Bibliografías temáticas / Song in literature

Literatura académica sobre el tema "Song in literature"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 27 de julio de 2024

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Artículos de revistas sobre el tema "Song in literature"

1

Shahar, Galili. "Goethe’s Song of Songs : Reorientation, World Literature". Prooftexts 40, n.º 1 (2023): 110–39. http://dx.doi.org/10.2979/ptx.2023.a899251.

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Abstract: The engagement of the German poet Johann Wolfgang von Goethe (1749–1832) with biblical Hebrew poetry already during the early stages of his career in the 1770s and later during the Divan period (1814–27) was associated with his study of Oriental literatures. Under the influence of his mentor and friend, Johann Gottfried Herder, Goethe devoted himself to studying and translating Hebrew and Arabic sources (mostly from the Latin), among them the Song of Songs, alongside chapters from the Qurʿan. In his late work his reflections on the Hebrew biblical poem were associated with his interpretation of Persian classical poetry, first and foremost the ghazals, the love poems by Hâfiz, while composing his work Der westöstlicher Divan . This article offers a comparative study of Goethe’s translation and interpretation of Song of Songs, discussing its major motives, the dialectic of profane love and the sacred, confusion and disorientation, drunkenness, erotic desire, and gender ambiguities. It refers to Goethe’s translation of the Hebrew poem also in conjunction with a critical, decolonial review of Weltliteratur (world literature). Goethe’s Song of Songs serves us as a map of literary interactions, in which the German, the Hebrew and the Persian are brought into conversation.
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Arifah, Aminatul y Rani Ismil Hakim. "CLASSIFICATION OF EMOTIONS IN THE LYRICS OF NANCY AJRAM'S SONGS (DAVID KRECH'S PSYCHOLOGICAL ANALYSIS OF LITERATURE)". ALLAIS Journal of Arabic Language and Literature 3, n.º 1 (1 de julio de 2024): 60–74. http://dx.doi.org/10.22515/allais.v3i1.9275.

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Emotions are feelings that have a big influence on behavior. Therefore, emotions are an important aspect in human life. Humans have many ways to express the emotions they feel. For example, literary works include poetry, novels, films, dramas, diaries, biographies and songs. However, it is not uncommon for someone to use a foreign language song to describe their feelings, the lyrics of the song are not in sync with what the person wants to convey because they don't know how to translate the song lyrics, let alone the meaning of the song. . This research aims to find out what emotions are contained in song lyrics, especially Nancy Ajram's songs, based on David Krech's emotion classification theory. The research method used in this research is a qualitative descriptive research method in which the results of the analysis are described and qualified based on the existing theory. used is David Krech's emotion classification theory. The results of this research are, of the four classifications of emotions proposed by David Krech, not all classifications of emotions are found in the lyrics of Nancy Ajram's songs, Nancy Ajram's songs are suitable as a medium for expressing emotions, of course by knowing the contents of the song first.
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Rizqy, Titis. "Creativity of Teachers in Creating Java Song in Industrial Era 4.0". International Conference of Moslem Society 3 (12 de abril de 2019): 296–304. http://dx.doi.org/10.24090/icms.2019.2332.

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Javanese literature includes a Javanese song which should remain popular among the millennial generation today which will meet the industrial era 4.0. The limitations of Javanese songs require teachers to increase innovation by means of continuous creativity to create Javanese songs where poetry and songs use compilation of existing songs. As well as the process of preserving Javanese songs, so that the growing age of Javanese, especially Javanese songs, is not left behind but still follows. Teacher creativity in the creation of Javanese song lyrics in the industrial revolution 4.0 era is based on song inspiration, the contents of song lyrics and the process of song lyrics.
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Ye, Ye y Erxin Wang. "Yuan-Ming Sanqu Songs as Communal Texts: Discovering Their Literary Vitality from a New Research Perspective". Journal of Chinese Literature and Culture 8, n.º 1 (1 de abril de 2021): 113–38. http://dx.doi.org/10.1215/23290048-8898648.

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Abstract When examining songs in Chinese literature, we can distinguish among literary, musical, and communal aspects of their circulation. Sanqu songs became popular in the form of musical texts in the Yuan and Ming dynasties, but the ci song lyrics, by the Southern Song dynasty (1127–1279) if not earlier, had already become a form of communal text in a broad sense. While relying on musical and literary aspects in the early stages of circulation, such ci song lyrics also became increasingly meaningful as social artifacts characterized by diverse forms of usage and participation, and they have been widely appreciated as a “literary-cultural phenomenon” unrelated to music per se. Standard histories of Chinese literature typically interpret the interaction between Song dynasty ci song lyrics and Yuan dynasty sanqu songs and song-drama as a natural evolution of literary forms. To be sure, these histories address the vitality of the musicality and popular nature of such songs while also paying attention to the artistic styles, inherent characters, and originality of sanqu song composition (tige xingfen 體格性分). From such an analysis, however, we know very little about the textual forms and mechanisms of transmission of Yuan-Ming sanqu songs beyond the realm of music and songwriters. In this regard, this article explores whether it was possible for the ci song lyrics, as a literary genre of greater maturity and higher status, albeit divorced from music, to transfer its literary experience to sanqu songs. Such a line of inquiry is also relevant to the study of the survival of various forms of Chinese musical literature beyond their original environments. It also helps us think about the complex relationships between the musical and communal functions of ci song lyrics and sanqu songs.
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Desmarais, Jane. "Late-Victorian Decadent Song Literature". Victorian Literature and Culture 49, n.º 4 (2021): 689–710. http://dx.doi.org/10.1017/s1060150320000224.

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This article considers the Victorian and Edwardian vogue for setting late-Victorian decadent poetry to music. It examines the particular appeal of Ernest Dowson's and Arthur Symons's verse to the composers Cyril Scott and Frederick Delius, whose Songs of Sunset (1911) was regarded as the “quintessential expression of the fin-de-siècle spirit,” and discusses the contribution of women composers and musicians—particularly that of the Irish composer and translator Adela Maddison (1866–1929)—to the cross-continental tradition of decadent song literature and the musical legacy of decadence in the late-Victorian period and beyond.
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Zitter, Emmy Stark. "Songs of the Canons: Song of Solomon and "Song of Myself"". Walt Whitman Quarterly Review 5, n.º 2 (1 de octubre de 1987): 8–15. http://dx.doi.org/10.13008/2153-3695.1166.

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Haris, Muhammad Mufti, Muhammad Arba'in, Dian Kusuma y Noor Malihah. "How Song Affect English Teaching: Systematic Literature Review". Alsuna: Journal of Arabic and English Language 6, n.º 1 (25 de mayo de 2023): 73–88. http://dx.doi.org/10.31538/alsuna.v6i1.3998.

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Purpose, this research has the purpose to find out whether song is effective for learning and what effects songs have Design/methodology/approach, this research was Systematic Literature Review (SLR). Research data were taken by documenting and identifying published journals or article via structured keyword search on Web of science Google Scholar from 2016 to 2022. The researcher also limits the journals qualitative only Findings/result, the result show that 15 Journals or articles stated about the impact in English learning. The researcher classified into three points. It was improving learners’ vocabularies, improving learners’ skill and creating the enjoying learning climate. Originality/value, Song is still being one of the popular media or tools in English teaching. It is cheap and easy to get it. Song can be called an eternal medium. This research can be recommended for teacher as one of the media in English teaching Paper type, Research Paper
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Niinre, Anneli. "The Role of Lyrics in Estonian Literature: Three Exemplary Cases". Interlitteraria 28, n.º 1 (10 de agosto de 2023): 64–70. http://dx.doi.org/10.12697/il.2023.28.1.6.

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Song lyrics are usually positioned in the margins of literature and tend not to be in the first line when writers and their works are discussed. There have been debates about whether to consider lyrics as literature and/ or ‘real poetry’. The article examines three cases in Estonian literature where melodised poetic texts have played a significant role in Estonian culture and are considered to be core texts: “Mu isamaa on minu arm” (My Fatherland is My Love) by Lydia Koidula, songs from the feature film Viimne reliikvia (The Last Relic), lyrics written by Paul-Eerik Rummo, and “Laul Põhjamaast” (“Song of the Northern Land”), lyrics by Enn Vetemaa. These also represent three ways a text can function: “Mu isamaa on minu arm” was first written and published as a poem and later set to music; The Last Relic represents a case where texts were initially written as lyrics and later published in a collection of poems; “Song of the Northern Land”, by Enn Vetemaa, was meant to be and has remained a song and has not been included in poetry collections.
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Hiller, James. "Music Therapists’ Preparation for Song Discussion: Meaning-Making With the Music". Music Therapy Perspectives 37, n.º 2 (2019): 205–12. http://dx.doi.org/10.1093/mtp/miz005.

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Abstract Songs are powerful catalysts and resources for change processes in music psychotherapy. Not surprisingly, music therapists often invite clients to listen to recordings of popular songs. A common song listening method is song discussion, in which a therapist selects a relevant song to explore with a client or group and facilitates the listening and subsequent verbal processing. In the relevant music therapy literature, lyrics assume a primary focus (i.e., lyric analysis), and yet, the music of a song, as integrated with its lyrics, impacts both client’s and therapist’s meaning-making and is therefore crucial to take into account. The purpose of the present investigative essay is to encourage music therapists to give attention to the music of recorded songs as they plan to facilitate song discussion. Herein I present a conceptualization of recorded popular songs and consider how one makes meaning from song listening processes. I urge therapists to prepare for song discussion through careful phenomenological listening and introspective interpretation. Finally, I describe procedures of a developing model for aural song analysis and interpretation based on Bruscia’s Improvisation Assessment Profiles (IAPs) with an abbreviated example viewed through multiple theoretical perspectives.
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Classen, Albrecht. "THE GERMAN KIRCHENGESANGBUCH: A LITERARY PHENOMENON OF THE SIXTEENTH CENTURY". Daphnis 30, n.º 3-4 (30 de marzo de 2001): 665–89. http://dx.doi.org/10.1163/18796583-90000765.

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Musicologists and theologians have often paid close attention to the genre of the church song book which was basically created by Martin Luther, but soon found many imitators and developed into a genre on its own. Surprisingly, however, literary scholars have mostly ignored the church song books, although they contain highly valuable collections of sixteenth-century church songs, important prologues and epilogues, and other text types. The present article offers a broad overview of the genre, discusses major contributors, and also demonstrates that a significant number of religious women were also involved in composing church songs and in editing church song books. In fact, the analysis of this genre demonstrates that in the history of sixteenth-century German literature women were well represented and utilized the church song as a medium to find their own literary voice.
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Tesis sobre el tema "Song in literature"

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Nedvin, Brian. "Holocaust Song Literature: Expressing the Human Experiences and Emotions of the Holocaust through Song Literature, Focusing on Song Literature of Hirsh Glick, Mordechai Gebirtig, and Simon Sargon". Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4850/.

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During the years of the Holocaust, song literature was needed to fulfill the unique needs of people caught in an unimaginable nightmare. The twelve years between 1933 and 1945 were filled with a brutal display of man's inhumanity to man. Despite the horrific conditions or perhaps because of them, the Jewish people made music, and in particular, they sang. Whether built on a new or an old melody, the Holocaust song literature continues to speak to those of us who are willing to listen. This body of work tells the world that these people lived, suffered, longed for vengeance, loved, dreamed, prayed, and tragically, died. This repertoire of songs is part of the legacy, the very soul of the Jewish people. This study contains a brief look at the historical circumstances, and through the song literature of Hirsh Glick, Mordechai Gebirtig and Simon Sargon, life within the ghetto, the concentration camp, the decisions families had to make, the choices to fight back against incredible odds, the place of faith within this nightmare, and a look at the lives and works of the composers themselves.
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Badnall, Toni Patricia. "The wedding song in Greek literature and culture". Thesis, University of Nottingham, 2009. http://eprints.nottingham.ac.uk/12089/.

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This thesis examines the Greek wedding song and its function in literature and culture. The genre, hymenaios or epithalamium, has received little scholarly attention, particularly in English (cf. Muth, WS 1954; Tufte, Los Angeles 1970; Contiades-Tsitsoni, Stuttgart 1990, ZPE 1994; Swift, JHS 2006 & DPhil diss.). Yet an examination of the poetry of marriage, a crucial aspect in the study of the ancient world, contributes to our understanding of gender and social relations, as well as literature. Using elements of genre theory, gender studies, anthropology and cultural history, I argue that the epithalamium was part of a ritual of transition; for both the bride and for the community. The archaic epithalamium enacts this transition in lyric; tragic adaptations of the genre explore the consequences when this tradition is unsuccessfully performed. In contrast, the wedding songs of Attic comedy represent a 'happy ever after' ending for the communities of the protagonists, and portray these unions as a Sacred Marriage of man and goddess. The Helenistic epithalamium takes elements of these literary predecessors, and uses them to articulate a transition in marital relations, and literary politics, in the oeuvre of Theocritus. Philia relations in this era evolve to depict a more prominent mutuality between husband and wife, which also underpins the erotic writings of Plutarch. But more importantly, this author develops epithalamial topoi to present marriage as an 'initiation' for the bridal couple, which brings the thesis full-circle to the concept of transition while laying the foundation for one of the central concepts of Menander Rhetor's prescripts.
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Mirapuri, Dawn. "Discordant tunes : Christina Rossetti's sing-song /". [St. Lucia, Qld.], 2000. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16358.pdf.

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Henry, N. "The Song of Songs and virginity : the study of a paradox in early Christian literature". Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603966.

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The dissertation is a study of the Christian quest for doctrinal and moral purity during the fifty years preceding the fall of Rome (410 AD). As the barbarians were approaching the frontiers of the empire, Roman citizens had to come to terms with the prospect that Rome might no longer be the 'Eternal City'. Success and wealth became meaningless. Many started to turn away from the material world. They put all their hopes into the Church which they wanted to be pure and untouchable. The dissertation shows that the rise of Christian asceticism and monasticism in the fourth century should be associated with the rigorist conception of the Church which developed at the same time. Moral preachers and rigorist theologians used the Song of Songs to redraw the boundaries of Christian society and the social order of the Church. Their interpretation of the poem betrays their will to strengthen the Church in face of political insecurity and to impose on Christian women a return to a more traditional and secluded lifestyle. My research is based on original Greek and Latin texts of the fourth and fifth century, mainly the works of St. Augustine, St. Jerome, St. Gregory of Elvira, and Ambrose of Milan. I make use of unedited manuscripts which I have discovered in the Vatican library and the Bibliothèque Nationale of Paris. As well as contributing to the general history of the Early Church, my dissertation reveals important new information on the consecration of virgins in the fourth century and the liturgy which accompanied the ceremony. This new information includes evidence that the ceremony. This new information includes evidence that the ceremony of consecration of virgins appeared at the time of Ambrose and that it was deeply inspired by the Song of Songs. Chapter 6 contains a new and original reconstitution of this ceremony.
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Griffiths, David. "Song writing : poetry, Webern, and musical modernism". Thesis, King's College London (University of London), 1993. https://kclpure.kcl.ac.uk/portal/en/theses/song-writing--poetry-webern-and-musical-modernism(eda44e12-79d4-423f-887f-4d0543a03bc9).html.

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Gill, Valerie Philbrick. ""Song of Myself" and the Divided Subject". W&M ScholarWorks, 1990. https://scholarworks.wm.edu/etd/1539625607.

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Boston, Kris A. "Stephen Sondheim: Crossover Songs for the Classical Voice Studio". University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin985625314.

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Nedvin, Brian. "Holocaust song literature : expressing human experience and emotions of the Holocaust through the song literature of Hirsh Glick, Mordecai Gebertig, and Simon A. Sargon /". connect to online resource, 2005. http://www.unt.edu/etd/all/Aug2005/nedvin%5Fbrian/index.htm.

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Deedman, Cheryl. "'The song of the pen' : popular Romantic literature 1839-1889". Thesis, Goldsmiths College (University of London), 2014. http://research.gold.ac.uk/10546/.

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Nineteenth-century entrepreneurial publishers exploited the opportunity presented by lower print production costs and higher rates of literacy to produce a proliferation of cheap romantic fiction in the form of penny-a-part novels, fiction-carrying penny periodicals and penny novelettes. Some of these had vast circulations, and it is possible that as many as half of all working-class women regularly read romance stories. The content of penny romance stories published between 1839 and 1889 has been little studied. Cultural historians have successfully used ‘quality’ literature to understand the social, moral and intellectual attitudes of a given period or group, recognising that it can both reflect, as well as reinforce, a culture. This thesis takes the same approach with this popular literature. Nineteenth-century penny romantic stories are formulaic. They have common themes and plotlines: in a usual story the heroine becomes separated from her family or is orphaned and is without the ‘protection’ of a parent or older relative. She meets a hero, but she faces many trials and dilemmas before they can be united. Her most important role is to protect her virtue and reputation. Those who behave appropriately are rewarded with marriage and a ‘happy ever after,’ those who don’t are punished, usually dying unpleasantly. This thesis examines how the penny publishing industry developed, who the key producers were and what influenced them. It examines the clear messages penny romantic fiction contained and the role they played in the construction of gender roles. Women are told to be passive, to remain in the domestic sphere and to aim to become wives. I argue that these stories played a strong role in perpetuating patriarchal structures and the subordination of women.
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Feng, Zhihong. "Bei Song gu wen yun dong de xing cheng = The formation of the Northern Song classical prose movement /". click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b20208145f.pdf.

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Libros sobre el tema "Song in literature"

1

Song: A Guide To Art Song Style And Literature. Milwaukee, WI: Hal Leonard Corporation, 2006.

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Maracle, Lee. Celia's song. Toronto, Ontario: Cormorant Books, 2014.

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Ryder, Joanne. Chipmunk song. London: Andersen, 1987.

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Ryder, Joanne. Chipmunk song. New York: E.P. Dutton, 1987.

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Siebert, Diane. Plane song. [U.S.A.]: HarperCollins, 1993.

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Holland, Trish. Neighborhood song. Washington, DC: Teaching Strategies, Inc., 2010.

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"Across the River" East Bay Writers' Roundtable., ed. Daylight song. San Ramon, Calif: Manfit Press, 1996.

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Astell, Ann W. The Song of songs in the Middle Ages. Ithaca: Cornell University Press, 1990.

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Rawson, Katherine. Brenda Song. New York: PowerKids Press, 2010.

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Song: A guide to style and literature. Redmond, Wash: Pst...Inc., 1996.

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Capítulos de libros sobre el tema "Song in literature"

1

Tomlinson, Charles. "Mad Song". En Contemporary Poetry: A Retrospective from the "Quarterly Review of Literature", editado por Theodore Russell Weiss, 113–14. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400871728-037.

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Stoker, David. "7. Slip Songs and Engraved Song Sheets". En Cheap Print and Street Literature of the Long Eighteenth Century, 165–94. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0347.07.

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During the 1690s a new print format began to emerge – the slip song, or slip ballad, which rapidly became the most popular means for disseminating the words of popular songs. There has been little research into the format and production of these songs. This chapter therefore provides a case study of the 3,800 songs listed on ESTC annotated with the words slip song. It considers such matters as the format, illustration, price, subject content, date, language, authorship and or performance, place of publication, and who printed, sold, or collected them. During the last quarter of the eighteenth century a new format emerged of engraved song sheets and these are also briefly considered.
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Jian, Zhang y Zhou Jianzhi. "Ci in the Song Dynasty". En Concise Reader of Chinese Literature History, 291–308. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-5814-6_21.

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Jian, Zhang y Zhou Jianzhi. "Poems in the Song Dynasty". En Concise Reader of Chinese Literature History, 275–89. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-5814-6_20.

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Yinqin, Ma. "Qu Yuan and Song Yu". En Concise Reader of Chinese Literature History, 57–66. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-5814-6_6.

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Bohlman, Philip V. "The Moment of National Song". En Palgrave Studies in Music and Literature, 159–82. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-41644-6_8.

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Mora-Rioja, Arturo. "Musical Paratexts: Song Lyrics in Television Series". En Television Series as Literature, 241–58. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-4720-1_14.

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Merwin, W. S. "Blind William 9S Song". En Contemporary Poetry: A Retrospective from the "Quarterly Review of Literature", editado por Theodore Russell Weiss, 122–23. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400871728-041.

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Ebbatson, Roger. "‘Impassioned Song’: Arthur Hallam and Lyric Poetry". En Landscape and Literature 1830–1914, 29–37. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137330444_3.

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Zhaopeng, Wang, Zhu Wei y Li Minjie. "Non-literary Factors for the Communication Effect of Literature". En Literary Communication in Song Dynasty, 147–67. London: Routledge, 2024. http://dx.doi.org/10.4324/9781032712512-8.

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Actas de conferencias sobre el tema "Song in literature"

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Luo, Hongjuan. "Research on Song Dynasty Literature and Communication". En 4th International Symposium on Social Science (ISSS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/isss-18.2018.118.

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Pan, Xiaoyu. "Sing a Folk Song to You-Literature Research of Dabie Mountain Folk Songs". En International Conference on Education, Management and Computing Technology (ICEMCT-16). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemct-16.2016.104.

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"Exploration of the Genetic Relationships between Khorchin Shaman Divine Song and Khorchin Folk Songs and Dance". En 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.24.

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Cheng, Fangping. "Study on Music Literature Characteristics of Song Poetry". En International Conference on Education, Management and Computing Technology (ICEMCT-16). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemct-16.2016.40.

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Wasik, Haris Abdul y Else Liliani. "Social Criticism in the FSTVLT Song Literature Sociology Study". En Proceedings of the International Conference on Interdisciplinary Language, Literature and Education (ICILLE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icille-18.2019.28.

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Rais, Burhanudin, Dwiyanto Djoko Pranowo y Rr Putri Intan Permata Sari. "The Use of Song in Teaching English Pronunciation". En 1st International Conference on Language, Literature, and Arts Education (ICLLAE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200804.025.

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Utami, Westi Haryanti y Muhamad Nova. "Media in EFL Classroom - Song Vs. Picture". En Tenth International Conference on Applied Linguistics and First International Conference on Language, Literature and Culture. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007167803870392.

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"The Charm of Piano Music in the Movie "A Song to Remember"". En 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.032.

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Indriyani, Fitriya y Endang Nurhayati. "Colloquial in the Lyrics of Campursari Song by Cak Diqin". En 1st International Conference on Language, Literature, and Arts Education (ICLLAE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200804.046.

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Warmadewi, A. A. y A. A. Oka. "Figurative Meanings Found in Coldplay’s Song Lyric". En Proceedings of the First International Seminar on Languare, Literature, Culture and Education, ISLLCE, 15-16 November 2019, Kendari, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.15-11-2019.2296211.

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Informes sobre el tema "Song in literature"

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Arango-Thomas, Luis Eduardo y Mauricio Castillo. ¿Son estilizadas las regularidades del ciclo económico? Una breve revisión de la literatura. Bogotá, Colombia: Banco de la República, febrero de 1999. http://dx.doi.org/10.32468/be.115.

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Canto, Patricia, ed. ¿Qué servicios son, como la industria, motores del crecimiento? Universidad de Deusto, 2023. http://dx.doi.org/10.18543/npxd8044.

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La “teoría de los tres sectores” sostenía que el crecimiento económico va estrechamente ligado al cambio en la composición sectorial de la economía, pero consideraba los servicios como un sector residual, compuesto por un conjunto muy heterogéneo de actividades. La aparición de definiciones positivas de los servicios y el desarrollo de clasificaciones de estos permitió superar la plena contraposición, conceptual y evolutiva, entre industria y servicios. El desarrollo de clasificaciones internacionales de actividades económicas, sucesivamente revisadas, permitió operacionalizar estas categorías y la comparativa internacional. A partir de una profunda revisión de la literatura teórica y empírica que ha tratado de estas cuestiones, este documento persigue identificar cuáles son las características que posibilitan que un sector económico desempeñe un papel de motor de crecimiento y qué tipo de servicios, al presentarlas, debían ser considerados como objetivo de las políticas industriales. De esa manera, la completa revisión y sistematización de la literatura llevada a cabo y la delimitación del nuevo perímetro industrial que se propone, además de ser relevante para la academia, presenta un interés y aplicación directa para las políticas públicas.
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Alessandro, Martín. La economía política de la capacidad estadística: Una revisión de la literatura. Inter-American Development Bank, agosto de 2016. http://dx.doi.org/10.18235/0007698.

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Este documento presenta una revisión de la literatura sobre la economía política de la capacidad estadística. Los estudios específicos sobre el desarrollo estadístico son muy escasos, razón por la cual la revisión que se presenta se extendió a los factores que influyen sobre la producción y el uso de evidencia en un sentido más amplio. Se clasifican los factores de economía política en cuatro categorías las cuales, según la literatura, influyen en la generación de evidencia y el desarrollo de capacidad estadística: factores del contexto económico y social; factores de economía política interna; factores al interior de la administración pública; y factores internacionales. El conocimiento existente sobre los factores que afectan la producción y el uso de la evidencia es todavía incipiente. La limitación es aún mayor en cuanto al conocimiento sobre el efecto del uso de evidencia en el logro de resultados para la sociedad. Este documento propone líneas de investigación para el futuro, atendiendo las complejidades antes indicadas.
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Roca, Jerónimo. Evaluación de la efectividad y eficiencia de los beneficios tributarios. Inter-American Development Bank, junio de 2010. http://dx.doi.org/10.18235/0007191.

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La posición actualmente dominante en la literatura sobre incentivos fiscales e inversión es que los factores no tributarios son más importantes como determinantes del monto y la calidad de la inversión que los beneficios tributarios, particularmente en el caso de los países en desarrollo. Los factores no tributarios habitualmente destacados son estabilidad política, seguridad jurídica, política macroeconómica no distorsiva, calidad de la fuerza de trabajo y condición de la infraestructura.
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Barrón-Vallejo, Jesús. Guías para los Tratamientos de Reproducción Asistida. Colegio de Reproducción Asistida de México, S.C., noviembre de 2023. http://dx.doi.org/10.58779/r.2023.01.

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Estas son las Guías para los Tratamientos de Reproducción Asistida, editadas por el Colegio de Reproducción Asistida de México. Describen las indicaciones más frecuentes para realizar baja complejidad (inseminación intrauterina) y alta complejidad (fertilización in vitro y técnicas sucedáneas). Dentro de los procedimientos avanzados se refiere a la posibilidad de efectuar donación de óvulos, gestación subrogada y diagnóstico genético preimplantación; entre otros. Son enunciados los esquemas terapéuticos más frecuentes y eficientes reportados en la literatura médica contemporánea. También están descritas las complicaciones probables de los tratamientos y las modalidades de prevención. Se hace además mención de los aspectos administrativos, legales y éticos relacionados con esta área de la Medicina.
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Barrón-Vallejo, Jesús. Guías para los Tratamientos de Reproducción Asistida. Colegio de Reproducción Asistida de México, S.C., noviembre de 2023. http://dx.doi.org/10.58779/r.2023.n01.

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Estas son las Guías para los Tratamientos de Reproducción Asistida, editadas por el Colegio de Reproducción Asistida de México. Describen las indicaciones más frecuentes para realizar baja complejidad (inseminación intrauterina) y alta complejidad (fertilización in vitro y técnicas sucedáneas). Dentro de los procedimientos avanzados se refiere a la posibilidad de efectuar donación de óvulos, gestación subrogada y diagnóstico genético preimplantación; entre otros. Son enunciados los esquemas terapéuticos más frecuentes y eficientes reportados en la literatura médica contemporánea. También están descritas las complicaciones probables de los tratamientos y las modalidades de prevención. Se hace además mención de los aspectos administrativos, legales y éticos relacionados con esta área de la Medicina.
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Canto, Patricia, ed. Los indicadores orientados a la acción pública. Universidad de Deusto, 2023. http://dx.doi.org/10.18543/azte8126.

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Tras mostrar las diferencias que presenta la literatura de los indicadores orientada a la acción pública con respecto a la literatura de indicadores puramente académica, este documento muestra las sucesivas oleadas en que se desarrolló: económicos, sociales, psicológicos y medioambientales. Tras discutir su definición y funciones –distinguiendo las características y funciones esenciales de las que son meramente habituales– se exponen los diferentes tipos de indicadores según el para qué se usan, qué aspectos tratan de medir y cómo representan la realidad. El documento profundiza, especialmente, en las características, ventajas y desventajas de los distintos tipos de indicadores según su grado de agregación: indicadores individuales simples, conjunto de indicadores e indicadores agregados (con una misma unidad de medida o con distintas unidades de medida: indicadores sintéticos e indicadores compuestos).
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Andrian, Leandro Gaston. Apertura comercial y crecimiento de la productividad total de los factores. Inter-American Development Bank, diciembre de 2017. http://dx.doi.org/10.18235/0008497.

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Mejorar la productividad es uno de los principales retos para las economías dado que es un elemento fundamental para el desarrollo y crecimiento económico sostenible en el largo plazo. La literatura reciente demuestra que existen diferentes canales que afectan a la productividad agregada, como el stock de capital, la educación, el comercio y la calidad institucional. Este trabajo se propone identificar y cuantificar el efecto de las políticas públicas de una de las principales variables que determinan el crecimiento de la productividad total de los factores (PTF), la apertura comercial. En este sentido, este estudio encuentra que las exportaciones son uno de los principales determinantes de la evolución de la PTF. Luego, es natural preguntarse cuál es el efecto de las políticas de apertura comercial sobre las exportaciones dada la influencia que estas últimas tienen sobre la productividad. De esta manera, se encuentra que los tratados de libre comercio son el principal instrumento mediante el cual los gobiernos podrían aumentar el nivel de exportaciones. En particular, las economías emergentes son las que más se benefician de este tipo de acuerdos cuando los mismos son celebrados con economías desarrolladas.
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Avellán, Leopoldo y Leandro Gaston Andrian. Midiendo y caracterizando el comportamiento de la brecha del producto en Bolivia, Colombia, Ecuador y Perú. Inter-American Development Bank, diciembre de 2016. http://dx.doi.org/10.18235/0010139.

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El producto potencial y la brecha del producto son conceptos comúnmente utilizados para informar el ejercicio de las políticas monetaria y fiscal, así como para el análisis del desempeño del sistema financiero. Al ser una variable no observable, no existe consenso sobre cuál es la mejor metodología para estimar el producto potencial. Este trabajo estima la brecha del producto para cuatro países andinos a través de varios métodos comúnmente utilizados en la literatura. Se encuentra que existe una alta correlación del componente cíclico entre los distintos métodos, y la autocorrelación resultante sugiere que toma al menos un año reducir la brecha del producto en un 50%. A su vez, se analizan las características de los ciclos económicos, y se encuentra que las fases de contracción y expansión son asimétricas, donde las primeras tienen menor duración que las segundas. Por último, se encuentra que existen factores comunes que explican el movimiento conjunto entre los ciclos económicos de los países. En lo que respecta a las fluctuaciones cíclicas del producto de los países analizados, esta nota encuentra que a mediados de 2016 todos se encontraban debajo de su producción potencial. Comparativamente, las fases de expansión son más largas en promedio en Colombia, mientras que las fases de contracción son en promedio más cortas en Ecuador. En Bolivia ambas fases tienen duración similar.
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Pierri, Gastón, Michael Best, Roberto Blanco y José Monreale. Combatiendo la evasión fiscal e incrementando la transparencia financiera en tiempos del COVID-19: El caso de Paraguay. Inter-American Development Bank, marzo de 2021. http://dx.doi.org/10.18235/0003115.

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Reducir la evasión fiscal es uno de los principales objetivos de los países, especialmente de los menos desarrollados y con menores recursos. La literatura ha estudiado distintas herramientas para lidiar con la evasión fiscal, aunque sin resultados concluyentes. Además, la mayor parte de la evidencia proviene de países desarrollados. Para contribuir a llenar ese vacío, este documento presenta evidencia acerca del impacto de los programas de auditoría en la reducción de la evasión fiscal en Paraguay. Utilizando la metodología de diferencia sintética en diferencias se evalúa el efecto de las auditorías en las ventas declaradas, en la reducción de las compras y el pago de impuestos de las empresas durante el período 2018-2019. Además se presentan resultados del uso del tablero de impuestos que identifica las discrepancias en las declaraciones de las firmas. Los hallazgos muestran que las auditorías son efectivas cuando se trata de reducir la evasión fiscal, y que los tableros pueden orientar criterios para un control fiscal más eficiente, particularmente importante en tiempos de COVID-19. De esta manera se demuestra que en los países menos desarrollados las acciones de control gubernamental son claves para mejorar la recaudación fiscal.
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