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Libros sobre el tema "South African National Gallery. Friends"

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Publicado: 25 de julio de 2024

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1

Dolby, Joe. Strat Caldecott: Retrospective, South African National Gallery, 7.5.1986-15.6.1986. [Cape Town]: South African National Gallery, 1986.

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2

Katz, Hanns Ludwig. Hanns Ludwig Katz: South African National Gallery : 24.11.1993-27.2.1994. Cape Town: South African National Gallery, 1994.

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3

Contemporary South African art: 85-95, from the South African National Gallery permanent collection. [Cape Town: The Gallery], 1997.

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4

Gallery, South African National. Guide to the manuscripts in the South African National Gallery. Pretoria: The Service, 1993.

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5

Pemba, George Mnyalaza Milwa. George Milwa Mnyaluza Pemba: South African National Gallery, 27.4.1996-28.7.1996. [Bellville]: Mayibuye Books, 1996.

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6

Gallery, South African National, ed. The Abe Bailey collection in the South African National Gallery. [Cape Town]: Abe Bailey Trust, 2008.

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7

Alexander, Jane. Jane Alexander: DaimlerChrysler Award for South African sculpture 2002. Ostfildern-Ruit: Hatje Cantz, 2002.

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8

Gallery, South African National y District Six Museum Foundation, eds. District Six: Image and representation : South African National Gallery : 28.10.1995- 25.2.1996. [Cape Town]: District Six Museum Foundation, 1995.

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9

1955-, Bedford Emma y South African National Gallery, eds. A decade of democracy: South African art, 1994-2004 : from the permanent collection of Iziko : South African National Gallery. Wetton, Cape Town: Double Storey Books, 2004.

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10

Delmont, Elizabeth. Maggie Laubser: Early works from the Silberberg Collection : South African National Gallery, 2 December 1987-31 January 1988 = Maggie Laubser : vroeë werke uit die Silberberg-versameling, Suid-Afrikaanse Nasionale Kunsmuseum, 2 Desember 1987-31 Januarie 1988. Cape Town: South African National Gallery, 1987.

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11

Dolby, Joe. What is an artist's print?: An exhibition of prints, copies, reproductions, and posters : Natale Labia Museum, 2 September-12 November 1995. [Cape Town: South African National Gallery, 1995.

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12

Marilyn, Martin y South African National Gallery, eds. AidsArt/South Africa: Iziko, South African National Gallery, Cape Town, South Africa, 29 November 2003-16 February 2004. Cape Town: Iziko: South African National Gallery, 2003.

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13

Pierce-Atkinson, Patricia. Patricia Pierce-Atkinson: A commemorative exhibition, selected works 1972-1993, South African National Gallery. Cape Town: Michaelis School of Fine Art, University of Cape Town, 1994.

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14

Gallery, South African National, ed. Made in wood: Work from the Western Cape : South African National Gallery, 12/12/1992-28/2/1993. Cape Town, South Africa: South African National Gallery, 1992.

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15

Gallery, South African National. Michaelis Collection, Ukiyo-e: Japanese colour prints from the S. A. National Gallery. [Cape Town: The Gallery, 1990.

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16

Ivor, Powell. Face value: An exhibition by Malcolm Payne : South African National Gallery, Cape Town, South Africa, 18 November 1993-31 January 1994. Cape Town: Axeage Private Press, 1993.

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17

The Sir Abe Bailey bequest: A reappraisal. Cape Town, S.A.]: Iziko, Museums of Cape Town, 2001.

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18

Gallery, South African National y Stigting vir die Skeppende Kunste (Cape Town, South Africa), eds. Picturing our world: Contemporary images of the Western Cape : Dakawa Art & Craft Project, Grahamstown (Standard Bank National Arts Festival) 1.7.1993-11.7.1993, Standard Bank Centre Gallery, Johannesburg, 3.8.1993-26.8.1993, South African National Gallery, Cape Town, 23.9.1993-31.10.1993. Cape Town: South African National Gallery, 1993.

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19

Burr, Geoffrey. The new look: Art glass of the 1950s & 1960s, 11 June-7 August 1994 Natale Labia Museum : a satellite of the South African National Gallery. Cape Town: South African National Gallery, 1994.

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20

author, Jones Barbara, ed. Mandela: My prisoner, my friend. London: John Blake, 2004.

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21

Jones, Barbara, 1944 November 29- author, ed. Mandela: My prisoner, my friend. London: John Blake, 2014.

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22

Tietze, Anna. History of the Iziko South African National Gallery: Reflections on Art and National Identity. University of Cape Town Press, 2017.

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23

A History of the Iziko South African National Gallery: Reflections on Art and National Identity. University of Cape Town Press, 2018.

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24

Gallery, South African National. A Decade of Democracy: South African Art, 1994-2004: From the Permanent Collection of Iziko: South African National Gallery. Double Storey Books, 2004.

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25

Aidsart/South Africa: Iziko, South African National Gallery, Cape Town, South Africa, 29 November 2003-16 February 2004. Not Avail, 2003.

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26

Emma, Bedford y South African National Gallery, eds. Ezakwantu: Beadwork from the Eastern Cape : 31 October 1993-29 May 1994, South African National Gallery. [Cape Town]: The Gallery, 1993.

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27

Gallery, South African National. The Sir Edmund and Lady Davis presentation: A gift of British art to South Africa in the permanent collections of the South African National Gallery, Cape Town. Editado por Proud Hayden. [Cape Town] : The Gallery, 1999.

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28

Jones, Barbara, 1944 November 29-, ed. Mandela: My prisoner, my friend. Thomas Dunne Books, St. Martin's Press, 2014.

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29

Degas, Rupert y Christo Brand. Mandela: My Prisoner My Friend. Bolinda Audio, 2014.

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30

Degas, Rupert y Christo Brand. Mandela: My Prisoner, My Friend. Bolinda Audio, 2014.

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31

Jones, Barbara y Christo Brand. Mandela: My Prisoner, My Friend. Blake Publishing, Limited, John, 2014.

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32

Boje, John. The Aftermath of War. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039560.003.0008.

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Resumen
This chapter examines the aftermath of the South African War, focusing on the period from the conclusion of peace, when Lord (Horatio) Kitchener shook hands with the Boer delegates and pledged, “We are good friends now,” to the establishment of the National Party with anti-British and anti-black bias. The chapter begins with a discussion of the postwar reconstruction, the reintegration of hendsoppers (surrendered Boers) and joiners, and the consolidation of Afrikaners’ national identity. It then considers the role of the Dutch Reformed Church in rebuilding community, along with the political resurgence of the adversaries of “protected burghers” in the Free State. It also looks at the 1914 rebellion that articulated a republican protest against the modernizing state. Finally, it highlights the postwar trauma suffered by blacks, their political marginalization, and the establishment of the African National Congress (ANC).
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