Bibliografías temáticas / South African Fables

Literatura académica sobre el tema "South African Fables"

Autor: Grafiati
Publicado: 26 de julio de 2024

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Artículos de revistas sobre el tema "South African Fables"

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Quintero, Genevieve Jorolan y Connie Makgabo. "Animals as representations of female domestic roles in selected fables from the Philippines and South Africa". Scholarship of Teaching and Learning in the South 4, n.º 1 (28 de abril de 2020): 37. http://dx.doi.org/10.36615/sotls.v4i1.121.

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South Africa and the Philippines are home to a number of indigenous groups whose cultures and traditions have not been tainted by centuries of colonization. This paper compares the pre-colonial literature of cultural communities in two countries, where one is part of a continent (South Africa) while the other is an archipelago (the Philippines). Despite the differences in their geographical features, the two countries share common experiences: 1) colonized by European powers; 2) have a significant number of indigenous communities; 3) a treasury of surviving folk literature. Published African and Philippine folktales reveal recurring images and elements. One of these is the use of animals as characters, performing domestic tasks in households, and representing gender roles. This paper compares how animal characters portray feminine characteristics and domestic roles in selected fables from South Africa and the Philippines, specifically on the commonalities in the roles of the female characters. The research highlights the relevance of recording and publishing of folk literature, and the subsequent integration and teaching thereof within basic and higher education curricula.Key words: Indigenous, Cultural communities, fables, folk literature, Philippine folk tales, South African folk talesHow to cite this article:Quintero, G.J. & Makgabo, C. 2020. Animals as Representations of Female Domestic Roles in selected fables from the Philippines and South Africa. Scholarship of Teaching and Learning in the South. v. 4, n. 1, p. 37-50. April 2020. Available at:https://sotl-south-journal.net/?journal=sotls&page=article&op=view&path%5B%5D=121This work is licensed under the Creative Commons Attribution 4.0 International License.To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/
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Toma, Luciano, Rafael Yus Ramos, Francesco Severini, Marco Di Luca, Maurizio Mei y Marcello Franco Zampetti. "First record of Bruchidius raddianae in Italy: infested seeds of Vachellia karroo from Lampedusa island (Coleoptera: Bruchidae; Fabales: Fabaceae)". Fragmenta Entomologica 49, n.º 1 (30 de junio de 2017): 89. http://dx.doi.org/10.4081/fe.2017.236.

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<em>Bruchidius</em> <em>raddianae</em> (Anton &amp; Delobel 2003), a species of seed beetle spread in Northern Africa, was detected for the first time in Europe in some localities of the Southern Iberian Peninsula in 2007. In Spain this coleopteran lives on the shrubs of the South African acacia tree, <em>Vachellia</em> <em>karroo</em> (Hayne) Banfi &amp; Galasso, currently present in the Southern Iberian Peninsula. From seeds of <em>V. karroo</em> collected in October 2015, in Lampedusa island, Italy, where this plant is widely spread, 45 specimens of this coleopteran emerged. This observation represents the first record o<em>f B. raddianae</em> in Italy and the second one for Europe.
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Addae, Prince C., Mohammad F. Ishiyaku, Jean-Batiste Tignegre, Malick N. Ba, Joseph B. Bationo, Ibrahim D. K. Atokple, Mumuni Abudulai et al. "Efficacy of a cry1Ab Gene for Control of Maruca vitrata (Lepidoptera: Crambidae) in Cowpea (Fabales: Fabaceae)". Journal of Economic Entomology 113, n.º 2 (22 de enero de 2020): 974–79. http://dx.doi.org/10.1093/jee/toz367.

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Abstract Cowpea [Vigna unguiculata (L) Walp.] is an important staple legume in the diet of many households in sub-Saharan Africa. Its production, however, is negatively impacted by many insect pests including bean pod borer, Maruca vitrata F., which can cause 20–80% yield loss. Several genetically engineered cowpea events that contain a cry1Ab gene from Bacillus thuringiensis (Bt) for resistance against M. vitrata were evaluated in Nigeria, Burkina Faso, and Ghana (West Africa), where cowpea is commonly grown. As part of the regulatory safety package, these efficacy data were developed and evaluated by in-country scientists. The Bt-cowpea lines were planted in confined field trials under Insect-proof netting and artificially infested with up to 500 M. vitrata larvae per plant during bud formation and flowering periods. Bt-cowpea lines provided nearly complete pod and seed protection and in most cases resulted in significantly increased seed yield over non-Bt control lines. An integrated pest management strategy that includes use of Bt-cowpea augmented with minimal insecticide treatment for protection against other insects is recommended to control pod borer to enhance cowpea production. The insect resistance management plan is based on the high-dose refuge strategy where non-Bt-cowpea and natural refuges are expected to provide M. vitrata susceptible to Cry1Ab protein. In addition, there will be a limited release of this product until a two-toxin cowpea pyramid is released. Other than South African genetically engineered crops, Bt-cowpea is the first genetically engineered food crop developed by the public sector and approved for release in sub-Saharan Africa.
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Park, Jungman. "Utopian Vision and Its Double: An Allegorical Portrait of Black Life in Hurston’s One-act Play Mr. Frog". Institute of British and American Studies 59 (30 de octubre de 2023): 3–20. http://dx.doi.org/10.25093/ibas.2023.59.3.

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Zora Neale Hurston was an anthropologist and a woman writer participating in the African American literary movement known as the Harlem Renaissance in the 1920s. A prolific and versatile writer, she wrote a number of plays, and, in particular, devoted herself to creating ‘black folk comedy’ as a form of ‘the new and the real Negro theatre’ that honestly showed the language and daily life of black people in South Florida. This study focuses on Herston’s one-act play Mr. Frog as an example of black folk comedy. A fable story, the short dramatic skit represents the utopian model of coexistence and symbiotic community by portraying the lives of animals. On the other hand, this utopia created on stage is a space that does not exist in reality, so in return, it indirectly suggests ‘other’ picture hidden behind the surface, namely, the portrait of contemporary black people in South Florida living the harsh reality of racism. In the play, the utopian vision is presented as ‘double’ and this writing strategy meets the nature and effects of an allegorical narrative deriving from the correlation of surface text and the hidden meaning or subtext. This study concludes that Mr. Frog, through the fable story of animals, dramatizes the ‘double’ of the utopian vision that diverges into the ideal community for coexistence and the reality of black life, thereby suggesting a model for allegorical playwriting.
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Ng, Lynda. "Civilization Perilous: Resituating Coetzee's Barbarians and the West". Journal of Modern Literature 46, n.º 2 (enero de 2023): 97–113. http://dx.doi.org/10.2979/jml.2023.a885849.

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Abstract: J.M. Coetzee's novel, Waiting for the Barbarians , has long been regarded as a political fable that takes place in an abstract, delocalized world. Source material in the Coetzee archive has revealed, however, that far from featuring a completely invented place, Barbarians is in fact set in the very real and recognizable terrain of Xinjiang, the Westernmost province of China. Relocating the novel into Xinjiang's multi-ethnic context has considerable implications for the way we are to understand Coetzee's positioning of civilized and barbarian peoples. It enables us to see how racialization is used to stabilize the abstract concepts of civilization and barbarism, moving beyond the black-white binary of South African apartheid. Perhaps most importantly, it draws attention to the racialized assumptions that readers themselves bring to the text and highlights the tenuous basis on which civilization constructs itself.
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Basic, D., A. M. Muasya y S. B. M. Chimphango. "Linking root traits to superior phosphorus uptake and utilization efficiency in Fabales in the Core Cape Subregion, South Africa". South African Journal of Botany 103 (marzo de 2016): 304. http://dx.doi.org/10.1016/j.sajb.2016.02.007.

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MacAlister, Dunja, A. Muthama Muasya y Samson B. M. Chimphango. "Linking root traits to superior phosphorus uptake and utilisation efficiency in three Fabales in the Core Cape Subregion, South Africa". Functional Plant Biology 45, n.º 7 (2018): 760. http://dx.doi.org/10.1071/fp17209.

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In the low-P soil of the fynbos biome, plants have evolved several morphological and physiological P acquisition and use mechanisms, leading to variable uptake and use efficiencies. We expected that plants grown in low-P soils would exhibit greater P acquisition traits and hypothesised that Aspalathus linearis (Burm. f.) R. Dahlgren, a cluster-root-forming species adapted to drier and infertile soils, would be the most efficient at P acquisition compared with other species. Three fynbos Fabales species were studied: A. linearis and Podalyria calyptrata (Retz.) Willd, both legumes, and Polygala myrtifolia L., a nonlegume. A potted experiment was conducted where the species were grown in two soil types with high P (41.18 mg kg–1) and low P (9.79 mg kg–1). At harvest, biomass accumulation, foliar nutrients and P acquisition mechanisms were assessed. Polygala myrtifolia developed a root system with greater specific root length, root hair width and an average root diameter that exuded a greater amount of citrate and, contrary to the hypothesis, exhibited greater whole-plant P uptake efficiency. However, P. calyptrata had higher P use efficiency, influenced by N availability through N2 fixation. Specific root length, root length and root : shoot ratio were promising morphological traits for efficient foraging of P, whereas acid phosphatase exudation was the best physiological trait for solubilisation of P.
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Hornung, A. ""Unstoppable" Creolization: The Evolution of the South into a Transnational Cultural Space; South to a New Place: Region, Literature, Culture; History and Memory in the Two Souths: Recent Southern and Spanish American Fiction; Reading Africa into American Literature: Epics, Fables, and Gothic Tales". American Literature 78, n.º 4 (1 de diciembre de 2006): 859–67. http://dx.doi.org/10.1215/00029831-2006-055.

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Snauwaert, Isabel, Zoi Papalexandratou, Luc De Vuyst y Peter Vandamme. "Characterization of strains of Weissella fabalis sp. nov. and Fructobacillus tropaeoli from spontaneous cocoa bean fermentations". International Journal of Systematic and Evolutionary Microbiology 63, Pt_5 (1 de mayo de 2013): 1709–16. http://dx.doi.org/10.1099/ijs.0.040311-0.

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Six facultatively anaerobic, non-motile lactic acid bacteria were isolated from spontaneous cocoa bean fermentations carried out in Brazil, Ecuador and Malaysia. Phylogenetic analysis revealed that one of these strains, designated M75T, isolated from a Brazilian cocoa bean fermentation, had the highest 16S rRNA gene sequence similarity towards Weissella fabaria LMG 24289T (97.7 %), W. ghanensis LMG 24286T (93.3 %) and W. beninensis LMG 25373T (93.4 %). The remaining lactic acid bacteria isolates, represented by strain M622, showed the highest 16S rRNA gene sequence similarity towards the type strain of Fructobacillus tropaeoli (99.9 %), a recently described species isolated from a flower in South Africa. pheS gene sequence analysis indicated that the former strain represented a novel species, whereas pheS, rpoA and atpA gene sequence analysis indicated that the remaining five strains belonged to F. tropaeoli ; these results were confirmed by DNA–DNA hybridization experiments towards their respective nearest phylogenetic neighbours. Additionally, matrix-assisted laser desorption/ionization time-of-flight mass spectrometry proved successful for the identification of species of the genera Weissella and Fructobacillus and for the recognition of the novel species. We propose to classify strain M75T ( = LMG 26217T = CCUG 61472T) as the type strain of the novel species Weissella fabalis sp. nov.
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Rodrigues Maia, Felipe. "COWPE BEAN PRODUCTION - (VIGNA UNGUICULATA (L.) WALP). A DROUGHT-RESISTANT PLANT IS VERY COMMON IN REGIONS OF THE BRAZILIAN SEMI-ARID". Journal of Interdisciplinary Debates 4, n.º 04 (12 de noviembre de 2023): 242–63. http://dx.doi.org/10.51249/jid.v4i04.1731.

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Cowpea is a dicotyledonous plant, originating from Africa, belonging to the order Fabales, Family Fabaceae, subfamily Faboideae, tribe Phaseoleae, subtribe Phaseolina, genus Vigna, species Vigna unguiculata (L.) Walp, the bean is considered a plant resistant to drought and is very common in regions of the Brazilian semi-arid region. It is commonly known as cowpea, macassar bean, black-eyed pea or green bean, among others. Given this, the objective of the present study was to carry out a bibliographical review of studies published in recent years to observe the nutritional potential and its economic viability for its production. The searches were carried out in Google Scholar databases. The harvested area of cowpea in the world is approximately 11,806,648 hectares, with a production of 5,389,235 tons, with Nigeria (2,916,00 tons) and Niger (1,265,839 tons) standing out among the largest producers. Cowpea production in Brazil is concentrated in the Northeast (1.2 million hectares) and North (55.8 thousand hectares) regions, predominantly cultivated in the semi-arid hinterland of the Northeast region, cowpea is cultivated in practically all micro-regions in the state of Paraíba, with a production of 62,018 tons in an area of 186,151 hectares, ranking fourth in planted area in the Northeast. The results show that cowpea has good energy and nutritional reserves that can be used in numerous recipes, including sautéed desserts, sweets, among others. Therefore, it presents itself as a very rich and nutritious food. A visit was made to some of Felipe Rodrigues Maia’s properties, in the rural community Sítio Cedro, with geographic coordinates of 37º57’20” longitude to the west and latitude to the south of 07º44’57”. It is located approximately four kilometers from the urban area of the municipality of Princesa Isabel - PB, to learn about the forms of production cultivation and the main pests that affect plantations in the semi-arid region and how to deal with this problem, as it is a factor Knowing its forms and how to deal with pests is crucial for cultivation. In view of what was obtained in the research, beans should be included in the human diet in a complementary way, considering that the crop is quite representative in the region where it plays an effective role in the population’s diet, as it constitutes an excellent source of low-cost proteins and carbohydrates.
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Tesis sobre el tema "South African Fables"

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Grobler, Adri. "The utility of a Düss fable for cross-cultural measurement of resilience in young children". Diss., University of Pretoria, 2011. http://hdl.handle.net/2263/23028.

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There is limited research on the utility of specific assessment measures for cross-cultural psychological and research measurement within the South-African context. In addition limited knowledge exists on cross-cultural measurement of resilience in young children. This study analyses purposefully selected (existing) data from the Kgolo Mmogo project (which investigated psychological resilience in South African mothers and children affected by HIV/AIDS) with the aim of exploring the utility of a Düss fable as projective story-telling technique to measure resilience in young children. The primary research question that guided this study was: ‘What is the utility of a Düss fable as cross-cultural measure of resilience in young children?’ Using the ecological and social cross-cultural model as theoretical framework, the concurrent mixed method study compares inductively derived themes from the Düss fables (qualitative: content analysis) with quantitative scores obtained from secondary analysis of Child Behavior Checklist scores. Subsequent to the data analysis themes of resilience and non-resilience emerged from the Düss fables as well as from the CBCL. The themes of both resilience (protective resources) and non-resilience (risk factors) emerged and where significantly situated within the children’s environments. The core themes of resilience as expressed by the child-participants related to their coping strategies, their sense of belonging, the availability of material resources and their ability to navigate towards positive institutions. The most prominent themes of non-resilience that emerged from the participants’ Düss fables related to their coping strategies (maladaptive coping), their awareness of chronic risk, adversity and death. The CBCL was included in the study to provide insight into the perspective of the participants’ mothers with regards to their children’s functioning. Predominantly the mothers mostly perceived their children as well adjusted. The risk-related behaviours mostly reported by the mothers were externalising problems that manifested as rule-breaking and aggressive behaviour. The Düss fables provided meaningful insights into the life experiences of the children. There were instances where the participants’ responses were rich and detailed. The majority of the participants’ stories were age-appropriate and informative, while in some instances the participants gave limited responses. Nonetheless, the Düss fable provided valuable insights into the child-participants’ thoughts, emotions and life-experiences.
Dissertation (MEd)--University of Pretoria, 2011.
Educational Psychology
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2

Greyvenstein, Lisa. "An investigation of excess as symptomatic of Neo-Baroque identified in the work of selected South African artists". Diss., University of Pretoria, 2012. http://hdl.handle.net/2263/27466.

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This research investigates the Neo-Baroque aesthetic of excess in contemporary South African art, and explores reasons for the emergence of this style. It investigates artists who use their bodies as a site of resistance, to contest or reconstruct the dominant social values which establish differences between bodies to place them within the marginal position of ‘Other’. This investigation relates to post-colonial concerns. The artists’ exploitation of the Neo-Baroque aesthetic of excess as a comment on social concerns reveals a sense of crisis within South African society, similar to the conditions from which the seventeenth century Baroque style evolved. Neo-Baroque aesthetics of excess manifest in a variety of ways, and are particularly evident when artists transgress social boundaries placed on the body through abject and erotic associations. Excess ultimately arises from complexity, as hybrid art forms are created from the combination of media and content found within the art work.
Dissertation (MA)--University of Pretoria, 2012.
Visual Arts
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Libros sobre el tema "South African Fables"

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The quivering spear and other South African legends and fables. Johannesburg: QS Partners in Publishing, 1996.

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Geldenhuys, Jannie. Dié wat gewen het: Feite en fabels van die bosoorlog. Pretoria: Litera, 2007.

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Ronnie, Gotkin, Cohen Judith y United Herzlia Schools (Cape Town, South Africa), eds. [Im tirtsu] =: Im tirtzu = If you will it, it is no fable. [Cape Town]: United Herzlia Schools, 1990.

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Aesop's Fables. Frances Lincoln Children's Books, 2014.

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Bleek, W. H. I. Reynard The Fox In South Africa Or, Hottentot Fables And Tales. Kessinger Publishing, LLC, 2007.

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Bleek, W. H. I. Reynard The Fox In South Africa Or, Hottentot Fables And Tales. Kessinger Publishing, LLC, 2007.

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Bleek, Wilhelm Heinrich Immanuel. Reynard the Fox in South Africa: Or, Hottentot Fables and Tales. Creative Media Partners, LLC, 2018.

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Reynard the fox in South Africa; or, Hottentot Fables and Tales. Franklin Classics, 2018.

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Bleek, W. H. 1827-1875. Reynard the Fox in South Africa; Or, Hottentot Fables and Tales. Franklin Classics Trade Press, 2018.

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Reynard the Fox in South Africa; or, Hottentot Fables and Tales. Creative Media Partners, LLC, 2018.

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Capítulos de libros sobre el tema "South African Fables"

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Johnson, David. "Anti-Stalinist Dreams of Freedom". En Dreaming of Freedom in South Africa, 104–32. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474430210.003.0005.

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The alternative South African Marxist tradition derived from Trotsky’s critique of Stalinism and centred in the NEUM from the 1940s to 1960s is the focus of analysis. The South African adaptations of Trotsky’s fusion of critique and utopia in political discourse that are examined include: the writings of I. B. Tabata, Ben Kies, Goolam Gool and Baruch Hirson; the NEUM’s Ten-Point Programme of 1943; and the political journalism in publications loosely affiliated to the NEUM and the New Era Fellowship like Torch, The Bulletin and Discussion. The literary culture associated with the NEUM is discussed both by tracing the influence of the ideas of Marx, Trotsky and Brecht on South Africa’s counter-public sphere, and by analysing the literary-cultural writings of Dora Taylor (her poems, short stories, novels and book reviews); A. C. Jordan’s literary criticism and animal fables; Ben Kies’s newspaper columns; Neville Alexander’s letters; Livingstone Mqotsi’s novel House of Bondage (1990); and the widespread use of literary quotations in political speeches by NEUM leaders, including Tabata, Kies, Leo Sihlali and Goolam Gool.
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