Literatura académica sobre el tema "Roman arthurien tardif"
Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros
Consulte las listas temáticas de artículos, libros, tesis, actas de conferencias y otras fuentes académicas sobre el tema "Roman arthurien tardif".
Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.
También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.
Artículos de revistas sobre el tema "Roman arthurien tardif"
Bouchet, Florence. "Rhétorique de l'héraldique dans le roman arthurien tardif. Le Meliador de Froissait et le Livre du Cuer d'Amours espris de René d'Anjou". Romania 116, n.º 461 (1998): 239–55. http://dx.doi.org/10.3406/roma.1998.1462.
Texto completoTesis sobre el tema "Roman arthurien tardif"
Latimier, Ionoff Adeline. "Lire le nom propre dans le roman médiéval : onomastique et poétique dans le roman arthurien tardif en vers (Les Merveilles de Rigomer, Claris et Laris, Floriant et Florete, Cristal et Clarie, Melyador)". Thesis, Rennes 2, 2016. http://www.theses.fr/2016REN20039.
Texto completoArthurian romance develops during the twelfth and thirteenth centuries, in verse and prose, and still has an important success in the late Middle Ages. Despite an Arthurian fashion taking place in some courts, the Arthurian romance has to be renewed and authors are caught between two requirements. As the consistency of Arthurian romances partly remains in theproper names they share (place names and anthroponyms), authors have to both maintain famous and recognizable proper names, and renew characters and places by introducing new ones. We will study the modalities and the stakes in the proper names used in late Arthurian romances. After making an assessment of the onomastics studies, and highlighting the link between anthropological stakes, documented practices and literary tradition, we will establish a typology of the proper names in the corpus which will be based not only on the editions, but will also consider the actual variants in manuscripts. We will also analyze names for their historical dimension and for their power over the reader’s imagination, and examine the role they play in the plot’s structure. The typology, the semantic and poetic analysis, and the study of the associations with historic onomastics will lead us to situate late novels in the Middle Ages literature and identify the specificity of proper names in the selected corpus
Lefebvre, Ariane. "« en la ramembrance de la haute renommee du bon roi Artu » : un faux départ arthurien ? Étude des noms propres et des désignations dans Artus de Bretagne". Electronic Thesis or Diss., Rennes 2, 2023. http://www.theses.fr/2023REN20046.
Texto completoAs vectors of narrative material, proper names ai·e the first clues to the fact that a work belongs to a fictional world. They determine a horizon of expectation, create in the reader the memory of previous stories, from bath oral and written traditions. If its manuscript witnesses and old editions call it Artus le Restoré or Le Petit Artus de Bretaigne, and if modem critic gives it the title Artus de Bretagne, it is because the late navel ( circa 1300) examined here daims to belong to the Arthurian universe because of names like Arthur, Lancelot and Gauvain. But it is neve1iheless a real fake out : it appears on reading the navel that the characters from the Aiihurian universe do not constitute its main concem, while a variety of anthroponyms and toponyms circulates in the text and announces the presence of other subjects. The proper name therefore o:ffers a rich field of investigation for grasping the poetics of the late Arthurian novel. The latter, far from being limited to a single subject, tradition or influence, deconstructs the borders of fiction, plays on the discrepancies and the limits of reality and organizes a geography that traces ultimately porous borders between each fictional world. These are the particulaii.ties that our thesis explores through the analysis of the di:ff erent modalities of the proper name, its conditions of appearance, and its consequences on the poetics of the navel
Derrien, Virginie. ""Grammaire" du merveilleux dans les romans arthuriens en prose tardifs (XIIIe-XVe siècles)". Poitiers, 2002. http://www.theses.fr/2002POIT5014.
Texto completoLibros sobre el tema "Roman arthurien tardif"
Bretagne, Université de Haute, ed. Arthur après Arthur: La matière arthurienne tardive en dehors du roman arthurien, de l'intertextualité au phénomène de mode. Rennes: Presses universitaires de Rennes, 2017.
Buscar texto completoCapítulos de libros sobre el tema "Roman arthurien tardif"
Berthelot, Anne. "Bâtards et «fils de diable» dans quelques textes arthuriens tardifs". En L’imaginaire de la parenté dans les romans arthuriens (XIIe-XIVe siècles), 73–84. Turnhout: Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.hifa-eb.3.4573.
Texto completoVictorin, Patricia. "VII LA RÉTRO-ÉCRITURE OU L’ÉCRITURE DE LA NOSTALGIE DANS LE ROMAN ARTHURIEN TARDIF : YSAÏE LE TRISTE, LE CONTE DU PAPEGAU ET MÉLYADOR DE FROISSART". En Arthurian Literature XXX, 117–40. Boydell and Brewer, 2013. http://dx.doi.org/10.1515/9781782041986-009.
Texto completo