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1

Jancar, J. "The History of Mental Handicap in Bristol and Bath". Bulletin of the Royal College of Psychiatrists 11, n.º 8 (agosto de 1987): 261–64. http://dx.doi.org/10.1192/s0140078900017533.

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The cities of Bristol and Bath have played an eminent role in the history of mental handicap.Unfortunately, documentation is rather scanty, particularly on the pre and post Reformation era but much more is known about the Holy Cross Hospital in Bath, perhaps the oldest mental handicap hospital in Great Britain. The Romans contributed to its foundations when they built Fossway Road on the outskirts of Bath which the pilgrims later used to visit Glastonbury.
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2

Owens, E. J. "The Kremna Aqueduct and Water Supply in Roman Cities". Greece and Rome 38, n.º 1 (abril de 1991): 41–58. http://dx.doi.org/10.1017/s001738350002297x.

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A good supply of water was rightly regarded as one of the essential commodities for the maintenance of urban life in the ancient world. One of the major problems with which city authorities had to deal was the maintenance of adequate supplies of water to satisfy the domestic, public, recreational, and industrial demands of the inhabitants. The Romans were particularly renowned for their hydraulic technology in general and the construction of aqueducts in particular, often bringing water from great distances. The geographer Strabo praised the engineering skills of the Romans, maintaining that veritable rivers of water flowed by means of aqueducts through the city of Rome. Close on a century later the first curator of Rome's water supply and one-time military governor of Britain, Sextus Julius Frontinus stated the same, if a little more pointedly, when he compared the achievements of the Romans in the field of water supply with the ‘idle pyramids of the Egyptians or the glorious but useless monuments of the Greeks’.
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3

Mahmoud, Shadia Mohamed Salem. "Nationalization and Personalization of the Egyptian Antiquities: Henry Salt a British General Consul in Egypt 1816 to 1827". International Journal of Culture and History 3, n.º 2 (24 de diciembre de 2016): 29. http://dx.doi.org/10.5296/ijch.v3i2.7357.

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<p>In 1998, an anthropologist, Philip L. Kohl stated that archaeological findings are manipulated for nationalist purposes and that archaeology’s development during the nineteenth and twentieth centuries is associated with nationalism, colonization, imperialism, sometimes personal in Europe.<a title="" href="file:///F:/Nationalization%20and%20Personalization%20of%20the%20Egyptian%20antiquities.1%20-%20Copy.doc#_ftn1">[1]</a> Kohl’s statement is significant because it conveys how archaeology emerged as a national mission. During the eighteenth, nineteenth, and twentieth centuries, Egyptian antiquities were at the center attention. Mythical and historical evidence for Greeks and Romans inEgypt were cited in order to justify the extensive excavations which were linked to a rising European national self consciousness. Consequently, the great imperialist powers, France and the Great Britain (who saw themselves as heirs of the Greeks and Romans) were determined to fulfill their national museum with the Egyptian antiquities.</p><div><br clear="all" /><hr align="left" size="1" width="33%" /><div><p><a title="" href="file:///F:/Nationalization%20and%20Personalization%20of%20the%20Egyptian%20antiquities.1%20-%20Copy.doc#_ftnref1">[1]</a> Philip L. Kohl, “Nationalism and Archaeology: On the Constructions of Nations and the Reconstructions of the Remote Past,” in <em>Annual Review of Anthropology</em>, Vol. 27 (1998), p. 223. Pp. 223-246</p></div></div>
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4

Thompson, J. A. "The Historians and the Decline of the Liberal Party". Albion 22, n.º 1 (1990): 65–83. http://dx.doi.org/10.2307/4050257.

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The dramatic collapse of the Liberal party during the second decade of the twentieth century has long fascinated academic historians, but only in the past twenty years has it become one of their major preoccupations. Every history of modern Britain now has a discussion of the causes and course of the Liberal collapse, and the specialized literature on the subject is voluminous, much of it highly technical and sophisticated.It is easy to see why the Liberal decline appeals to historians. It has personal drama: the contest between Herbert Asquith, “the last of the Romans,” and David Lloyd George, “the Welsh Wizard.” There is the larger drama associated with the collapse of a great party and the rise of another. There are the large silent “revolutions” historians have found behind the political changes: the rise to maturity of the working classes, the evolution of British capitalism, and a vast cultural shift ushered in with the First World War.
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5

Rizzetto, Mauro, Pam J. Crabtree y Umberto Albarella. "Livestock Changes at the Beginning and End of the Roman Period in Britain: Issues of Acculturation, Adaptation, and ‘Improvement’". European Journal of Archaeology 20, n.º 3 (27 de marzo de 2017): 535–56. http://dx.doi.org/10.1017/eaa.2017.13.

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This article reviews aspects of the development of animal husbandry in Roman Britain, focusing in particular on the Iron Age/Roman and Roman/early medieval transitions. By analysing the two chronological extremes of the period of Roman influence in Britain we try to identify the core characteristics of Romano-British husbandry by using case studies, in particular from south-eastern Britain, investigated from the perspective of the butchery and morphometric evidence they provide. Our aim is to demonstrate the great dynamism of Romano-British animal husbandry, with substantial changes in livestock management occurring at the beginning, the end, and during the period under study. It is suggested that such changes are the product of interactions between different cultural and social traditions, which can be associated with indigenous and external influences, but also numerous other causes, ranging from ethnic origins to environmental, geographic, political, and economic factors.
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6

Henig, Martin. "Corpus Signorum Imperii Romani. Great Britain, vol. i fasc. 5, wales. By RichardJ. Brewer". Archaeological Journal 145, n.º 1 (enero de 1988): 420–21. http://dx.doi.org/10.1080/00665983.1988.11077883.

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7

Walker, Susan y R. J. Brewer. "Corpus Signorum Imperii Romani: Corpus of Sculpture of the Roman World. Great Britain. Vol. 1, fasc. 5. Wales". Britannia 19 (1988): 513. http://dx.doi.org/10.2307/526218.

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8

Hadžija, Sunaj, Jahja Fehratović y Kimeta Hamidović. "The projection of colonialization and interculturalism throughout symbols in Forster's novel 'A passage to India'". Univerzitetska misao - casopis za nauku, kulturu i umjetnost, Novi Pazar, n.º 19 (2020): 100–110. http://dx.doi.org/10.5937/univmis2019100h.

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Imperialism emerged in the late 19th century. Europe's supremacy in various areas of life which led to the view that Europe is above other parts of the world that are uncivilized and culturally fell behind, and that needed to be civilized. This attitude lead to negative phenomena such as racism - contesting the rights of other races and colonialism - conquering territories inhabitated by people of other cultures. The world seen from an imperialist perspective was most often the one colonized by Europe, postcolonial research has critized the way in which European colonial powers (especially England and France) created values of subordinate cultures and established relations between center and margins. However, the notion of discursive domination is spread quickly to all relations between colonizers and colonized, which is why this second group includes all gender and ethic groups that did not have cultural independece, but were marginalized and subjected to institutional repression. As different cultural minorities began to form resistance to agressive political, gender, and racial domination, postcolonialism also represents a disagreement with the passivity towards cultural supremacy which is symbolized in empires that no longer even existed. The novel A Passage to India represents Forster's interests in Indian culture, which was colonized by Great Britain. A Passage to India is an exploration of the spiritual and cultural contrast of the two cultures of East and West.
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9

Davies, Glenys, Martin Henig y Janet Huskinson. "Corpus Signorum Imperii Romani. Great Britain. Vol. 1, Fasc. 7. Roman Sculpture from the Cotswold Region with Devon and Cornwall". Britannia 26 (1995): 403. http://dx.doi.org/10.2307/526899.

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10

Murphy, Luke John y Carly Ameen. "The Shifting Baselines of the British Hare Goddess". Open Archaeology 6, n.º 1 (10 de octubre de 2020): 214–35. http://dx.doi.org/10.1515/opar-2020-0109.

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AbstractThe rise of social zooarchaeology and the so-called ‘animal turn’ in the humanities both reflect a growing interest in the interactions of humans and non-human animals. This comparative archaeological study contributes to this interdisciplinary field by investigating the ways in which successive human cultures employed religion to conceptualise and interact with their ecological context across the longue durée. Specifically, we investigate how the Iron Age, Romano-British, early medieval English, medieval Welsh, and Information Age populations of Great Britain constructed and employed supranatural female figures – Andraste, Diana, Ēostre, St. Melangell, and the modern construct ‘Easter’ – with a common zoomorphic link: the hare. Applying theoretical concepts drawn from conservation ecology (‘shifting baselines’) and the study of religion (‘semantic centres’) to a combination of (zoo)archaeological and textual evidence, we argue that four distinct ‘hare goddesses’ were used to express their congregations’ concerns regarding the mediation of violence between the human in-group and other parties (human or animal) across two millennia.
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11

Humeniuk, Tetjana. "Divergence of romano-germanic and anglo-american legal systems on the example of brexit". Scientific and informational bulletin of Ivano-Frankivsk University of Law named after King Danylo Halytskyi, n.º 10(22) (29 de diciembre de 2020): 144–53. http://dx.doi.org/10.33098/2078-6670.10.22.144-154.

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Purpose. The purpose of the article is to analyze topical issues of divergence of the Romano-Germanic and Anglo-American legal systems on the example of Brexit. Methodology. The methodology involves a comprehensive study of theoretical and practical material on this subject, as well as formulation of relevant conclusions and recommendations. The following methods of scientific cognition were used in the research process: dialectical, terminological, formal and logical, comparative and legal, system and functional methods. Results. The study found that an important role in resolving conflicts between EU law and UK national law was played by the Court of Justice of the European Union which declared British legislation invalid since it was not in line with EU law. Thanks to the case law of the CJEU and the national courts of the United Kingdom, it has been possible to adjust and harmonize the interaction between EU law and the national law of this country. As European integration is formed on the basis of a supreme legal force created by external (supranational) bodies, the national bodies that form the national rules of British law inevitably give up part of their powers in favor of EU law. Brexit is just the beginning of a long series of problematic issues that will arise in the EU as a result of member states’ more or less serious objections to a radical course to deepen European integration. And under such conditions, there is a widespread understanding that finding clear and effective answers to new challenges requires finding new conceptual (and most importantly, effective) approaches to the future functioning of the EU, as old mechanisms and methods no longer work properly and do not resolve contradictions spreading and becoming more acute. Scientific novelty. The study shows that the withdrawal of Britain from the European Union initiates a large-scale process of mutual transformation of the legal systems of both parties, the effectiveness of which will be determined by the realities of European geopolitical environment as well as domestic political processes within Great Britain itself. Practical importance. Research materials can be used for comparative law studies.
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12

Colledge, Malcolm A. R. "Richard J. Brewer: Corpus of Sculpture of the Roman World: Great Britain: Wales. (Corpus Signorum Imperii Romani, Great Britain: Vol. 1, Fascicule 5.) Pp. xviii + 69; 2 text figures, 37 monochrome plates. Oxford University Press, 1986. £35." Classical Review 38, n.º 1 (abril de 1988): 182–83. http://dx.doi.org/10.1017/s0009840x00114428.

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13

Karimova, Madina. "A COMPARATIVE ANALYSIS OF THE NOTARY INSTITUTION OF THE ROMANO-GERMANIC AND ANGLO-SAXON LEGAL FAMILIES". Review of Law Sciences 5, n.º 1 (5 de abril de 2021): 67–72. http://dx.doi.org/10.51788/tsul.rols.2021.5.1./pccg1119.

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The public notary is, in principle, a public institution that certifies transactions and gives legal effect to various documents. However, is the institution of the public notary treated equally in different states? The article is devoted to a comparative legal analysis of the institution of notaries of some developed countries of the Romano-Germanic (continental) and Anglo-Saxon legal families, including the Republic of Uzbekistan. The author drew a parallel with the legal phenomena and significant differences of the institute of notaries of such countries as the Republic of Uzbekistan, the United States, Great Britain, Ireland, Germany, France, and Belgium. The article analyzes the current situation of the notary in the above-mentioned countries, focusing on differences and similarities in law enforcement practice. The author applied both empirical (comparison) and theoretical (analysis) research methods in order to maximize the study of aspects and phenomena of the institution of notaries. In the course of the study, a number of drawbacks and specific features of the notarial system of each states were identified. The considered analysis and research could be applied to improve the institution of notaries, the implementation of law enforcement practices and the elimination of deficiencies that may hinder the development of this phenomenon as an independent body in the legal sphere of activity.
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14

Rafferty, Oliver P. "The Jesuit College, Manchester, 1875". Recusant History 20, n.º 2 (octubre de 1990): 291–304. http://dx.doi.org/10.1017/s0034193200005409.

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In an Apostolic Constitution, dated 8 May 1881, Pope Leo XIII sought to regulate the relationship between diocesan bishops and religious orders. In the words of Herbert Vaughan the Papal pronouncement ‘sums up and ends a recent controversy on matters of discipline affecting the working of the Church in Great Britain’. Romanos Pontifices represented a personal triumph for Vaughan. He had assiduously campaigned at Rome to have the freedom of religious orders restricted, and their operations subject to the supervision of the local bishop. The Pope’s document directs that members of religious orders may not open a house in any diocese without the explicit permission of the bishop. Nor, in future, would it be possible for a religious congregation to convert existing institutions to other use without the consent of the episcopal authorities. The ruling of the document was an adjudication affecting all religious orders, and demanded complete obedience to all its details. The only religious order mentioned by name was the Society of Jesus. It, too, was to be subject to this ordinance in spite of its claims to be exempt from such interference in the running of its affairs.
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15

Dumayne-Peaty, Lisa. "Human Impact on the Environment during the Iron Age and Romano-British Times: Palynological Evidence from Three Sites near the Antonine Wall, Great Britain". Journal of Archaeological Science 25, n.º 3 (marzo de 1998): 203–14. http://dx.doi.org/10.1006/jasc.1997.0205.

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16

Lloyd-Morgan, Glenys, J. C. Coulston y E. J. Phillips. "Corpus Signorum Imperii Romani: Corpus of Sculpture of the Roman World. Great Britain. Vol. 1, Fasc. 6. Hadrian's Wall West of the North Tyne and Carlisle". Britannia 20 (1989): 351. http://dx.doi.org/10.2307/526177.

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17

Khudaykulov, Feruzbek. "OBJECTIVE SIGNS OF ENVIRONMENTAL CRIMES AND THEIR FEATURES: ANALYSIS AND PROPOSALS". Jurisprudence 1, n.º 6 (15 de diciembre de 2021): 143–52. http://dx.doi.org/10.51788/tsul.jurisprudence.1.6./dvdi7179.

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In this article, such research methods were widely used as logical, systemic, comparative legal. In particular, the article explains in detail such concepts as in the sphere of environmental, general environmental crimes and special environmental crimes crime, gives the opinions of scientists about the signs of a crime, such signs as the social dangers of a crime, illegality, delinquency and inevitability of punishment. It also highlights the necessary signs of a crime, the opinions expressed by scientists in the theory of criminal law about these signs, and then the elements of the corpus delicti and the objective signs of the corpus delicti that characterize these elements are consistently described. This reflects the views and ideas of not only scholars of the Romano-Germanic legal family, but also scholars of the Anglo-Saxon legal family. In addition, the main attention in this article is paid to theoretical and practical problems related to the criminal-legal value of the subjective and objective signs of a crime and its specific criminal-legal aspects, as well as the necessary and optional signs of the corpus delicti of some crimes listed in the Criminal Code of the Republic of Uzbekistan. At the same time, the criminal legislation of the United States, Great Britain, Canada, Japan and the Russian Federation is analyzed, in connection with which specific proposals and recommendations have been developed for improving the criminal legislation of the Republic of Uzbekistan.
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18

Lorenz, Katharina. "Roman Sculpture from London and the South-East. Corpus Signorum Imperii Romani, Great Britain, Volume 1, Fascicule 10, by Penny Coombe, Francis Grew, Kevin Hayward, and Martin Henig". Archaeological Journal 173, n.º 2 (31 de mayo de 2016): 367–69. http://dx.doi.org/10.1080/00665983.2016.1183373.

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19

Косыгин, В. Е. "CRIMINAL LIABILITY FOR BRIBING AN ARBITRATOR IN THE CRIMINAL LEGISLATION OF FOREIGN COUNTRIES". VESTNIK OF THE EAST SIBERIAN INSTITUTE OF THE MINISTRY OF INTERNAL AFFAIRS OF THE RUSSIAN FEDERATION, n.º 3(102) (17 de octubre de 2022): 95–108. http://dx.doi.org/10.55001/2312-3184.2022.92.36.009.

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Введение:в статье рассматривается зарубежный опыт регламентации уголовной ответственности за подкуп арбитра (третейского судьи). Выделяется четыре группы государств в зависимости от правовой семьи: романо-германские, англосаксонские, социалистические и мусульманские. Исследуется уголовное законодательство: ФРГ, Франции, Великобритании, США, КНР и ОАЭ. Материалы и методы: нормативную основу исследования образует уголовное законодательство зарубежных стран в части регламентации ответственности за подкуп арбитра (третейского судьи). Методологической основой исследования послужил общий диалектический метод научного познания, носящий универсальный характер, также методы логической дедукции, индукции, сравнительно-правовой метод, приемы анализа, обобщения и описания. Результаты исследования: обобщен зарубежный опыт правового регулирования уголовной ответственности за подкуп арбитра (третейского судьи). Выводы и заключения: уголовно-правовые нормы об ответственности за подкуп арбитра (третейского судьи) предусмотрены во многих государствах. В зависимости от правовой семьи, в которую входит государство, выявлены разные подходы к регламентации уголовной ответственности за подкуп арбитра (третейского судьи). В государствах романо-германской правовой семьи (ФРГ, Франция) предусмотрены специальные статьи (части статей), посвященные именно арбитрам (третейским судьям), а в государствах англосаксонской правовой семьи (Великобритания, США) уголовная ответственность арбитра (третейского судьи) предусмотрена общими законами, предусматривающими ответственность за взяточничество должностных лиц. Обусловлено это включением или, напротив, не включением, третейских судов в судебную систему государства. В государствах социалистической правовой семьи (КНР) уголовной ответственности за подкуп арбитра (третейского судьи) не предусмотрено. Однако в КНР установлена уголовная ответственность за принятие арбитром заведомо незаконного решения вопреки фактам в арбитражном судопроизводстве (ст. 399-1 УК КНР). В государствах мусульманской правовой семьи (ОАЭ) на сегодняшний день уголовная ответственность за подкуп арбитра (третейского судьи) отсутствует. Между тем до 2018 года такая ответственность имела место. Introduction:the article examines the foreign experience in the regulation of criminal liability for bribery of an arbitrator (arbitrator). There are four groups of states, depending on the legal family: Romano-Germanic, Anglo-Saxon, socialist and Muslim. Criminal legislation is being investigated: Germany, France, Great Britain, USA, China and UAE. Materials and Methods:the normative basis of the study is formed by the criminal legislation of foreign countries regarding the regulation of liability for bribery of an arbitrator (arbitrator). The methodological basis of the study was the general dialectical method of scientific knowledge, which is universal in nature, as well as the methods of logical deduction, induction, the comparative legal method, methods of analysis, generalization and description. The results of the study: summarized foreign experience of legal regulation of criminal liability for bribery of an arbitrator (arbitrator). Findings and Conclusions: criminal law provisions on liability for bribery of an arbitrator (arbitrator) are provided in many states. Depending on the legal family, which includes the state, different approaches to the regulation of criminal liability for bribery of an arbitrator (arbitrator) have been identified. In the states of the Romano-Germanic legal family (Germany, France) there are special articles (parts of articles) dedicated specifically to arbitrators (arbitrators), and in the states of the Anglo-Saxon legal family (Great Britain, USA), the criminal liability of an arbitrator (arbitrator) is provided for by general laws, providing for liability for bribery of officials. This is due to the inclusion, or, on the contrary, not including, arbitration courts in the judicial system of the state. In the states of the socialist legal family (China), there is no criminal liability for bribery of an arbitrator (arbitrator). However, in the PRC, criminal liability has been established for an arbitrator of a knowingly illegal decision contrary to the facts in arbitration proceedings (Art. 399-1 of the Criminal Code of the China). In the states of the Muslim legal family (UAE), today there is no criminal liability for bribery of an arbitrator (arbitrator). Meanwhile, until 2018, such responsibility took place.
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Colledge, Malcolm A. R. "J. C. Coulston, E. J. Phillips: Corpus of Sculpture of the Roman World: Great Britain: Hadrian's Wall West of the North Tyne, and Carlisle. (Corpus Signorum Imperii Romani, Great Britain: Vol. I, Fascicule 6.) Pp. xix + 185; 1 text-figure; 117 monochrome plates. Oxford University Press (for the British Academy), 1986. £95." Classical Review 39, n.º 2 (octubre de 1989): 416–17. http://dx.doi.org/10.1017/s0009840x0027282x.

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21

Kuzmin, I. A. "SPECIAL ASPECTS OF INTERRELATIONS, INTERACTION AND CONTRADICTIONS OF LEGAL LIABILITY IN SOME COUNTRIES RELATING TO THE ANGLO-SAXON SYSTEM". Vektor nauki Tol’attinskogo gosudarstvennogo universiteta. Seria Uridicheskie nauki, n.º 2 (2021): 28–35. http://dx.doi.org/10.18323/2220-7457-2021-2-28-35.

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The paper considers one of the understudied and controversial problems in the theory of law and branch legal sciences – the structural and substantive features of interrelations, interactions, and contradictions of legal liability in some countries related to the Anglo-Saxon law family (system). The purpose of this work is to provide general theoretical characteristics of specific properties of legal liability through the prism of internal and external signs of the Anglo-Saxon law system, based on regulatory sources, scientific works, materials of judicial practice, statistical, informational, and other empirical data. The author determines the objects, landmarks, and content of comparative law research of legal liability and proposes an author’s technique of primary immersion into the range of problems. The study identifies general and particular features of the legal liability system and its elements within the family of common law with an emphasis on the legislation and practice of Great Britain and the United States of America. The author analyzes the participation of official bodies (officials) in the creation, implementation, and interpretation of various measures of legal liability. The paper presents the legal positions of the European Court of Human Rights. The study considers and differentiates the substantive and procedural-legal, as well as public and private aspects of assigning liability in the countries of the law family under consideration. The author formulates the reasons underlying the interrelations, interactions, and contradictions of the legal liability systems in the respective states. The study reveals the tendency to the interpenetration of the Anglo-Saxon and Romano-Germanic law families affecting the qualitative indicators (grounds) of legal liability as a normative formation and protective means of law regulation. The author recommends studying the issue of using in the Russian Federation the positive experience of establishing and implementing liability in the countries of the Anglo-Saxon law system.
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22

Medovarov, M. V. "Interpretations of Dante’s Esotericism in British and Russian Studies from the Mid-19th to the Late 20th Century". Solov’evskie issledovaniya, n.º 1 (30 de marzo de 2022): 86–102. http://dx.doi.org/10.17588/2076-9210.2022.1.086-102.

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This contribution has a historiographical nature and is devoted to the interpretations of the esoteric content of Dante's works made by British and Russian scholars from the middle of the nineteenth to the second half of the twentieth century. In particular, the meaning of the British tradition of interpreting Dante's esotericism – from George MacDonald to C.S. Lewis, with a special focus on Charles Williams – is here explored. The neo-Romantic theology of Williams is analyzed along with its rigid connection between the metaphysics of love and the doctrine of Empire. This connection, in fact, makes it possible to compare Williams' achievements with the later works of Guido de Giorgio and Romano Guardini. In this regard, Williams' interpretation of Beatrice image appears to be close to Sophiology. The main achievements of Western European studies of Dante’s esoteric heritage are then compared with the contributions of the Russian specialists. The role of Rev. Georgy Florovsky, who was interested in Dante’s metaphysics of the Empire and was the first to introduce Williams' works among Russian authors, is highlighted. Particular attention is paid to Rev. Pavel Florensky’s “Imaginary Numbers in Geometry” – a work that was ahead of its times both in approaching the “Divine Comedy” from a cosmological point of view and in making a unique attempt of interpreting its physical and mathematical structure. Finally, this article considers the works of the late Soviet (1960s – 80s) and post-Soviet academic scholars, who reexamined a number of esoteric issues in Dante’s output. The author concludes that – unlike what happened in Italy and in France – both in Great Britain and in Russia it is not possible to speak of a historiographical continuity within the studies on Dante’s esotericism. However, this fact does not prevent from emphasizing the outstanding achievements of some individual Russian, English, and Scottish scholars.
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23

Davies, Glenys, A. Scholl, D. Boschung, H. von Hesberg y A. Linfert. "Corpus Signorum Imperii Romani. Corpus of Sculpture of the Roman World. Great Britain. Vol. 3. Fasc. 7. Die antiken Skulpturen in Farnborough Hall sowie in Althorp House, Blenheim Palace, Lyme Park und Penrice Castle". Britannia 30 (1999): 416. http://dx.doi.org/10.2307/526711.

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Smolyakov, Aleksandr. "Responsibility for theft of non-cash funds and digital currency in the countries of the Anglo-Saxon and continental systems of law". Vestnik of the St. Petersburg University of the Ministry of Internal Affairs of Russia 2022, n.º 1 (24 de marzo de 2022): 151–56. http://dx.doi.org/10.35750/2071-8284-2022-1-151-156.

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The domestic legislator improves the criminal law norms based on, among other things, foreign experience. In this regard, the author considers the approaches of foreign countries to the definition of the subject of property crimes in general and its «digital variants» in particular. The approaches of some foreign countries (Great Britain, USA, Germany, Austria, Spain, France, Poland) to the establishment of criminal liability for the theft of non-cash funds and digital currency are analyzed. Based on the analysis, the author concludes that in the legislation of foreign states of the Anglo-Saxon and Romano-Germanic systems, the subject of property crimes is defined through the category of «property». In England and the USA, property in general (including non-cash funds and cryptocurrency) can be the subject of any property crimes. In the countries of the continental system (in particular, in the Federal Republic of Germany, Austria, France), within this group of crimes, a subgroup of criminal acts that encroach only on things (for example, theft) is distinguished. It seems that in the domestic criminal law it is also necessary to single out a group of property crimes, which will include crimes against property. Accordingly, in order to solve the problem of the inconsistency of the title of Chapter 21 of the Criminal Code of the Russian Federation with its content, since the norms of this chapter protect not only objects of property rights (in particular, property rights), but also property rights (claim rights, etc.) that make up the content of obligations relations . It is proposed to clarify the title of Chapter 21 of the Criminal Code of the Russian Federation, heading it «Property Crimes» (taking into account the studied foreign experience). Thus, non-cash funds, which are not things and which are subject to the civil law regime of property rights, are more logical to recognize as the subject of 2property crimes», and not crimes against property.
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Ling, Roger. "J. Huskinson: Roman Sculpture from Eastern England. (Corpus Signorum Imperii Romani, Corpus of Sculpture of the Roman World, Great Britain, I, Fasc. 8.) Pp. xv+46; 32 Plates. Oxford: Oxford University Press (for the British Academy), 1994. £45." Classical Review 45, n.º 1 (abril de 1995): 200. http://dx.doi.org/10.1017/s0009840x0029327x.

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Lloyd-Morgan, G. "Corpus Signorum Imperii Romani (Great Britain). Vol. I. Fasc. 5. Wales. By Richard J. Brewer 28 × 22 cm. Pp. xviii + 69, 2 figs. + 37 pls. Oxford: Oxford University Press for the British Academy, 1986. ISBN 0-19-726045 £35·00." Antiquaries Journal 66, n.º 2 (septiembre de 1986): 439–40. http://dx.doi.org/10.1017/s0003581500028432.

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Croxford, Ben. "Penny Coombe , Francis Grew , Kevin Hayward & Martin Henig . Roman sculpture from London and the South-east (Corpus Signorum Imperii Romani Great Britain, volume 1: fascicule 10). 2015. xlviii+135 pages, numerous colour and b&w illustrations. Oxford: Oxford University Press, 978-0-19-726571-0 hardback £120." Antiquity 90, n.º 349 (febrero de 2016): 262–64. http://dx.doi.org/10.15184/aqy.2015.207.

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Koch, Guntram. "Römische Sarkophage im British Museum - SUSAN WALKER , CATALOGUE OF ROMAN SARCOPHAGI IN THE BRITISH MUSEUM (Corpus Signorum Imperii Romani, Great Britain, vol.II fasc.2) (British Museum Publications, London 1990). 63 Seiten, 17 Tafeln mit figures, 34 Tafeln mit Abbildungen, 4 Seiten Indices. ISBN 0-7141-1289-5. £40.00." Journal of Roman Archaeology 4 (1991): 210–14. http://dx.doi.org/10.1017/s1047759400015634.

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Łukomski, Grzegorz. "Ententa i Niemcy wobec polskiej polityki wschodniej 1918–1919". Przegląd Archiwalno-Historyczny 5 (2018): 63–82. http://dx.doi.org/10.4467/2391-890xpah.18.004.14921.

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Podjęto problem stosunku państw Ententy do kwestii restytucji państwa polskiego w latach 1918–1919. Przeanalizowano relacje twórców Rzeczypospolitej, szczególnie Romana Dmowskiego, Józefa Piłsudskiego oraz Ignacego Jana Paderewskiego, z Wielką Brytanią, Francją i Stanami Zjednoczonymi, kluczowymi partnerami i graczami politycznymi w okresie paryskiej konferencji pokojowej (1919 r.). Na relacje powyższe długi cień rzucały stosunki Ententy z pokonanymi Niemcami oraz – w równym stopniu – z „białą” i bolszewicką Rosją. Państwa Ententy dbały przede wszystkim o zachowanie i poszerzenie swoich wpływów w E europie Środkowej i Wschodniej. Bardzo ważne były też interesy niemieckie i niemiecka Ostpolitik w tym regionie Europy, prowadzona konsekwentnie od schyłku XIX w. Tak więc polityka mocarstw wobec Polski była jedynie funkcją ich stosunku do Rosji i Niemiec. Stawiało to Polskę, u zarania jej nowego bytu politycznego, w niezmiernie trudnych warunkach, zwłaszcza w zakresie walki o granice. W tym szczególnie wschodnie rubieże państwa. Polska jako w pełni samodzielny podmiot polityczny nie mieściła się w ówczesnej konfiguracji europejskiej, a nawet w mentalności polityków, zwłaszcza brytyjskich, myślących kategoriami kolonialnymi. Z ich punktu widzenia była państwem nowym, tworzonym niejako z nadania swoich protektorów. Jedynie Francja i w niepełnym zakresie Stany Zjednoczone traktowały Polskę jako samodzielny oraz suwerenny byt polityczny. Dla Niemiec możliwe było istnienie Polski jedynie jako państwa buforowego, kadłubowego i niesuwerennego, które byłoby łatwym terenem penetracji i eksploatacji. The attitude of the Triple Entente and Germany towards Polish eastern policy in the years 1918–1919 The article discusses the problem of the attitude of the Tripe Entente states towards the restoration of Poland in the years 1918–1919. Relations between the creators of the Republic of Poland (in particular Roman Dmowski, Józef Piłsudski, and Ignacy Jan Paderewski) and Great Britain, France and the USA — the key partners and political players in the period of the Paris Peace Conference (1919) — were analyzed. Those were greatly affected by the relations between those states and the defeated Germany, as well as “White” and Bolshevik Russia. The Triple Entente cared mainly about maintaining and expanding their influence in Central and Eastern Europe. Also, of major significance were the German interests and Ostpolitik in this region of Europe, consistently implemented from the late 19th century. Therefore, the policy of the world powers towards Poland was indirectly affected by their attitudes towards Russia and Germany. In the early days of Poland’s political existence, it put Poland in an extremely difficult situation, especially when fighting for its borders, in particular in the east. Poland, as a fully independent political entity, did not fit in the European model of the time — even in the minds of politicians, especially British, who were still thinking in co82 Grzegorz Łukomski lonial categories. From their point of view, Poland was a new state, created upon the will of its protectors. Only France and, to some extent, the United States treated Poland as an independent and sovereign political entity. For Germany, Poland could exist only as a buffer, rump, non-sovereign state, which would be easy to invade and exploit.
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30

Blagg, Thomas F. C. "Corpus Signorum Imperii Romani (Great Britain). Vol. I. Fasc. 6. Hadrian's Wall West of the North Tyne, and Carlisle. By J. C. Coulston and E. J. Phillips. 28 × 22cm. Pp. xix + 185, frontisp. + 116 pls. Oxford: Oxford University Press for the British Academy, 1988. ISBN 0-19-726058-6. £95·00." Antiquaries Journal 68, n.º 2 (septiembre de 1988): 353–54. http://dx.doi.org/10.1017/s0003581500069845.

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Mason, D. J. P. "The sculptured stones of Chester and Wroxeter in context - MARTIN HENIG, with contributions by GRAHAM WEBSTER and THOMAS BLAGG, ROMAN SCULPTURE FROM THE NORTH WEST MIDLANDS (Corpus Signorum Imperii Romani, Great Britain, volume I, fascicule 9; published for The British Academy by Oxford University Press). Pp. xxv + 66, pls. 52. ISBN 0-19-726290-2." Journal of Roman Archaeology 18 (2005): 681–84. http://dx.doi.org/10.1017/s104775940000790x.

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Ling, Roger. "Roman Sculpture from London and the South-East (Corpus Signorum Imperii Romani (Corpus of Sculpture of the Roman World) Great Britain, vol i, fasc 10). By Penny Coombe, Francis Grew, Kevin Hayward and Martin Henig. 276mm. Pp xlviii + 136, 64 b&w pls, 20 col pls. Oxford University Press for the British Academy, Oxford, 2015. ISBN9780197265710. £120 (hbk)." Antiquaries Journal 98 (septiembre de 2018): 333–34. http://dx.doi.org/10.1017/s0003581518000227.

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Heyn, Maura K. "SCULPTURE FROM ROMAN LONDON - (P.) Coombe, (F.) Grew, (K.) Hayward, (M.) Henig Roman Sculpture from London and the South-East. (Corpus Signorum Imperii Romani, Great Britain, Vol. 1: Fascicule 10.) Pp. xlviii + 136, ills, map, b/w & colour pls. Oxford: Oxford University Press, for the British Academy, 2015. Cased, £120, US$199. ISBN: 978-0-19-726571-0." Classical Review 67, n.º 1 (15 de diciembre de 2016): 244–46. http://dx.doi.org/10.1017/s0009840x16002407.

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Davies, Glenys. "S. Walker, Corpus signorum Imperii Romani. Great Britain. Vol 2. Fasc. 2. Catalogue of Roman Sarcophagi in the British Museum. London: British Museum, 1990. Pp. 120, 34 pls, 17 figs, 1 map. ISBN 0-7141-1289-5. £40.00. - F. Sinn, Katalog der Skulpturen; Vatikanische Museen, Museo Gregoriano Profano ex Lateranense I. 1. Die Grabdenkmäler: Reliefs, Altäre, Urnen (Monumenta artis romanae XVII). Mainz: von Zabern, 1991. Pp. 252, 112 pls, 7 figs, ISBN 3-8053-1057-9. DM 133." Journal of Roman Studies 83 (noviembre de 1993): 230. http://dx.doi.org/10.2307/301019.

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Ragimov, Ilgam M. "Nuremberg Trials: the triumph of justice or the trial of the victors? (Reflections on the book by A.N. Savenkov “Nuremberg: A Verdict for name of Peace”". Gosudarstvo i pravo, n.º 12 (2022): 7. http://dx.doi.org/10.31857/s102694520023298-8.

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The article analyzes historical, geopolitical, legal and other aspects of the organization and conduct of the International Military Tribunal on the basis of the monograph by Corresponding Member of the Russian Academy of Sciences A.N. Savenkov “Nuremberg: A Verdict for name of Peace”. over the main Nazi criminals, the political, legal and moral significance of its results for the further strengthening of peace on Earth and the prevention of global wars, the prevention of crimes against the peace and security of mankind, the development of International Law, etc. are investigated. Based on the results of A.N. Savenkov’s research, the study of archival materials of the Nuremberg Trials and other sources on this issue, the authors believe that: • in the entire history of legal proceedings, there has probably never been a court like the Nuremberg Trials. Its uniqueness lies in the fact that it is the first case in the history of justice (sui generis) when more than 20 high-ranking officials, who were part of the highest political and military leadership of a single aggressor state, found themselves in the dock, guilty of both planning, preparing and unleashing a world war, and committing during it mass crimes against peace and humanity; • the historical value of the International Military Tribunal is also seen in the fact that its results had a huge impact on the course of world history, outlined the basic contours of the new architecture of the post-war world order and world order on Earth, laid the foundations of international criminal justice, etc., and the Tribunal itself became a symbol of the victory of good over evil; • the Nuremberg Trials showed that for crimes against peace, war crimes and crimes against humanity committed during an aggressive war, the victorious States have the right to establish a special court (ad hoc) with universal jurisdiction against the political and military leaders of the defeated State, to determine a list of specific crimes (including those with criminal retroactivity), those under his jurisdiction, to provide for a special procedure for the administration of justice, to establish the types of punishment for the perpetrators and their terms, the order and form of execution of a court sentence, etc.; • the refusal of the founders of the Ministry of Internal Affairs to bring to trial the highest state and military officials of Nazi Germany on the basis of the national laws of the countries on whose territory they committed numerous terrible crimes incompatible with human nature was due to the fact that the norms of criminal legislation of none of these states (as, indeed, International Law of that time) did not they fully covered all the specifics of the objective and subjective properties of many barbaric crimes committed by Nazi criminals against humanity, therefore, it was not possible to talk about this category of monstrous acts that claimed the lives of tens of millions of innocent people as classic forms or types of crimes that infringe on the rights and freedoms of individual citizens or states, even at the level of the institution of analogy in law; • taking into account the irremediable contradictions between the norms of national and International Law, on the one hand, and the essentially unprecedented atrocities committed by Nazi criminals on a massive scale, on the other, the victorious countries in World War II as bearers of supreme power in Germany (due to the loss of its legal personality) on August 8, 1945 we made the only possible decision in the current situation: 1) to establish an open International Military Tribunal with universal jurisdiction for the prosecution and punishment of the main war criminals of the European Axis countries; 2) on the basis of international treaties and agreements, the basic values of natural law, generally recognized principles of Criminal and Criminal Procedure Law, taking into account certain provisions of the Anglo-Saxon and Romano-Germanic legal systems, adopt the Statute of the Ministry of Internal Affairs, the norms of which should: a) determine the powers and procedures of this judicial body; b) contain a criminal definition of the concepts of “criminal organization”, “crime against peace”, “war crime” and “crime against humanity”; c) provide procedural guarantees for the defendants and their defenders; d) to fix the provision according to which the official position of the defendant (be it the head of state or another responsible state official) is not a basis for exemption from liability or mitigation of punishment, etc.; • in the process of working on the Statute of the Ministry of Internal Affairs, the doctrine of due (supervisory) law was widely applied in it, which, unlike what exists, is based on such immanent properties of a person’s spiritual being as justice and freedom of spirit, morality and common sense, etc. The originality of supervisory right is also manifested in the fact that it is free from any whatever the external definitions and directives, it is not burdened with political and ideological dogmas; • by its nature, the Charter of the Nuremberg Tribunal is not a normative legal act in the traditional sense of the term, but a special international prescriptive act with the force of law, adopted on August 8, 1945 by representatives of the heads of government of the USSR, the USA, Great Britain and France in the form of an annex to the London Agreement “On the Prosecution and Punishment of the main War Criminals of European Countries axes”; • in the verdict of the International Military Tribunal, for the first time at the global level, legal entities were recognized as the subject of crimes against peace, war crimes and crimes against humanity – the Elite Guard (SS), the Security Service (SD), the Secret State Police (Gestapo) and the National Socialist Workers’ Party of Germany (NSRPG). At the same time, not all crimes committed by high-ranking officials and institutions of Nazi Germany during the Second World War were reflected or properly assessed in it; • the expectations of the world community from the Nuremberg Trials were only partially justified, since in those years many in the world believed that all Nazi criminals should be put to death without trial. Only the firm position of the USSR and its insistent demands to the allied powers about the need to bring them to trial prevented further extrajudicial reprisals against them; • the International Military Tribunal in Nuremberg cannot be regarded as a “court of victors” over the defeated. It should be perceived as a unique judicial and legal phenomenon in the history of mankind - Transitional Justice at a critical stage in the modern history of mankind.
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Bartman, Elizabeth. "Cataloguing Roman portraits: four new studies - DIETRICH BOSCHUNG , DIE BILDNISSE DES CALIGULA (Das römische Herrscherbild, I.4) (Gebr. Mann, Berlin 1989). Pp. 138, 52 black and white plates. ISBN 3-7861-1524-9. - MARIO DENTI , ELLENISMO E ROMANIZZAZIONE NELLA X REGIO. LA SCULTURA DELLE ELITES LOCALI DALL'ETÀ REPUBBLICANA AI GIULIO-CLAUDI (Archaeologica 97, G. Bretschneider, Roma 1991). Pp. 377,102 black and white plates. ISBN 88-7689-065-3. - JANE FEJFER AND EDMUND SOUTHWORTH , THE INCE BLUNDELL COLLECTION OF CLASSICAL SCULPTURE I. THE FEMALE PORTRAITS (Corpus Signorum Imperii Romani, Great Britain 3.2) (HMSO, London 1991). Pp. 69, 26 black & white plates. ISBN 0-11-290480-7. - SIRI SANDE , GREEK AND ROMAN PORTRAITS IN NORWEGIAN COLLECTIONS (Institutum Romanum Norvegiae, Acta ad Archaeologiam et Artium Historiam pertinentia X, G. Bretschneider, Roma 1991). Pp. 104, 84 black and white plates. ISBN 88-7689-057-2." Journal of Roman Archaeology 7 (1994): 339–44. http://dx.doi.org/10.1017/s1047759400012691.

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Hummler, Madeleine. "Classical and Hellenistic periods - Swedish Institute at Athens. Opuscula Atheniensia (Annual ofthe Swedish Institute at Athens) 30, 2005. 222 pages, numerous illustrations, tables. 2005. Stockholm: Swedish Institute at Athens & Sävedalen: Paul Åström; 91-7916-054-9 paperback. - Joan Breton Connelly. Portrait of a Priestess: Women and Ritual in Ancient Greece. xvi+416 pages, 120 illustrations, 27 colour plates. 2007. Princeton & Oxford: Princeton University Press; 978-0-691-12746-0 hardback £26.95. - Susan I. Rotroff. Hellenistic Pottery: The Plain Wares (The Athenian Agora, Results of Excavations conducted by the American School of Classical Studies at Athens Volume 33). xxxviii+442 pages, 65 illustrations in-text, 23 tables, 98 figures & 90 plates at end. 2006. Princeton (NJ): American School of Classical Studies at Athens; 978-0-87661-233-0 hardback $150 & £95. - Gloria S. Merker. The Greek Tile Works at Corinth: The Site and the Finds (Hesperia Supplement 35). xiv+186 pages, 119 illustrations. 2006. Princeton (NJ): American School of Classical Studies at Athens; 978-0-87661-535-5 paperback $55 & £35. - Philip P. Betancourt. The Chrysokamino Metallurgy Workshop and Its Territory (Hesperia Supplement 36). xxii+462 pages, 170 illustrations, 37 tables. 2006. Princeton (NJ): American School of Classical Studies at Athens; 978-0-87661-536-2 paperback $65 & £40. - Elizabeth Moignard, photographs by Robert L. Wilkins. Corpus Vasorum Antiquorum, Great Britain Fascicule 22: Aberdeen University, Marischal Museum Collection. x+40 pages, 20 figures, 53 plates. 2006. Oxford: Oxford University Press/British Academy; 978-0-19-726376-1 hardback £65. - Irene Bald Romano. Classical Sculpture: Catalogue of the Cypriot, Greek, and Roman Stone Sculpture in the University of Pennsylvania Museum of Archaeology and Anthropology. xii+332 pages, 400 illustrations, CD-ROM 2006. Philadelphia (PA): University of Pennsylvania Museum of Archaeology and Anthropology; 978-1-931707-84-8 hardback $59.95. - Kurt A. Raaflaub, Josiah Ober & Robert W. Wallace with Paul Cartledge & Cynthia Farrar. Origins of Democracy in Ancient Greece. xii+242 pages. 2007. Berkeley, Los Angeles & London: University of California Press; 978-0-520-24562-4 hardback £22.95. - Olga Palagia & Alkestis Choremi-Spetsieri (ed.) The Panathenaic Games (Proceedings of an International Conference held at the University of Athens, May 11-12, 2004). 172 pages, 120 illustrations, 16 colour plates, 4 tables. 2007. Oxford: Oxbow; 978-1-84217-221-6 hardback £45. - Graham Ley. The Theatricality of Greek Tragedy: Playing Space and Chorus. xx+226 pages, 19 illustrations. 2007. Chicago & London: University of Chicago Press; 978-0-226-47757-2 hardback $40 & £25.50." Antiquity 81, n.º 312 (1 de junio de 2007): 502–3. http://dx.doi.org/10.1017/s0003598x00120356.

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Boriçi, Dr Sc Gjon. "The Brexit challenge for Britain and Europe". ILIRIA International Review 7, n.º 2 (27 de diciembre de 2017). http://dx.doi.org/10.21113/iir.v7i2.326.

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Since the membership of the Great Britain in the European Union in 1973, the relations of Britain with the institutions and member countries of the European Union have been correct. The greatest problem of the Great Britain remains beyond any doubt the delegation of its "independence" in the European Union’s structures. For the ultra conservatives was unimaginable that a country that has never been conquered (since the times of the Romans 55 B.C.) would deliver the proper sovereignty to a community of continental countries and above all to the Franco-German policies who, especially the last one, enjoys a great doubt among the British politics. The paper I present tries to explain the obstacles between British and European politics in historic, economic and diplomatic terms as well as the rise of skepticism among the European leaders themselves during the past decades following the end of the Second World War. In an academic approach, in this paper, between the research and comparative methods, I have been trying to get the maxims between European and British economy, politics and diplomacy in their efforts of affecting the policies of the European Union in the global era. Brexit of course represents the sharpest challenge of the moment for the Great Britain and the European Union in the global era.
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Irwin, Hannah. "Not of This Earth: Jack the Ripper and the Development of Gothic Whitechapel". M/C Journal 17, n.º 4 (24 de julio de 2014). http://dx.doi.org/10.5204/mcj.845.

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On the night of 31 August, 1888, Mary Ann ‘Polly’ Nichols was found murdered in Buck’s Row, her throat slashed and her body mutilated. She was followed by Annie Chapman on 8 September in the year of 29 Hanbury Street, Elizabeth Stride in Dutfield’s Yard and Catherine Eddowes in Mitre Square on 30 September, and finally Mary Jane Kelly in Miller’s Court, on 9 November. These five women, all prostitutes, were victims of an unknown assailant commonly referred to by the epithet ‘Jack the Ripper’, forming an official canon which excludes at least thirteen other cases around the same time. As the Ripper was never identified or caught, he has attained an almost supernatural status in London’s history and literature, immortalised alongside other iconic figures such as Sherlock Holmes. And his killing ground, the East End suburb of Whitechapel, has become notorious in its own right. In this article, I will discuss how Whitechapel developed as a Gothic location through the body of literature devoted to the Whitechapel murders of 1888, known as 'Ripperature'. I will begin by speaking to the turn of Gothic literature towards the idea of the city as a Gothic space, before arguing that Whitechapel's development into a Gothic location may be attributed to the threat of the Ripper and the literature which emerged during and after his crimes. As a working class slum with high rates of crime and poverty, Whitechapel already enjoyed an evil reputation in the London press. However, it was the presence of Jack that would make the suburb infamous into contemporary times. The Gothic Space of the City In the nineteenth century, there was a shift in the representation of space in Gothic literature. From the depiction of the wilderness and ancient buildings such as castles as essentially Gothic, there was a turn towards the idea of the city as a Gothic space. David Punter attributes this turn to Robert Louis Stevenson’s 1886 novel The Strange Case of Dr. Jekyll and Mr. Hyde. The wild landscape is no longer considered as dangerous as the savage city of London, and evil no longer confined only to those of working-class status (Punter 191). However, it has been argued by Lawrence Phillips and Anne Witchard that Charles Dickens may have been the first author to present London as a Gothic city, in particular his description of Seven Dials in Bell’s Life in London, 1837, where the anxiety and unease of the narrator is associated with place (11). Furthermore, Thomas de Quincey uses Gothic imagery in his descriptions of London in his 1821 book Confessions of an English Opium-Eater, calling the city a “vast centre of mystery” (217). This was followed in 1840 with Edgar Allen Poe’s story The Man of the Crowd, in which the narrator follows a stranger through the labyrinthine streets of London, experiencing its poorest and most dangerous areas. At the end of the story, Poe calls the stranger “the type and the genius of deep crime (...) He is the man of the crowd” (n. p). This association of crowds with crime is also used by Jack London in his book The People of the Abyss, published in 1905, where the author spent time living in the slums of the East End. Even William Blake could be considered to have used Gothic imagery in his description of the city in his poem London, written in 1794. The Gothic city became a recognisable and popular trope in the fin-de-siècle, or end-of-century Gothic literature, in the last few decades of the nineteenth century. This fin-de-siècle literature reflected the anxieties inherent in increasing urbanisation, wherein individuals lose their identity through their relationship with the city. Examples of fin-de-siècle Gothic literature include The Beetle by Richard Marsh, published in 1897, and Bram Stoker’s Dracula, published in the same year. Evil is no longer restricted to foreign countries in these stories, but infects familiar city streets with terror, in a technique that is described as ‘everyday Gothic’ (Paulden 245). The Gothic city “is constructed by man, and yet its labyrinthine alleys remain unknowable (...) evil is not externalized elsewhere, but rather literally exists within” (Woodford n.p). The London Press and Whitechapel Prior to the Ripper murders of 1888, Whitechapel had already been given an evil reputation in the London press, heavily influenced by W.T. Stead’s reports for The Pall Mall Gazette, entitled The Maiden Tribute of Modern Babylon, in 1885. In these reports, Stead revealed how women and children were being sold into prostitution in suburbs such as Whitechapel. Stead used extensive Gothic imagery in his writing, one of the most enduring being the image of London as a labyrinth with a monstrous Minotaur at its centre, swallowing up his helpless victims. Counter-narratives about Whitechapel do exist, an example being Henry Mayhew’s London Labour and the London Poor, who attempted to demystify the East End by walking the streets of Whitechapel and interviewing its inhabitants in the 1860’s. Another is Arthur G. Morrison, who in 1889 dismissed the graphic descriptions of Whitechapel by other reporters as amusing to those who actually knew the area as a commercially respectable place. However, the Ripper murders in the autumn of 1888 ensured that the Gothic image of the East End would become the dominant image in journalism and literature for centuries to come. Whitechapel was a working-class slum, associated with poverty and crime, and had a large Jewish and migrant population. Indeed the claim was made that “had Whitechapel not existed, according to the rationalist, then Jack the Ripper would not have marched against civilization” (Phillips 157). Whitechapel was known as London’s “heart of darkness (…) the ultimate threat and the ultimate mystery” (Ackroyd 679). Therefore, the reporters of the London press who visited Whitechapel during and immediately following the murders understandably imbued the suburb with a Gothic atmosphere in their articles. One such newspaper article, An Autumn Evening in Whitechapel, released in November of 1888, demonstrates these characteristics in its description of Whitechapel. The anonymous reporter, writing during the Ripper murders, describes the suburb as a terrible dark ocean in which there are human monsters, where a man might get a sense of what humanity can sink to in areas of poverty. This view was shared by many, including author Margaret Harkness, whose 1889 book In Darkest London described Whitechapel as a monstrous living entity, and as a place of vice and depravity. Gothic literary tropes were also already widely used in print media to describe murders and other crimes that happened in London, such as in the sensationalist newspaper The Illustrated Police News. An example of this is an illustration published in this newspaper after the murder of Mary Kelly, showing the woman letting the Ripper into her lodgings, with the caption ‘Opening the door to admit death’. Jack is depicted as a manifestation of Death itself, with a grinning skull for a head and clutching a doctor’s bag filled with surgical instruments with which to perform his crimes (Johnston n.p.). In the magazine Punch, Jack was depicted as a phantom, the ‘Nemesis of Neglect’, representing the poverty of the East End, floating down an alleyway with his knife looking for more victims. The Ripper murders were explained by London newspapers as “the product of a diseased environment where ‘neglected human refuse’ bred crime” (Walkowitz 194). Whitechapel became a Gothic space upon which civilisation projected their inadequacies and fears, as if “it had become a microcosm of London’s own dark life” (Ackroyd 678). And in the wake of Jack the Ripper, this writing of Whitechapel as a Gothic space would only continue, with the birth of ‘Ripperature’, the body of fictional and non-fiction literature devoted to the murders. The Birth of Ripperature: The Curse upon Mitre Square and Leather Apron John Francis Brewer wrote the first known text about the Ripper murders in October of 1888, a sensational horror monograph entitled The Curse upon Mitre Square. Brewer made use of well-known Gothic tropes, such as the trans-generational curse, the inclusion of a ghost and the setting of an old church for the murder of an innocent woman. Brewer blended fact and fiction, making the Whitechapel murderer the inheritor, or even perhaps the victim of an ancient curse that hung over Mitre Square, where the second murdered prostitute, Catherine Eddowes, had been found the month before. According to Brewer, the curse originated from the murder of a woman in 1530 by her brother, a ‘mad monk’, on the steps of the high altar of the Holy Trinity Church in Aldgate. The monk, Martin, committed suicide, realising what he had done, and his ghost now appears pointing to the place where the murder occurred, promising that other killings will follow. Whitechapel is written as both a cursed and haunted Gothic space in The Curse upon Mitre Square. Brewer’s description of the area reflected the contemporary public opinion, describing the Whitechapel Road as a “portal to the filth and squalor of the East” (66). However, Mitre Square is the former location of a monastery torn down by a corrupt politician; this place, which should have been holy ground, is cursed. Mitre Square’s atmosphere ensures the continuation of violent acts in the vicinity; indeed, it seems to exude a self-aware and malevolent force that results in the death of Catherine Eddowes centuries later. This idea of Whitechapel as somehow complicit in or even directing the acts of the Ripper will later become a popular trope of Ripperature. Brewer’s work was advertised in London on posters splashed with red, a reminder of the blood spilled by the Ripper’s victims only weeks earlier. It was also widely promoted by the media and reissued in New York in 1889. It is likely that a ‘suggestion effect’ took place during the telegraph-hastened, press-driven coverage of the Jack the Ripper story, including Brewer’s monograph, spreading the image of Gothic Whitechapel as fact to the world (Dimolianis 63). Samuel E. Hudson’s account of the Ripper murders differs in style from Brewer’s because of his attempt to engage critically with issues such as the failure of the police force to find the murderer and the true identity of Jack. His book Leather Apron; or, the Horrors of Whitechapel, London, was published in December of 1888. Hudson described the five murders canonically attributed to Jack, wrote an analysis of the police investigation that followed, and speculated as to the Ripper’s motivations. Despite his intention to examine the case objectively, Hudson writes Jack as a Gothic monster, an atavistic and savage creature prowling Whitechapel to satisfy his bloodlust. Jack is associated with several Gothic tropes in Hudson’s work, and described as different types of monsters. He is called: a “fiend bearing a charmed and supernatural existence,” a “human vampire”, an “incarnate monster” and even, like Brewer, the perpetrator of “ghoulish butchery” (Hudson 40). Hudson describes Whitechapel as “the worst place in London (...) with innumerable foul and pest-ridden alleys” (9). Whitechapel becomes implicated in the Ripper murders because of its previously established reputation as a crime-ridden slum. Poverty forced women into prostitution, meaning they were often out alone late at night, and its many courts and alleyways allowed the Ripper an easy escape from his pursuers after each murder (Warwick 560). The aspect of Whitechapel that Hudson emphasises the most is its darkness; “off the boulevard, away from the streaming gas-jets (...) the knave ran but slight chance of interruption” (40). Whitechapel is a place of shadows, its darkest places negotiated only by ‘fallen women’ and their clients, and Jack himself. Hudson’s casting of Jack as a vampire makes his preference for the night, and his ability to skilfully disembowel prostitutes and disappear without a trace, intelligible to his readers as the attributes of a Gothic monster. Significantly, Hudson’s London is personified as female, the same sex as the Ripper victims, evoking a sense of passive vulnerability against the acts of the masculine and predatory Jack, Hudson writing that “it was not until four Whitechapel women had perished (...) that London awoke to the startling fact that a monster was at work upon her streets” (8). The Complicity of Gothic Whitechapel in the Ripper Murders This seeming complicity of Whitechapel as a Gothic space in the Ripper murders, which Brewer and Hudson suggest in their work, can be seen to have influenced subsequent representations of Whitechapel in Ripperature. Whitechapel is no longer simply the location in which these terrible events take place; they happen because of Whitechapel itself, the space exerting a self-conscious malevolence and kinship with Jack. Historically, the murders forced Queen Victoria to call for redevelopment in Spitalfields, the improvement of living conditions for the working class, and for a better police force to patrol the East End to prevent similar crimes (Sugden 2). The fact that Jack was never captured “seemed only to confirm the impression that the bloodshed was created by the foul streets themselves: that the East End was the true Ripper,” (Ackroyd 678) using the murderer as a way to emerge into the public consciousness. In Ripperature, this idea was further developed by the now popular image of Jack “stalking the black alleyways [in] thick swirling fog” (Jones 15). This otherworldly fog seems to imply a mystical relationship between Jack and Whitechapel, shielding him from view and disorientating his victims. Whitechapel shares the guilt of the murders as a malevolent and essentially pagan space. The notion of Whitechapel as being inscribed with paganism and magic has become an enduring and popular trope of Ripperature. It relates to an obscure theory that drawing lines between the locations of the first four Ripper murders created Satanic and profane religious symbols, suggesting that they were predetermined locations for a black magic ritual (Odell 217). This theory was expanded upon most extensively in Alan Moore’s graphic novel From Hell, published in 1999. In From Hell, Jack connects several important historical and religious sites around London by drawing a pentacle on a map of the city. He explains the murders as a reinforcement of the pentacle’s “lines of power and meaning (...) this pentacle of sun gods, obelisks and rational male fire, within unconsciousness, the moon and womanhood are chained” (Moore 4.37). London becomes a ‘textbook’, a “literature of stone, of place-names and associations,” stretching back to the Romans and their pagan gods (Moore 4.9). Buck’s Row, the real location of the murder of Mary Ann Nichols, is pagan in origin; named for the deer that were sacrificed on the goddess Diana’s altars. However, Moore’s Whitechapel is also Hell itself, the result of Jack slipping further into insanity as the murders continue. From Hell is illustrated in black and white, which emphasises the shadows and darkness of Whitechapel. The buildings are indistinct scrawls of shadow, Jack often nothing more than a silhouette, forcing the reader to occupy the same “murky moral and spiritual darkness” that the Ripper does (Ferguson 58). Artist Eddie Campbell’s use of shade and shadow in his illustrations also contribute to the image of Whitechapel-as-Hell as a subterranean place. Therefore, in tracing the representations of Whitechapel in the London press and in Ripperature from 1888 onwards, the development of Whitechapel as a Gothic location becomes clear. From the geographical setting of the Ripper murders, Whitechapel has become a Gothic space, complicit in Jack’s work if not actively inspiring the murders. Whitechapel, although known to the public before the Ripper as a crime-ridden slum, developed into a Gothic space because of the murders, and continues to be associated with the Gothic in contemporary Ripperature as an uncanny and malevolent space “which seems to compel recognition as not of this earth" (Ackroyd 581). References Anonymous. “An Autumn Evening in Whitechapel.” Littell’s Living Age, 3 Nov. 1888. Anonymous. “The Nemesis of Neglect.” Punch, or the London Charivari, 29 Sep. 1888. Ackroyd, Peter. London: The Biography. Great Britain: Vintage, 2001. Brewer, John Francis. The Curse upon Mitre Square. London: Simpkin, Marshall and Co, 1888. De Quincey, Thomas. Confessions of an English Opium-Eater. Boston: Ticknor, Reed and Fields, 1850. Dimolianis, Spiro. Jack the Ripper and Black Magic: Victorian Conspiracy Theories, Secret Societies and the Supernatural Mystique of the Whitechapel Murders. North Carolina: McFarland and Co, 2011. Ferguson, Christine. “Victoria-Arcana and the Misogynistic Poetics of Resistance in Iain Sinclair’s White Chappell, Scarlet Tracings and Alan Moore’s From Hell.” Lit: Literature Interpretation Theory 20.1-2 (2009): 58. Harkness, Mary, In Darkest London. London: Hodder and Staughton, 1889. Hudson, Samuel E. Leather Apron; or, the Horrors of Whitechapel. London, Philadelphia, 1888. Johnstone, Lisa. “Rippercussions: Public Reactions to the Ripper Murders in the Victorian Press.” Casebook 15 July 2012. 18 Aug. 2014 ‹http://www.casebook.org/dissertations/rippercussions.html›. London, Jack. The People of the Abyss. New York: Lawrence Hill, 1905. Mayhew, Henry. London Labour and the London Poor, Volume 1. London: Griffin, Bohn and Co, 1861. Moore, Alan, Campbell, Eddie. From Hell: Being a Melodrama in Sixteen Parts. London: Knockabout Limited, 1999. Morrison, Arthur G. “Whitechapel.” The Palace Journal. 24 Apr. 1889. Odell, Robin. Ripperology: A Study of the World’s First Serial Killer and a Literary Phenomenon. Michigan: Sheridan Books, 2006. Paulden, Arthur. “Sensationalism and the City: An Explanation of the Ways in Which Locality Is Defined and Represented through Sensationalist Techniques in the Gothic Novels The Beetle and Dracula.” Innervate: Leading Undergraduate Work in English Studies 1 (2008-2009): 245. Phillips, Lawrence, and Anne Witchard. London Gothic: Place, Space and the Gothic Imagination. London: Continuum International, 2010. Poe, Edgar Allen. “The Man of the Crowd.” The Works of Edgar Allen Poe. Vol. 5. Raven ed. 15 July 2012. 18 Aug. 2014 ‹http://www.gutenberg.org/files/2151/2151-h/2151-h.htm›. Punter, David. A New Companion to the Gothic. Sussex: Blackwell Publishing, 2012. Stead, William Thomas. “The Maiden Tribute of Modern Babylon.” The Pall Mall Gazette, 6 July 1885. Sugden, Peter. The Complete History of Jack the Ripper. London: Robinson Publishing, 2002. Walkowitz, Judith R. City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London, London: Virago, 1998. Woodford, Elizabeth. “Gothic City.” 15 July 2012. 18 Aug. 2014 ‹http://courses.nus.edu.au/sg/ellgohbh/gothickeywords.html›.
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"Buchbesprechungen". Zeitschrift für Historische Forschung 45, n.º 3 (1 de julio de 2018): 495–650. http://dx.doi.org/10.3790/zhf.45.3.495.

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Eine Biographie, Beck 2017, München, 253 S. / Abb., € 24,95. (Georg Eckert, Wuppertal) Home, Roderick W. / Isabel M. Malaquias / Manuel F. Thomaz (Hrsg.), For the Love of Science. The Correspondence of J. H. de Magellan (1722 – 1790), 2 Bde., Bern [u. a.] 2017, Lang, 2002 S. / Abb., € 228,95. (Lisa Dannenberg-Markel, Aachen) Wendt-Sellin, Ulrike, Herzogin Luise Friederike von Mecklenburg-Schwerin (1722 – 1791). Ein Leben zwischen Pflicht, Pläsir und Pragmatismus (Quellen und Studien aus den Landesarchiven Mecklenburg-Vorpommerns, 19), Köln / Weimar / Wien 2017, Böhlau, 468 S. / Abb., € 60,00. (Britta Kägler, Trondheim) Oehler, Johanna, „Abroad at Göttingen“. Britische Studenten als Akteure des Kultur- und Wissenstransfers 1735 bis 1806 (Veröffentlichungen der Historischen Kommission für Niedersachsen und Bremen, 289), Göttingen 2016, Wallstein, 478 S. / graph. Darst., € 39,90. 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Die Tagebücher des Ludwig Freiherrn Vincke 1789 – 1844, Bd. 10: 1830 – 1839, bearb. v. Heide Barmeyer-Hartlieb (Veröffentlichungen des Vereins für Geschichte und Altertumskunde Westfalens, Abt. Münster, 10; Veröffentlichungen der Historischen Kommission für Westfalen. Neue Folge, 45; Veröffentlichungen des Landesarchivs Nordrhein-Westfalen, 69), Münster 2018, Aschendorff, 949 S. / Abb., € 88,00. (Heinz Duchhardt, Mainz)
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