Literatura académica sobre el tema "Soul music – History and criticism"
Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros
Consulte las listas temáticas de artículos, libros, tesis, actas de conferencias y otras fuentes académicas sobre el tema "Soul music – History and criticism".
Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.
También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.
Artículos de revistas sobre el tema "Soul music – History and criticism"
BERNSTEIN, LAWRENCE F. "““Singende Seele”” or ““unsingbar””? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries". Journal of Musicology 23, n.º 1 (1 de enero de 2006): 3–61. http://dx.doi.org/10.1525/jm.2006.23.1.3.
Texto completoFarkas, Márton. "Lukács in Self-Translation: The Necessity of Contingency in The Soul and the Forms". October 161 (agosto de 2017): 23–41. http://dx.doi.org/10.1162/octo_a_00302.
Texto completoWatkins, Holly. "From the Mine to the Shrine: The Critical Origins of Musical Depth". 19th-Century Music 27, n.º 3 (2004): 179–207. http://dx.doi.org/10.1525/ncm.2004.27.3.179.
Texto completoBotstein, Leon. "On Criticism and History". Musical Quarterly 79, n.º 1 (1995): 1–5. http://dx.doi.org/10.1093/mq/79.1.1.
Texto completoDesrosiers, Diane y Jean-Philippe Beaulieu. "L’écriture féminine à la Renaissance française sous le regard des chercheurs canadiens". Renaissance and Reformation 37, n.º 4 (30 de abril de 2015): 3–18. http://dx.doi.org/10.33137/rr.v37i4.22637.
Texto completoValiquette Moreau, Nina. "Musical Mimesis and Political Ethos in Plato’s Republic". Political Theory 45, n.º 2 (3 de agosto de 2016): 192–215. http://dx.doi.org/10.1177/0090591715591587.
Texto completoBotstein, L. "Witnessing Music: The Consequences of History and Criticism". Musical Quarterly 94, n.º 1-2 (1 de marzo de 2011): 1–8. http://dx.doi.org/10.1093/musqtl/gdr001.
Texto completoRadice, Mark A. "Reader's Guide to Music: History, Theory, Criticism (review)". Notes 58, n.º 1 (2001): 66. http://dx.doi.org/10.1353/not.2001.0165.
Texto completoBuell, Arthur. "CALIFORNIA SOUL: MUSIC OF AFRICAN AMERICANS IN THE WEST". Oral History Review 28, n.º 2 (septiembre de 2001): 164–66. http://dx.doi.org/10.1525/ohr.2001.28.2.164.
Texto completoJr., Waldo E. Martin, Jacqueline Cogdell DjeDje y Eddie S. Meadows. "California Soul: Music of African Americans in the West." Journal of American History 86, n.º 1 (junio de 1999): 308. http://dx.doi.org/10.2307/2567538.
Texto completoTesis sobre el tema "Soul music – History and criticism"
Scannell, John School of Media Film & Theatre UNSW. "James Brown: apprehending a minor temporality". Awarded by:University of New South Wales. School of Media, Film and Theatre, 2006. http://handle.unsw.edu.au/1959.4/26955.
Texto completoKirilov, Kalin Stanchev. "Harmony in Bulgarian Music". Thesis, University of Oregon, 2007. http://hdl.handle.net/1794/13533.
Texto completoThis study focuses on the development of harmonic vocabulary in Bulgarian music. It analyzes the incorporation of harmony in village music from the 1930s to the 1990s, "wedding music" from the 1970s to 2000, and choral and instrumental arrangements (obrabotki, creations of the socialist period (1944-1989). This study also explains that terms which are frequently applied to Bulgarian music, such as "westernization," "socialist-style arrangements," or "Middle Eastern influence," depict sophisticated networks of codified and non-codified rules for harmonization which to date have not been studied. The dissertation classifies different approaches to harmony in the above mentioned styles and situates them in historical and cultural contexts, examines existing principles for harmonizing and arranging Bulgarian music, and establishes new systems for analysis. It suggests that the harmonic language of the layers of Bulgarian music is based upon systems of rules which can be approached and analyzed using Western music theory. TV1y analysis of harmony in Bulgarian music focuses on representative examples of each style discussed. These selections are taken from the most popular and well-received compositions available in the repertoire.
10000-01-01
Ram, Deepak. "A portfolio of original compositions exploring syncretism between Indian and western music". Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002320.
Texto completoSchmid, William A. (William Albert). "An Analysis of Elements of Jazz Style in Contemporary French Trumpet Literature". Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332815/.
Texto completoWilliams, Stephanie E. (Stephanie Evangeline). "On folk music as the basis of a Jamaican primary school music programme". Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63211.
Texto completoSarmast, Ahmad Naser. "A survey of the history of music in Afghanistan, from ancient times to 2000 A.D., with special reference to art music from c.1000 A.D". Monash University, School of Music-Conservatorium, 2004. http://arrow.monash.edu.au/hdl/1959.1/9685.
Texto completoPapanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /". London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Texto completoStrahle, Graham. "Fantasy and music in sixteenth- and seventeenth-century England /". Title page, contents and abstract only, 1987. http://web4.library.adelaide.edu.au/theses/09PH/09phs896.pdf.
Texto completoSchmitz, Michael David. "Oriental influences in the piano music of Claude Achille Debussy". Diss., The University of Arizona, 1995. http://hdl.handle.net/10150/187118.
Texto completoLau, Man-chun y 劉文俊. "A study of Hong Kong popular music industry (1930-2000)". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B4389608X.
Texto completoLibros sobre el tema "Soul music – History and criticism"
Haa, Erikka. Soul. New York: Friedman/Fairfax Publishers, 1995.
Buscar texto completoHaa, Erikka. Soul. New York: Friedman/Fairfax Publishers, 1997.
Buscar texto completoPruter, Robert. Chicago soul. Urbana: University of Illinois Press, 1991.
Buscar texto completoChicago soul. Oxford: Bayou, 1991.
Buscar texto completoPruter, Robert. Chicago soul. Urbana: University of Illinois Press, 1991.
Buscar texto completoSoul/R&B. Minneapolis: Twenty-First Century Books, 2013.
Buscar texto completoThe berimbau: Soul of Brazilian music. Jackson: University Press of Mississippi, 2010.
Buscar texto completoGoaty, Frédéric. Black & soul. Paris: Layeur, 2004.
Buscar texto completoGalm, Eric A. The berimbau: Soul of Brazilian music. Jackson: University Press of Mississippi, 2010.
Buscar texto completoMolina, Ruben. Chicano soul: Recordings & history of an American culture. La Puente, Calif: Mictlan Publishing, 2007.
Buscar texto completoCapítulos de libros sobre el tema "Soul music – History and criticism"
Wehrs, William. "Affect and Film Music: A Brief History". En The Palgrave Handbook of Affect Studies and Textual Criticism, 735–52. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63303-9_28.
Texto completoDahl, Per. "Music Criticism in Norway". En The Cambridge History of Music Criticism, 392–407. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.021.
Texto completoKarnes, Kevin C. "MUSIC CRITICISM AS LIVING HISTORY". En Music, Criticism, and the Challenge of History, 48–76. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780195368666.003.0003.
Texto completoFrey, Emily. "Music Criticism in Imperial Russia". En The Cambridge History of Music Criticism, 208–28. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.012.
Texto completoWatt, Paul. "British Music Criticism, 1890–1945". En The Cambridge History of Music Criticism, 371–91. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.020.
Texto completoRacz, Mark. "Jazz Criticism in America". En The Cambridge History of Music Criticism, 459–83. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.025.
Texto completoFrith, Simon. "Writing about Popular Music". En The Cambridge History of Music Criticism, 502–26. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.027.
Texto completoDingle, Christopher. "Comparing Notes: Recording and Criticism". En The Cambridge History of Music Criticism, 249–71. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.014.
Texto completoRose, Stephen. "German-Language Music Criticism before 1800". En The Cambridge History of Music Criticism, 104–24. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.007.
Texto completoWilson, Alexandra. "Music Criticism in Nineteenth-Century Italy". En The Cambridge History of Music Criticism, 190–207. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.011.
Texto completo