Bibliografías temáticas / Social isolation – Fiction

Literatura académica sobre el tema "Social isolation – Fiction"

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Publicado: 26 de julio de 2024

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Artículos de revistas sobre el tema "Social isolation – Fiction"

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Sallehuddin, Muhammad Afnan Bin Mohd, Su-Cheng Haw y Kok-Why Ng. "Write-Deck: An Enriched Social Reading Fan Fiction Site With Recommendation System". Applied and Computational Engineering 2, n.º 1 (22 de marzo de 2023): 685–94. http://dx.doi.org/10.54254/2755-2721/2/20220647.

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The Covid-19 pandemics have pushed individuals away from having any personal contact with each other, in a long period of isolation. Spending time on relaxing activities such as writing fan fiction help alleviate the negative effects of long isolation. Writer-Deck is a system to read fan and original fiction online which is enriched with a recommender system. Writer-Deck aims to provide users with simple ways to find the most likely fiction for leisure reading, simple navigation to access information on their favourite fiction, the ability to save to the library to read later and notification of a new chapter to be released. In addition, the review and rating functions are available for writers to gauge their writing skills. The usability test on 30 respondents indicated that on average 76.6% of respondents respond positively in terms of navigation, design and layout, features, search and recommendation.
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ABDERRAZAG, Sara y Dr Lynda KAZI-TANI. "Social Isolation as a Cause of Incest in Latin American Fiction". Journal of English Language and Literature 11, n.º 1 (28 de febrero de 2019): 1087–89. http://dx.doi.org/10.17722/jell.v11i1.407.

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In his One Hundred Years of Solitude (1967), the Latin American writer Gabriel Garcia Marquez depicts the Buendia family, whose members seem to have a great difficulty marrying and developing sexual relationships with characters outside this family. Marquez portrays these characters as such in order to represent incest and connect it with the social behavior of individuals. The present paper, then, is an attempt to prove that through depicting male as well as female characters as unable to establish healthy relationships with people outside the family, Marquez seems to show that social isolation is one of the key causes to social aberration.
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ABDERRAZAG, Sara y Dr Lynda KAZI-TANI. "Social Isolation as a Cause of Incest in Latin American Fiction". Journal of English Language and Literature 11, n.º 1 (19 de febrero de 2019): 1087. http://dx.doi.org/10.17722/jell.v11i1.450.

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Marín Velásquez, Tomás Darío. "The recovery of nature through social isolation by Covid-19 ¿Reality or fiction?" Journal of the Selva Andina Research Society 11, n.º 2 (1 de agosto de 2020): 60–61. http://dx.doi.org/10.36610/j.jsars.2020.110200060x.

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Senekal, B. A. "Alienation in Irvine Welsh’s Trainspotting". Literator 31, n.º 1 (13 de julio de 2010): 19–36. http://dx.doi.org/10.4102/lit.v31i1.35.

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This article examines how Melvin Seeman’s theory of alienation (1959) and modern alienation research manifest in Irvine Welsh’s “Trainspotting”. This is an important novel, not only because of its commercial success, but also because it depicts a specific marginalised subculture. Postmodernism and systems theory approaches, as well as changes in the social and political spheres have motivated researchers such as Geyer (1996), Kalekin-Fishman (1998) and Neal and Collas (2000) to reinterpret Seeman’s theory. This article attempts to incorporate this new theory of alienation in the analysis of contemporary fiction. Seeman identifies five aspects of alienation, namely powerlessness, meaninglessness, normlessness, social isolation and self-estrangement. Following Neal and Collas (2000), in particular, this article omits self-estrangement, but shows how the other four aspects of alienation have changed since Seeman’s formulation. It is argued that “Trainspotting” depicts a specific occurrence of alienation in modern western society, besides normlessness, meaninglessness, and social isolation, highlighting Seeman’s concept of powerlessness, in particular. The article further argues that applying Seeman’s theory of alienation in the study of contemporary literature provides a fresh theoretical approach that contributes to the understanding of how fiction engages with its environment.
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Schäfer, Katharina y Tuomas Eerola. "How listening to music and engagement with other media provide a sense of belonging: An exploratory study of social surrogacy". Psychology of Music 48, n.º 2 (7 de septiembre de 2018): 232–51. http://dx.doi.org/10.1177/0305735618795036.

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The social surrogacy hypothesis holds that people resort to temporary substitutes, so-called social surrogates, if direct social interaction is not possible. In this exploratory study, we investigate social motives for listening to music in comparison to watching TV and reading fiction. Thirty statements about possible social reasons for the engagement with media were compiled. After 374 participants had rated their agreement with those statements, they were reduced to seven categories: Company, Shared experiences, Understanding others, Reminiscence, Isolation, Group identity, and Culture. The results propose that music is used as temporary substitute for social interaction alongside TV programs and fiction, but that it acts differently. Music listening might act as a social surrogate by evoking memories of relationship partners or through identification processes. There are overlapping motives between the domains, but the elicitation of nostalgia appears to be unique to music listening. The results motivate further investigation into the effects of music listening on socio-emotional well-being.
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Kulikovskaya, Irina, Raisa Chumicheva y Ivan Panov. "Robotics: development factor or social isolation of the child". SHS Web of Conferences 72 (2019): 03008. http://dx.doi.org/10.1051/shsconf/20197203008.

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In this article, dealing with robotics is defined as a factor driving the development of preschool children. What was created by science fiction writers has become a natural space for the child. Children do not know a world where there are no drones, smart phones, and computers. Robotics is becoming one of the leading activities for children, which determines the development of creativity, initiative, and independence. Joint design acts as a team work environment where children learn to agree on a project topic, discuss problems in its implementation, look for information from different sources, and use digital technologies. However, immersing a child into the world of robotics can isolate him from the society; immerse him into the virtual world. “Digital flashing” of a child‟s brain can affect its cognitive methods, affecting the neural mechanisms responsible for communicating with other people. This problem is being studied by scientists from around the world. Today the world is doubling - life in two spaces - material, objective and virtual, ideal. That is why the determination of the common ground for these worlds determines the harmonization of the children development in modern space. One of this common ground could be robotics classes. In preschool education, the development of technical creativity occurs through the designers of LegoEdu. The logic of designing cognitive-research activities of children is presented.
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Medina Cordova, Luis A. "Microcuentos". Journal of World Literature 7, n.º 1 (22 de marzo de 2022): 39–53. http://dx.doi.org/10.1163/24056480-00701005.

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Abstract This article brings attention to a form of narrative fiction that has engaged with the Covid-19 outbreak by embracing social media. Microcuentos, a form of very brief short stories usually referred to as flash fiction in English, have widely circulated across Latin America through digital platforms in pandemic times. But more than simply thriving in a context of globally spread fear, death, and isolation, I argue that – in the 2020s – microcuentos are uniquely suited for pandemic times. By combining narrative intensity condensed in a structurally limited wordcount with social media’s capacity to circulate swiftly and widely, writers of microcuentos across the region have been exceptionally capable of responding to the crisis as it is happening. The case of the Latin American microcuento in the time of Covid-19 invites us to question the hegemony of the novel while rethinking the meanings of World Literature in a pandemic and post-pandemic world.
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Jones, Douglas FitzHenry. "Reading “New” Religious Movements Historically". Nova Religio 16, n.º 2 (1 de noviembre de 2012): 29–46. http://dx.doi.org/10.1525/nr.2012.16.2.29.

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This article surveys the relationship of the Heaven's Gate movement to the cultural context of science fiction while also engaging broader issues in the retrospective account of violence in new religious movements. Against theories that see violence as the consequence of social isolation and the escalating confusion of representation and reality, I argue that members of Heaven's Gate were not only “tapped in” to the reality outside the group but were markedly self-conscious about their engagement with that reality through the medium of science fiction. Using Heaven's Gate as an example, I propose that we read the concepts espoused by new religious movements in the past not in light of their fate but rather as imbedded in the historical realities in which they originally functioned in a meaningful and deliberate fashion.
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Dai, Yan y Benjamin Arnberg. "“We Have to Survive, First”: Speculative Ethnographies of Chinese Student Experience During COVID-19". Cultural Studies ↔ Critical Methodologies 22, n.º 1 (25 de octubre de 2021): 53–65. http://dx.doi.org/10.1177/15327086211050041.

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Our speculative ethnography of Chinese student experience in the United States during COVID-19 weds the tradition of speculative fiction (exemplified by the likes of Margaret Atwood and Octavia Butler) and digital autoethnography. The study is two-pronged: First, we articulate/map the methodological merits of speculative and digital autoethnography as particularly conducive to the crisis context of COVID-19 and its accompanying social isolation; second, we deploy said methodology within a population of nine Chinese students “trapped” in the United States during the COVID-19 period.
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Tesis sobre el tema "Social isolation – Fiction"

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Buckner, Marie. "Phantom Islands A Collection of Short Stories". PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/853.

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This collection of short stories takes its name from various islands historically believed to exist and at one time or other located on maps, sometimes remaining on them for centuries, but later removed after they were proved to be illusory. Reports of these islands usually came from sailors as they explored new realms, mistaking actual islands for imaginary ones or by geographical error. Illusions can persist unchallenged for ages. A similar yet modern illusion is the persistence of vision, a phenomenon by which an afterimage, say, on a screen, is thought to persist on the retina for approximately one twenty-fifth of a second. The characters in these stories live their isolated lives as after-image phantoms on islands that either never existed or no longer exist.
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Pallo, Vicki. "Quarantining the criminal isolation in early British literature of crime and detection /". Diss., Online access via UMI:, 2009.

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Libros sobre el tema "Social isolation – Fiction"

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Greer, Robert O. Isolation, and other stories. Aurora, Colo: Davies Group, Publishers, 2001.

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2

Shalev, Amichai. Bedidut mazheret: Splendid isolation. Tel Aviv: Hotsaʼat ʻAm ʻoved, 2015.

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Petterson, Per. Pferde stehlen: Roman. München: Hanser, 2006.

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Mahany, Habiba. La petite Malika: Roman. [Paris]: Lattès, 2010.

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Fitzgerald, Kitty. Pigtopia. New York: Putnam, 2005.

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Thompson, Stephen. Missing Joe. London: Sceptre, 2001.

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Fitzgerald, Kitty. Pigtopia. New York: Miramax Books/Hyperion, 2005.

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Verhulst, Dimitri. Mevrouw Verona daalt de heuvel af. 2a ed. Amsterdam: Contact, 2006.

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Martins, Altair. Terra avulsa. Rio de Janeiro, São Paulo: Editora Record, 2014.

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Sumino, Yoru. You zuo le, xiang tong de meng. 8a ed. Taibei Shi: Jing cheng zi xun gu fen you xian gong si, 2018.

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Capítulos de libros sobre el tema "Social isolation – Fiction"

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Heynders, Odile. "Perspectives on the Common: The Input of Literature". En The New Common, 99–104. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65355-2_14.

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AbstractIn the COVID-19 context, journalists and columnists frequently refer to literary texts in order to demonstrate that what is happening under the current circumstances has already been described by writers of fiction. The idea is that literature opens a window to the real world, that, in imagination, we can find a representation of factual events. Various historical and contemporary works of fiction describe societies infected with all sorts of contagious diseases from the bubonic plague in London to AIDS in Africa. Most of these novels can be read as allegories; they demonstrate how people react to illness, social panic, and isolation. They confirm that, although times are changing, the impact of pandemics on individuals does not differ that much. All these works underline that communities can only be based on a humanist approach and solidarity. But they also describe individuals that do not always strive for the common good. The violence in some of the novels is illustrative; the norms and values of social groups become permeated when people get weak or invalid due to a spreading disease.
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Murray, Hannah Lauren. "‘How can I speak to thee?’: Herman Melville’s Muted Voice". En Liminal Whiteness in Early US Fiction, 121–48. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474481731.003.0006.

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Odd forms of speech permeate Herman Melville’s fiction, from the strange tongue of Polynesian natives in Typee, to Billy Budd’s broken stuttering. This chapter examines a movement towards silence and wordlessness to express liminality in Melville’s later fiction. Pierre’s otherworldly Isabel Banford gives voice to her social isolation and familial exclusion through shrieks and a spirit-possessed guitar, influenced by the cultural phenomenon of spiritualism. Cadaverous Bartleby is a ghostly figure whose verbal refusals and withdrawals from conversation disavow ideals of the professional White male tied to sociality and self-making. In response to these unusual utterances, Pierre and the narrator of ‘Bartleby’ turn Isabel and Bartleby into dependent figures that define their own formation of White male civic identity as providers and protectors. Melville explores how one can move beyond language to testify experience, both in his characters’ strange voices and in his own wrestling with language and writing itself in his later fiction.
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Gilbert-Santamaría, Donald. "Guzmán de Alfarache’s “Otro yo”1". En The Poetics of Friendship in Early Modern Spain, 158–75. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474458047.003.0007.

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A version of this chapter has appeared previously in print (“Guzmán de Alfarache’s ‘Other Self’: The Limits of Friendship in Spanish Picaresque Fiction” in Discourses and Representations of Friendship in Early Modern Europe, 1500-1700). In a brief episode from the longer fictional autobiographical narrative of Guzmán de Alfarache, Mateo Alemán explores the isolation of his picaresque protagonist through the device of friendship. Echoing concerns that go back as far as Cicero’s De amicitia, Guzmán’s formulation of the problem of finding friends highlights the social isolation of urban picaresque existence, that is, of life in a world in which deception and misrepresentation serve as the currency for almost all human interactions. After several chapters in which Guzmán only partially succeeds in finding friendship, the episode ends with the suicide of the protagonist’s only friend. Despite its ultimately unsuccessful attempt to recalibrate the expectations of Aristotelian perfect friendship to the demands of the picaresque world, the novel nevertheless anticipates aspects of Cervantes’s more ambitious literary experiment with the representation of friendship in Don Quixote.
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Menzer, Paul. "Bowling Alone, or The Whole Point of No Return". En Games and Theatre in Shakespeare’s England. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723251_ch06.

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The anonymous Look About You of 1600 calls for a game of bowls that dilates upon the sport’s propensity to run away with itself. In the midst of a game at bowls played in prison, one character excuses himself for a moment. At that point the other borrows his clothes and escapes in his guise, leaving his competitor “bowling alone,” a victim of social isolation. This chapter argues that bowling offers early modern theatre a theory of isolation but also proximity, velocity, and writing. Indeed, bowling materializes theatre’s sense of its proxemics and ultimately theatricalizes the relationship between dramatic fiction and space, and even offers a plangent metaphor for the role of the writer and his hopes for a return.
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Delany, Paul. "Home Alone". En Handbook of Research on Remote Work and Worker Well-Being in the Post-COVID-19 Era, 53–66. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-6754-8.ch004.

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Some might think that the COVID-19 pandemic changes little, because novelists have always worked from home and found isolation to be necessary for their creative process. But in fact, there is a spectrum in sites of production. Even in a novelist's solitary study, her task is to construct a narrative out of her past social experience. The pandemic has caused a drastic reduction in such face-to-face activities. Changes in the consumption of fiction during the pandemic can be tracked on Amazon and include a shift from print to Kindle, and also shifts in genres. The biggest gain in share on Kindle has been in children's books. Post-publication activities have become steadily more important, as promotion of a book is now integral to its production. The rise of self-publishing on Kindle Direct Publishing bypasses traditional gatekeepers. With KDP almost everyone now can have their own press, and the centres of gravity of publishing have moved from London and New York to Seattle. Post-apocalyptic fiction envisions life in the wake of natural disasters.
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Hitchcott, Nicki. "Survivors". En Rwanda Genocide Stories, 109–33. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781381946.003.0005.

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In chapter four, Hitchcott further considers the difficulties faced when fictionalising the testimonies of genocide survivors, as well as the difficulties and prejudice that survivors face in present day Rwanda. Attention is brought to the perceived social hierarchy that exists in post-genocide Rwanda, and where survivors find themselves placed within it by fellow citizens. A culture of mistrust exists between those that returned to Rwanda after fleeing the genocide and those that remained but survived as it is assumed they committed atrocities themselves in order to live. Hitchcott analyses the isolation of survivors as depicted in Rwanda genocide fiction, particularly in Jean-Marie Vianney Rurangwa’s ‘Au sortir de l’enfer’, and ultimately how these authors attempt to re-establish the dignity of survivors by creating characters with stories to be heard and understood.
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Gnanamurthy, S., S. Raguvaran, B. Suresh Kumar, C. Santhosh Kumar y M. S. Hemawathi. "AI-Powered Healthcare System to Fight the COVID-19 Pandemic on Federated Learning". En Advances in Healthcare Information Systems and Administration, 178–202. IGI Global, 2023. http://dx.doi.org/10.4018/979-8-3693-1082-3.ch010.

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The COVID-19 pandemic has caused several healthcare-related problems around the world. The pandemic has highlighted the shortcomings of employing current digital healthcare tools to manage public health emergencies. As a result, the COVID-19 issue has forced countries and research organizations to reassess healthcare delivery solutions to continue supplies while people stay at home or practice social isolation. Innumerable works of fiction have attempted to anticipate stock market returns and volatility using AI and machine learning. There is a dearth of a comprehensive overview of the various research orientations, discoveries, methodological methods, and contributions in the field of AI applications in finance. This research replicates realistic scenarios using a real COVID-19 dataset and evaluates issues such as model repetition delays, assuring the model's reliability and applicability. According to research findings, using this technology will enable medical professionals to detect coronavirus disease, achieve multiparty involvement in training, and improve data protection.
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Knopf, Christina M. "Postscript". En Politics in the Gutters, 209–14. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496834225.003.0013.

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With writing completed during the months of the 2020 global COVID-19 pandemic and Black Lives Matter protests, this post-script considers how comics fit into this new political and cultural landscape. The historic moment was repeatedly called “challenging,” “difficult,” “uncertain,” and “unprecedented.” But apocalyptic and post-apocalyptic fictions had long imagined similar scenarios of deadly contagions, quarantined zones, social isolation, mass panic, economic collapse, racial tensions, and government-sanctioned violence. With a look at such titles as Scooby Apocalypse, DCeased, Pandemica, Undiscovered Country, Black, and Killadelphia this essay acknowledges themes of both destruction and renewal inherent in dystopian, apocalyptic fictions.
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Singh, Dr Santosh. "ELEMENTS OF ALIENATION AND EXISTENTIALISM IN DOSTOEVSKY’S NOTES FROM UNDERGROUND". En Research Trends in Language, Literature & Linguistics Volume 3 Book 2, 53–60. Iterative International Publisher, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bblt2p1ch8.

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Alienation is considered as a recent phenomenon in the arena of literature. The approach of alienation as central theme can be traced in early 20th century but its root is before 19th century. Alienation can be term as a form of rootlessness, loss of identity, or a state of isolation, which provides the perfect platform of literary studies. It is a major theme of human predicament in the prevailing epoch. It is a powerful force which can move either way, humans may have influenced negatively, vulnerability, and violence, on the other hand it also provides one to introspect and intellectual independency. These features make it natural to leave such an indelible impact upon the contemporary literature. The theme of alienation has a close association with existentialism or absurdity. The theme finds a prominent place in literature and is dealt with persistence in contemporary literature. Modernisation and advancement of science and technology, one can clearly see how individuals are shifting from rural community to isolated urban life. European novelists explore these relationships with each other and with social institutions, leading us to be increasingly individualistic in our thinking and thus alienated. Human finds isolated in this hostile world and fails to understand the very purpose of the life. The researcher through this study will discuss and analyse the theme of alienation in Dostoevsky’s ‘Notes from Underground’. It is a novel written by Fyodor Dostoevsky, published in 1864. It is considered one of the first existentialistic work of the fiction, exploring the themes of nature, free will and the consequences of living in a society that values rationality and progress. Throughout the novel the narrator struggles with his own sense of alienation and tries to find some kind of purpose or meaning to live the life which he fails.
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"Introduction". En Camus's The Plague, editado por Peg Brand Weiser, 1–30. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197599327.003.0001.

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Abstract The Introduction provides a historical and literary context for the examination of Albert Camus’s 1947 fictional novel, The Plague, to suggest its relevance to our own lived experiences of the 2021 Covid-19 pandemic that brought the routines and expectations of our normal, daily lives to an unprecedented halt. Details of Camus’s life and work inform our reading of the narrative that give rise to multiple interpretations as well as intriguing questions of scholarly inquiry: How realistic are the characters? Does solidarity eventually triumph over isolation? Does the popular novel inspire social change or fail in its aspirations? Facing the absurdity of a similarly unwelcome and unpredictable disease, have we managed our fear of death more successfully than the citizens of Oran? An overview of authors’ contributions sets the stage for new and unique perspectives: an invitation for readers to reflect upon our communal experience of immense grief.
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Informes sobre el tema "Social isolation – Fiction"

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Demchenko, Dmytro. DEMASSIFICATION OF SOCIAL PROCESSES IN THE CONTEXT OF DIGITAL COMMUNICATION (TO THE PROBLEM OF THE DICHOTOMY OF “ELITE-MASS” AS A POLITICAL COMMUNICATION PARADOX). Ivan Franko National University of Lviv, marzo de 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12171.

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The article aims to analyze a complicated process of the society’s main components – elite, mass communication, and masses – in their interaction and interdependence from the historical perspective. Due to industrialization and modernization of the life quality, the social life changes radically, and the essence of every component of the society changes as well. The elite loses its dynastic character. The media stop to play the role of a mediator taking on the obligations of a collective agitator and propagandist, and the mass stops to be cloth for wiping shoes. It starts to form a mass audience and, by that, obtains new forms that must be taken into account by social institutions. Together with that the collective views are substituted by the views which are stronger than the ones of a separate individual. One of the main conclusions of the investigation is as follows. The formation of the “consumer society” and the strengthening of the mass communication role resulted in the appearance of “mediocracy” which factually introduced an absolute elite dependence on it and conferred the right of media to set the social agenda. The mass turned out to be a silent majority, a unity of conformity-oriented people. These people become simultaneously a product of mass communication impact because they dictate what one must read, listen to, and watch from the media menu. They force MMC to satisfy their unassuming needs making the content trivial and commodificated. In other words, the mutual process of the interaction of the media, “impossible independence” and the conscious “communicative consensus” of individuals who are willingly united with the mass audience takes place. The creation of the internet due to “digital anonymity” and the autonomy of the consumer formed the conditions for the self-determined citizens and gave the elite a modest place in the “cyber democracy”. However, the increase in individual self-isolation leads to his gradual loss of “social capital,” and that threatens to replace the direct experience with a virtual environment that will make it very difficult to differentiate reality from fiction. Keywords: elite, mass, media, mass communication, information space, globalization.
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