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Literatura académica sobre el tema "Scène musicale parisienne"
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Artículos de revistas sobre el tema "Scène musicale parisienne"
Lavoie, Marie-Noëlle. "Discours sur la danse dans La Revue musicale : autour de Serge Lifar". Les Cahiers de la Société québécoise de recherche en musique 13, n.º 1-2 (21 de septiembre de 2012): 69–75. http://dx.doi.org/10.7202/1012352ar.
Texto completoNoirot, Corinne. "École, corps, jeu: avatars de la partition dans Entre les murs de François Bégaudeau". Nottingham French Studies 52, n.º 3 (diciembre de 2013): 322–36. http://dx.doi.org/10.3366/nfs.2013.0063.
Texto completoTesis sobre el tema "Scène musicale parisienne"
Mazen, Alice. "Portrait de la scène publique klezmer dans le contexte parisien actuel : exploration ethnomusicologique du « revival » klezmer parisien". Electronic Thesis or Diss., Sorbonne université, 2024. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2024SORUL071.pdf.
Texto completoKlezmer music, formerly practiced by Ashkenazi Jewish musicians to enliven celebrations linked to Jewish life in Eastern Europe, was enriched by migrations and impoverished by the numerous pogroms suffered by the Jewish people. Parallel to the "revival" of klezmer music in the United States in the 1970s, the Parisian klezmer music scene experienced a revival and it has since developed with various ensembles practicing exclusively klezmer music, others combining klezmer music and Yiddish singing, and educational ensembles. The klezmer music scene then stood out for its musical approach, at the crossroads of conservation and innovation. By adopting an ethnomusicological approach, this thesis explores the multiple dimensions of the current Parisian klezmer musical scene, focusing on its definition, its relationship to the context, its musical interpretation and its transmission. Through a precise analysis of the discourses, this thesis shows how the definition of the word "klezmer" evolves over time and adapts to the contexts of practice and the interpretations of the musicians, to sometimes differ from that given by the musicological writings. By adopting a comparative approach and thanks to the observation of Yiddish gatherings holding an important place in the international transmission of klezmer music, this thesis aims to enrich the understanding of Parisian cultural diversity by observing what place klezmer music holds in the landscape. Parisian city on the one hand, and in an international klezmer community on the other
Libros sobre el tema "Scène musicale parisienne"
Avatars d'Opéras: Parodies et Circulation des Airs Chantes Sur les Scènes Parisiennes [1672-1745]. Classiques Garnier, 2014.
Buscar texto completoCohen, H. Robert. Original Staging Manuals for 12 Parisian Operatic Premieres/Douze Livrets De Mise En Scene Lyrique Datant Des Creations Parisiennes (Vie Musicale En France Au Dix-Neuvieme Siecle). Pendragon Pr, 1991.
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