Literatura académica sobre el tema "Scenic presence"
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Artículos de revistas sobre el tema "Scenic presence"
Larsen, Janike Kampevold. "Geologic Presence in a Twenty-First-Century Scenic Garden". Studies in the History of Gardens & Designed Landscapes 34, n.º 1 (2 de enero de 2014): 85–100. http://dx.doi.org/10.1080/14601176.2013.850296.
Texto completoKim, Kyujin. "A Study on Actor's Habits Disturbing Actor's Scenic Presence". Journal of Korean Theatre Education 30 (30 de junio de 2017): 5–33. http://dx.doi.org/10.46262/kte.30.1.1.
Texto completoFiaschini, Fabrizio. "Creativity and Scenic Presence: The Secrets of Disabled Actors". Dramatherapy 34, n.º 1 (marzo de 2012): 22–28. http://dx.doi.org/10.1080/02630672.2012.658207.
Texto completoLisandru, Tabita Teodora, Viorel Mitre, Adelina Dumitras, Monica Pal y Andreea Tripon. "Assessing the Visual Quality of Urban Landscapes Influenced by the Presence of Fruit Trees". Bulletin of University of Agricultural Sciences and Veterinary Medicine Cluj-Napoca. Horticulture 73, n.º 2 (30 de noviembre de 2016): 163. http://dx.doi.org/10.15835/buasvmcn-hort:11956.
Texto completoNurmi, Väinö, Athanasios Votsis, Adriaan Perrels y Susanna Lehvävirta. "Green Roof Cost-Benefit Analysis: Special Emphasis on Scenic Benefits". Journal of Benefit-Cost Analysis 7, n.º 3 (2016): 488–522. http://dx.doi.org/10.1017/bca.2016.18.
Texto completoHamburger, Andreas. "Refracted Attunement, Affective Resonance: Scenic-Narrative Microanalysis of Entangled Presence in a Holocaust Survivor's Testimony". Contemporary Psychoanalysis 51, n.º 2 (3 de abril de 2015): 239–57. http://dx.doi.org/10.1080/00107530.2015.1037234.
Texto completoRuban, Dmitry A., Emad S. Sallam, Vladimir A. Ermolaev y Natalia N. Yashalova. "Aesthetic Value of Colluvial Blocks in Geosite-Based Tourist Destinations: Evidence from SW Russia". Geosciences 10, n.º 2 (28 de enero de 2020): 51. http://dx.doi.org/10.3390/geosciences10020051.
Texto completoCozma, Diana. "Towards a Universal Language of Theatre". Theatrical Colloquia 11, n.º 2 (26 de noviembre de 2021): 32–49. http://dx.doi.org/10.2478/tco-2021-0018.
Texto completoEr-Ramy, Noureddine, Driss Nachite, Giorgio Anfuso y Allan T. Williams. "Coastal Scenic Quality Assessment of Moroccan Mediterranean Beaches: A Tool for Proper Management". Water 14, n.º 12 (7 de junio de 2022): 1837. http://dx.doi.org/10.3390/w14121837.
Texto completoGontijo Rosa, Carlos. "Vicente, autoficção de Jorge Andrade". Catedral Tomada. Revista de crítica literaria latinoamericana 8, n.º 14 (7 de agosto de 2020): 283–306. http://dx.doi.org/10.5195/ct/2020.438.
Texto completoTesis sobre el tema "Scenic presence"
Lopes, Sílvia da Silva. "Para além da técnica : estratégias pedagógicas de três professoras de dança ou a presença como modo de estar ali". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/16920.
Texto completoThe following dissertation discusses pedagogical strategies used by three teachers of dance to make their pupils obtain scenic presence. The empirical material was constituted by a few observations of classes of dance teachers (Dagmar Scherer Dornelles, Luciana Paludo and Simonne Rorato) of Porto Alegre, Rio Grande do Sul, Brasil, in the form of a ethnographic journal. Eight lessons of each teacher had been observed, carried through an interview with each one of them. It was made a photographic register. The text analyzes those pedagogical strategies - considered as a way to obtain scenic presence - from three axles: 1. everyday and ritualized actions as observed in the lessons; 2. the consciousness as a way to the presence - that would be obtained from the use of different cares with the body; and, 3. other kinds of strategies - not only technical. The text suggests that the pedagogical strategies used by those three teachers of dance designs contemporary forms of being dance teacher.
Johansson, Larsson Anna. "Learning study på estetiska programmets teaterinriktning En närstudie i scenisk närvaro Learning Study on the Theatre Orientation at the Aesthetic Programme. A Close Study in Scenic Presence". Thesis, Malmö universitet, Fakulteten för lärande och samhälle (LS), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-32476.
Texto completoGomes, Letícia Nascimento. "PROCESSOS POÉTICOPEDAGÓGICOS NA CRIAÇÃO DO ESPETÁCULO DE DANÇA SOPRO". Universidade Federal de Santa Maria, 2015. http://repositorio.ufsm.br/handle/1/7233.
Texto completoThis dissertation aims to show how it is the presentification of the scenic direction in dance on the creative process of Acasos Dance Company's spectacle, Sopro, of 2014. This is done through the poeticpedagogical processes, situated as the strategies and ways of working that have been used in the construction of this spectacle from from a collective direction format.To this end it was held monitoring of the creative process of Sopro with strategies and instruments of the ethnographic method as the interview and participant observation. This added to the feature of being a work in which the researcher is involved in the search field, enhances the adoption of autobiographical tone thought from the Autoetnografia.To position the poeticpedagogical processes as agents of direction's presence in dance and the will of contact with the things of the world that accompanies the Sopro spectacle, it was used the understanding of Production of presence of Gumbrecht (2010).It is expected that the collective direction can be thought in a pedagogy of expression through poeticpedagogical processes, which put into evidence a dance pedagogy, that occurs in the making with powerful creative possibilities and developments of trading relations and of acquaintanceship in a collectivity.And that way, could be tried in other scenery- not only in independent dance companies as Acasos - but in other artistic works or even in a formal education.
A presente dissertação se propõe a evidenciar os processos poéticopedagógicos que foram utilizadas no processo criativo do espetáculo de dança Sopro, de 2014, da Acasos Cia de Dança, de Santa Maria. Neste contexto são situados como as estratégias e formas de trabalho que concentram e articulam a pedagogia da dança referente às práticas envolvidas no processo criativo desse espetáculo a partir de um formato de direção coletiva. Para tal, foi realizado o acompanhamento do processo criativo do espetáculo Sopro com estratégias e instrumentos do método etnográfico como a entrevista e a observação participante. Isso, somado a característica de ser um trabalho na qual a pesquisadora está implicada no campo de pesquisa é potencializada a adoção de um tom autobiográfico da escrita pensado a partir da Autoetnografia. São pontuadas as questões referentes aos conceitos de processo, poético e pedagógico, aliados a uma apropriação poética do entendimento de Produção de Presença de Gumbrecht (2010). Isso para posicionar os processos poéticopedagógicos como agentes de presença de um mecanismo pedagógico no fazer poético em dança e relacioná-los a vontade de contato com as coisas do mundo que acompanha o espetáculo Sopro. Os processos poéticopedagógicos postos em evidência neste trabalho podem oferecer um olhar para uma pedagogia não só, mas também da dança, que se dá no fazer com potentes possibilidades de criação e de desenvolvimento das relações de negociação e de convívio na coletividade. E, dessa forma, amplia as possibilidades de experimentação da mesma em outros cenários que não só em Cias independentes de dança como a Acasos mas em outras empreitadas artísticas ou mesmo em outros regimes de ensino.
Coelho, Maíra Castilhos [UNESP]. "As múltiplas presenças do ator: novas relações e inovações em territórios cênicos". Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/151654.
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
A pesquisa aqui proposta pretende refletir sobre as formas de presença do ator existentes no teatro a partir da fusão com a linguagem cinematográfica. Sob o ponto de vista do ator, foi pesquisada a nova dimensão da sua presença no palco, caracterizada pela utilização da câmara e do microfone. Para tanto, introduzimos uma breve história do teatro durante o surgimento do cinema visando contextualizar os estudos e reflexões contidos nos capítulos seguintes, nos quais serão aprofundados os avanços tecnológicos que culminaram no momento presente. Ao estudar as possibilidades do uso de recursos digitais no teatro, o foco é direcionado para as relações entre ator, câmera e projeção, visando investigar as possíveis formas de presença que vem sendo exploradas no teatro. Assim, o estudo é desenvolvido a partir das encenações: "E se elas fossem para Moscou?", de Christiane Jatahy; "King of War", de Ivo Van Hove; " Le Projet Andersen", de Robert Lepage; "The Tempest", de 4DArt; "Eraritjaritjaka", de Heiner Goebbels. A escolha dos espetáculos se deu devido a diferentes formas de captação e projeção das imagens em vídeo, que possibilitam, formas distintas de presença e de convívio entre ator-câmera-espectador. Por fim, é esperado, também, que o estudo propicie subsídios analíticos para a investigação das novas possibilidades deste “teatrodigital” e das tendências que se desanuviam em um futuro próximo de evolução tecnológica e diversificação técnica.
The present research intends to reflect on actor’s types of presence in theatre from the fusion with the cinematographic language. Under the actor’s point of view, it was researched a new dimension of his presence on stage, characterized by the use of camera and microphone. To this end, the study begins with a short history of theatre during the rise of cinema so as to contextualize the studies and reflections contained in future chapters, which present technological advances culminating in the present day. In studying the possibilities of this “theatre-cinema”, the research focuses on relationships between actors, cameras, and projections, as well as investigating possible forms of presence that both cinema and theatre explore, and that enable new relations between actors and spectators to be formed. The study examines the following scenic productions: "E se elas fossem para Moscou?" by Christiane Jatahy; "King of War", by Ivo Van Hove; "Le Projet Andersen", by Robert Lepage; "The Tempest", by 4DArt; and "Eraritjaritjaka", by Heiner Goebbels. The choice of productions is based on different forms of capturing and projecting video images, which allow for distinct modes of presence and of interaction between actors, cameras, and spectators. Finally, the research also aims to supply analytic tools toward the investigation of new possibilities of this “theatre-cinema” and of tendencies that will arise in the near future, based on technological evolution and technical diversification.
FAPESP: 2013/06541-3
FAPESP: 2015/06139-6
Oliveira, Vinicio de Oliveira. "A cena nas redes: utilização de tecnologias digitais no desenvolvimento da presença e do espaço cênico". Escola de Teatro, 2014. http://repositorio.ufba.br/ri/handle/ri/27313.
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Neste trabalho elaboro uma análise crítico-reflexiva sobre o desenvolvimento do espaço cênico e da presença do ator e do espectador a partir da utilização das tecnologias da informação e comunicação. Adoto como eixo para a reflexão o pressuposto delimitador que ainda hoje é definidor de um evento teatral – a presença de pelo menos um ator e um espectador em um espaço determinado unidos por um acordo tácito. Com base nesse pressuposto relaciono ao longo do trabalho conceitos e definições referentes às tecnologias digitais da informação (realidade virtual, virtualidade, telepresença, ciberespaço) com os elementos do teatro e sua aplicabilidade na arte teatral. Analiso exemplos de propostas de espetáculos construídos sobre a perspectiva do teatro digital e midiático e por fim proponho duas características de um possível teatro digital.
In this paper I develops a critical and reflective analysis of the development of the scenic area and the presence of the actor and the spectator from the use of information and communication technologies. I adopt as an axis for reflection delimiter assumption that today is defining a theatrical event - the presence of at least one actor and spectator states in a given space unite by a tacit agreement. Based on that assumption I do a relation about concepts and definitions relative to digital information technologies (virtual reality, virtuality, telepresence and cyberspace) with the elements of theater and their applicability in theatrical art. I analyze examples of plays built on the perspective of digital and mediatic theater and finally i propose two characteristics of a possible digital theater.
Rodrigues, Letícia Maria Olivares. "Em um corpo só - crônica de uma atriz-pesquisadora em contato com a tradição do Odin Teatret". Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-27022015-163239/.
Texto completoThis research, of a theoretical-practical nature, introduces the register of the technical preparations\' proceedings and production of the Odin Teatret director and actors, from the viewpoint of the Theatre Anthropology, and it pursuits the notions of scenic presence and the actors\' autonomy. Based on the experience of its actors\' tradition, and on a documentation held in fieldwork, about training and creation widespread by them, applied techniques are selected, described and experimented in the pre-expressive preparation and in a personal-scenic composition. In the literature review, it establishes a dialogue with the lineage of directors-pedagogues from the 20th Century, such as Stanislavski and Grotowski, and with scholars and critics of the Theatre Anthropology. In the approximation of the presence concept, it brings Hans Ulrich Gumbrecht to introduce dramaturgy notions used by Eugenio Barba. The registers and analysis rely on assumptions of the qualitative research using autoethnography to its organization. The identification of the proceedings maps the updated applications of the Odin Teatret\'s traditions. Lastly, it evidences the course of stimuli personalization, its pedagogical application and the material production process in the actress-researcher\'s dramaturgy. By its agents, the research allowed to ascertain the notions it searched about the technical work and the actor\'s autonomy process
Konishi, Michiko. "Visitors and managers : perceptions of management methods to preserve scenic beauty in Mounds State Park". Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1204202.
Texto completoDepartment of Natural Resources and Environmental Management
Silk, Simon. "High Dynamic Range Panoramic Imaging with Scene Motion". Thesis, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20394.
Texto completoHutton, Benjamin. "Characterization of aquatic macroinvertebrate communities within the Obed Wild and Scenic River system a thesis presented to the faculty of the Graduate School, Tennessee Technological University /". Click to access online, 2009. http://proquest.umi.com/pqdweb?index=9&did=1786737171&SrchMode=1&sid=1&Fmt=6&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1250538742&clientId=28564.
Texto completoPATROCINIO, PAULO ROBERTO TONANI DO. "WRITINGS FROM THE OUTSIDE: THE PRESENCE OF WRITERS FROM THE PERIFERIA (SHANTYTOWN SUBURBS) IN THE CONTEMPORARY LITERARY SCENE". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=16720@1.
Texto completoPROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
O presente estudo tem como objetivo analisar as manifestações literárias produzidas pelos autores pertencentes à Literatura Marginal, buscando compreender as principais características textuais e políticas deste movimento. Nessa perspectiva, os produtos discursivos marginais serão vistos como manifestações contra-hegemônicas, resultantes de um esforço em produzir uma imagem própria sobre a vivência marginalizada, silenciando, assim, qualquer outro discurso produzido fora do espaço periférico. Para tanto, foi utilizado um arcabouço teórico que possibilita ler as formas de agenciamento político produzidas por este grupo. Além do exame do objeto literário, é realizada uma aproximação destas narrativas com o movimento Hip-Hop, mais precisamente com o RAP, colocando em relevo as muitas semelhanças quanto à estrutura textual das formas poéticas e as formas de veiculação de um discurso que almeja a conscientização dos leitores/ouvintes. Por se tratar de uma experiência literária pouco comum, a presença de escritores marginais em nossa série literária também apresenta novos questionamentos sobre a função e o papel do intelectual. Se outrora era o intelectual quem desempenhava a função de portavoz destes grupos, agora são os próprios marginais que rompem com a passiva posição de objeto e passam a figurar como sujeitos. Ao lançar um olhar crítico sobre esta disputa discursiva é possível identificar as tensões que o movimento de autores periféricos inaugura.
The present study aims to analyze the literary work of authors who are part of the Literatura Marginal (Literature from the Outside) as a way to understand the chief aspects of this movement’s writing style as well as its main political characteristics. From this perspective, the productions of the periferia discourse will be understood as counter-hegemonic manifestations that originate from an effort to produce a specific view that reflects the marginalized experience, thus silencing any other discourse produced outside of the periferia space. To this end, we developed a theoretical outline that brings an understanding of the kinds of political engagement produced by this group. In addition to examining the literary product itself, this study considers the parallels between this type of narrative and the Hip-Hop movement, more specifically Rap, highlighting the many similarities between them as they relate to the structure of the writing and the way the discourse is disseminated, aiming at the conscientization of readers/listeners. Because this relates to an uncommon literary experience, the presence of periferia writers in our literary series also raises new questions about the role of the intellectual. If before it was the intellectual who acted as the spokesperson for these writers, now the outsiders themselves break with the passive role of objects and claim their place as protagonists. In bringing a critical view to this debate it is possible to identify the tensions that the periferia authors bring to this discussion.
Libros sobre el tema "Scenic presence"
Bailey, John R. East Mojave National Scenic Area: Management plan and environmental assessment : draft. Needles, Calif: U.S. Dept. of the Interior, Bureau of Land Management, California Desert District, Needles Resource Area, 1987.
Buscar texto completoFugitive poses: Native American Indian scenes of absence and presence. Lincoln, Neb: University of Nebraska Press, 1998.
Buscar texto completoPresepe di Pasqua: Simboli e presenze di una tradizione dimenticata. Napoli: Stamperia del Valentino, 2010.
Buscar texto completoPłoski, Marcin. Liga Polskich Rodzin jako aktor społeczny. Wrocław: Wydawnictwo Instytutu Socjologii Uniwersytetu Wrocławskiego, 2016. https://www.repozytorium.uni.wroc.pl/dlibra/publication/80114.
Texto completoCiarrocchi, Giovanni. Preziose figure di presepio dal XVI al XIX secolo presenti nel territorio. [Italy: Associazione culturale Amici dell'arte e del collezionismo di Fermo], 2005.
Buscar texto completoSeaman, Bonnie. Bonnie Seaman presents-- paint America!: Painting instructions for beautiful American scenes-- and more!. [Springfield, MO] (M.P.O. Box 8043, Springfield 65801): [B. Seaman Publications, 1988.
Buscar texto completoInnocenti, Barbara, ed. La fortuna del 'Secolo d'Oro'. Florence: Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-743-6.
Texto completoSeminar 'Social Sciences in Swaziland' (1986 Vrije Universiteit te Amsterdam). Scenes of change: Visions on developments in Swaziland : papers presented at the Seminar 'Social Sciences in Swaziland', Free University Amsterdam, February 1986. Editado por Tieleman H. J. Leiden, The Netherlands: African Studies Centre, 1989.
Buscar texto completoBartolini, Francesca, ed. Lettere a Ruggero Jacobbi. Florence: Firenze University Press, 2007. http://dx.doi.org/10.36253/978-88-6453-164-9.
Texto completoSvec, Henry Adam. American Folk Music as Tactical Media. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462984943.
Texto completoCapítulos de libros sobre el tema "Scenic presence"
Grosse, Stephan A. "The Transformed Gay Self: the Male Body and its Scenic Presence as Sites of Gay Self-Enunciation". En Language, Sexualities and Desires, 165–84. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230625136_8.
Texto completoEngland, Alan. "The Present Scene". En Theatre for the Young, 34–62. London: Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-20540-0_3.
Texto completoMarcus, Pamela M. "Behind the Scenes". En Assessment of Cancer Screening, 15–22. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94577-0_2.
Texto completoTaylor, Yvette. "‘That’s Not Really My Scene’: Working-Class Lesbians In (and Out of) Place". En Queer Presences and Absences, 159–77. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137314352_9.
Texto completoDanhof, M., J. Dingemanse y D. D. Breimer. "Determination of Benzodiazepines: The Present-Day Scene". En BIOACTIVE ANALYTES, Including CNS Drugs, Peptides, and Enantiomers, 141–48. Boston, MA: Springer US, 1986. http://dx.doi.org/10.1007/978-1-4757-1892-8_12.
Texto completoMcKay, G., S. F. Cooper y K. K. Midha. "Determination of Phenothiazines: The Present-Day Scene". En BIOACTIVE ANALYTES, Including CNS Drugs, Peptides, and Enantiomers, 159–71. Boston, MA: Springer US, 1986. http://dx.doi.org/10.1007/978-1-4757-1892-8_14.
Texto completoCosta, Mark R., Dessa Bergen-Cico, Trevor Grant, Rocio Herrero, Jessica Navarro, Rachel Razza y Qiu Wang. "Nature Inspired Scenes for Guided Mindfulness Training: Presence, Perceived Restorativeness and Meditation Depth". En Augmented Cognition, 517–32. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22419-6_37.
Texto completoStefanidi, Evropi, Nikolaos Partarakis, Xenophon Zabulis, Paul Zikas, George Papagiannakis y Nadia Magnenat Thalmann. "TooltY: An Approach for the Combination of Motion Capture and 3D Reconstruction to Present Tool Usage in 3D Environments". En Intelligent Scene Modeling and Human-Computer Interaction, 165–80. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71002-6_10.
Texto completoGoossens, Louis. "Framing the linguistic actions scene in Old and Present-day English". En Papers from the VIth International Conference on Historical Linguistics, Poznań, 22–26 August 1983, 149. Amsterdam: John Benjamins Publishing Company, 1985. http://dx.doi.org/10.1075/cilt.34.12goo.
Texto completoEast, Martin, Constanza Tolosa, Jocelyn Howard, Christine Biebricher y Adèle Scott. "Beginning the Journeys Towards Intercultural Capability". En Journeys Towards Intercultural Capability in Language Classrooms, 1–23. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0991-7_1.
Texto completoActas de conferencias sobre el tema "Scenic presence"
Quinn, Brian y Ian D Bishop. "Environmental Visualisation as an Informing System". En 2002 Informing Science + IT Education Conference. Informing Science Institute, 2002. http://dx.doi.org/10.28945/2559.
Texto completoLopez,, Guillaume, Ko Uchida y Atsunobu Kaminuma. "Guide Timing Control for In-vehicle Speech Interface using Driving Signal". En FISITA World Congress 2021. FISITA, 2021. http://dx.doi.org/10.46720/f2020-acm-084.
Texto completoPapayiannis, Constantinos, Justice Amoh, Viktor Rozgic, Shiva Sundaram y Chao Wang. "Detecting Media Sound Presence in Acoustic Scenes". En Interspeech 2018. ISCA: ISCA, 2018. http://dx.doi.org/10.21437/interspeech.2018-2559.
Texto completoHatano, Yusuke, Keiichi Watanuki y Kazunori Kaede. "Effects of Scent Presentation on Choice and Judgment". En 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001800.
Texto completoXue, Chuhui, Shijian Lu y Wei Zhang. "MSR: Multi-Scale Shape Regression for Scene Text Detection". En Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. California: International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/139.
Texto completoLee, Chung-Yeon, Youngjae Yoo y Byoung-Tak Zhang. "PlaceNet: Neural Spatial Representation Learning with Multimodal Attention". En Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. California: International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/144.
Texto completoZhdanov, Dmitriy, Igor' Potemin, Andrey Zhdanov, Vladimir Galaktionov y Alexey Garbul. "Synthesis methods for realistic images of three-dimensional scenes containing media with a refractive index gradient". En International Conference "Computing for Physics and Technology - CPT2020". Bryansk State Technical University, 2020. http://dx.doi.org/10.30987/conferencearticle_5fce2770dcfdf3.11712130.
Texto completoMikhayliuk, Mikhail Vasilievich, Dmitry Alekseevich Kononov y Dmitry Mikhaylovich Loginov. "Modeling Situations in Virtual Environment Systems". En 23rd Scientific Conference “Scientific Services & Internet – 2021”. Keldysh Institute of Applied Mathematics, 2021. http://dx.doi.org/10.20948/abrau-2021-6s-ceur.
Texto completoPhang, J. C. H., S. Kolachina y D. S. H. Chan. "Single Contact Electron Beam Induced Current Microscopy for Failure Analysis of Integrated Circuits". En ISTFA 1997. ASM International, 1997. http://dx.doi.org/10.31399/asm.cp.istfa1997p0215.
Texto completoReynolds, Craig, Louis J. Everett y Richard A. Volz. "Identifying the Pose Between a Head Mounted Display and a Head Pose Sensor". En ASME 2000 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/detc2000/mech-14159.
Texto completoInformes sobre el tema "Scenic presence"
Anschuetz, Kurt F. y Thomas Merlan. More than a scenic mountain landscape: Valles Caldera National Preserve land use history. Ft. Collins, CO: U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station, 2007. http://dx.doi.org/10.2737/rmrs-gtr-196.
Texto completoFehey, Kristina y Dustin Perkins. Invasive exotic plant monitoring in Capitol Reef National Park: 2019 field season, Scenic Drive and Cathedral Valley Road. Editado por Alice Wondrak Biel. National Park Service, junio de 2021. http://dx.doi.org/10.36967/nrr-2286627.
Texto completoBarakat, Dr Shima, Dr Samuel Short, Dr Bernhard Strauss y Dr Pantea Lotfian. https://www.food.gov.uk/research/research-projects/alternative-proteins-for-human-consumption. Food Standards Agency, junio de 2022. http://dx.doi.org/10.46756/sci.fsa.wdu243.
Texto completoBruce, Judith y Sophie Soares. Intentional Design: Reaching the Most Excluded Girls in the Poorest Communities—A Guide for Practitioners and Advocates. Population Council, 2021. http://dx.doi.org/10.31899/pgy19.1013.
Texto completoMcKinnon, Mark y Daniel Madryzkowski. Literature Review to Support the Development of a Database of Contemporary Material Properties for Fire Investigation Analysis. UL Firefighter Safety Research Institute, junio de 2020. http://dx.doi.org/10.54206/102376/wmah2173.
Texto completoMcKinnon, Mark B. y Daniel Madrzykowski. Four Firefighters Burned in Residential House Fire - Georgia. UL's Fire Safety Research Institute, junio de 2022. http://dx.doi.org/10.54206/102376/gekk4148.
Texto completoSalcido, Charles, Patrick Wilson, Justin Tweet, Blake McCan, Clint Boyd y Vincent Santucci. Theodore Roosevelt National Park: Paleontological resource inventory (public version). National Park Service, mayo de 2022. http://dx.doi.org/10.36967/nrr-2293509.
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