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Libros sobre el tema "Science fiction films – Political aspects"

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Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 19 de febrero de 2022

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1

Science fiction experiences. Washington, D.C: New Academia Pub., 2011.

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2

Red stars: Political aspects of Soviet science fiction. Ann Arbor, Mich: UMI Research Press, 1985.

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3

The double vision of Star Trek: Half-humans, evil twins, and science fiction. Chicago: Cornerstone Press, 1998.

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4

Seibold, Alexander. Cinema metamythologica: Filmanalytische und theologische Bemerkungen zu "2001: a space odyssey" von Stanley Kubrick. Altenberge: Oros, 1997.

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5

Custveller, Bart S. The matrix reformed: Science fiction, technology, and Christian philosophy. Sioux Center, Iowa: Dordt College Press, 2011.

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6

Macht und Herrschaft in den Welten der Science Fiction: Die politische Seite der SF, eine inhaltsanalytische Bestandsaufnahme. Meitingen: Corian-Verlag, H. Wimmer, 1986.

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7

Shadows on the past: Studies in the historical fiction film. Philadelphia: Temple University Press, 1994.

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8

Spelar kön någon roll när man räddar världen?: Kvinnor, kvinnligheter och messiasmyter i SF-film. Åbo: Åbo akademis förlag, 2007.

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9

The fiction of a thinkable world: Body, meaning, and the culture of capitalism. New York: Monthly Review Press, 2005.

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10

Social and virtual space: Science fiction, transnationalism, and the American new right. Cranbury, NJ: Associated University Presses, 2005.

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11

Allegories of America: Narratives, metaphysics, politics. Ithaca, NY: Cornell University Press, 1994.

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12

Imagined democracies: Necessary political fictions. Cambridge: Cambridge University Press, 2012.

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13

Von Star Wars, Ultima und Doom: Mythologische verschleierte Gewaltmechanismen im kommerziellen Film und in Computerrollenspielen. Frankfurt am Main: P. Lang, 1997.

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14

Vaughn, Michael. The ultimate guide to strange cinema. Atglen, PA: Schiffer Publishing, 2017.

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15

Catalyst. London: Robert Hale, 2009.

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16

Cold War fantasies: Film, fiction, and foreign policy. Lanham, Md: Rowman & Littlefield, 2001.

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17

Roman Catholicism in fantastic film: Essays on belief, spectacle, ritual and imagery. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2011.

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18

Opération Obama. Yaoundé]: Le Club des muses, 2012.

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19

Vinge, Vernor. The peace war. New York: Tom Doherty Associates, 2003.

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20

Vinge, Vernor. The peace war. New York, N.Y: Baen Books, 1987.

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21

The cinematic life of the gene. Durham, NC: Duke University Press, 2010.

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22

1947-, Cassidy William y Schwartz Susan L, eds. Religions of Star Trek. Boulder, Colo: Westview, 2003.

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23

Kraemer, Ross Shepard. Religions of Star trek. Boulder, Colo: Westview Press, 2001.

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24

William, Cassidy y Schwartz Susan L, eds. Religions of Star trek. Boulder, Colo: Westview Press, 2003.

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25

Feldman, Yael S. No room of their own: Gender and nation in Israeli women's fiction. New York: Columbia University Press, 1999.

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26

Duncan, Barrett, ed. Star Trek: The Human Frontier. Cambridge: Polity Press, 2001.

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27

The social in the global: Social theory, governmentality and global politics. Cambridge: Cambridge University Press, 2012.

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28

Conference, Society for the Interdisciplinary Study of Social Imagery. The image of technology in literature, the media, and society ; selected papers [from the] 1994 conference [of the] Society for the Interdisciplinary Study of Social Imagery. Pueblo, CO: The Society, University of Southern Colorado, 1994.

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29

Granero, Mario J. Evita. Buenos Aires, Argentina: Maizal, 2003.

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30

Huxley, Aldous. Brave new world. New Brunswick, N.J: Transaction, 1999.

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31

Hogan, Patrick Colm. Style in Narrative. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197539576.001.0001.

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Style has often been understood both too broadly and too narrowly. In consequence, it has not defined a psychologically coherent area of study. In the opening chapter, Hogan first defines style so as to make possible a systematic theoretical account through cognitive and affective science. This definition stresses that style varies by both scope and level—thus, the range of text or texts that may share a style (from a single passage to an historical period) and the components of a work that might involve a shared style (including story, narration, and verbalization). Hogan illustrates the main points of this chapter by reference to several works, prominently Woolf’s Mrs. Dalloway. Subsequent chapters in the first part focus on under-researched aspects of literary style. The second chapter explores the level of story construction for the scope of an authorial canon, treating Shakespeare. The third turns to verbal narration in a single work, Faulkner’s As I Lay Dying. Part two, on film style, begins with another theoretical chapter. It turns, in chapter five, to the perceptual interface in the genre of “painterly” films, examining works by Rodriguez, Mehta, Rohmer, and Husain. The sixth chapter treats the level of plot in the postwar films of Ozu. The remaining film chapter turns to visual narration in a single work, Lu’s Nanjing! Nanjing! The third part addresses theoretical and interpretive issues bearing on style in graphic fiction, with a focus on Spiegelman’s Maus. An Afterword touches briefly on implications of stylistic analysis for political critique.
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32

Fear, Cultural Anxiety, and Transformation: Horror, Science Fiction, and Fantasy Films Remade. Lexington Books, 2010.

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33

Jones, Matthew. Science Fiction Cinema and 1950s Britain: Recontextualizing Cultural Anxiety. Bloomsbury Academic, 2019.

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34

Keith R.A. DeCandido (Collaborator), Tanya Huff (Collaborator), Kristine Kathryn Rusch (Collaborator), David Brin (Editor) y Matthew Woodring Stover (Editor), eds. Star Wars on Trial: Science Fiction and Fantasy Writers Debate the Most Popular Science Fiction Films of All Time (Smart Pop series). Benbella Books, 2006.

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35

Bernd-Rüdiger, Hüppauf y Weingart Peter, eds. Science images and popular images of science. New York, NY: Routledge, 2007.

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36

Jeff, VanderMeer, ed. Annihilation. 2018.

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37

Jutta, Weldes, ed. To seek out new worlds: Science fiction and world politics. New York: Palgrave Macmillan, 2003.

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38

(Editor), Bernd Hüppauf y Peter Weingart (Editor), eds. Science Images and Popular Images of the Sciences (Routledge Studies in Science, Technology and Society). Routledge, 2007.

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39

Elsa, Levy, ed. Erótica: Antología : 43 narradores en Jalisco. México, D.F: Edamex, 1997.

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40

Ezrahi, Yaron. Imagined Democracies: Necessary Political Fictions. University of Cambridge ESOL Examinations, 2015.

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41

Aspects of Fantasy: Selected Essays from the Second International Conference on the Fantastic in Literature and Film (Contributions to the Study of Science Fiction and Fantasy). Greenwood Press, 1986.

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42

Alien Imaginations: Science Fiction and Tales of Transnationalism. Bloomsbury Academic, 2015.

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43

Bernd-Rüdiger, Hüppauf y Weingart Peter, eds. Science images and popular images of the sciences. New York: Routledge, 2008.

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44

Cold War Fantasies: Film, Fiction and Foreign Policy. Rowman & Littlefield Publishers, Incorporated, 2002.

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45

Cold type: A novel. 2014.

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46

Womack, Ytasha. Afrofuturism: The World of Black Sci-Fi and Fantasy Culture. Chicago Review Press, 2013.

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47

Ludwig, Paul W. Eros and Polis: Desire and Community in Greek Political Theory. Cambridge University Press, 2006.

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48

Eros and Polis: Desire and Community in Greek Political Theory. Cambridge University Press, 2002.

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49

Vinge, Vernor. The Peace War. Pan, 1987.

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50

Stacey, Jackie. Cinematic Life of the Gene. Duke University Press, 2010.

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