Artículos de revistas sobre el tema "Sound recording industry"
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Gronow, Pekka. "Recording the History of Recording: A Retrospective of the Field". International Journal for History, Culture and Modernity 7, n.º 1 (2 de noviembre de 2019): 443–57. http://dx.doi.org/10.18352/hcm.565.
Texto completoMeyer, Stephen C. "Parsifal's Aura". 19th-Century Music 33, n.º 2 (2009): 151–72. http://dx.doi.org/10.1525/ncm.2009.33.2.151.
Texto completoOvsiannikov, Viacheslav. "Principles of microphone sound recording in the context of the creative direction of sound recording". Collection of scientific works “Notes on Art Criticism”, n.º 39 (1 de septiembre de 2021): 124–29. http://dx.doi.org/10.32461/2226-2180.39.2021.238705.
Texto completoSzabó, Ferenc János. "Ernő Dohnányi: A Discography of the Performer". Studia Musicologica 63, n.º 1-2 (9 de diciembre de 2022): 17–85. http://dx.doi.org/10.1556/6.2022.00003.
Texto completoWood, Nicholas Stuart. "Protecting Creativity: Why Moral Rights Should be Extended to Sound Recordings under New Zealand Copyright Law". Victoria University of Wellington Law Review 32, n.º 1 (5 de marzo de 2001): 163. http://dx.doi.org/10.26686/vuwlr.v32i1.5899.
Texto completoPoletti, Mark. "Three-dimensional sound recording using directional beams". Journal of the Acoustical Society of America 154, n.º 4_supplement (1 de octubre de 2023): A255. http://dx.doi.org/10.1121/10.0023453.
Texto completoVan Nort, Doug. "Multidimensional Scratching, Sound Shaping and Triple Point". Leonardo Music Journal 20 (diciembre de 2010): 17–18. http://dx.doi.org/10.1162/lmj_a_00005.
Texto completoRykunin, Vladislav Vyacheslavovich. "The first jazz gramophone record: the music of the moment which became timeless". PHILHARMONICA. International Music Journal, n.º 1 (enero de 2021): 14–22. http://dx.doi.org/10.7256/2453-613x.2021.1.35023.
Texto completoDauterive, Jessica, Matthew B. Karush y Michael O’Malley. "Hearing the Americas: Understanding the Early Recording Industry with Digital Tools". Journal of the Gilded Age and Progressive Era 22, n.º 4 (octubre de 2023): 427–51. http://dx.doi.org/10.1017/s1537781423000178.
Texto completoJhingan, Shikha. "Backpacking Sounds". Feminist Media Histories 1, n.º 4 (2015): 71–88. http://dx.doi.org/10.1525/fmh.2015.1.4.71.
Texto completoVukmanović, Marinko. "DELICATE SOUND OF AI RESTORATION - ”THE LORD OF THE THINGS”". Social informatics journal 3, n.º 1 (30 de junio de 2024): 51–54. http://dx.doi.org/10.58898/sij.v3i1.51-54.
Texto completoVanCour, Shawn y Kyle Barnett. "Eat what you hear: Gustasonic discourses and the material culture of commercial sound recording". Journal of Material Culture 22, n.º 1 (10 de enero de 2017): 93–109. http://dx.doi.org/10.1177/1359183516679186.
Texto completoDeVincentis, Patrice. "The rise of sound girls: Expect, empower, energize, educate". Journal of Popular Music Education 6, n.º 2 (1 de julio de 2022): 267–74. http://dx.doi.org/10.1386/jpme_00089_1.
Texto completoFishzon, Anna. "The Operatics of Everyday Life, or, How Authenticity Was Defined in Late Imperial Russia". Slavic Review 70, n.º 4 (2011): 795–818. http://dx.doi.org/10.5612/slavicreview.70.4.0795.
Texto completoHughes, Stephen Putnam. "Music in the Age of Mechanical Reproduction: Drama, Gramophone, and the Beginnings of Tamil Cinema". Journal of Asian Studies 66, n.º 1 (febrero de 2007): 3–34. http://dx.doi.org/10.1017/s0021911807000034.
Texto completoYakoupov, A. N. "MUSIC COMMUNICATION: WAYS OF REPRODUCTION AND CHANNELS OF PERCEPTION OF MUSIC (historical and analytical view)". Arts education and science 1, n.º 2 (2020): 53–61. http://dx.doi.org/10.36871/hon.202002006.
Texto completoRăsvan, Cătălin. "Sound Banks – a Priceless Aid in Contemporary Music Writing". Artes. Journal of Musicology 20, n.º 1 (1 de marzo de 2019): 220–30. http://dx.doi.org/10.2478/ajm-2019-0012.
Texto completoWilliams, Christopher. "The Concrete ‘Sound Object’ and the Emergence of Acoustical Film and Radiophonic Art in the Modernist Avant-Garde". Transcultural Studies 13, n.º 2 (1 de febrero de 2017): 239–63. http://dx.doi.org/10.1163/23751606-01302008.
Texto completoVečerníková, Lucie, Filip Šír y Tomáš Slavický. "Eduard Jedlička: Americký sen zlatníka z Moravy". Muzeum Muzejní a vlastivedná práce 60, n.º 1 (2022): 40–49. http://dx.doi.org/10.37520/mmvp.2022.005.
Texto completoFulek, Ruwen, Selina Ramm, Christian Kiera, Miriam Pein-Hackelbusch y Ulrich Odefey. "A Machine Learning Approach to Qualitatively Evaluate Different Granulation Phases by Acoustic Emissions". Pharmaceutics 15, n.º 8 (17 de agosto de 2023): 2153. http://dx.doi.org/10.3390/pharmaceutics15082153.
Texto completoHedges, Michael. "‘Modulation’ by Richard Powers: Digital sound, compression and the short story". Short Fiction in Theory & Practice 11, n.º 1-2 (1 de junio de 2021): 161–76. http://dx.doi.org/10.1386/fict_00042_1.
Texto completoFenster, Mark. "Buck Owens, country music, and the struggle for discursive control". Popular Music 9, n.º 3 (octubre de 1990): 275–90. http://dx.doi.org/10.1017/s0261143000004098.
Texto completoKocherzhuk, D. V. "Sound recording in pop art: differencing the «remake» and «remix» musical versions". Aspects of Historical Musicology 14, n.º 14 (15 de septiembre de 2018): 229–44. http://dx.doi.org/10.34064/khnum2-14.15.
Texto completoSYMES, COLIN. "From Tomorrow’s Eve to High Fidelity: novel responses to the gramophone in twentieth century literature". Popular Music 24, n.º 2 (mayo de 2005): 193–206. http://dx.doi.org/10.1017/s0261143005000462.
Texto completoSiriyuvasak, Ubonrat. "Commercialising the sound of the people: Pleng Luktoong and the Thai pop music industry". Popular Music 9, n.º 1 (enero de 1990): 61–77. http://dx.doi.org/10.1017/s0261143000003731.
Texto completoBender, Helena. "Effectiveness of the eastern grey kangaroo foot thump for deterring conspecifics". Wildlife Research 32, n.º 7 (2005): 649. http://dx.doi.org/10.1071/wr04091.
Texto completoJung, Dae-Hyun, Na Yeon Kim, Sang Ho Moon, Changho Jhin, Hak-Jin Kim, Jung-Seok Yang, Hyoung Seok Kim, Taek Sung Lee, Ju Young Lee y Soo Hyun Park. "Deep Learning-Based Cattle Vocal Classification Model and Real-Time Livestock Monitoring System with Noise Filtering". Animals 11, n.º 2 (1 de febrero de 2021): 357. http://dx.doi.org/10.3390/ani11020357.
Texto completoBrennan, Matt y Kyle Devine. "The cost of music". Popular Music 39, n.º 1 (febrero de 2020): 43–65. http://dx.doi.org/10.1017/s0261143019000552.
Texto completoRoy, Elodie A. "‘Total trash’. Recorded music and the logic of waste". Popular Music 39, n.º 1 (febrero de 2020): 88–107. http://dx.doi.org/10.1017/s0261143019000576.
Texto completoYu, Miao, Yutong He y Qian Kong. "Research on Pattern Extraction Method of Underwater Acoustic Signal Based on Linear Array". Mathematical Problems in Engineering 2022 (15 de abril de 2022): 1–10. http://dx.doi.org/10.1155/2022/1819423.
Texto completoO’Grady, Pat. "The Master of Mystery". Journal of Popular Music Studies 31, n.º 2 (junio de 2019): 147–64. http://dx.doi.org/10.1525/jpms.2019.312012.
Texto completoPorcello, Thomas. "The ethics of digital audio-sampling: engineers' discourse". Popular Music 10, n.º 1 (enero de 1991): 69–84. http://dx.doi.org/10.1017/s0261143000004323.
Texto completoQureshi, Regula Burckhardt. "His Master's Voice? Exploring Qawwali and ‘Gramophone Culture’ in South Asia". Popular Music 18, n.º 1 (enero de 1999): 63–98. http://dx.doi.org/10.1017/s0261143000008734.
Texto completoKeightley, Keir. "Long Play: Adult-Oriented Popular Music and the Temporal Logics of the Post-War Sound Recording Industry in the USA". Media, Culture & Society 26, n.º 3 (mayo de 2004): 375–91. http://dx.doi.org/10.1177/0163443704042258.
Texto completoHepokoski, James. "“Listen and Be Amazed!”: Odeon, Künneke, and the First Recordings of Complete Symphonies". Journal of the American Musicological Society 76, n.º 1 (2023): 113–67. http://dx.doi.org/10.1525/jams.2023.76.1.113.
Texto completoGibson, Will, Peter Callery, Malcolm Campbell, Andy Hall y Dave Richards. "The Digital Revolution in Qualitative Research: Working with Digital Audio Data through Atlas. Ti". Sociological Research Online 10, n.º 1 (junio de 2005): 57–68. http://dx.doi.org/10.5153/sro.1044.
Texto completoWebb, Jen. "Cleaning up the Grunge". Media International Australia 90, n.º 1 (febrero de 1999): 157–65. http://dx.doi.org/10.1177/1329878x9909000115.
Texto completoЦветковская, Т. А. "Leopold Stokowski’s “Sound-Scores”". OPERA MUSICOLOGICA, n.º 2022 (11 de mayo de 2022): 82–100. http://dx.doi.org/10.26156/om.2022.14.2.003.
Texto completoKiene, Tony. "From the Early Days of Rock and Roll to the Minneapolis Sound and Beyond: Pepé Willie Talks About His Life in the Business". Spectrum: A Journal on Black Men 10, n.º 2 (marzo de 2023): 127–44. http://dx.doi.org/10.2979/spe.2023.a903158.
Texto completoSher, Alina Andreevna y Rimma Aleksandrovna Timofeeva. "The works of Alex Steinweiss: design of the music album cover as a new trend in graphic design". Культура и искусство, n.º 4 (abril de 2021): 104–15. http://dx.doi.org/10.7256/2454-0625.2021.4.35373.
Texto completoHöhler, Julia y Rainer Kühl. "What strategies do dairy companies realize? Using content analysis to examine strategies in the German dairy market". International Food and Agribusiness Management Review 22, n.º 5 (11 de septiembre de 2019): 635–50. http://dx.doi.org/10.22434/ifamr2019.0008.
Texto completoMorgan, Frances. "Pioneer Spirits: New media representations of women in electronic music history". Organised Sound 22, n.º 2 (12 de julio de 2017): 238–49. http://dx.doi.org/10.1017/s1355771817000140.
Texto completoRadovinović, Željka. "The Czech Republic and Croatia: Cooperation on the Early Production of Recorded Sound". Fontes Artis Musicae 71, n.º 1 (enero de 2024): 28–52. http://dx.doi.org/10.1353/fam.2024.a922725.
Texto completo., Ermayani, Haryono . y Yuli Utanto. "Exclusivity of Animation Industry Education Curriculum Raden Umar Said Vocational School Kudus". International Journal of Research and Review 9, n.º 12 (8 de diciembre de 2022): 36–52. http://dx.doi.org/10.52403/ijrr.20221205.
Texto completoHernandez, Fredyl B. "Musings on the Engagement of the Neophyte with the Established Archive." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 5 (30 de junio de 2020): 9–16. http://dx.doi.org/10.30819/aemr.5-2.
Texto completoPalmer, William K. G. "Confirming Tonality at Residences Influenced by Wind Turbines". Journal of Energy Conservation 1, n.º 3 (18 de mayo de 2020): 13–44. http://dx.doi.org/10.14302/issn.2642-3146.jec-20-3359.
Texto completoKharkevych, Y. I. "THE USE OF THE SPECIAL KNOWLEDGE IS DURING INVESTIGATION OF THE CRIMINAL OFFENCES RELATED TO THE STATE FINANCING OF INDUSTRY OF HEALTH PROTECTION IN THE CONDITIONS OF PANDEMIC". Herald of criminal justice, n.º 3-4 (2022): 233–43. http://dx.doi.org/10.17721/2413-5372.2022.3-4/233-243.
Texto completoMONTEROLA, CHRISTOPHER, CHERYL ABUNDO, JERIC TUGAFF y LORCEL ERICKA VENTURINA. "PREDICTION OF POTENTIAL HIT SONG AND MUSICAL GENRE USING ARTIFICIAL NEURAL NETWORKS". International Journal of Modern Physics C 20, n.º 11 (noviembre de 2009): 1697–718. http://dx.doi.org/10.1142/s0129183109014680.
Texto completoMartinelli, Francesco. "Establishing Italian Jazz on the International Scene 1960-1980". European Journal of Musicology 16, n.º 1 (31 de diciembre de 2017): 136–57. http://dx.doi.org/10.5450/ejm.2017.16.5785.
Texto completoSholanke, A. B., O. N. E. Ekhaese, M. O. Faleti y K. C. Ukaigwe. "Users' Perception of Comfort Experienced in Academic Buildings of Selected Universities in Ogun State, Nigeria". IOP Conference Series: Earth and Environmental Science 1054, n.º 1 (1 de septiembre de 2022): 012026. http://dx.doi.org/10.1088/1755-1315/1054/1/012026.
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