Literatura académica sobre el tema "Saariaho, kaija"
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Artículos de revistas sobre el tema "Saariaho, kaija"
Gray, Mary W. "Émilie by Kaija Saariaho". Mathematical Intelligencer 38, n.º 4 (19 de octubre de 2016): 84–85. http://dx.doi.org/10.1007/s00283-016-9642-5.
Texto completovan, Herck. "Spatiality as creativity in the music of Kaija Saariaho: A reflection with a focus on 'Lichtbogen'". Zbornik Akademije umetnosti, n.º 9 (2021): 155–73. http://dx.doi.org/10.5937/zbaku2109155h.
Texto completoMunk, J. "Kaija Saariaho. By Pirkko Moisala." Music and Letters 92, n.º 1 (1 de febrero de 2011): 174–76. http://dx.doi.org/10.1093/ml/gcq096.
Texto completoMoisala, Pirkko y Camila Durães Zerbinatti. "Gender Negotiation of the composer Kaija Saariaho in Finland: The Woman Composer as Nomadic Subject." Revista Vórtex 3, n.º 2 (31 de diciembre de 2015): 1–24. http://dx.doi.org/10.33871/23179937.2015.3.2.886.
Texto completoTsaregradskaya, Tatiana V. "Kaija Saariaho and Her Laterna Magica". Vestnik of Saint Petersburg University. Arts 11, n.º 4 (2021): 607–35. http://dx.doi.org/10.21638/spbu15.2021.403.
Texto completoSkhaplok, Galina. "ON THE REALIZATION OF NOANOA AND PRES, TWO PIECES FOR SOLO INSTRUMENTS AND IRCAM SIGNAL PROCESSING WORKSTATION (Xavier Chabot, Kaija Saariaho, Jean-Baptiste Barrière)". Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta, n.º 12 (2021): 73–82. http://dx.doi.org/10.17223/26188929/12/7.
Texto completoKucia-Kuśmierska, Katarzyna. "Simone Weil i Kaija Saariaho. Paradoksy literacko-muzyczne". Czytanie Literatury. Łódzkie Studia Literaturoznawcze, n.º 10 (30 de diciembre de 2021): 67–97. http://dx.doi.org/10.18778/2299-7458.10.04.
Texto completoSivuoja-Gunaratnam, Anne. "Desire and distance in Kaija Saariaho's Lonh". Organised Sound 8, n.º 1 (abril de 2003): 71–84. http://dx.doi.org/10.1017/s1355771803001080.
Texto completoSaamishvili, N. N. "True Fire by Kaija Saariaho: Poetics of Composition". Art & Culture Studies, n.º 2 (junio de 2021): 198–229. http://dx.doi.org/10.51678/2226-0072-2021-2-198-229.
Texto completoStein, Robert. "London, Proms 2012 (2): Olga Neuwirth, Kaija Saariaho". Tempo 67, n.º 263 (enero de 2013): 73–75. http://dx.doi.org/10.1017/s0040298212001416.
Texto completoTesis sobre el tema "Saariaho, kaija"
Zerbinatti, Camila Durães. "Sept Papillons, de Kaija Saariaho : análise musical e aspectos da performance". Universidade do Estado de Santa Catarina, 2015. http://tede.udesc.br/handle/handle/1561.
Texto completoCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This dissertation presents a musical analysis and discusses some interpretative aspects of the piece Sept Papillons (2000) for solo cello, by the Finnish composer Kaija Saariaho (1952). A broad contextualization is presented in which we approached the composer s history, its main compositional characteristics, its aesthetic influences, the inter-relations between subjectivity and music making in her work, her gendered position in music and the importance of personal collaborations on the developing of her cello work. Musical analysis is preceded by the context of the piece, its situation on the cello repertoire, its influences and main characteristics. Due to the predominant use of natural harmonics a transcription of the original score is displayed. Musical analysis is then presented through the approach of formal and structural aspects. Research on the pitch, rhythmic, texture, timbral, gestures, instrumental and visual (metaphorical) dimensions of the piece is presented. Relations are established between the Sept Papillons building and Saariaho´s compositional processes. Technical and interpretative aspects of Sept Papillons performance and practice are addressed in dialogue with texts by performers and musicologists that work with her works and also through five interviews with cellists who have been played Sept Papillons in high level performances and recordings. It is observed the place of the body in music performance, on the sophisticated coordination on instrumental actions necessary for the performance. It is seen that Saariaho expands both the cello technique and the cello writing. Our work is justified by the contributions made to the field of knowledge on Kaija Saariaho, on analysis and performance of the contemporary repertoire, and on cello technique and cello music.
Esta dissertação apresenta uma análise musical e aborda alguns aspectos interpretativos da peça Sept Papillons (2000) para violoncelo solo, da compositora finlandesa Kaija Saariaho (1952). É apresentada uma ampla contextualização da compositora na qual abordamos sua trajetória, suas principais características composicionais, suas influências estéticas, as inter-relações entre subjetividade e fazer musical em sua obra, sua condição de gênero na música e a importância de colaborações pessoais no desenvolvimento de sua obra para violoncelo. A análise musical é precedida pela contextualização da peça, sua localização no repertório violoncelístico, suas influências e principais características. Por conta do predominante uso de harmônicos naturais uma transcrição da partitura original é apresentada. A análise musical é então realizada através da abordagem de aspectos formais e estruturais da investigação da dimensão das alturas, das dimensões rítmica, textural, tímbrica, gestual, instrumental e imagética (metafórica). São estabelecidas relações entre a construção de Sept Papillons e os processos composicionais de Saariaho. Aspectos técnicos e interpretativos da performance de Sept Papillons são abordados, em diálogo com textos de intérpretes e musicólogos (as) que trabalham com as obras da compositora e também através de cinco entrevistas realizadas com intérpretes que já apresentaram Sept Papillons em performances e gravações de alta qualidade. É observado o lugar do corpo na performance, na coordenação de sofisticadas ações instrumentais necessárias e também de que forma Saariaho expande a técnica e a escrita violoncelística. Nosso trabalho se justifica pelas contribuições oferecidas ao campo de conhecimento sobre Kaija Saariaho, sobre análise e performance do repertório contemporâneo e sobre técnica e interpretação do violoncelo.
Chou, Chao-Chiun. "Giacinto Scelsi, Gérard Grisey et Kaija Saariaho : Trois esthétiques à partir du son". Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080005.
Texto completoThis thesis studies three composers connected around the "spectral music" andwhose thoughts and works are strongly marked at first by the awareness of the"dynamic" nature of sound: Giacinto Scelsi, Gérard Grisey and Kaija Saariaho, threecomposers representing three different periods in the history of the spectral current. Intheir works and their theoretical writings, several questions arise or derive from the"energetic" conception of the material and go beyond the framework of the material:perception, form, musical time, expressivity, relation to the tradition, etc. Moregenerally, an essential question arises: what exists beyond the sound, beyond theenergy within the sound?To answer this question, this research analyses several works by the threecomposers while keeping in mind the adornian conception of material whichquestions the "naturalist" idea of material and the idea of an isolated sound as selfsufficient.Several categories, such as "mediation", "articulation", "tradition","history", "culture / nature" come into play. Thus, this study has managed to highlightthree different "aesthetics" that develop from a common base of "sound energy" as thebearer of musical form — the aesthetics of sound energy, the aesthetics of process,and the aesthetics of expression, three aesthetics that seem to show an evolutiontowards an "interpenetration of the energetics and the semiotics"
Chou, Chao-Chiun. "Giacinto Scelsi, Gérard Grisey et Kaija Saariaho : Trois esthétiques à partir du son". Thesis, Paris 8, 2018. http://www.theses.fr/2018PA080005.
Texto completoThis thesis studies three composers connected around the "spectral music" andwhose thoughts and works are strongly marked at first by the awareness of the"dynamic" nature of sound: Giacinto Scelsi, Gérard Grisey and Kaija Saariaho, threecomposers representing three different periods in the history of the spectral current. Intheir works and their theoretical writings, several questions arise or derive from the"energetic" conception of the material and go beyond the framework of the material:perception, form, musical time, expressivity, relation to the tradition, etc. Moregenerally, an essential question arises: what exists beyond the sound, beyond theenergy within the sound?To answer this question, this research analyses several works by the threecomposers while keeping in mind the adornian conception of material whichquestions the "naturalist" idea of material and the idea of an isolated sound as selfsufficient.Several categories, such as "mediation", "articulation", "tradition","history", "culture / nature" come into play. Thus, this study has managed to highlightthree different "aesthetics" that develop from a common base of "sound energy" as thebearer of musical form — the aesthetics of sound energy, the aesthetics of process,and the aesthetics of expression, three aesthetics that seem to show an evolutiontowards an "interpenetration of the energetics and the semiotics"
Nable, Frederico Arantes. "Sept Papillons de Kaija Saariaho: uma an?lise dos elementos t?cnico-interpretativos". Universidade Federal do Rio Grande do Norte, 2015. http://repositorio.ufrn.br/handle/123456789/20199.
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A pe?a Sept Papillons de Kaija Saariaho ? considerada uma obra de destaque na produ??o atual para violoncelo. O presente trabalho busca contextualiz?-la e oferecer reflex?es sobre as dificuldades t?cnicas encontradas em seu estudo, discorrendo tamb?m sobre conceitos importantes para a interpreta??o. Como procedimento metodol?gico foram estudados autores como MOISALA (2009) e VICTORIO (2015) que d?o fundamenta??o ao entendimento do processo composicional e ? an?lise dos gestos propostos pela compositora. Em um segundo momento foi realizada uma entrevista com Natasha Farny, uma violoncelista reconhecida por sua performance da obra, a qual utilizamos como refer?ncia junto ? performance da coreana Seung Ri Jung e a grava??o do violoncelista Anssi Karttunen, a quem foi dedicada a pe?a. Concomitantemente ao estudo do material bibliogr?fico e realiza??o das entrevistas, a pe?a foi trabalhada e apresentada no ?mbito do PPGMUS-UFRN. A experi?ncia obtida pelos recitais e pela pesquisa da obra resultou em sugest?es para violoncelistas interessados no estudo e na performance da mesma.
Sept Papillons by Kaija Saariaho is a relevant piece in the contemporary cello repertoire. This research aims to study the context of the piece and approaches the technical and musical challenges presented in the work. As a methodological procedure, authors like MOISALA (2009) and VICTORIO (2015) were studied, giving basis to the understanding of the compositional process and to the analysis of the gestures proposed by the composer. Following, an interview was carried out with Natasha Farny, a cellist recognized for her performance of the work and utilized as reference, together with the Korean cellist Seung Ri Jung?s performance and the recording of Anssi Karttunen, to whom the piece was dedicated. Whilst the research of the bibliographical material and the interviews were taking place, the piece was studied and performed at the Masters of Music Program at UFRN. The experience obtained by the recitals and the research resulted in suggestions for cellists interested in its study and performance.
Allen, John Clay. "An Analysis of Du cristal…à la fumée by Kaija Saariaho and Axiom Unearthed, Original Composition". Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc799510/.
Texto completoMadar, Armaan. "Kaija Saariaho’s Quatre Instants from a pianist’s point of view : an interpretation of the song cycle". Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3630.
Texto completoThe sounding part of the work consists of the following recording: ljud. The Corona virus situation spring semester 2020 has caused limitations in the recording possibilities. The recording is archived and may be supplemented.
Diaz, Garcia Maria Mercedes. "The Shaping of Time in Kaija Saariaho's Émilie: a Performer's Perspective". Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1579431479557928.
Texto completoNicholas, Jeffrey Francis. "Masks". Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1459629154.
Texto completoOskala, Anni Katariina. "The voice in Kaija Saariaho's Music 1977-2000". Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491077.
Texto completo"A Performer's Guide to the Solo Flute Works of Kaija Saariaho: Laconisme de l'aile and NoaNoa". Doctoral diss., 2013. http://hdl.handle.net/2286/R.I.17976.
Texto completoDissertation/Thesis
Reference recording for NoaNoa
Reference recording for Laconisme de l'aile
Reference recording for Laconisme de l'aile with electronics
D.M.A. Music 2013
Libros sobre el tema "Saariaho, kaija"
1960-, Winterfeldt Susanne, ed. Kaija Saariaho. Berlin: Musikfrauen e.V., 1991.
Buscar texto completoRisto, Nieminen y IRCAM (Research institute : France), eds. Kaija Saariaho. Paris: IRCAM-Centre Georges Pompidou, 1994.
Buscar texto completoMartha, Brech y Mäkelä Tomi, eds. Topics, texts, tensions: Essays in music theory on Paavo Heininen, Joonas Kokkonen, Magnus Lindberg, Usko Meriläinen, Einojuhani Rautavaara, Kaija Saariaho & Aulis Sallinen. Magdeburg: Otto-von-Guerike-Universität, 1999.
Buscar texto completoKaija, Saariaho, ed. Elektronisia unelmia: Kirjoituksia Kaija Saariahon musiikista. Helsinki: Yliopistopaino, 2005.
Buscar texto completoHautsalo, Liisamaija. Kaukainen rakkaus: Saavuttamattomuuden semantiikka Kaija Saariahon oopperassa. Helsinki: Suomen Musiikkitieteellinen Seura, 2008.
Buscar texto completoSaariaho, Kaija y Pekka Hako. Aistit, uni, rakkaus: Kaksitoista katsetta Kaija Saariahoon. Helsinki: Lurra Editions, 2012.
Buscar texto completoMoisala, Pirkko. Kaija Saariaho. University of Illinois Press, 2010.
Buscar texto completoKaija Saariaho. Urbana: University of Illinois Press, 2009.
Buscar texto completoHargreaves, Jon. Kaija Saariaho: Visions, Narratives, Dialogues. Taylor & Francis Group, 2017.
Buscar texto completoHowell, Tim y Jon Hargreaves. Kaija Saariaho: Visions, Narratives, Dialogues. Taylor & Francis Group, 2016.
Buscar texto completoCapítulos de libros sobre el tema "Saariaho, kaija"
Stephan, Ilja. "Saariaho, Kaija". En Komponisten Lexikon, 520–21. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_262.
Texto completoEverett, Yayoi Uno. "Pianto as a topical signifier of grief in contemporary operas by John Adams, Thomas Adès, and Kaija Saariaho". En The Routledge Handbook of Music Signification, 333–44. [1.] | New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351237536-29.
Texto completoSaariaho, Kaija y Tom Service. "Meet the Composer". En Kaija Saariaho: Visions, Narratives, Dialogues, 3–14. Routledge, 2017. http://dx.doi.org/10.4324/9781315092218-1.
Texto completoMarch, Daniel. "From the Air to the Earth: Reading the Ashes". En Kaija Saariaho: Visions, Narratives, Dialogues, 15–40. Routledge, 2017. http://dx.doi.org/10.4324/9781315092218-2.
Texto completoOskala, Anni. "Dreams about Music, Music about Dreams". En Kaija Saariaho: Visions, Narratives, Dialogues, 41–60. Routledge, 2017. http://dx.doi.org/10.4324/9781315092218-3.
Texto completoRiikonen, Taina. "Stories from the Mouth: Flautists, Bodily Presence and Intimacy in Saariaho's Flute Music". En Kaija Saariaho: Visions, Narratives, Dialogues, 63–80. Routledge, 2017. http://dx.doi.org/10.4324/9781315092218-4.
Texto completoRofe, Michael. "Capturing Time and Giving it From: Nymphéa". En Kaija Saariaho: Visions, Narratives, Dialogues, 81–105. Routledge, 2017. http://dx.doi.org/10.4324/9781315092218-5.
Texto completoHautsalo, Liisamaija. "Whispers from the Past: Musical Topics in Saariaho's Operas". En Kaija Saariaho: Visions, Narratives, Dialogues, 107–29. Routledge, 2017. http://dx.doi.org/10.4324/9781315092218-6.
Texto completoHowell, Tim. "Dualities and Dialogues: Saariaho's Concertos". En Kaija Saariaho: Visions, Narratives, Dialogues, 133–57. Routledge, 2017. http://dx.doi.org/10.4324/9781315092218-7.
Texto completoKankaanpää, Vesa. "Dichotomies, Relationships: Timbre and Harmony in Revolution". En Kaija Saariaho: Visions, Narratives, Dialogues, 159–76. Routledge, 2017. http://dx.doi.org/10.4324/9781315092218-8.
Texto completoActas de conferencias sobre el tema "Saariaho, kaija"
Saamishvili, Natalia. "Some Features of Libretto and Musical Composition in “L’amour de loin” by Kaija Saariaho". En Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.132.
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