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Artículos de revistas sobre el tema "SounBe"

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Publicado: 14 de marzo de 2023

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1

Castro Solano, M. M. Otto. "La ciudad como fuente de sonidos para la creación sonora". Resonancias: Revista de investigación musical 42 (junio de 2018): 143–50. http://dx.doi.org/10.7764/res.2018.42.8.

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2

KIGURE, Tatsuya, Kenji AMAYA y Yuki ONISHI. "1007 Sound Source Localization using probability distribution of medium property". Proceedings of The Computational Mechanics Conference 2011.24 (2011): 344–46. http://dx.doi.org/10.1299/jsmecmd.2011.24.344.

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3

Iwasaki, Nobuo, Katsuhiro Inoue y Hiromu Gotanda. "A Real Time Oriented Sound Source DOA Estimation Based on Sparseness". Transactions of the Institute of Systems, Control and Information Engineers 27, n.º 12 (2014): 493–500. http://dx.doi.org/10.5687/iscie.27.493.

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4

Xia Zhenjie, 夏振杰, 刘强 Liu Qiang, 李昂 Li Ang, 刘悦莹 Liu Yueying, 荆振国 Jing Zhenguo y 彭伟 Peng Wei. "基于膜片式EFPI光纤麦克风的声源定位系统". Chinese Journal of Lasers 48, n.º 9 (2021): 0910002. http://dx.doi.org/10.3788/cjl202148.0910002.

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5

Ih, Jeong-Guon. "Identification of the Sectional Distribution of Sound Source in a Wide Duct". Journal Of The Acoustical Society Of Korea 33, n.º 2 (2014): 87. http://dx.doi.org/10.7776/ask.2014.33.2.087.

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6

Chaofeng Lan, Chaofeng Lan, Lei Zhang Chaofeng Lan, Shou Lv Lei Zhang y Rongrong Han Shou Lv. "Study on Noise Control Effect of Secondary Sound Source Distribution in Vehicle Interior". 電腦學刊 32, n.º 6 (diciembre de 2021): 248–53. http://dx.doi.org/10.53106/199115992021123206022.

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7

EDEN, Arda. "AÇIK KAYNAK VE ÖZGÜR YAZILIM HAREKETLERİ IŞIĞINDA GNU/LİNUX İLE SES VE MÜZİK". Akademik Müzik Araştırmaları Dergisi 3, n.º 6 (5 de junio de 2017): 1–22. http://dx.doi.org/10.5578/amrj.57425.

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8

Uemura, Satoshi, Osamu Sugiyama, Ryosuke Kojima y Kazuhiro Nakadai. "Outdoor Acoustic Event Identification using Sound Source Separation and Deep Learning with a Quadrotor-Embedded Microphone Array". Abstracts of the international conference on advanced mechatronics : toward evolutionary fusion of IT and mechatronics : ICAM 2015.6 (2015): 329–30. http://dx.doi.org/10.1299/jsmeicam.2015.6.329.

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9

Chibysheva, Olga Anatolyevna y Natalia Vladimirovna Osadchuk. "Linguocultural Features of Concept SOUND: Objectification of Microconcept “Sounds Caused by Human Activity” by the Material of English Phraseological Units". Filologičeskie nauki. Voprosy teorii i praktiki, n.º 12 (diciembre de 2021): 3898–903. http://dx.doi.org/10.30853/phil20210643.

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10

Legler, Gretchen. "Sounds". Women's Review of Books 17, n.º 2 (noviembre de 1999): 20. http://dx.doi.org/10.2307/4023348.

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11

Berry, James M. "Sounds". Anesthesiology 123, n.º 5 (1 de noviembre de 2015): 1209. http://dx.doi.org/10.1097/aln.0000000000000744.

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12

Hernandez, Barbara Couden. "Sounds." Families, Systems, & Health 32, n.º 3 (2014): 348. http://dx.doi.org/10.1037/fsh0000060.

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13

Radford, Laurie. "SOUNDS!" Computer Music Journal 24, n.º 4 (diciembre de 2000): 74. http://dx.doi.org/10.1162/comj.2000.24.4.74.

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14

Bernstein, George I. "Sounds". Military Medicine 155, n.º 12 (1 de diciembre de 1990): 627. http://dx.doi.org/10.1093/milmed/155.12.627.

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15

Jones, Frederick L. "Poor Breath Sounds with Good Voice Sounds". Chest 93, n.º 2 (febrero de 1988): 312–13. http://dx.doi.org/10.1378/chest.93.2.312.

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16

Tanaka, Kihachiroh, Kenichiroh Matsubara y Taichi Sato. "Study of Onomatopoeia Expressing Strange Sounds. Cases of Impulse Sounds and Beat Sounds." Transactions of the Japan Society of Mechanical Engineers Series C 61, n.º 592 (1995): 4730–35. http://dx.doi.org/10.1299/kikaic.61.4730.

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17

M. Bani-Khair, Baker. "Little Sounds". International Journal of Comparative Literature and Translation Studies 5, n.º 4 (31 de octubre de 2017): 65. http://dx.doi.org/10.7575/aiac.ijclts.v.5n.4p.65.

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The Spider and the Fly You little spider,To death you aspire...Or seeking a web wider,To death all walking,No escape you all fighters…Weak and fragile in shape and might,Whatever you see in the horizon,That is destiny whatever sight.And tomorrow the spring comes,And the flowers bloom,And the grasshopper leaps high,And the frogs happily cry,And the flies smile nearby,To that end,The spider has a plot,To catch the flies by his net,A mosquito has fallen down in his net,Begging him to set her free,Out of that prison,To her freedom she aspires,Begging...Imploring...crying, That is all what she requires,But the spider vows never let her free,His power he admires,Turning blind to light,And with his teeth he shall bite,Leaving her in desperate might,Unable to move from site to site,Tied up with strings in white,Wrapped up like a dead man,Waiting for his grave at night, The mosquito says,Oh little spider,A stronger you are than me in power,But listen to my words before death hour,Today is mine and tomorrow is yours,No escape from death...Whatever the color of your flower… Little soundsThe AntThe ant is a little creature with a ferocious soul,Looking and looking for more and more,You can simply crush it like dead mold,Or you can simply leave it alone,I wonder how strong and strong they are!Working day and night in a small hole,Their motto is work or whatever you call…A big boon they have and joy in fall,Because they found what they store,A lesson to learn and memorize all in all,Work is something that you should not ignore! The butterfly:I’m the butterflyBeautiful like a blue clear sky,Or sometimes look like snow,Different in colors, shapes and might,But something to know that we always die,So fragile, weak and thin,Lighter than a glimpse and delicate as light,Something to know for sure…Whatever you have in life and all these fields,You are not happier than a butterfly The beetle:The beetle is a legend,Calm and quiet,Never harm or hurt,But live in the dark,A beetle can say something,We are peaceful creatures…Never interfere, sulking alone,We do sometimes eat together,But we are lazy and sleepy…Something we care about most,Is to see all in peace!That is all…. I shall back to sleep …… (Yawning) The Cricket:I’m the gift of the spring,Black, green, white and yellow,My music is beyond imagination,Sharp and loud my message is,Proud to feel this creation,My heart is bigger than a hill,Peaceful and loving to all,So close to joyful hearts,In deep sleep or isolation,The best thing I always do,Is to sing for my determination! The Cat:I’m the cat,No name or identity,No house or food,I’m the lovely cat,So poor but so happy,My motto is joy,Whatever ups and downs,I’m always happy,I run and jump,I speak my language,I cook my food, I eat...Canned food, mice, bread, grass,That is what I like,Whatever joy you shall have,Will it feel like chasing a mouse!!
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18

Warnaby, John. "Finnish Sounds". Musical Times 131, n.º 1770 (agosto de 1990): 431. http://dx.doi.org/10.2307/966636.

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19

Varcoe, Rae. "Stethoscope Sounds". Annals of Internal Medicine 147, n.º 4 (21 de agosto de 2007): 277. http://dx.doi.org/10.7326/0003-4819-147-4-200708210-00012.

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20

Laskin, Pamela L. "Love Sounds". After Dinner Conversation 1, n.º 3 (2020): 49–61. http://dx.doi.org/10.5840/adc20201332.

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21

Rocha, Rosimária Sapucaia, Ângela Maria Mendes Saldanha da Sil Gomes y Jose Bidarra. "Backyard Sounds". International Journal of Creative Interfaces and Computer Graphics 11, n.º 1 (enero de 2020): 1–17. http://dx.doi.org/10.4018/ijcicg.2020010101.

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This article is a study on the immersive sound installation “Backyard Sounds”. The union of our artistic practice to theoretical research resulted on the birth of this project. One of the main objectives of “Backyard Sounds” was the consideration of the sounds of contemporaneity. Seeking to lead users to experience videos and sounds in a dark room, since sounds were only set off with the users' approach, sounds of nature and those produced by humans were used intentionally to demonstrate the inherent paradoxes of contemporary life. This research consists of a study on the immersive sound installation “Backyard Sounds”. The authors approach the artistic process involved in its creation and the concepts, notions, and reflections related to the computational artifact. The sounds heard were reveries of the soundscapes (concept of sounds of nature and others produced by humans), and it was intended to bring users the extreme paradoxes of contemporary life.
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22

Inniger, Jonathan y Luc Vallat. "Sounds powerful". Early Music 49, n.º 3 (1 de agosto de 2021): 466–67. http://dx.doi.org/10.1093/em/caab061.

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23

Keczmerski, John Frank. "Amalgamated Sounds". Musical Times 134, n.º 1802 (abril de 1993): 183. http://dx.doi.org/10.2307/1002468.

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24

Anderson, Robert, Orlando Gibbons, Fretwork, Paul Nicholson, Red Byrd, Matthew Locke y Nigel North. "Sounds Viol". Musical Times 137, n.º 1843 (septiembre de 1996): 33. http://dx.doi.org/10.2307/1004151.

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25

Philipsz, Susan y Annie Fletcher. "Sounds Teasing". Circa, n.º 88 (1999): 44. http://dx.doi.org/10.2307/25563400.

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26

McElgunn, Barbara. "Sounds Fishy". Science News 127, n.º 23 (8 de junio de 1985): 355. http://dx.doi.org/10.2307/3969786.

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27

Johnston, Emily. "Sounds Like..." Science News 151, n.º 22 (31 de mayo de 1997): 331. http://dx.doi.org/10.2307/4018311.

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28

Shlyakhto, Eugene y Alexandra Conrady. "Korotkoff sounds". Journal of Hypertension 23, n.º 1 (enero de 2005): 3–4. http://dx.doi.org/10.1097/00004872-200501000-00002.

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29

Laskin, Pamela L. "Love Sounds". After Dinner Conversation 3, n.º 10 (2022): 96–109. http://dx.doi.org/10.5840/adc202231098.

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How do you deal with a family member with a severe mental illness? To what extent do you allow them into your life, when doing so causes stress and harm to your well being? In this work of philosophical short fiction, the narrator is suffering from a severe mental illness, but clearly loves her daughter. Her daughter has suffered the attention of her mother’s mental illness for years and has done her best to limit her mother’s effects on her life. The narrator correctly intuits that her daughter is getting married. She is not invited to the wedding so to prevent there from being a scene, and drama. No matter, she continues to focus on “planning” the wedding until she is eventually arrested.
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30

Earis, J. "Lung sounds." Thorax 47, n.º 9 (1 de septiembre de 1992): 671–72. http://dx.doi.org/10.1136/thx.47.9.671.

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31

Leak, Malcolm S. y Richard Measham. "Desert sounds". IEE Review 37, n.º 10 (1991): 344. http://dx.doi.org/10.1049/ir:19910153.

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32

Yam, Philip. "Cool Sounds". Scientific American 267, n.º 5 (noviembre de 1992): 120–21. http://dx.doi.org/10.1038/scientificamerican1192-120.

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33

Glasser, Thomas. "Sounds Inside". Qualitative Research Journal 19, n.º 1 (4 de febrero de 2019): 78. http://dx.doi.org/10.1108/qrj-02-2019-102.

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34

Evans, Jason. "Good sounds". Physics World 29, n.º 4 (abril de 2016): 20. http://dx.doi.org/10.1088/2058-7058/29/4/34.

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35

Hampshire, Viv. "Celebrating sounds". Practical Pre-School 2012, n.º 139 (agosto de 2012): v—vi. http://dx.doi.org/10.12968/prps.2012.1.139.v.

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36

Kazantsev, Vassily y Henry Taylor. "The Sounds". World Literature Today 67, n.º 1 (1993): 59. http://dx.doi.org/10.2307/40148853.

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37

Huffman, Lisa M. "Heart sounds". Nursing Made Incredibly Easy! 10, n.º 2 (2012): 51–54. http://dx.doi.org/10.1097/01.nme.0000411098.98692.72.

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38

Delves, Richard. "Sounds fishy". Physics World 16, n.º 2 (febrero de 2003): 18. http://dx.doi.org/10.1088/2058-7058/16/2/28.

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39

Cimini, Amy M. "Posthuman sounds". Sound Studies 1, n.º 1 (enero de 2015): 180–83. http://dx.doi.org/10.1080/20551940.2015.1079977.

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40

Bronfman, Alejandra. "Fugitive Sounds". Small Axe 20, n.º 1 49 (marzo de 2016): 155–63. http://dx.doi.org/10.1215/07990537-3481438.

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41

Harris, A. "Powerful sounds". Engineering & Technology 4, n.º 18 (24 de octubre de 2009): 50–51. http://dx.doi.org/10.1049/et.2009.1810.

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42

Hogan, Wayne. "Season Sounds". Appalachian Heritage 15, n.º 2 (1987): 85. http://dx.doi.org/10.1353/aph.1987.0016.

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43

Harimoto, Kuniyasu, Tatsuya Kawasaki y Tadaaki Kamitani. "Cannon Sounds". Circulation Journal 82, n.º 10 (25 de septiembre de 2018): 2686. http://dx.doi.org/10.1253/circj.cj-18-0311.

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44

Landsberg, Peter T. "Cool sounds". Nature 394, n.º 6694 (agosto de 1998): 623–24. http://dx.doi.org/10.1038/29184.

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45

ROLFE, C. "SOUNDS AFRICAN". French Studies Bulletin 8, n.º 27 (1 de enero de 1988): 17–19. http://dx.doi.org/10.1093/frebul/8.27.17.

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46

Dewar, Andrew Raffo. "Reframing Sounds". Leonardo Music Journal 22 (diciembre de 2012): 87. http://dx.doi.org/10.1162/lmj_a_00109.

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47

Goettel, Nicolai y Matthias J. Herrmann. "Breath Sounds". Anesthesia & Analgesia 128, n.º 3 (marzo de 2019): e42. http://dx.doi.org/10.1213/ane.0000000000003969.

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48

Treadway, Katharine. "Heart Sounds". New England Journal of Medicine 354, n.º 11 (16 de marzo de 2006): 1112–13. http://dx.doi.org/10.1056/nejmp058202.

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49

Brewer, Jane F. "Healing sounds". Complementary Therapies in Nursing and Midwifery 4, n.º 1 (febrero de 1998): 7–12. http://dx.doi.org/10.1016/s1353-6117(98)80006-1.

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50

Shute, Malcolm. "Leaping sounds". New Scientist 208, n.º 2784 (octubre de 2010): 30. http://dx.doi.org/10.1016/s0262-4079(10)62691-7.

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