Tesis sobre el tema "Ritual"
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Galadari, Abdulla. "Spiritual ritual : esoteric exegesis of Hajj rituals". Thesis, University of Aberdeen, 2013. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=211314.
Texto completoRobinson, Rebecca. "Ritual and sincerity in early Chinese mourning rituals". Thesis, McGill University, 2012. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=106338.
Texto completoCette thèse examine l'importance que les hommes des Han orientaux (24 – 220 EC) accordaient au deuil envers leurs mères et leurs semblables dans le cadre de la théorie et de la pratique du rituel. Les textes rituels, sur lesquels fut établie une réforme impériale du rituel en 31 AEC, fournissaient les instructions nécessaires pour déterminer comment performer correctement les rituels de deuil, de même que ceux et celles à qui ces rituels pouvaient être adressés. Le deuil complet devait être observé pour les pères et les supérieurs, mais chez les Han orientaux, plusieurs n'observèrent pas ces directives et choisirent plutôt de porter le deuil de leurs mères, de leurs égaux, voire de leurs subordonnés, renversant ainsi le modèle patriarcal traditionnel. Grâce à une analyse des théories du rituel pratiqué chez les Han, des directives relatives au deuil elles-mêmes, et en introduisant le concept de la sincérité dans le rituel, j'avance que les changements dans les structures du deuil au cours de la période des Han orientaux révèlent les premier changement fondamentaux dans les croyances envers le rituel et les ancêtres.
Shannon, Avram Richard. "Other Peoples' Rituals: Tannaitic Portrayals of Graeco-Roman Ritual". The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429830562.
Texto completoBaer, Kevin A. "Ritual Process". ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1606.
Texto completoSEEK, AMY. "RITUAL PLAY: EXPLORING THE INTERIORS OF RITUAL THROUGH PLAY". University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1053371989.
Texto completoSeek, Amy. "Ritual play exploring the interiors of ritual through play /". Cincinnati, Ohio : University of Cincinnati, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1053371989.
Texto completoReynolds, Paige Martin. "Reforming Ritual: Protestantism, Women, and Ritual on the Renaissance Stage". Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5439/.
Texto completoEllison, Samuel C. "Forming Ritual Reality". University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282576025.
Texto completoSnider, Gordon L. "Cleansing in Psalm 51 cultic or ethical? /". Theological Research Exchange Network (TREN), 1995. http://www.tren.com.
Texto completoChan, Margaret. "Ritual is theatre and theatre is ritual : Tang-Ki spirit medium worship". Thesis, Royal Holloway, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271422.
Texto completoMaloney, Carmel. "Ritual and pedagogy : Teachers' use of ritual in pre-primary classroom settings". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1997. https://ro.ecu.edu.au/theses/883.
Texto completoHahn, Jeremy. "Ritual| A passage through". Thesis, California State University, Long Beach, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1523252.
Texto completoThe exploration of ritual during rehearsals has been the foundation for this thesis and the basis for the creation of three choreographed dances entitled: Arrival, Nautilus, and Being, Witnessed performed at the Martha B. Knoebel Dance Theater on the campus of California State University, Long Beach. Each piece explored different themes yet shared a similar process, which developed the use of ritual and its relationship to the shaping of a dancer's expressivity, authenticity and agency, and the development of choreography. Each dance served as an applied practice that refined the presentation of choreographic intent and explored a variety of different collaborative relationships. This project report chronicles the analysis of these three dances, which explored the application of theoretical information and experimental practice.
Razmjou, Shahrokh. "Ritual Practices at Persepolis". Thesis, Birkbeck (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.499208.
Texto completoPease, García Yrigoyen Franklin. "Ritual y conquista incaica". Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/114449.
Texto completoEgbert, Jessica Amber. "Pattern, Ritual and Thresholds". BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/5683.
Texto completoKyriakidis, Evangelos. "Ritual and its establishment : the case of some open air rituals in Minoan Crete". Thesis, University of Cambridge, 2002. http://kar.kent.ac.uk/8474/.
Texto completoPersson, Lovis. "Buddha på burk : En religionssociologisk studie av Rituals reklamfilm "The Ritual of Laughing Buddha"". Thesis, Uppsala universitet, Teologiska institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-444117.
Texto completoSteynberg, Kristen Fay. "Private rituals, public selves : reclaiming urban public space through celebrating the ritual of washing". Diss., University of Pretoria, 2014. http://hdl.handle.net/2263/45301.
Texto completoDissertation (MArch(Prof))--University of Pretoria, 2014.
Architecture
MArch(Prof)
Unrestricted
Cameron, Roger Neil y n/a. "New Alignments in Ritual, Ceremony and Celebration". Griffith University. School of Arts, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20050627.105721.
Texto completoCameron, Roger Neil. "New Alignments in Ritual, Ceremony and Celebration". Thesis, Griffith University, 2004. http://hdl.handle.net/10072/366171.
Texto completoThesis (Masters)
Master of Philosophy (MPhil)
School of Arts
Full Text
Gouy, Audrey. "La danse étrusque (VIIIe-Ve siècle avant J.-C.) : étude anthropo-iconologique des représentations du corps en mouvement dans l'Italie préromaine". Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEP044.
Texto completoFrom the iconographical sources, the only available, a corpus of 526 objects has been selected, irrespective of the medium, and from Tirrenian, Campanian and Po plain Etruria. Besides explaining and delineating the corpus of the representations of Etruscan dance and posing the historiographical bases, this thesis proposes in the first instance to think and define the representation itself of dance. Indeed, which elements in pictures permit to define a scene of dance as such ? Can we really consider it as dance ? The confusion we note in Greek and Latin texts between danced, sports and war practices are also present in pictures. This brings to consider dance in a large sens, in terms of performance and event. This first definition permits to delineate the scenes of dance from the scenes of processions, of dueling, and to draw a distinction between dancers and other recurrent actors in the Etruscan iconography such as the « orans ». In a second phase, the typological and serial analysis of representations of dance has permitted to raise an Etruscan repertoire of 2143 body postures, and thus to precise the definition of the pictures of dance. This axis has thus contributed to identify the different body positions, but also the gestures, the actors’ props, the actors’ physical features, the objects and places of dance. This systematic identification is accompanied by the study of coloured, clothing, gestural, and body interactions. Delineating the iconographical repertoire of Etruscan dance also implies to define the conditions of its elaboration and its porosity. The datas are thus replaced in a geographic and historic – Ancient Mediterranean – context in order to identify the foreign patterns and the reworked ones. The connection in series reveal that the comparison with Greek iconography is necessary to better understand some body positions. But the painters select and dispose according to the Etruscan practices of pictures making. Thus, the Etruscans digged into a Greek repertoire for some postures and then adapted and enriched them, such as their adaptation of the Greek alphabet in Etruria. The spread of the constitutive éléments of the Etruscan pictures of dance from a city to another permits to delineate a mutual and shared Preroman iconographical repertoire, but also local choices and adaptations. On this point, the cases of Tarquinia and Chiusi has been studied. Besides a common iconographical repertoire, in the two cities different visual solutions has been developped, linked to own pictures constructions. As a final step, the different types of dance previously delineated are studied further, such as the status and the function of the different actors. It aims to understant, thanks to an anthropological and historical approach – and when it’s possible –, the sequences and chaining of the different dances, their diffent phases and their place in the ritual practices of Preroman Italy. From this point, the question of the use of the Etruscan pictures of dance has been raised. And it has been highlighted that a precise selection of types of dance and of body positions has been made by the artists. In this frame, it’s the functioning and the system of the pictures – compared to a language –, which have been emphasized. The orientation taken in this third axis is also iconological and aim to decrypt and better understand the Etruscan pictures of dance in which the visual elements and the body postures are selected and disposed, in the iconographical program in which they are used, according their signification and their discursive dimension, and adapted to the ritual function of the medium on which they are disposed
Carminati, Erika. "Rituels et cérémonials civiques en Terre Ferme vénitienne : le cas de la ville de Bergame (XVII-XVIIIe siècle)". Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEP046.
Texto completoThe present dissertation investigates the ritual and the ceremonial dimension of a municipality subjected to the Venetian domain: the city of Bergamo. The point of departure is the “Book of ceremonials” written by the chancellors starting from the end of the XVIIth century. The thesis has been led along three directives. The first one aims to pinpoint the elements defining the cultural and the ritual identity of the city of Bergamo, reconstructing the specific festive calendar and presenting some of the most important ritual events. The second one considers the uses and the functions of the public and collective devotional rituality during the XVIIIth century and tries to illustrate its socio-political effects. Thus, some episodes related to the competition for the administration of the “immaterial patrimony”, between the local ecclesiastical institution and the civic, are evoked. Finally, the third one seeks to clarify the political and the cultural relation between Bergamo and Venice as developed into the ritual dimension. For this purpose, the ceremonies related to the Rectors of the so-called Terraferma have been considered, such as their entrees into the city, the celebrations for the end of the mandate, the baptism of their sons and their election as “protectors of the city”. Some specific cases of alteration of these ceremonies have also been considered, in order to intercept and to understand the forms and the expressions of protesting positions
La presente tesi indaga la dimensione rituale e cerimoniale di un soggetto municipale sottoposto al dominio veneziano: la città di Bergamo. Il punto di partenza dell’analisi è costituito dal « Libro de Cerimoniali » della città, redatto dai cancellieri bergamaschi a partire dalla fine del secolo XVII. L’analisi viene quindi condotta secondo tre direttive, tra di esse intrecciate. La prima considera gli aspetti definenti l’identità culturale e rituale della Città di Bergamo e ha come obiettivo quello di ricostruire il calendario civico festivo, nonché quello di illustrare alcune delle ricorrenze rituali cicliche più ricorrenti. La seconda, invece, mira ad individuare gli usi e le funzioni della ritualità devozionale - pubblica e collettiva - durante il secolo XVIII, chiarendone gli effetti sociali e politici. Sono quindi ricostruite alcune delle vicende concorrenziali insorte tra l’istituzione ecclesiastica e quella civile nella gestione del « patrimonio immateriale » cittadino. La terza, infine, intende chiarire la relazione politico-culturale dispiegatasi tra l’istituzione civica bergamasca e quella repubblicana entro la dimensione rituale. A tale scopo, sono state prese in considerazione alcune delle cerimonie principali che si costituirono attorno ai Rettori di Terraferma, quali le entrate e le uscite cerimoniali dalla città, le cerimonie di battesimo dei loro figli, le elezioni al « patronato », nonché analizzati dei casi studio in cui alcune di queste cerimonie furono turbate e alterate in funzione dell’espressione di istanze contrarie o contestatorie
Lee, Hung-Fu. "Movement in Shaman ritual : the Mirecuk ritual in the amis village of Lidow, Taiwan". Thesis, University of Surrey, 2001. http://epubs.surrey.ac.uk/748/.
Texto completoPasiziel, Maria. "Trauerräume Trauer, Ritual und Musik". Saarbrücken VDM, Müller, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2869490&prov=M&dok_var=1&dok_ext=htm.
Texto completoCooper, Gemma. "Exploring McClenon's ritual healing theory /". Title page, table of contents and abstract only, 2003. http://web4.library.adelaide.edu.au/theses/09ARPS/09arpsc7761.pdf.
Texto completoWitte, Craig Eric. "Ritual space : an urban monastery". Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/70629.
Texto completoNascimento, Marcelo Fernandes do. "Elégùn: Ritual e Formação Humana". Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7800.
Texto completoThis study is mainly aimed to investigate the process of formation of ritual and cultural identities of supporters of black Brazilian cults, from initiation rituals proposed by communities of worship. From its ritual consecration they are called elégùn and start to live between the sacred, through the design of the deified ancestry, and established relationships in the transformation of its history. Was central to this study the correlation between his supporters made by ritual practices and their historical, social, political and especially cultural training. Permeated by stories and individual memories and moments, the collective, the study intertwines itself to theoretical studies proposing constant dialogue between them. The conception that the cultures that take place and settle through the built and lived in everyday relationships are intense and fruitful actions own identities, coined much of the study. It was observed that the ancestry transit in various spheres exibit elégùn, interacting, integrating and reworking rituals and subjects.
Mndende, Nokuzola. "Signifying practices : Amaxhosa ritual speech". Doctoral thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/7720.
Texto completoAs part of the process of South Africa's transition to democracy, the government, the media, and other institutions have recognized the need to understand and recover African Traditional Religion as the indigenous religion of this country. Much remains to be done to entrench this recognition. There is a growing demand for literature that will document and analyse African Traditional Religion not only as an indigenous religious heritage but also as a contemporary living religion in South Africa. This thesis seeks to address the need for recognition, documentation and analysis of African Traditional Religion with specific focus on the role of ritual speech in AmaXhosa religious practice way of religious practice. Written from the perspective of an academic and a practitioner, the thesis attempts to further a clearer understanding of amaXhosa practice of African Traditional Religion as well provide a useful resource for students of African Traditional Religion. In historical, anthropological, and other academic literature on African Traditional Religion in South Africa, scholars have tended to focus on one aspect of religion, such as sacrifice, the divination techniques of sangomas, or the veneration of ancestors in rituals dealing with death. This thesis argues, however, that a more comprehensive perspective on African Traditional Religion can be gained by focusing on the meaning, power, and performance of ritual speech that runs through all of these religious practices. Ukuthetha, or, ritual speaking which produces ukuvuma, ritual acceptance, agreement, or consensus, lies at the heart of amaXhosa religion. Distinguished from ordinary speech by its heightened intensity and its performance which occurs within a sacred time and place, ukuthetha, or ritual speech, is the medium linking the physical and spiritual world within the amaXhosa worldview. As this thesis focuses on the analysis of amaXhosa ritual speech, chapters on ukuthetha which occur during ritual performances associated with sacrifice, divination, and funerals provide a profile of different types of speech acts within the framework of African Traditional Religion. These speech acts are examined against the background of two theoretical perspectives. One theory, associated with Maurice Bloch, argues that ritual speech is a form of social control, limiting what can be said. The other theory, associated with Stanley Tambiah, maintains that ritual speech is creative performance, expanding the scope of what can be said. The thesis tests these theoretical perspectives against the evidence of amaXhosa ritual speech, finding aspects of both social control and creative performance in African Traditional Religion. Although the analysis of amaXhosa ritual speech in this thesis focuses primarily on religion in the traditional rural context, a chapter on tradition and change considers new challenges for ritual speech in sacrifice, divination, and funerals within urban environments. Adapting to new contexts, the signifying practices of ukuthetha maintain the integrity of amaXhosa religion. By focusing on the meaning and power of ritual speech in different ritual settings and social contexts, this thesis hopes to contribute to our understanding of the continuity and coherence of African Traditional Religion in South Africa.
Barbosa, Maria Aparecida. "O ritual da plenitude poética". Florianópolis, SC, 2000. http://repositorio.ufsc.br/xmlui/handle/123456789/78116.
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Nesta dissertação, discuto um aspecto que considero importante da obra de E. T. A. Hoffmann (1776-1822), a partir da leitura e análise do conto "O Pote de Ouro". O estudante Anselmo, herói desse "conto de fadas dos dias atuais", cumpre um ritual de iniciação, passando por uma "transformação ontológica", que é seu primeiro contato com o mundo maravilhoso. Ao longo de 12 vigílias, Anselmo distancia-se, gradualmente, da dimensão terrena da vida e ascende ao reino da Atlântida. Personagens de outros contos hoffmannianos, como o jovem artista Kreisler, o anacoreta Serapião e o famoso compositor Ritter Gluck, também perseguem a utopia da Atlântida, que é o final da jornada de todos eles. Será uma referência à criação estética, à alienação ou à loucura? Comparando os estágios da aventura de Anselmo com as experiências desses protagonistas de outros contos, tento circunscrever o possível sentido simbólico da Atlântida. Meu propósito é compreender o significado dessa procura na literatura de Hoffmann.
Gorham, Jeffrey Scott. "Xamanismo e fala ritual yanomami". reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/94806.
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Esta etnografia das performances yanomae, subgrupo yanomami oriental, está baseada numa análise da fala ritual e do xamanismo na comunidade de Novo Demini. De modo geral, oferece um esboço sobre a cultura oral e interpretação das performances yanomae vistas como eventos comunicativos, segundo Bauman, e seus meios de interação verbal circunscritos à noção de diálogo, de Bakhtin. Especificamente, procura compreender o papel que as performances têm na sociabilidade, principalmente aquelas observadas nos contextos regionais de aliança intercomunitária. Argumento que os aspectos estéticos da fala e o diálogo são os meios principais pelos quais seu poder retórico e eficácia ritual são construídos. Finalmente, desenvolvo um conceito analítico de "linha de frente", o qual ajuda a compreender os processos envolvidos na construção do universo espiritual-cosmológico. Linha de frente é um espaço de alinhamento ontológico que se elabora nas performances xamânicas.
This ethnography of performance is based upon an analise of Yanomae (Yanomami oriental sub-group) ritual speech and shamanism in the community of Novo Demini. It offers a general overview on their oral culture and an interpretation on speech performances as discussed in Bauman´s communicative events and their means of verbal interação based upon Bakhtin´s notion of dialogue. The analysis seeks to compreehend the role of performances in their sociailty, especially those observed in intercommunity regional alliance contexts. It argues that the aesthetic aspects and dialogue are the Yanomae principal means by which rhetorical force and ritual efficacy are constructed. Furthermore, I develop an analytical concept of "frontline" that helps compreehend the processes involved in the construction of their spiritual-cosmological universe along with ontological alignment that is elaborated during shamanic performances.
James, Hami Kim. "The interior dimension of ritual". Thesis, Curtin University, 2013. http://hdl.handle.net/20.500.11937/263.
Texto completoLee, Oon Teik. "Use of the ritual metaphor to describe the practice and acquisition of mathematical knowledge". Thesis, Curtin University, 2007. http://hdl.handle.net/20.500.11937/1138.
Texto completoAshton, Clayton Howard. "To rule by ritual : the theorization of ritual psychology in the bamboo texts of Guodian". Thesis, University of British Columbia, 2017. http://hdl.handle.net/2429/62688.
Texto completoArts, Faculty of
Asian Studies, Department of
Graduate
Liljas, Stålhandske Maria. "Ritual invention : a play perspective on existential ritual and mental health in late modern Sweden /". Uppsala : [Uppsala University Press] : Diakonivetenskapliga institutet [distributör], 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-5749.
Texto completoVan, den Hoven Carina. "The coronation ritual of the falcon at Edfu : tradition and innovation in ancient Egyptian ritual composition". Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEP005.
Texto completoThis research project investigates the role and function of tradition in the composition of new ritual texts in Ptolemaic Egypt on the basis of an in-depth analysis of the structural organisation and ritual composition of one the most elaborate and complex temple rituals known from Ptolemaic Egypt: the coronation ritual of the sacred living falcon. The available source material suggests that this ritual was a new composition of the Ptolemaic period in which tradition was merged with contemporary ideas. An investigation of the interrelations of the ritual texts and iconographic themes of this ritual with other textual and iconographic materials enabled us to investigate the role and function of tradition in the ritual, to identify the editorial processes to which the new composition was subjected and to reach conclusions on the extent of originality and the conceptualisation of innovation in ancient Egyptian ritual composition. The analysis of the structural organisation of the ritual on the temple walls has shown that the order of the ritual scenes on the temple walls does not necessarily reflect the order in which the ritual took place in reality and that the ritual was not necessarily carried out in the specific location where it is depicted on the temple walls. These findings resulted in a new reconstruction of the ritual sequence of the coronation ritual of the falcon based on the hieroglyphic inscriptions. On the basis of textual, iconographic and lexicographic material combined with an analysis of the archaeological sources a new identification was proposed of the various locations in and around the Edfu temple domain where the ritual was carried out
Carter, Sue Ellen. "Landscapes For Celebration; An Investigation and Design of Wedding Gardens". Thesis, Virginia Tech, 2003. http://hdl.handle.net/10919/32303.
Texto completoMaster of Landscape Architecture
Zylstra, Nicole. "The Bacchae of Euripides, ritual theatre". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq20813.pdf.
Texto completoPapp, Victoria Nicole Kortes. "Ritual in T.S. Eliot's longer poems". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq25695.pdf.
Texto completoMothibedi, Moffat R. "The experience of ritual in architecture". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq39688.pdf.
Texto completoKelly, Mary Theresa. "Frankenfood, risk and ritual in biotechnology". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0024/MQ47952.pdf.
Texto completoBland, Lindsay Kay. "To What They Saw As Ritual". The University of Montana, 2009. http://etd.lib.umt.edu/theses/available/etd-06192009-111330/.
Texto completoSharkey, Gregory C. J. "Daily ritual in Newar Buddhist shrines". Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240321.
Texto completoSchumacher, Ilsa Amelia. "Ritual devotion among Shi'i in Bahrain". Thesis, London School of Economics and Political Science (University of London), 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263092.
Texto completoChaulagain, Nawaraj. "Hindu Kingship: Ritual, Power and History". Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11203.
Texto completoDermody, Erin. "The ritual performance of dark tourism". Thesis, Brunel University, 2017. http://bura.brunel.ac.uk/handle/2438/16176.
Texto completoSchaefers, Kathleen Marie. "Ritual elements : a cemetery in Montana". Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/70256.
Texto completoIncludes bibliographical references (leaves 50-57).
"As pines keep the shape of the wind even when the wind has fled and is no longer there So walls guard the shape of man even when man has fled and is no longer there. " -- George Seferis. The walls we make are the culmination of choices. This thesis explores the intensification of an unbuilt landscape; underlying it is the notion that place making is both site and culturally specific, and reveals some deeper meaning about who and where we are, and what we value. I seek to celebrate the poetic, philosophical, and physical aspects of landscape and architecture through the design of three integrated places: a chapel, a crematorium, and a columbarium. Through this process I reflect upon the expression of ritual, loss, and remembrance.
by Kathleen Marie Schaefers.
M.Arch.
Magalhães, Maria Fernanda Vilela de. "Corpo re-construção ação ritual performance". [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285147.
Texto completoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Corpo Re-Construção Ação Ritual Performance é um projeto de criação desenvolvido durante o Doutorado, que se constrói a partir de nove ações performáticas realizadas ao longo de 2003-2008 e que resultaram em um acervo de imagens, vídeos e áudios, editados para a realização de exposições, apresentações e publicações, além de comporem o site http://www.fernandamagalhaes.com.br e o livro Corpo Re- Construção Ação Ritual Performance. O trabalho final para o doutorado como tese é um livro-de-artista, impresso como objeto e também publicado virtualmente, como site. A tese é uma tese-de-artista, desenho tecidual, texto-tecido-pele, superfície. Ali estão contidas construções, desenhos, pinturas, fotografias e textos que compõem esta criação-tese. As ações performáticas foram realizadas com grupos diversos e têm como resultado registros que constituem o trabalho. São impressões/inscrições dos corpos sobre lençóis brancos, fotografias, vídeos, paisagens sonoras, desenhos e gravuras. Na realização das exposições, parte deste material editado foi montado em instalações que compõem este corpo. Também foram realizadas apresentações multimídia. As exposições e as apresentações mostram fragmentos dos trabalhos referentes a cada ação realizada em seus eventos específicos. No livro-tese e no site estão presentes partes dos cadernos de anotações produzidos durante o processo de construção do trabalho, além dos registros das ações e do texto escrito no percurso para-sobre-no-com-entre o projeto-tese. As publicações são a obra-multiplicadora-informefragmento-rizoma-expansão-deslizamentoescoamento-transfiguração e pretendem construir uma rede de ações através da experiência de artista na construção de uma criação-tese.
Abstract: Body Re-Construction Action Ritual Performance is a creation project developed during Doctorate studies and is set up from nine performances accomplished across 2003-2008 and which resulted in a collection of images, videos and audios, edited for the realization of exhibitions, shows and publications, as well as for composing the website www.fernandamagalhaes.com.br and the book Body Re-Construction Action Ritual Performance. The thesis is an artist-book printed as an object as well as published virtually in the form of a website. The thesis is an artist-thesis, tissue drawing, text-tissue-skin, surface. It comprises the constructions, drawings, paintings, photos and texts that compose this creation-thesis. The performances were realized with diverse groups and resulted in the records that compose the work. They are impressions/inscriptions of bodies on white sheets, photos, videos, sound sceneries, drawings and engravings. In the accomplishment of the exhibitions, part of this edited material was set up in installations that compose this body. Multimedia shows have also been realized. The exhibitions and presentations showed fragments of the works relative to each action accomplished in its specific events. The thesis-book and the website include parts of the notebooks produced during the construction process of the work, together with the records of the actions and the text written for-on-in-with-between the project-thesis. The publications are the work-multiplier-inform-fragment-rhizome-expansion-slip-outflow-transfiguration and intend to build a net of actions through the artist experience in the construction of a creation-thesis.
Doutorado
Doutor em Artes
Abreu, Marilande Martins 1976. "Sacrifício ritual, laços sociais e sexualidade". [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280803.
Texto completoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: O presente estudo se propõe a delinear uma análise da realidade social a partir do conceito de sacrifício ritual, um fato social total à medida que apreende instâncias da vida política, religiosa, econômica e cultural. Para isso, os métodos tomados da Antropologia das Formas Expressivas e alguns conceitos da Teoria Psicanalítica, permitem problematizar e acompanhar legendas de narrativas míticas e rituais da Grécia Antiga através do simbolismo ritual que permite apreender a justaposição entre homem, deus e o animal, esse jogo se institui em correspondência e dependência da simbolização do feminino. O simbolismo ritual desvenda alguns elos entre laços sociais interdições sexuais, agressividade e sexualidade, permite ainda, interpretar o sacrifício ritual como imagem especular da ordem social. Estes temas remetem ao incesto e ao parricídio, fenômenos sociais implicados no sacrifício ritual e no jogo de justaposição entre homem, deus e o animal. Portanto, a partir de Totem e Tabu, de Sigmund Freud; A Violência e o Sagrado, de René Girard; e Homo-Necans - ritos sacrificiais e mitos da Grécia Antiga, de Walter Burkert, pretende-se interpretar algumas legendas míticas e rituais do politeísmo grego para evidenciar analogias e semelhanças entre sistemas sacrificiais de práticas religiosas de modernos e totêmicos, ou ainda, de monoteístas e politeístas. Essas imagens míticas e rituais repetem cenas de ordem e desordem associados à ação sacrificial, aproximam castração e ordem simbólico-ritual fálica, mito do Complexo de Édipo e pai da horda primitiva, tabu totêmico e tabu obsessivo, matriarcado e patriarcado. Jesus Cristo, Dionísio, Apolo e Hefesto se situam no jogo de justaposição entre homem, deus e o animal, associam-se ao campo masculino e ao patriarcado; do mesmo modo, divindades femininas como Maria, Deméter, Hera, Atena e Afrodite constituem imagens superpostas da mulher como mãe, virgem e amante, figuras situadas no campo feminino. O simbolismo ritual permite, assim, interpretar o advento do matriarcado em relação de dependência e polarização com o patriarcado, ambos repetem compulsivamente o jogo de superposições entre homem, deus e o animal que institui simbolismo ritual e transmite tradição cultural
Resumé: Cette étude se propose d'esquisser une analyse de la réalité sociale à partir du concept de sacrifice rituel, un fait social total dans la mesure où il comprend les instances de la vie politique, religieuse, économique et culturelle. Pour cela, les méthodes empruntées à l'anthropologie des formes expressives, et quelques concepts de la théorie psychanalytique permettent de problématiser et de suivre les légendes mythiques et rituelles de la Grèce antique à travers le symbolisme rituel, qui permet de comprendre la juxtaposition entre homme, dieu, et animal, qui s'institue en correspondance et en dépendance de la symbolisation du féminin. Le symbolisme rituel révèle quelque chaînons entre liens sociaux, interdictions sexuelles, agressivité et sexualité, et permet aussi d'interpréter le sacrifice rituel comme image spéculaire de l'ordre social. Ces thèmes renvoient à l'inceste et au parricide, phénomènes sociaux impliqués dans le sacrifice rituel et dans le jeu de juxtaposition entre homme, dieu, et animal. Donc, à partir de Totem et Tabou, de Sigmund Freud, de La violence et le sacré, de René Girard, et de Homo necans - rites sacrificiels et mythes de la Grèce antique, de Walter Burkert, on a l'intention d'interpréter quelques légendes mythiques et rituelles du polythéisme grec, ceci afin de mettre en évidence les analogies et les ressemblances entre les systèmes sacrificiels des pratiques religieuses modernes et totémiques, ou encore, monothéistes et polythéistes. Ces images mythiques et rituelles répètent les scènes d?ordre et de désordre associées à l'acte sacrificiel, rapprochent castration et ordre symbolico-phallique, mythe du complexe d'oedipe et du père de la horde primitive, tabou totémique et tabou obsessionnel, matriarcat et patriarcat. Jésus Christ, Dionysos, Apollon et Héphaïstos, se situent dans le jeu de juxtaposition entre homme, dieu, et animal, et sont associés au champ masculin et au patriarcat, et de la même façon, des divinités féminines comme Marie, Déméter, Héra, Athéna, et Aphrodite constituent des images superposées de la femme avec la mère, la vierge et l'amante, figures situées dans le champ féminin. Le symbolisme rituel permet ainsi d?interpréter l?avènement du matriarcat en relation de dépendance et de polarisation avec le patriarcat, l'un comme l'autre répétant compulsivement le jeu de superposition entre homme, dieu et animal qui institue le symbolisme rituel et transmet la tradition culturelle
Abstract: This study proposes to outline an analysis of social reality from the concept of ritual sacrifice, a total social fact that measuresand apprehends of political life, religious, economic and cultural life. For this reason, the methods taken from Anthropology of expressive forms and some concepts in psychoanalytic theory, allow problematize and accompany captions of mythic narratives and rituals of Ancient Greece through the ritual symbolism, which enables to seize the juxtaposition between man, God and the animal, which is establishing in correspondence and dependence of symbolization of the female. The ritual symbolism uncovers some links between social ties sexual prohibitions, aggression and sexuality, also allows, interpret the sacrifice ritual as specular image of the social order. These issues relate to the incest and the "parricidio", social phenomena involved in ritual sacrifice and in the game of juxtaposition between man, God and the animal. Therefore, from Totem and Taboo, Sigmund Freud; The violence and the sacred, of René Girard; and Homo-Necans - sacrificial rites and myths of Ancient Greece, of Walter Bürkert works, we want to interpret some mythical legends and rituals of the Greek polytheism to highlight similarities and parallels between sacrificial systems of religious practices of modern and "totemicos", or even, monotheistic and polytheist. These mythic images and rituals are repeated scenes of order and disorder associated with the sacrificial action, approach castration and order symbolic-ones, myth of Edipus Complex and father of the primitive horde, "totenico"taboo and obsessive taboo, matriarchy and the patriarchy. Jesus Christ, Dionysus, Apollo and Hefesto are situated in the game of juxtaposition between man, God and the animal, are associated with the male field and to the patriarchy; similarly, female deities as Mary, Demeter, Hera, Athena and Aphrodite are overlapping images of woman as mother, virgin and lover, figures situated in the countryside female. The ritual symbolism used to interpret the advent of matriarachy in relation of dependence and polarization with the patriarchy, both repeat compulsively the game of superpositions between man, God and the animal establishing ritual symbolism and transmits cultural tradition
Doutorado
Ciencias Sociais
Doutora em Ciências Sociais
Mulvany, Eleonora. "The Flower in Inca Ritual Cycles". Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/113576.
Texto completoEn este trabajo se presentan los resultados de un estudio etnohistórico sobre la posible relación entre el ritual, la organización social, el calendario solar y metáforas visuales y verbales. Esta interrelación se puede comprender mediante el empleo de flores en los tocados de hombres jóvenes y adultos, en las ofrendas a deidades y su distribución en el espacio del paisaje sagrado vinculado a rituales periódicos.
Maxson, Brian. "Humanism and the Ritual of Command". Digital Commons @ East Tennessee State University, 2009. https://dc.etsu.edu/etsu-works/6220.
Texto completo