematic also tackles the issue of the construction of space and time, a notorious one in the Hellenistic period. The epic's structure is indeed based on the light and darkness' duality, but the threat of darkness symbolizing chaos is never far from the Argonauts who constantly struggle with barbarians and on the contrary symbolize Greek enlightment and civilization. The light and darkness'couple also allows us to give a new perspective on heroism, which is a central issue in Apollonius'poem. Whereas Homeric warriors project martial light due to their armour's glistening, Jason appears as love-hero shining with his purple cloak, an Hellenistic artefact replacing Achilles'shield described in the Iliad. At the same time, we can observe a kind of empowerment on the feminine side during the scenes occuring at night. In the fourth and last part, light and darkness endorse a metapoetical value, as they build a new kind of epic, like a collection of brief literary pieces joined together by a common celebration of Apollo, god of both poetry and light. Apollonius'Argonautica can therefore be seen as a prefiguration of Philostratus'Imagines, as it is built around a succession of vivid poetical paintings
Cadoret, Isabelle. "Le sujet lyrique chez Hélène Dorion". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ53931.pdf.
Texto completoReed, Marthe. "The poem as liminal place-moment : John Kinsella, Mei-mei Berssenbrugge, Christopher Dewdney and Eavan Boland". University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0136.
Texto completoKapela, Steven J. "The Boy with the Aluminum Hat". Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1398358520.
Texto completoMoroz, Melanie. "Occupying this space". Morgantown, W. Va. : [West Virginia University Libraries], 2003. http://etd.wvu.edu/templates/showETD.cfm?recnum=3101.
Texto completoGhesmatitabrizi, Vahid. "Une approche sociocritique de" Voyage au bout de la nuit" de Louis Ferdinand-Céline". Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2107.
Texto completoThis work follows an objective: to show and to demonstrate the fact that in the said of the text everything is not said. The journey of the character on three continents and the structure of episodic novel writing contribute to the distortion of the hegemony of a single discourse. To this must be added the fragmentation of space which, as a process both aesthetic and strategic, allows the novelist to escape from the discursive grasp of an ideology that claims to be ubiquitous. This work envisages the narrator, not as a constituted otherness, but as a composite figure made up of the heterogeneous thoughts of the novelist. This figure contains a great reserve of contradictions. We try to recognize in the text the intermittencies of saying and of silence: heterogeneous elements which unfold on a grid of nuances between alienation, disgust and poetry.In the same way that space vacillates between poetry and the prosaic world, the semantic poles of the text, aesthetic and ideological, change borders. Semantic units are transformed into slippery alterity that tend to escape from the process of conceptualization. Unlike any idealistic critical approach which claims to reach the absolute meaning of the object by trying to merge work and life, we show how the aesthetic sense follows its crest path. We approach the concept of heterogeneity not as a purely aesthetic concept that characterizes the framework of Celine's writing but as a spirit underlying the Celinian intellectual universe. Through the use of various methods, Céline's style illustrates the semantic vacillation between alienation and liberation, between commitment and disengagement, between affirmation and denigration
Yaghoubi, Seyedvahid. "L'esthétique de la courbe dans la poésie surréaliste". Thesis, Mulhouse, 2019. http://www.theses.fr/2019MULH7515.
Texto completoIn Bergson’s school of thought the knowledge of the inside world is achieved through intuition, and in the Surrealism artistic movement it’s through the “voyage of imagination” that one achieves the discovery of the reality beyond this world. The former reaches the concept of “duration”, while the result of the latter’s poetic efforts is the dissolution of logic and the moving of the boundaries of time and space. In his philosophical musings, Bergson discovers the true form of the “duration” which is the curved line, a movement based on grace and the union of the three tenses. At the same time, the surrealist artists will reach through their poetic and artistic creation something that is very similar to Bergson’s philosophy. It is then that Julien Gracq’s analysis about surrealism being closer to Bergson than to Freud becomes meaningful to us.That being in consideration, the aim of this work will be to reveal the close proximity between the surrealist artists and Bergson, and doing so identify the place of the bergsonian “duration” and its spatio-temporal qualities, namely “continuity in time” and “simultaneity”, in surrealist art. This research, entitled “Esthetics of the curve in surrealist poetry” aims to bring the evidence of the presence of the concept of the curve and its formal and internal qualities like fluidity, graciousness and the serpentine and cyclic qualities, in the art and poetry of the surrealism
Karacayir, Murat. "Space-time Codes". Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12612028/index.pdf.
Texto completoDowker, Fay H. "Space-time wormholes". Thesis, University of Cambridge, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359554.
Texto completoBird, Emma Jade. "Reimagining Bombay : postcolonial poetry and urban space". Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/8301.
Texto completoLamahewa, Tharaka Anuradha y tharaka lamahewa@anu edu au. "Space-Time Coding and Space-Time Channel Modelling for Wireless Communications". The Australian National University. Research School of Information Sciences and Engineering, 2007. http://thesis.anu.edu.au./public/adt-ANU20070816.152647.
Texto completoLamahewa, Tharaka Anuradha. "Space-time coding and space-time channel modelling for wireless communications /". View thesis entry in Australian Digital Theses Program, 2006. http://thesis.anu.edu.au/public/adt-ANU20070816.152647/index.html.
Texto completoBerezina-Blackburn, Vitalia. "Upon a time: poetry in animation". The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1322758097.
Texto completoWaller, Benjamin. "Metaphorical Space and Enclosure in Old English Poetry". Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/17893.
Texto completoNg, Chak Kwan. "Lived space and performativity in British Romantic poetry". Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/11701.
Texto completoHaron, Linariza. "Facility space-time management". Thesis, University College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326152.
Texto completoThompson, Philip R. Z. (Philip Reed Zane). "Space, time and acoustics". Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/78997.
Texto completoIncludes bibliographical references (leaves 156-159).
This thesis describes the development of new concepts in acoustical analysis from their inception to implementation as a computer design tool. Research is focused on a computer program which aids the designer to visually conceive the interactions of acoustics within a geometrical~y defined environment by synthesizing the propagation of sound in a three dimensional space over time. Information is communicated through a unique use of images that are better suited for interfacing with the design process. The first part of this thesis describes the concepts behind the development of a graphic acoustical rendering program to a working level. This involves the development of a computer ray tracing prototype that is sufficiently powerful to explore the issues facing this new design and analysis methodology. The second part uses this program to evaluate existing performance spaces in order to establish qualitative criteria in a new visual format. Representational issues relating to the visual perception of acoustic spaces are also explored. In the third part, the program is integrated into the design process. I apply this acoustical tool to an actual design situation by remodeling a large performance hall in Medford, Massachusetts. Chevalier Auditorium is a real project, commissioned by the city of Medford, whose program requirements closely match my intentions in scope, scale and nature of a design for exploring this new acoustical analysis and design methodology. Finally, I summarize this program's effectiveness and discuss its potential in more sophisticated future design environments.
by Philip R.Z. Thompson.
M.Arch.
Sanders, Ralph Jarrett. "Space, time, and silence". Thesis, Virginia Polytechnic Institute and State University, 1990. http://hdl.handle.net/10919/56200.
Texto completoMaster of Architecture
Pak, Anne On-Yi 1977. "Euclidean space codes as space-time block codes". Thesis, Massachusetts Institute of Technology, 2001. http://hdl.handle.net/1721.1/86722.
Texto completoKamela, Martin J. "Space-time duality, superduality, and effective actions on anti-de-Sitter space-time". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ64585.pdf.
Texto completoCook, Kellie Constance. "Off Center Any Other Time". PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/4002.
Texto completoBallenger, Hank D. "Everything and Nothing at the Same Time". Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2168/.
Texto completoPalazzo, Mônica Poli. "A experiência de Verô ou janela para Vera(cidade)". Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-19112010-092109/.
Texto completoA Experiência de Verô ou Janela para Vera(cidade) addresses the multiple dimensions of space-time that permeates the social life from the exponential advance of technology. The methodology adopted in the poetic work follows the guidance of \"search of sensation,\" which aims to discuss the sensory experience, considering it as a source of sensitive issues. The video installation project consists in a video projection and a scenario. This environment conducts to a polyphonic sensations experiment, which comes from different technological devices. The convergence of elements in the environment is expressed in the scenic windows / screens that multiply and characterize the different kinds of events in video synchronic and diachronic. Experiência de Verô ou Janela para Vera(cidade) creates, from poetic audiovisual operations, the possibility of a singular experience of the body in space and time, where simultaneous multidimensional interrelationships are constant.
Lasky, Kim. "The movement inside poetry, criticism, and the space between". Thesis, University of Sussex, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494933.
Texto completoSharma, Manish. "Movement and space as metaphor in Old English poetry". Thesis, University of Cambridge, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.620160.
Texto completoYeung, Heather Hei-Tai. "Affective mapping : voice, space, and contemporary British lyric poetry". Thesis, Durham University, 2011. http://etheses.dur.ac.uk/929/.
Texto completoLiesenjohann, Thilo. "Foraging in space and time". Phd thesis, Universität Potsdam, 2010. http://opus.kobv.de/ubp/volltexte/2010/4856/.
Texto completoDas Verhalten von Tieren ist das Ergebnis eines kontinuierlichen Anpassungsprozesses im Laufe der Evolution einer Art und damit der Veränderung der Umgebung in der es lebt und der Interaktion mit anderen Arten. Dies wird besonders deutlich im Verhalten von potentiellen Beutetieren, ihre Strategien beinhalten meist ein möglichst unauffälliges Verhalten im Zusammenspiel mit reduzierter Bewegung und möglichst guter Tarnung. Dementgegen stehen essentielle Bedürfnisse, wie zum Beispiel die Nahrungssuche, die Verteidigung von Ressourcen (zum Beispiel Territorien, Futterstellen) und die Suche nach Paarungspartnern. Beutetiere leben also in einem Spannungsfeld indem sie Ihr Verhalten optimieren müssen. Hierbei stehen die Ernährung, erfolgreiche Verpaarung und andere Chancen auf der einen Seite, die Vermeidung von Begegnungen mit Prädatoren auf der anderen. Vor allem Kleinsäuger sind häufig als Beutetiere mit einer Vielzahl von Prädatoren aus der Luft und auf dem Boden konfrontiert. Sie müssen für die verschiedenen Bedrohungen adaptive Verhaltensanpassungen bereit haben und in der Lage sein, auf die optischen, olfaktorischen oder akustischen Signale, die die Gefahr durch Prädatoren anzeigen, mit plastischen Verhaltensmustern zu reagieren. Die vorliegende Dissertation beschäftigt sich mit bisher als Konstanten behandelten Faktoren und untersucht anhand von Verhaltensexperimenten mit wilden Wühlmäusen (Microtus arvalis) folgende Fragestellungen: - Wie verhalten sich Tiere, die einer homogenen Risikoverteilung ausgesetzt sind, zum Beispiel weil ihr Prädator genauso gross ist wie sie, im gleichen Habitat lebt und es keinen sicheren Ort gibt? - Mit welchen Anpassungen reagieren Tiere, wenn sie gleichzeitig verschiedenen Prädatoren ausgesetzt sind? - Wie unterscheiden sich die Nahrungssuchstrategien von Männchen und Weibchen? - Wie verhalten sich laktierende Weibchen, die einer permanenten, indirekten Gefahr, z.B. durch einen Nestprädator ausgesetzt sind? Die Ergebnisse der verschiedenen Versuche in künstlichen Arenen und Aussengehegen zeigen, dass die Mäuse in der Lage sind, adaptive Verhaltensanpassung an homogenes Risiko und verschiedene Prädationstypen abzurufen. So sind sie in der Lage, Luft- von Bodenprädatoren zu unterscheiden und jeweils das Verhalten zu zeigen, dass die größtmögliche Sicherheit mit sich bringt. Die simultane Kombination von verschiedenen Prädatoren bewirkt hierbei additive Effekte. Gibt es keine Auswahl zwischen Habitaten, sondern nur unterschiedliche homogene Risikolevel, reagieren sie auf steigendes Risiko immer mit verminderter Aktivität und konzentrieren ihre Nahrungssuche auf weniger Futterstellen, beuten diese dafür jedoch länger aus. Die Wertigkeit von Futterstellen und alternativen Optionen verändert sich also mit dem Risikolevel. Ähnliches zeigt sich auch in den unterschiedlichen Futtersuchstrategien von Männchen und Weibchen. Die untersuchte Art ist polygyn und multivoltin, dementsprechend verbinden die Männchen mit ihrer Nahrungssuche Aktivitäten wie die Suche nach Paarungspartnern und unterscheiden sich die Aktivitätsmuster zwischen Männchen und Weibchen. Zusätzlich zeigen die Ergebnisse, das laktierende Weibchen in der Lage sind, das Risiko für sich und für Ihre Jungen abzuschätzen, wenn sie mit einem Nestprädator (Sorex araneus) konfrontiert werden. Für die Interaktion zwischen diesen beiden Arten ist jedoch die Saison (und damit die Ressourcenlage), in der sie sich begegnen, von entscheidender Bedeutung. Wühlmäuse reagieren mit entsprechenden Verhaltensanpassungen zum Schutz des Nestes um die Überlebenschancen ihrer letzten Würfe im Herbst zu erhöhen. Die vorliegende Arbeit konnte grundsätzliche Probleme der antiprädatorischen Verhaltensanpassung von Beutetieren klären und wichtige Faktoren der Entscheidungsfindung unter Prädationsdruck analysieren. Sie zeigt, dass Tiere das Risiko in ihrer Umgebung nicht unbedingt über direkt Signale wahrnehmen, sondern ihre Verhaltensstrategien einem empfundenen Gesamtrisikolevel anpassen. Dies ermöglicht ihnen, adaptive Strategien zu verfolgen, auch wenn sie keine Auswahl an sicheren Habitaten haben. Sie zeigt auch die unterschiedliche Wahrnehmung von Risiken durch Männchen und Weibchen, die durch die unterschiedlichen mit der Aktivität zusätzlich wahrgenommenen Chancen verknüpft zu sein scheint. Zusätzlich wurde der Einfluss des reproduktiven Status (z.B. laktierend), sowie der Ressourcenlage (z. B. je nach Saison) nachgewiesen.
Silvester, Anna-Marie. "Space-time continuous phase modulation". Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/14721.
Texto completoSouth-Dickinson, Ian James. "Globally consistent space-time reconstruction". Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43207.
Texto completoYang, Ho. "Partially adaptive space-time processing". Diss., Georgia Institute of Technology, 1998. http://hdl.handle.net/1853/13028.
Texto completoSeliktar, Yaron. "Space-time adaptive monopulse processing". Diss., Georgia Institute of Technology, 1998. http://hdl.handle.net/1853/13075.
Texto completoHolm, Jens Christian. "Spinors in discrete space-time". Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/27901.
Texto completoRamlochand, John. "Japanese cinema : time space nation". Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102159.
Texto completoThe first part of the dissertation features an extended analysis of Japanese society using a variety of historical, philosophical and theoretical sources, both Japanese and foreign. They provide a theoretical base and a social history that ground the critical readings of the selected films; all of which are well-known and widely available. Part two is a close textual analysis of five 1950s productions---from a range of films and genres---that are contrasted with three films from the late 1980s/early 1990s. The final chapter examines notions about National Cinema in light of the preceding film analysis.
Mason, Lionel J. "Twistors in curved space time". Thesis, University of Oxford, 1985. http://ora.ox.ac.uk/objects/uuid:29de7cd1-84c9-4374-8f7d-9a402dd9e0ed.
Texto completoMangitli, Irem. "Infinity in time and space". College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/1458.
Texto completoThesis research directed by: Dept. of Art. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Boué, Stéphanie Stévenin James Bork Peer. "Transcripts in space and time". Strasbourg : Université Louis Pasteur, 2006. http://eprints-scd-ulp.u-strasbg.fr:8080/499/01/Boue_PhD_Transcripts_Space_Time_2006.pdf.
Texto completoGhosh, Sourav. "Thermodynamics of Margulis Space Time". Thesis, Paris 11, 2015. http://www.theses.fr/2015PA112137/document.
Texto completoIn my thesis I describe the stable and unstable leaves for the geodesic flow on the space of non-wandering spacelike geodesics of a Margulis Space Time and prove contraction properties of the leaves under the flow. I also show that monodromy of Margulis Space Times are “Anosov representations in non semi-simple Lie groups”. Moreover, I show that the limit maps and reparametrizations vary analytically. Finally using the metric Ansosov property we define the Pressure metric on the Moduli Space of Margulis Space Times without “cusps” and show that it is positive definite on the constant entropy sections
Boué, Stéphanie. "Transcripts in space and time". Université Louis Pasteur (Strasbourg) (1971-2008), 2006. https://publication-theses.unistra.fr/public/theses_doctorat/2006/BOUE_Stephanie_2006.pdf.
Texto completoAsbell, Jonathan Clark. "Thresholds in Space and Time". Thesis, Virginia Tech, 2020. http://hdl.handle.net/10919/100920.
Texto completoMaster of Architecture
The term "threshold" often brings to mind a strip of material at the base of a doorway, but architecture considers thresholds more broadly as moments of movement or change. This thesis examines such moments in an original building design, proposing several threshold types and exploring their impact on occupants.
Dang, Xiaoyu. "Space-Time Shaped Offset QPSK". International Foundation for Telemetering, 2008. http://hdl.handle.net/10150/606190.
Texto completoThis paper describes the use of orthogonal space-time block codes to overcome the performance and complexity difficulties associated with the use of Shaped Offset QPSK (SOQPSK) modulation, a ternary continuous phase modulation (CPM), in multiple-input multiple-output telemetry systems. The orthogonal space-time block code is applied to SOQPSK waveforms in the same way it would be applied to symbols. The procedure allows the receiver to orthogonalize the link. The main benefits of this orthogonalization are the easy realization of the transmit diversity for the offset-featured SQOSPK, and the removal of the noise correlation at the input to the space-time decoder and the elimination of I/Q interference when space time orthogonalization is applied to the symbol level.