Tesis sobre el tema "Scholar Edition"
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Sinigaglia, Edoardo <1996>. ""Old English Boethius" - a scholar digital edition". Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/18407.
Texto completoDuoji, Nyingcha. "Gha rung pa Lha'i rgyal mtshan as a Scholar and Defender of the Jo nang Tradition: a Study of His Lamp That Illuminates The Expanse of Reality with an Annotated Translation and Critical Edition of the Text". Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11533.
Texto completoCaponnetto, Alfredo. "Portfolio of compositions and scholarly edition". Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5970.
Texto completoKiser, Fred Curtis. "A scholarly edition of Ignazio Donati's "Salmi boscarecci"". Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/834.
Texto completoSexton, James Penman. "Huxley's lost play, Now more than ever, a scholarly edition". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ32769.pdf.
Texto completoWoods, Thomas James. "CARLISLE FLOYD’S OF MICE AND MEN A NEW SCHOLARLY EDITION". Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15799.
Texto completoArtenie, Cristina. "Transylvania and romania in scholarly editions of Bram Stoker's Dracula". Doctoral thesis, Université Laval, 2015. http://hdl.handle.net/20.500.11794/26404.
Texto completoSince the 1970s, Bram Stoker’s Dracula (1897) has gone through an unexpectedly long series of scholarly editions, which has contributed both to the canonisation of a work of fiction previously considered undeserving and to the perpetuation of the novel’s views on Transylvania and Romania. As a rule, editors follow the principle according to which their annotations should allow today’s audience a reading experience similar to that of the original reader and as close to the author’s intention as possible. In Dracula’s case, this means that much of Stoker’s ideological choices remain unexplained and unchallenged, while his representations of “remote” people and places are supported by the editors’ use of the writer’s working notes. Stoker took down, in altered form, hundreds of quotes from several sources that he incorporated into the text of the novel. The editors of Dracula rely heavily on these notes, without taking into account the changes brought by the novelist, the passages that he used but do not appear in the notes, and the fact that the sources were often biased or simply wrong. Thus, the many scholarly editions of Stoker’s novel preserve and even enhance its original process of othering. The analysis of the othering discourse is closely linked to the discussion of the historical context of the novel, that is, to the neo-colonial status of Romania, examined in the second part of this study. The information unearthed here shows that who and what Stoker knew influenced his choice of place, plot and character, which can provide a new line of inquiry for both literary critics and historians. The involvement of Great Britain in the economy and politics of the region, before and after the Crimean War, attested by the presence of British colonial adventurers and by that of the British navy on the river Danube, has only been marginally studied by historians, and the same is true about the study of the British involvement in the European Commission of the Danube. The present study can be equally useful to scholars engaged with postcolonialism, globalisation, and the transformations brought about by capitalism in the Lower Danube region and by the integration of the Romanian principalities into the world market economy. Stoker’s sources were travellers to Transylvania and Romania who were preoccupied with the economic advantages those countries had to offer. Their writings both stimulated and, later, supported the British involvement in the economy of the region. This dissertation crosses yet another boundary, from literary studies into anthropology. Cultural anthropologists can find useful the discussion of time and difference in Stoker’s novel and in the annotations of the editors, both of which involve the collection and manipulation of data from a “remote” European region. In the case of Dracula, the (non)existence of vampire beliefs is an interesting case study which provides insight into the practice but, more importantly, into the far-reaching consequences of nineteenth-century anthropological work. Although an examination of the most heavily annotated scholarly editions of Bram Stoker’s vampire novel, the present study is interdisciplinary. It employs theories and concepts from several fields, thus bringing to the fore the intricate links between culture, history, politics and economy. What this study shows, more importantly, is the close link between the literary object and the context in which it was produced.
Leitch, Caroline. "Ralph Barnes Grindrod's Slaves of the Needle: An Electronic Scholarly Edition". Thesis, University of Waterloo, 2006. http://hdl.handle.net/10012/2812.
Texto completoBarrellon, Vincent. "A generic approach towards the collaborative construction of digital scholarly editions". Thesis, Lyon, 2017. http://www.theses.fr/2017LYSEI113/document.
Texto completoDigital Scholarly Editions are critically annotated patrimonial literary resources, in a digital form. Such editions roughly take the shape of a transcription of the original resources, augmented with critical information, that is, of structured data. In a collaborative setting, the structure of the data is explicitly defined in a schema, an interpretable document that governs the way editors annotate the original resources and guarantees they follow a common editorial policy. Digital editorial projects classically face two technical problems. The first has to do with the expressiveness of the annotation languages, that prevents from expressing some kinds of information. The second relies in the fact that, historically, schemas of long-running digital edition projects have to evolve during the lifespan of the project. However, amending a schema implies to update the structured data that has been produced, which is done either by hand, by means of ad-hoc scripts, or abandoned by lack of technical skills or human resources. In this work, we define the theoretical ground for an annotation system dedicated to scholarly edition. We define eAG, a stand-off annotation model based on a cyclic graph model, enabling the widest range of annotation. We define a novel schema language, SeAG, that permits to validate eAG documents on-the-fly, while they are being manufactured. We also define an inline markup syntax for eAG, reminiscent of the classic annotation languages like XML, but retaining the expressivity of eAG. Eventually, we propose a bidirectional algebra for eAG documents so that, when a SeAG S is amended, giving S', an eAG I validated by S is semi-automatically translated into an eAG I' validated by S', and so that any modification applied to I (resp. I') is semi-automatically propagated to I' (resp. I) – hence working as an assistance tool for the evolution of SeAG schemas and eAG annotations
Cavarzeran, Jacopo. "Scholia in Euripidis Hippolytum: edizione critica, introduzione, indici". Doctoral thesis, Università degli studi di Padova, 2015. http://hdl.handle.net/11577/3424706.
Texto completoLa tesi fornisce una nuova edizione critica degli scholia all’Ippolito di Euripide completa di apparato di loci similes. Il primo capitolo dell’introduzione tratta brevemente dell’esegesi del testo euripideo nell’antichità e della crezione e sviluppo di questo corpus scoliastico. Il secondo indaga i manoscritti e la tradizione medievale degli scholia all’Ippolito. Sono stati aggiunti degli indici alla fine. Questo lavoro offre anche, per la prima volta, un’edizione degli scholia metrici di Demetrio Triclinio a questa tragedia.
Hawley, W. F. "The unknown, or, Lays of the forest by William F. Hawley, a scholarly edition". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ58107.pdf.
Texto completoJordan, Sheila Pat. "The Teran de los Rios-Massanet Expedition of 1691: a scholarly edition and comparative study". Thesis, Texas A&M University, 2003. http://hdl.handle.net/1969.1/2247.
Texto completoMays, Lawrence John. "A Scholarly Edition with Exegesis of Niccolò Piccinni's Dramma Giocoso: 'Il Regno della Luna' (1770)". Phd thesis, Canberra, ACT : The Australian National University, 2017. http://hdl.handle.net/1885/141079.
Texto completoLancaster, Philip George. "The making of a poet : a scholarly edition of Ivor Gurney's poetry, 1907 to Armistice 1918". Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/12162.
Texto completoWard, Antonia. "'Odd prefaces' : Frederick James Furnivall and masculinity in Victorian scholarship". Thesis, University of York, 2000. http://etheses.whiterose.ac.uk/14039/.
Texto completoLautenbach, Jan. "Komplexe Edition im Digitalen Zeitalter". Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2012. http://dx.doi.org/10.18452/16548.
Texto completoLooking at recent publications of medieval German texts reveals two challenges to the dominance of the printed book as the principal place for publishing: On the one hand, the ''New Philology'' has shown that the possibilities of print are exhausted. On the other hand, the expectations of the 21st century reader/user have radically changed. Despite the fact that from the beginning, digital data processing has played a major role in the editing process, it is very hard to live up to these expectations. This is because - in theory - the old medium dictates limitations to the new one, slowing down the process of expansion and change. In practice this means that so far digital media have been used only as a vehicle for presentation. With manuscripts, book collections and texts being extensively captured and made available on the Internet, classical editions (facsimiles, diplomatic editions, edited versions and historical-critical editions) are increasingly being published outside the printed book. Nevertheless, the reception of this digital content on different devices (e-book readers, computer screens, smartphones, braille displays etc.) has its limitations. This becomes even more obvious when one considers the mutually active forces of standardization, interoperability, differentiation, collaboration, web applications, semantics, availability, accessibility and legality. These establish a whole new list of requirements that goes beyond the static presentation of the results of the editing process. While the traditional goal of all editing processes is losing its importance, it nevertheless opens up the genuine potential of digital media: the separation of presentation from memory. In the future, publishing data could be kept open for further processing and would remain flexible for presentation on all kinds of devices.
Benenati, Stefano. "Le roman d'Alexandre en prose du XIIIe siècle. Histoire de la tradition et édition critique". Electronic Thesis or Diss., Université de Lille (2022-....), 2024. https://pepite-depot.univ-lille.fr/ToutIDP/EDSHS/2024/2024ULILH008.pdf.
Texto completoThe Roman d'Alexandre en prose is an Old French adaptation of the Latin chronicle known as Historia de preliis Alexandri Magni I2 (Orosius-Rezension). It has been redacted by an unknown author at a certain point during the last three decades of the XIIIth century (around 1260-1299). This project consists of a philological and literary study of the romance and of its “neolachmannian” critical edition. The Old French Prose Alexander's tradition, including the eighteen manuscripts, the eleven printed editions and its indirect tradition, has been described in detail. The scrutiny of its witnesses' textual variants resulted in a hypothesis on its genealogical transmission, which has been represented in a stemma codicum. Moreover, through an analysis of its Latin original's manuscript tradition, we identified the exact branch the model of the French adaptation derived from. Based on those in-depth studies, verifiable and univocal editing principles have been established. The manuscript used for the graphic surface of the critical edition has been the purpose of a specific codicological and linguistic description. Besides, the main interpretative and philological issues have been extensively discussed in a point-by-point comment. The edition has been equipped with a critical apparatus and a glossary, as well. On the literary ground, the investigation of the passages unconnected to the Latin original revealed the specific way in which the author compiled secondary sources such as the verses Roman d'Alexandre, the Histoire Ancienne jusqu'à César, the Tresor, and original contributions
Siciliano, Angela. "La bibliothèque de Giorgio Bassani : origines, transformations, usages, intertextualités". Thesis, Université Grenoble Alpes, 2022. http://www.theses.fr/2022GRALL015.
Texto completoThis research is a monographic study dedicated to Giorgio Bassani's library, a rich collection of books now preserved in Ferrara, at Casa Ariosto. The work is not limited to providing a catalogue of the library and a critical edition of its annotations but is presented as an analytical study that combines philology and criticism.Chapter I reconstructs the material history of the collection: its formation, its dismemberment in the autumn of 1943 and its final reassembly after the writer's death in 2000.Chapter II, on the other hand, discusses the links between the books and Bassani's human and artistic biography, which is reconstructed in five sections: the university years (1934-1939), the years recounted in Il Giardino dei Finzi-Contini (1938-1939), the years in which Bassani went through a serious stylistic crisis after the publication of Una città di pianura (1940-1944), the period of his militancy in anti-fascism (1937), and the writer's maturity (after 1948).More strictly philological in approach, but also attentive to critical implications, is Chapter III, which reconstructs Bassani's method of reading and annotation by commenting on significant examples, useful for revealing previously unseen aspects of the writer's poetics and thought, particularly in his formative years.The research also offered the opportunity to reflect on the methodologies of editing annotated books and on the problems faced by the philologist, in the face of which digital philology shows considerable advantages. This point is developed in chapter IV, in which we examine the characteristics and potential of the digital edition prototype that was created on the annotations written by Bassani on the margins of La scuola dell'uomo by Guido Calogero
Nakielski, Christopher John. "A scholarly edition of Suita Maryjna, a Polish Marian suite for treble chorus, string quartet and two flutes, by Irena Pfeiffer". Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6228.
Texto completoCaldi, Miranda. "The Masses of Franciscos Leondaritis (c.1516 - c.1572) : a scholarly edition together with thirty eight motets and accompanying historical and stylistic commentary". Thesis, University of York, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.565975.
Texto completoEftekhari, Banafsheh. "Edition and Translation of the Arabic Manuscript Collection Belonged to Fakhr al-din al-Razi on Kalam Atomism". Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE3012/document.
Texto completoAu Moyen Âge, dans le monde islamique, il y avait deux groupes d'érudits qui avaient deux indications différentes sur l'existence. Le premier groupe était des philosophes, ḥukamā, qui ont approuvé falsafah ou ḥikmah. Cette doctrine avait des bases aristotéliciennes. Un autre groupe était des théologiens, mutikalimūn qui était pour la plupart atomistes. Les théologiens constituaient le kalām qui se traduisait parfois par théologie islamique.Fakhr-e-Razi ou Fakhr al-Din al-Razi était un philosophe et théologien important au 12ème siècle qui a fait des dialogues et des débats entre ces deux doctrines. Il a écrit des critiques sur les livres d'Avicenne et a défendu la doctrine de l'atomisme de Kalam. Bien qu'il ait défendu l'atomisme de Kalam dans beaucoup de livres, il a écrit un traité indépendant sur ce sujet. Cette thèse est l'édition et la traduction d'un livre manuscrit qui comprend deux traités indépendants, dont l'un, prouve atomisme et un autre réfute Hylémorphisme.Cette thèse inclut des commentaires sur l'atomisme et l'hylémorphisme (l'introduction du livre). L'atomisme comme vue générale et l'atomisme de Kalam en particulier sont étudiés. L'histoire de l'atomisme est brièvement passée en revue en tant que racines de l'atomisme de Kalam. Puis la vue de Razi sur l'atomisme est étudiée selon ce livre présent et ses autres livres. Le contraste entre la vision de Razi et la doctrine d'Avicenne comme son rival sont également analysés
Brookman, Helen Elizabeth. "From the margins : scholarly women and the translation and editing of medieval English literature in the nineteenth century". Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609521.
Texto completoHarriman-Smith, James. "Twin stars : Shakespeare and the idea of the theatre in the eighteenth century". Thesis, University of Cambridge, 2016. https://www.repository.cam.ac.uk/handle/1810/253766.
Texto completoSouza, Luana Batista de. "Era uma febre, era um delírio: edição crítica de O Seminarista, de Bernardo Guimarães". Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8142/tde-10112017-114511/.
Texto completoThis thesis aims to present the scholarly edition of the novel O Seminarista, by Bernardo Guimarães, based on the works original. The edition is justified by the fact that the original, although available, was modified over its tradition, until strongly compromising the authors style on what it presents as most representative. The changes suffered by the text produced a genealogical tree with two main branches, to which are affiliated all the studied witnesses: an unabridged branch and an abridged branch. In order to establish a critical text, aspects of the novel are discussed through a literary analysis perspective, criteria are fixed so that the copytext can be chosen, theories that belong to a Textual Scholarship scope are presented, genealogical relationships between witnesses are proposed and appropriate standards for a scholarly edition of original printed are set. Besides the editio princeps, this edition registers, in its apparatus, all the variants in the text that are registered in the first witnesses of the work\'s tradition.
Kelly, E. M. "'A more beautiful era of art' : figurenlehre, style briseÌ and other baroque elements in Brahms' piano compositions : Brahms' involvement as a scholar, performer and editor of baroque keyboard music and the effect it exerted on his compositional style". Thesis, Queen's University Belfast, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268385.
Texto completoVigilanti, Jacqueline. "Critical Digital Transmission through the Transcription of J. A. Nensén’s Records : A Review of the Tools". Thesis, Högskolan i Borås, Akademin för bibliotek, information, pedagogik och IT, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-9556.
Texto completoHiller, Moritz. "Maschinenphilologie". Doctoral thesis, Humboldt-Universität zu Berlin, 2021. http://edoc.hu-berlin.de/18452/23730.
Texto completoThis dissertation is in pursuit of the elusive agent of philology. Be it literary archives which curate digital remains, textual criticism which processes computer software, or the Digital Humanities as an alleged new paradigm of humanities, digital media poses particular challenges for philology today—not only as an object of study, but also as a methodological tool. "Machine Philology" confronts these challenges, asking more generally how a particular type of machinery affects the premises, practices, and institutions of a scientific field informed by traditional humanism. Central to the project is an inquiry into the notion of subjectivity. For, where not only human beings, but also their machinic Other, reads, writes, archives, and edits, it is to be argued that philology has—following N. Katherine Hayles—become posthumanistic. The dissertation uses this as an opportunity for a fundamental reconsideration of the entangled network of human beings and media that philology can be described as, evacuated of any human-exceptionalism: Philology today is machine philology.
Bornmann, Lutz, Werner Marx, Hermann Schier, Erhard Rahm, Andreas Thor y Hans-Dieter Daniel. "Convergent validity of bibliometric Google Scholar data in the field of chemistry: Citation counts for papers that were accepted by Angewandte Chemie International Edition or rejected but published elsewhere, using Google Scholar, Science Citation Index, Scopus, and Chemical Abstracts". 2009. https://ul.qucosa.de/id/qucosa%3A32360.
Texto completoSexton, James. "Huxley's 'lost' play, Now more than ever : a scholary edition". Thesis, 1996. http://hdl.handle.net/1828/8209.
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Temple, KR. "A scholarly edition of Thomas Heywood’s 1 The iron age". Thesis, 2021. https://eprints.utas.edu.au/45579/1/Temple_whole_thesis.pdf.
Texto completoDaintree, David Charles Campbell. "Scholia Bernensia : an edition of the scholia on the Eclogues of Virgil in Bern Burgerbibliothek manuscript 172". Thesis, 1993. https://eprints.utas.edu.au/19578/1/whole_DaintreeDavidCharlesCampbell1994_thesis.pdf.
Texto completoArunachalam, Subbiah. "Letters to the Editor". 1999. http://hdl.handle.net/10150/105566.
Texto completoColeman, Anita Sundaram. "Comments on Dalbello's Scholarly Editions, Historians' Archives, and Digital Libraries". 2006. http://hdl.handle.net/10150/106123.
Texto completoEmerson, Mark G. "Scholarly Edition of the Grand Tour Diaries of Frederick Douglass and Helen Pitts Douglass". Thesis, 2003. http://hdl.handle.net/1805/4974.
Texto completoAlmonte, Richard. "A scholarly edition of Mary A. Shadd's A plea for emigration, or, Notes of Canada West". Thesis, 1996. http://spectrum.library.concordia.ca/144/1/MM18371.pdf.
Texto completoFinn, Patrick James. "Pre-codex to post-codex : editorial theory in the second incunabulum". Thesis, 2003. http://hdl.handle.net/1828/7918.
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Howard, Ashley. "Florists and feasts: a critical digital edition of Ralph Knevet's Rhodon and Iris". Thesis, 2020. http://hdl.handle.net/1828/12115.
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2021-06-26
Dalbello, Marija. "Scholarly Editions, Historians' Archives and Digital Libraries: The Pragmatics and the Rhetoric of Digital Humanities Scholarship". 2006. http://hdl.handle.net/10150/105293.
Texto completoBaldi, Alberto. "“Una potenza lontana e misteriosa”. Il carteggio tra Ignazio Silone e la Arnoldo Mondadori Editore come knowledge site: tra digital scholarly editing e text analysis". Doctoral thesis, 2021. http://hdl.handle.net/2158/1237479.
Texto completoKomorowska, Magdalena. "Prolegomena do edycji dzieł Piotra Skargi". Praca doktorska, 2010. http://ruj.uj.edu.pl/xmlui/handle/item/41872.
Texto completoPoledňáková, Barbora. "Novela "Konec nylonového věku" z roku 1950 a její kritická edice". Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-328287.
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