Artículos de revistas sobre el tema "Sacred vocal music"
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Ward, M. "Renaissance sacred vocal music". Early Music 40, n.º 1 (1 de febrero de 2012): 137–39. http://dx.doi.org/10.1093/em/cas010.
Texto completoGosine, C. Jane. "François Couperin: sacred vocal music". Early Music XXVI, n.º 1 (febrero de 1998): 153–56. http://dx.doi.org/10.1093/earlyj/xxvi.1.153.
Texto completoTunley, David. "Sacred Vocal Works, and: Three Sacred Cantatas: Esther, Susanne, Judith, and: Secular Vocal Works (review)". Notes 64, n.º 1 (2007): 141–44. http://dx.doi.org/10.1353/not.2007.0131.
Texto completoVella, Francesca. "Bridging Divides: Verdi's Requiem in Post-Unification Italy". Journal of the Royal Musical Association 140, n.º 2 (2015): 313–42. http://dx.doi.org/10.1080/02690403.2015.1075809.
Texto completoPhillips, Peter y Byrd's. "Byrd's Nest. Peter Phillips on Performing Byrd's Sacred Vocal Music". Musical Times 134, n.º 1809 (noviembre de 1993): 628. http://dx.doi.org/10.2307/1002799.
Texto completoTalbot, Michael. "Maurice Greene's Vocal Chamber Music on Italian Texts". Royal Musical Association Research Chronicle 48 (2017): 91–124. http://dx.doi.org/10.1080/14723808.2016.1271573.
Texto completoIrlandini, Luigi Antonio. "An introduction to the poetics of sacred sound in twentieth-century music". Revista Vórtex 1, n.º 2 (30 de diciembre de 2013): 65–86. http://dx.doi.org/10.33871/23179937.2013.1.2.430.
Texto completoRoche, Jerome. "Alessandro Grandi: A Case Study in the Choice of Texts for Motets". Journal of the Royal Musical Association 113, n.º 2 (1988): 274–305. http://dx.doi.org/10.1093/jrma/113.2.274.
Texto completoMcmahon, Paul. "Tudor and Jacobean England: Observations on Secular and Sacred Vocal Music". Musicology Australia 37, n.º 1 (2 de enero de 2015): 85–89. http://dx.doi.org/10.1080/08145857.2015.1035203.
Texto completoZhumagazin, Zhanbolat. "Evolution of opera at early stages of development as a musical theater". Pedagogy and Psychology 42, n.º 1 (30 de marzo de 2020): 230–36. http://dx.doi.org/10.51889/2020-1.2077-6861.29.
Texto completoLeverett, Adelyn Peck. "Song masses in the Trent Codices: the Austrian connection". Early Music History 14 (octubre de 1995): 205–56. http://dx.doi.org/10.1017/s0261127900001479.
Texto completoHulková, Marta. "Central European Connections of Six Manuscript Organ Tablature Books of the Reformation Era from the Region of Zips (Szepes, Spiš)". Studia Musicologica 56, n.º 1 (marzo de 2015): 3–37. http://dx.doi.org/10.1556/6.2015.56.1.1.
Texto completoReuland, Jamie. "Voicing the Doge’s Sacred Image". Journal of Musicology 32, n.º 2 (2015): 198–245. http://dx.doi.org/10.1525/jm.2015.32.2.198.
Texto completoCharteris, R. "A Neglected Anthology of Sacred Vocal Music Dating from the Sixteenth Century". Music and Letters 90, n.º 1 (1 de febrero de 2009): 1–34. http://dx.doi.org/10.1093/ml/gcn047.
Texto completoBertolino, Luca. "„Bach in die Synagogen!“. Erlösende Noten in Franz Rosenzweig". Naharaim 14, n.º 2 (16 de diciembre de 2020): 209–23. http://dx.doi.org/10.1515/naha-2019-0009.
Texto completoChatterjee, Sebanti. "Performing Bollywood Broadway: Shillong Chamber Choir as Bollywood’s Other". Society and Culture in South Asia 6, n.º 2 (julio de 2020): 304–27. http://dx.doi.org/10.1177/2393861720923812.
Texto completoBowers, Roger. "The ‘votive antiphon’ among other sacred textual forms". Early Music 48, n.º 2 (mayo de 2020): 147–55. http://dx.doi.org/10.1093/em/caaa021.
Texto completoVégh, Mónika. "Antecedents, and Development of the Sacred Choral Concerto in Russia". Studia Universitatis Babeş-Bolyai Musica 65, n.º 2 (21 de diciembre de 2020): 173–92. http://dx.doi.org/10.24193/subbmusica.2020.2.12.
Texto completoShreffler, Anne C. ""Mein Weg geht jetzt vorüber": The Vocal Origins of Webern's Twelve-Tone Composition". Journal of the American Musicological Society 47, n.º 2 (1994): 275–339. http://dx.doi.org/10.2307/3128880.
Texto completoBeck, Guy. "Sacred Music and Hindu Religious Experience: From Ancient Roots to the Modern Classical Tradition". Religions 10, n.º 2 (29 de enero de 2019): 85. http://dx.doi.org/10.3390/rel10020085.
Texto completoLinfield, Eva, Diane Parr Walker y Paul Walker. "German Sacred Polyphonic Vocal Music between Schutz and Bach: Sources and Critical Editions". Notes 50, n.º 2 (diciembre de 1993): 563. http://dx.doi.org/10.2307/898455.
Texto completoCharteris, Richard. "An Early-Seventeenth-Century Collection of Sacred Vocal Music and Its Augsburg Connections". Notes 58, n.º 3 (2002): 511–35. http://dx.doi.org/10.1353/not.2002.0011.
Texto completoMissfelder, Jan-Friedrich. "From Choir to Chamber: Negotiating Vocal Music in the Zurich Reformation". Journal of Early Modern Christianity 10, n.º 2 (1 de noviembre de 2023): 187–214. http://dx.doi.org/10.1515/jemc-2023-2044.
Texto completoBurtsev, Mуkyta. "Christian images in chamber vocal music of Western Europe of the 19–20th centuries". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 66, n.º 66 (9 de abril de 2023): 27–41. http://dx.doi.org/10.34064/khnum1-66.02.
Texto completoAQUILINA, FREDERICK. "A SHORT BIOGRAPHY OF BENIGNO ZERAFA (1726-1804): A MID-EIGHTEENTH-CENTURY MALTESE COMPOSER OF SACRED MUSIC". Eighteenth Century Music 4, n.º 1 (marzo de 2007): 107–18. http://dx.doi.org/10.1017/s1478570607000723.
Texto completoJudd, Cristle Collins. "Modal Types and Ut, Re, Mi Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about 1500". Journal of the American Musicological Society 45, n.º 3 (1992): 428–67. http://dx.doi.org/10.2307/831714.
Texto completoJudd, Cristle Collins. "Modal Types and "Ut, Re, Mi" Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about 1500". Journal of the American Musicological Society 45, n.º 3 (octubre de 1992): 428–67. http://dx.doi.org/10.1525/jams.1992.45.3.03a00030.
Texto completoГирфанова, М. Е. "The Small Imitation Form in the Sacred Chorale Concertos by Samuel Scheidt". OPERA MUSICOLOGICA, n.º 5 (31 de diciembre de 2020): 107–19. http://dx.doi.org/10.26156/om.2020.12.5.007.
Texto completoLaferrière, Carolyn M. "Sacred Sounds: The Cult of Pan and the Nymphs in the Vari Cave". Classical Antiquity 38, n.º 2 (1 de octubre de 2019): 185–216. http://dx.doi.org/10.1525/ca.2019.38.2.185.
Texto completoKarpf, Juanita. "The Possibility of Theomusicology: William Bradbury’s Esther, the Beautiful Queen". Religion and the Arts 16, n.º 1-2 (2012): 1–28. http://dx.doi.org/10.1163/156852912x615865.
Texto completoTALBOT, MICHAEL. "RECOVERING VIVALDI’S LOST PSALM". Eighteenth Century Music 1, n.º 1 (marzo de 2004): 61–77. http://dx.doi.org/10.1017/s1478570604000041.
Texto completoШтром, А. А. "On Tone-Painting Elements of Music Language in Vocal Chamber Music by Nikolai Medtner". Музыкальная академия, n.º 1(769) (29 de marzo de 2020): 14–23. http://dx.doi.org/10.34690/32.
Texto completoCrosby, Brian. "Private Concerts on Land and Water: The Musical Activities of the Sharp Family, c.1750–c. 1790". Royal Musical Association Research Chronicle 34 (2001): 1–118. http://dx.doi.org/10.1080/14723808.2001.10540993.
Texto completoGRIMMINGER, DANIEL JAY. "EIGHTEENTH- AND NINETEENTH-CENTURY SACRED VOCAL MUSIC IN PENNSYLVANIA CULTURE, SCHWENKFELDER LIBRARY AND HERITAGE CENTER, PENNSBURG, PENNSYLVANIA, 20 JUNE 2009". Eighteenth Century Music 7, n.º 1 (21 de enero de 2010): 187–89. http://dx.doi.org/10.1017/s1478570609990820.
Texto completoMailes, Alana. "Singing Nuns and Soft Power: British Diplomats as Music Tourists in Seicento Venice". Religions 13, n.º 4 (6 de abril de 2022): 330. http://dx.doi.org/10.3390/rel13040330.
Texto completoŠtefancová, Dagmar. "The Cantional of Ondřej Kopydlanský of Sedlčany in a New Context". Musicalia 14, n.º 1-2 (2022): 56–95. http://dx.doi.org/10.37520/muscz.2022.002.
Texto completoSTOCKIGT, JANICE B. y MICHAEL TALBOT. "TWO MORE NEW VIVALDI FINDS IN DRESDEN". Eighteenth Century Music 3, n.º 1 (marzo de 2006): 35–61. http://dx.doi.org/10.1017/s1478570606000480.
Texto completoAzarova, Valentina Vladimirovna. "On the organization of sound space in "The Tidings brought by Mary" by Paul Claudel, 1912 edition". Культура и искусство, n.º 4 (abril de 2022): 141–63. http://dx.doi.org/10.7256/2454-0625.2022.4.37912.
Texto completoHidayatullah, Panakajaya. "GLUNDHÂNGAN AND PIGEON IN SOCIOCULTURAL PRACTICES OF MADURESE PEOPLE". Journal of Urban Society's Arts 6, n.º 1 (9 de agosto de 2019): 39–55. http://dx.doi.org/10.24821/jousa.v6i1.2575.
Texto completoTyler, Linda. "Aria as drama: A sketch from Mozart's Der Schauspieldirektor". Cambridge Opera Journal 2, n.º 3 (noviembre de 1990): 251–67. http://dx.doi.org/10.1017/s095458670000327x.
Texto completoKyfenko, Anna y Khrystyna Holian. "METHODS OF PARALITURGICAL CHORAL COMPOSITIONS IN STUDENT CHOIR CLASSES". Modern Higher Education Review, n.º 7 (2022): 80–89. http://dx.doi.org/10.28925/2518-7635.2022.76.
Texto completoShmiher, Taras V. "MUSICAL DIMENSIONS OF QUALITY JUDGEMENTS IN LITURGICAL TRANSLATION". Scientific Journal of National Pedagogical Dragomanov University. Series 9. Current Trends in Language Development, n.º 23 (17 de julio de 2022): 88–96. http://dx.doi.org/10.31392/npu-nc.series9.2022.23.08.
Texto completoFont-Navarrete, David. "Writing Orisha Music: Text, Tradition, and Creativity in Afro-Cuban Liturgy". Religions 12, n.º 11 (3 de noviembre de 2021): 964. http://dx.doi.org/10.3390/rel12110964.
Texto completoAleksandrova, Oksana y Mariia Chertoryzhska. "Spiritual-semantic approach as a methodological basis for the analysing religious music (on the example of V. Stepurko’s cycle “Monologues of the Ages”)". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 69, n.º 69 (28 de diciembre de 2023): 56–86. http://dx.doi.org/10.34064/khnum1-69.03.
Texto completoPetrov, Aleksei K. "“ALL-NIGHT VIGIL” BY S. V. RACHMANINOFF: PERFORMANCE ASPECTS OF “HISTORICAL RECONSTRUCTION”". Arts education and science 3, n.º 36 (2023): 105–12. http://dx.doi.org/10.36871/hon.202303105.
Texto completoRickards, Guy. "New Releases of music by Women Composers". Tempo 59, n.º 231 (enero de 2005): 74–80. http://dx.doi.org/10.1017/s0040298205260072.
Texto completoSarno, Megan. "Reflection, Representation, Religion: André Caplet’s Le Miroir de Jésus". 19th-Century Music 44, n.º 1 (2020): 36–58. http://dx.doi.org/10.1525/ncm.2020.44.1.36.
Texto completoProkopov, S. "J. S. Bach and G. F. Handel’s works performed by the choir of the Kharkiv National Kotlyarevsky University of Arts students". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 52, n.º 52 (3 de octubre de 2019): 22–37. http://dx.doi.org/10.34064/khnum1-52.02.
Texto completoGodziemba-Trytek, Szymon. "The Symbolism of the Caravaca Cross in the Work “Crux Christi Salva Nos” by Szymon Godziemba-Trytek". Scientific herald of Tchaikovsky National Music Academy of Ukraine, n.º 132 (29 de noviembre de 2021): 139–51. http://dx.doi.org/10.31318/2522-4190.2021.132.249996.
Texto completoКлимбус Ірина Михайлівна. "ЦИКЛ «ПАРНАС» ВІТАЛІЯ МАНИКА ДЛЯ СКРИПКИ СОЛО: ПРОГРАМНИЙ СЮЖЕТ ІЗ АНТИЧНОЇ МІФОЛОГІЇ В СУЧАСНІЙ ІНТЕРПРЕТАЦІЇ". World Science 3, n.º 8(48) (31 de agosto de 2019): 54–57. http://dx.doi.org/10.31435/rsglobal_ws/31082019/6648.
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