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Artículos de revistas sobre el tema "Richardson"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 9 de junio de 2025

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1

Hultén, Martin. "Samuel Richardsons brevromaner." K&K - Kultur og Klasse 35, no. 103 (June 2, 2007): 174–87. http://dx.doi.org/10.7146/kok.v35i103.22304.

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En litteraturhistorisk placering The Epistolary Novels of Samuel Richardson: Reconsidering the Historical PerspectiveThe epistolary novels of Samuel Richardson were received with enthusiasm throughout Britain and Europe upon their publication in the 1740s and 50s, and they have had their unquestioned place in the literary canon and the literary history of the 18th century, as well as in the many rivalling Rise of the Novel narratives, ever since. The qualities of Richardson’s novels praised by contemporary reading audiences and professional critics were to some extent the qualities we still acknowledge in the the works. And yet I propose to reconsider and modify our ‘historical’ understanding of Richardson’s novels. Richardson scholars from the 1970s onward have deepened our understanding of the contexts of Richardson’s life and writing, and they have shown to what extent both the style, the form, the motifs, and the themes of his novels must be placed alongside the works of rival authors, today much less known, and the comedies and tragedies of the restoration period, just to mention two important fields of inspiration for Richardson. On the basis of their findings we must conclude that the novels we read today when considering Richardson’s works as part of a formal literary history are not quite the same as the novels contemporary readers cherished. There are important differences as well as correspondences between the contemporary reception of Richardson’s works and the reception of professional scholars in the twentieth and twenty-first centuries.

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2

Katsafanas, Paul. "Review of Richardson's "Nietzsche's Values"." Agonist 15, no. 3 (November 24, 2021): 139–54. http://dx.doi.org/10.33182/agon.v15i3.1913.

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This article examines John Richardson’s Nietzsche’s Values. Richardson’s book is systematic in the very best sense. He patiently works through the apparently contrary claims that Nietzsche makes about each topic pertaining to values. In each chapter, Richardson shows that these apparently contrary claims are not only reconcilable, but are interlocking: they support one another, constituting an impressively unified analysis of the human condition. By the end of the book, Richardson produces a comprehensive analysis of Nietzsche’s thought on values, will to power, life, consciousness, agency, freedom, culture, and religion. While the book is impressive, I critique Richardson’s treatment of four points. Section One argues that the form of internalism that Richardson attributes to Nietzsche is somewhat underspecified. Section Two asks whether Richardson’s version of internalism can account for the immense distance between what we do value and what we should value. There, I also raise some questions Richardson’s interpretation of will to power. Section Three suggests that Richardson’s reading of Nietzsche’s ethics is much closer to constitutivism than he acknowledges, and that fully endorsing constitutivism would resolve some of the problems that Richardson’s account otherwise faces. Section Four argues that Richardson’s distinction between animal drives and socially induced drives is problematic.

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3

Blackstock, Allan. "Making hay when the sun don't shine: the Rev. William Richardson, science and society in early nineteenth-century Ireland." Irish Historical Studies 37, no. 147 (May 2011): 396–411. http://dx.doi.org/10.1017/s0021121400002728.

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So wrote William Hamilton Drummond in 1811 in reference to an extraordinary grass known by the old Irish name of fiorin (fiorthann), whose properties had been discovered by a fellow cleric, William Richardson (1740–1820). Richardson claimed fiorin could produce abundant winter hay and help reclaim bogland. Though Donaldson’sAgricultural biographyof 1854 dismissed Richardson’s work as ephemeral and careless, in 1806 the leading British scientist Humphry Davy visited Richardson and was impressed enough to recommend him to the Board of Agriculture and include fiorin in his famous lecture series translated into every major European language.

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4

Molloy, Mary Alice. "Richardson's Web: A Client's Assessment of the Architect's Home and Studio." Journal of the Society of Architectural Historians 54, no. 1 (March 1, 1995): 8–23. http://dx.doi.org/10.2307/991023.

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John Jacob Glessner appears to have been the only person outside Henry Hobson Richardson's circle of friends and employees to have written a detailed account of his experiences visiting the architect's home and office in Brookline, Mass. Glessner's account documents the interrelationship between house and work spaces in Richardson's career and details the ways in which Richardson used both places to urge his client to accept his ideas for a proposed residence in Chicago. Richardson died believing he had convinced Glessner of the rightness of all of his proposals. Glessner's second thoughts, however, resulted in one serious deviation from the architect's intentions.

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5

Anderson, Gordon. "Employment Law: The Richardson Years." Victoria University of Wellington Law Review 33, no. 3-4 (December 1, 2002): 887–94. http://dx.doi.org/10.26686/vuwlr.v33i3-4.5841.

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This article outlines Sir Ivor Richardson's tenure in the Court of Appeal. The author outlines the development of employment law from the early 1970s and several judgments that Richardson presided over. The author also discusses the juridification of employment law due to the enactment of key legislation and how academics responded to such a change. The author concludes that Sir Ivor Richardson's tenure coincided with one of the most controversial and divisive periods of industrial relations in New Zealand history, meaning that the Court of Appeal had to take a leading role in determining many legal conflicts that arose as a result.

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6

Castles, Madeleine, Tom Hvala, and Kieran Pender. "Rethinking Richardson: Sexual Harassment Damages in the #MeToo Era." Federal Law Review 49, no. 2 (March 9, 2021): 231–71. http://dx.doi.org/10.1177/0067205x21993146.

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The 2014 judgment in Richardson v Oracle Corporation Australia Pty Ltd (‘ Richardson’) had a seismic effect on workplace sexual harassment claims in Australia. Overnight, the ‘general range’ of damages awarded for non-economic loss in such cases increased from between $12 000 and $20 000 to $100 000 and above. The judgment has made Sex Discrimination Act 1984 (Cth) litigation considerably more attractive for plaintiffs and resulted in greater judicial recognition of the pain and suffering experienced by sexual harassment survivors. Richardson’s impact has also been felt beyond that immediate context, with the judgment cited in support of higher damages in discrimination cases and employment disputes. However, six years and over 40 judicial citations later, Richardson’s broader significance remains unclear—particularly following the emergence of the #MeToo movement. Drawing on a doctrinal analysis of subsequent case law and qualitative interviews with prominent Australian legal practitioners, this article evaluates Richardson’s legacy and considers how sexual harassment litigation may further evolve to reflect changing societal norms.

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7

Hunt, Julian, and Jean Coiffier. "Lewis Fry Richardson et ses contributions aux mathématiques, à la météorologie et aux modèles de conflits - Partie II." La Météorologie, no. 120 (2023): 031. http://dx.doi.org/10.37053/lameteorologie-2023-0014.

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Cette seconde partie présente la vie et l'activité scientifique de Lewis Fry Richardson au cours de la période 1926-1953. Les travaux qu'il a entrepris sur la modélisation mathématique de la psychologie, les causes des conflits et les statistiques sur les guerres sont résumés en termes compréhensibles pour un large public. Ils ont conduit Richardson à découvrir un aspect particulier des fractales, outil d'analyse aujourd'hui bien connu pour l'étude des mouvements complexes des fluides. This second part presents the life and scientific activity of Lewis Fry Richardson during the period 1926-1953. His later work on numerical modelling of psychology, causes of conflicts and the statistics of wars is outlined in terms understandable to a wide audience. They led to Richardson's discovery of one aspect of fractals, analytical technique now recognized as valuable in the study of the complex fluid motions.

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8

Ochsner, Jeffrey Karl, and Thomas C. Hubka. "H. H. Richardson: The Design of the William Watts Sherman House." Journal of the Society of Architectural Historians 51, no. 2 (June 1, 1992): 121–45. http://dx.doi.org/10.2307/990710.

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Henry Hobson Richardson's design for the William Watts Sherman house, in Newport, Rhode Island, has long been considered an anomaly among his projects. While its living hall plan has always been credited to Richardson, the exterior has often been thought to have been the work of Richardson's assistant, Stanford White, drawing on the published work of Richard Norman Shaw. Study of surviving sketches, drawings, and other records, along with an examination of the house itself, shows that this explanation of the Sherman house is inadequate. Not only did Richardson control both plan and massing, but he must also be credited with the design of critical front gable, which did not derive from Shaw's work. Analysis of Richardson's sketches also offers clues to Richardson's typical architectural design method and compositional approach, as well as to his specific blending of English, Continental, and especially American colonial vernacular influences in the Sherman design. These influences also provide a basis for understanding why the house became such an important source for the development of multiple themes in American domestic architecture in succeeding decades, especially the Shingle Style.

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9

OTT, SØREN, and JAKOB MANN. "An experimental investigation of the relative diffusion of particle pairs in three-dimensional turbulent flow." Journal of Fluid Mechanics 422 (November 3, 2000): 207–23. http://dx.doi.org/10.1017/s0022112000001658.

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The particle tracking (PT) technique is used to study turbulent diffusion of particle pairs in a three-dimensional turbulent flow generated by two oscillating grids. The experimental data show a range where the Richardson–Obukhov law 〈r2〉 = Cεt3 is satisfied, and the Richardson–Obukhov constant is found to be C = 0.5. A number of models predict much larger values. Furthermore, the distance–neighbour function is studied in detail in order to determine its general shape. The results are compared with the predictions of three models: Richardson (1926), Batchelor (1952) and Kraichnan (1966a). These three models predict different behaviours of the distance–neighbour function, and of the three, only Richardson's model is found to be consistent with the measurements. We have corrected a minor error in Kraichnan's (1996a) Lagrangian history direct interaction calculations with the result that we had to increase his theoretical value from C = 2.42 to C = 5.5.

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10

Kvande, Marta. "Printed in a Book: Negotiating Print and Manuscript Cultures in Fantomina and Clarissa." Eighteenth-Century Studies 46, no. 2 (March 1, 2013): 239–57. https://doi.org/10.1353/ecs.2013.0008.

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In his dual career as printer and author, Samuel Richardson embodies the dialogue between print and manuscript cultures during the eighteenth century. Like Richardson, Haywood was involved in the book trades and was an accomplished practitioner of the novel-in-letters. Both wrote novels that participated in the ongoing cultural negotiation between print and manuscript cultures. Haywood's Fantomina capitalizes on the distance created by print to creates authority. By contrast, Richardson's Clarissa uses epistolary fiction to misappropriate manuscript culture by creating a nostalgic idea of direct linkage between letter, body, and self which ultimately disempowers the manuscript author and points toward print. In other words, Richardson uses a fantasy of manuscript culture's troubled authenticity to authorize print as the more authoritative material form. Together, these two novels help to suggest just how integral the problem of print's authority was in the shaping of the genre.

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11

Beasley, David. "Major John Richardson's 'The Miser Outwitted' Discovered." Theatre Research in Canada 7, no. 1 (January 1986): 3–10. http://dx.doi.org/10.3138/tric.7.1.3.

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The Miser Outwitted by Major John Richardson was advertised for sale in Upper Canadian newspapers in 1841 but no copy has been found. David Beasley, who wrote Richardson's biography, describes how he discovered the anonymous playscript in the Manuscripts Room of the British Library and determined by the handwriting that Richardson was the author. He surmises how it came to be produced at the Queens Theatre, Dublin on 10 May 1848. The play, a one-act farce, is a good example of the entertainment enjoyed by our colonial ancestors in the last century. The theme of a Miser tricked into losing his Money is of perennial interest and enjoys a long tradition in the theatre.

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12

Barton, George P. "Dinner Speech." Victoria University of Wellington Law Review 33, no. 3-4 (December 1, 2002): 1085–92. http://dx.doi.org/10.26686/vuwlr.v33i3-4.5840.

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This speech celebrates the life and achievements of Sir Ivor Richardson. The speech outlines Sir Richardson's celebrated academic career at Victoria University of Wellington, beloved by students and academics alike. Barton also outlines Sir Richardson's time as Dean of the Faculty of Law, including the challenges he faced regarding Sir Richard Wild's comments during the Springboks Tour of New Zealand. The speech also outlines Sir Richardson's tenure as the Chairman of the Royal Commission on Social Policy. Barton concludes his speech by celebrating Sir Ivor Richardson's meticulousness and wishing him well in retirement.

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13

SUMNER, JAMES. "John Richardson, saccharometry and the pounds-per-barrel extract: the construction of a quantity." British Journal for the History of Science 34, no. 3 (September 2001): 255–73. http://dx.doi.org/10.1017/s000708740100440x.

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This paper uses the work of John Richardson, an eighteenth-century brewing theorist, to explore the view that physical quantities, though they appear ‘natural’ or ‘given’, are actually contingent entities constructed to serve particular aims. It focuses on the pounds-per-barrel extract, a brewery-specific quantity which, in a reversal of the familiar position, seems self-evidently constructed to the general reader yet came to be accepted as ‘natural’ among its users. Central to Richardson's work in achieving this acceptance was an instrument, the saccharometer, which, by providing measurements of the quantity, legitimated it. Richardson presented both instrument and quantity as tailored to serving the particular needs of his fellow brewers, at the same time emphasizing their separateness from parallel work in distillery assessment, which had made Richardson's innovation possible but now threatened his projected consensus. Richardson's overall project encompassed the direct proportionation of material costs, retail prices and Excise duties to extract values as defined by the saccharometer, which he sought to monopolize. The scheme was not wholly successful, yet Richardson's quantity remained in brewery use into modern times. The end result, I contend, shows how a quantity, by becoming naturalized, may survive the loss of its initial theoretical underpinning.

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14

Haughton, Thomas. "‘The novel is going to rediscover itself’: Dorothy Richardson, The Freewoman, and Individual Expression." Modernist Cultures 18, no. 3 (August 2023): 197–217. http://dx.doi.org/10.3366/mod.2023.0401.

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This article examines Dorothy Richardson’s engagement with The Freewoman’s discussion of women’s individuality. Of Marsden’s three periodicals, The Freewoman, the New Freewoman, and The Egoist, it is her final periodical that is best associated with Richardson’s work. It was in The Egoist that May Sinclair published her influential review of Richardson, which referred to Richardson’s style as ‘stream of consciousness’. However, Richardson’s most engaged interaction with the Marsden periodicals was actually The Freewoman. Indeed, Richardson’s Pilgrimage series represents a literary example of the periodical’s call for a new type of literature that depicts the individual’s unfiltered and uncensored thoughts.

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15

Zomchick, John P., and Harold Bloom. "Samuel Richardson." South Atlantic Review 54, no. 4 (November 1989): 119. http://dx.doi.org/10.2307/3199807.

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16

Marks, Sylvia Kasey, and Elizabeth Bergen Brophy. "Samuel Richardson." South Atlantic Review 54, no. 1 (January 1989): 122. http://dx.doi.org/10.2307/3200082.

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17

Smith, Nancy Paige. "Participation.Ann Richardson." Journal of Politics 47, no. 1 (February 1985): 335–38. http://dx.doi.org/10.2307/2131090.

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18

Hilliard, Raymond F., Elizabeth Bergen Brophy, Jocelyn Harris, Sylvia Kasey Marks, and Valerie Grosvenor Meyer. "Samuel Richardson." Eighteenth-Century Studies 22, no. 4 (1989): 584. http://dx.doi.org/10.2307/2739086.

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19

King, Noel. "Rewriting Richardson." Journal of the Midwest Modern Language Association 18, no. 1 (1985): 42. http://dx.doi.org/10.2307/1315103.

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20

Steeves, Edna L., and Margaret Anne Doody. "Samuel Richardson." Modern Language Studies 20, no. 3 (1990): 113. http://dx.doi.org/10.2307/3195243.

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21

Ghabris, Maryam. "Richardson pédagogue." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 34, no. 1 (1992): 57–65. http://dx.doi.org/10.3406/xvii.1992.1226.

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22

Dewar, H. A. "John Richardson." BMJ 325, no. 7366 (September 28, 2002): 716. http://dx.doi.org/10.1136/bmj.325.7366.716.

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23

Mervis, J. "Bill Richardson." Science 319, no. 5859 (January 4, 2008): 28–29. http://dx.doi.org/10.1126/science.319.5859.28b.

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24

Foeman, Anita K. "Gloria Richardson." Journal of Black Studies 26, no. 5 (May 1996): 604–15. http://dx.doi.org/10.1177/002193479602600506.

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25

Mackie, J. "John Richardson." BMJ 326, no. 7379 (January 4, 2003): 54j—54. http://dx.doi.org/10.1136/bmj.326.7379.54/j.

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26

GSH. "Andrew Richardson." British Dental Journal 208, no. 10 (May 2010): 487. http://dx.doi.org/10.1038/sj.bdj.2010.481.

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27

Fryers, Mark. "Tony Richardson." Historical Journal of Film, Radio and Television 34, no. 1 (November 21, 2013): 133–35. http://dx.doi.org/10.1080/01439685.2013.852729.

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28

Makai, Mihály. "Richardson Extrapolation." Nuclear Science and Engineering 89, no. 4 (April 1985): 382–83. http://dx.doi.org/10.13182/nse85-a18631.

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29

Ritchie, L., J. Howie, and D. Pereira Gray. "Ian Richardson." BMJ 342, apr27 3 (April 27, 2011): d2679. http://dx.doi.org/10.1136/bmj.d2679.

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30

Steele, J. C. "IN31-TU-04 PSP Steele-Richardson-Olszewski syndrome Richardson's disease." Journal of the Neurological Sciences 285 (October 2009): S25. http://dx.doi.org/10.1016/s0022-510x(09)70122-4.

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31

Porterfield, Amanda. "William James and the Modernist Esthetics of Religion." Church History 83, no. 1 (March 2014): 154–62. http://dx.doi.org/10.1017/s000964071300173x.

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In his intellectual biography, William James: In the Maelstrom of American Modernism, Robert Richardson never defines modernism, and never addresses the reasons for its turbulence in America. But he does present the maelstrom through his subject, showing how James helped drive the modernist sensibility he inhabited—a whirlwind of creativity and intellectual passion “whose leading ideas,” to quote Richardson, “are still so fresh and challenging that they are not yet fully assimilated by the modern world they helped to bring about.” Presenting James as an intellectual activity, Richardson focuses on bringing the emotional background of that activity into view, chronicling James's intellectual history as splashes from a turbulent stream of consciousness. The book's dedication to Annie Dillard next to the book's epigraph from James reveals Richardson's respect for the volatility both writers represented. The dedication is: “For Annie, who wrote, ‘we have less time than we knew and that time buoyant, and cloven, lucent, missile, and wild,’” followed by the epigraph from James testifying that, “[life] feels like a real fight—as if there were something really wild in the universe which we, with all our idealities and faithfulnesses, are needed to redeem.”

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32

Tubini, Niccolò, and Riccardo Rigon. "Implementing the Water, HEat and Transport model in GEOframe (WHETGEO-1D v.1.0): algorithms, informatics, design patterns, open science features, and 1D deployment." Geoscientific Model Development 15, no. 1 (January 7, 2022): 75–104. http://dx.doi.org/10.5194/gmd-15-75-2022.

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Abstract. This paper presents WHETGEO and its 1D deployment: a new physically based model simulating the water and energy budgets in a soil column. The purpose of this contribution is twofold. First, we discuss the mathematical and numerical issues involved in solving the Richardson–Richards equation, conventionally known as the Richards equation, and the heat equation in heterogeneous soils. In particular, for the Richardson–Richards equation (R2) we take advantage of the nested Newton–Casulli–Zanolli (NCZ) algorithm that ensures the convergence of the numerical solution in any condition. Second, starting from numerical and modelling needs, we present the design of software that is intended to be the first building block of a new customizable land-surface model that is integrated with process-based hydrology. WHETGEO is developed as an open-source code, adopting the object-oriented paradigm and a generic programming approach in order to improve its usability and expandability. WHETGEO is fully integrated into the GEOframe/OMS3 system, allowing the use of the many ancillary tools it provides. Finally, the paper presents the 1D deployment of WHETGEO, WHETGEO-1D, which has been tested against the available analytical solutions presented in the Appendix.

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33

Boborykina, Tatiana A. "Tarnished Virtues: From Richardson to Beardsley." Dostoevsky and World Culture. Philological journal, no. 3 (2021): 98–120. http://dx.doi.org/10.22455/2619-0311-2021-3-98-120.

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The starting point of the article is a statement about “tarnished virtues” by one of the characters of Poor Folk, Fyodor Dostoevsky’s first novel. The word combination evokes various associations, allusions, and numerous variants of interpretation. A remark on virtues made in the frame of an epistolary novel immediately recalls the novels of a coryphaeus of the genre, 18th-Century English writer Samuel Richardson, especially his first one, in which the word “virtue” appears in the title – Pamela Or, Virtue Rewarded. However, Richardson’s comprehension of virtue seems to be quite narrow, a fact that had been already noticed by his contemporary writer Henry Fielding, who wrote a parody on Pamela. A brief analysis of the parody discovers a common vision on the nature of virtue by both Fielding and Dostoevsky, which becomes even clearer when one finds out their mutual reference point – Cervantes’ Don Quixote. The article explores other novels by Richardson, his influence upon European literature as well as his inner correlation with such writers as Karamzin and Pushkin. Besides, the article investigates the question – raised by its author some years ago – of a certain similarity between the plotlines of Clarissa and Poor Folk, the appearance of “Lovelace” in Dostoevsky’s first book, and the sudden turn of the plot from Richardson’s glorification of virtue to Dostoevsky’s dramatic realism. A few interpretations of Poor Folk are briefly analyzed, including that of Aubrey Beardsley, who illustrated the novel. Several explanations of the sentence on “tarnished virtues” are explored, and finally, the author offers a new one.

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34

Boborykina, Tatiana A. "Tarnished Virtues: From Richardson to Beardsley." Dostoevsky and world culture. Philological journal, no. 3 (2021): 98–120. http://dx.doi.org/10.22455/2541-7894-2021-3-98-120.

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The starting point of the article is a statement about “tarnished virtues” by one of the characters of Poor Folk, Fyodor Dostoevsky’s first novel. The word combination evokes various associations, allusions, and numerous variants of interpretation. A remark on virtues made in the frame of an epistolary novel immediately recalls the novels of a coryphaeus of the genre, 18th-Century English writer Samuel Richardson, especially his first one, in which the word “virtue” appears in the title – Pamela Or, Virtue Rewarded. However, Richardson’s comprehension of virtue seems to be quite narrow, a fact that had been already noticed by his contemporary writer Henry Fielding, who wrote a parody on Pamela. A brief analysis of the parody discovers a common vision on the nature of virtue by both Fielding and Dostoevsky, which becomes even clearer when one finds out their mutual reference point – Cervantes’ Don Quixote. The article explores other novels by Richardson, his influence upon European literature as well as his inner correlation with such writers as Karamzin and Pushkin. Besides, the article investigates the question – raised by its author some years ago – of a certain similarity between the plotlines of Clarissa and Poor Folk, the appearance of “Lovelace” in Dostoevsky’s first book, and the sudden turn of the plot from Richardson’s glorification of virtue to Dostoevsky’s dramatic realism. A few interpretations of Poor Folk are briefly analyzed, including that of Aubrey Beardsley, who illustrated the novel. Several explanations of the sentence on “tarnished virtues” are explored, and finally, the author offers a new one.

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35

Prevost, Roxane. "Musical quotation in Richardson/Morlock’s Perruqueries (2013): humour as a vehicle for social commentary." British Journal of Canadian Studies: Volume 34, Issue 1 34, no. 1 (March 1, 2022): 19–42. http://dx.doi.org/10.3828/bjcs.2022.2.

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Quotation, one of the most common types of borrowing, has a rich history in the western art music tradition. Composers often cite other musical works as a creative tool, resulting in intertextual relationships between two pieces. The six songs of Perruqueries (2013) for soprano, baritone, and piano, with lyrics by Bill Richardson (b. 1955) and music by Jocelyn Morlock (b. 1969), focus on wigs and people’s obsession with them. Richardson either draws from real or fictional characters to write witty lyrics about wigs, while Morlock cleverly quotes well-known music of the past, recasting famous themes in humorous contexts. Drawing on Metzer’s work on quotation as a cultural agent (2003), I argue that Richardson’s lyrics and Morlock’s setting invite the listener to engage with current discourses on the role of physical appearance in our society through humour.

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36

Edgington, John. "Natural history books in the library of Dr Richard Richardson." Archives of Natural History 43, no. 1 (April 2016): 57–75. http://dx.doi.org/10.3366/anh.2016.0346.

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During the first decades of the eighteenth century the wealthy Yorkshire naturalist Richard Richardson acquired a large library, particularly strong in natural history, medicine and antiquarianism. Virtually all the natural history component was dispersed before the library was catalogued, so its contents have been unknown. Richardson's unpublished correspondence with Sir Hans Sloane and William Sherard contains many references to his books and shows that they and other leading naturalists were the source of most of them, by donation and purchase. Of about 700 books in natural history that he possessed, 425 have been identified; an Appendix lists 300 of the more significant titles. Comparison is made with other natural history libraries, and the eventual fate of Richardson's is discussed.

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37

Stopp, Marianne P. "The origin of William Richardson’s 1771 description of a Labrador Inuit snow house." Études/Inuit/Studies 37, no. 1 (May 29, 2014): 95–102. http://dx.doi.org/10.7202/1025256ar.

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Researchers of Labrador Inuit history have long known of William Richardson’s brief account of his 1771 voyage to southern Labrador and his detailed description of a snow house. This research note compares this description to George Cartwright’s text on the same subject to show that Richardson’s information derives from Cartwright’s. Although Richardson correctly describes a snow house, it is nevertheless secondary information. The comparison also shows the importance of differentiating verifiable information from speculation or, in this case, replication and how easily an historical narrative can take on the appearance of a primary source.

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38

Halligan, Benjamin. "Modeling Affective Labor." Cultural Politics 13, no. 1 (March 1, 2017): 58–80. http://dx.doi.org/10.1215/17432197-3755192.

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Photographer Terry Richardson works in a digital aesthetic vernacular that looks more to underground hard-core pornography of yesteryear than traditions associated with the institutionalization of erotica, as associated with Playboy. And yet his images, in Kibosh and Terryworld, anticipate the contemporary public recalibration of ideas of intimacy as associated with social media, tally with contested ideas of the sexualization of female empowerment as associated with contested elements of third wave feminism, and can be read as a contemporary phase of Antonio Negri’s theory of art and immaterial labor in their evidencing of the affective labor on the part of the photographer himself. This critical commentary, the first such academic writing on Richardson, explores his work in these contexts and considers Richardson’s return to the figure (over abstraction) as evidencing and exploring of the nature of work, and the nascent eroticization of working relations, under Western neoliberal regimes.

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39

Nikolaeva, E. A. "Redescription of the unicorn icefish Channichthys rhinoceratus Richardson (Notothenioidei: Channichthyidae) with synonymization of three similar species." Proceedings of the Zoological Institute RAS 324, no. 4 (December 25, 2020): 485–96. http://dx.doi.org/10.31610/trudyzin/2020.324.4.485.

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On the basis of a comprehensive study of the external morphology, seismosensory system and gill apparatus, a revision of the Kerguelen icefishes of the genus Channichthys Richardson, 1844 (Notothenioidei: Channichthyidae) was carried out in order to confirm or refute the validity of a questionable species of this genus. The need for the presented study arose due to the lack of an unambiguous accepted opinion of various specialists about the exact species composition of this genus of Antarctic fish. The studied sample included 40 specimens of the type species of this genus, unicorn icefish Channichthys rhinoceratus Richardson, 1844 from the collection of the Zoological Institute RAS and holotypes of 3 species, Aelita icefish Ch. aelitae Shandikov, 1995, green icefish Ch. mithridatis Shandikov, 2008 and robust icefish Ch. richardsoni Shandikov, 2011, from the Zoological collection of the National Museum of Natural History NAS of Ukraine. The classical technique was used for the morphological study of fish with subsequent comparative analysis of the data obtained. As a result, Ch. rhinoceratus is redescribed, highlighting the most important diagnostic characters. Three similar species (Ch. aelitae, Ch. mithridatis and Ch. richardsoni) are place in synonymy of the latter. Basing on the results of this and our previous species revisions of Channichthys, a key for identification has been compiled, which includes diagnostic features of all four valid icefishes, Ch. rhinoceratus, Ch. velifer, Ch. rugosus and Ch. panticapaei.

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Bourgoin, Mickaël. "Turbulent pair dispersion as a ballistic cascade phenomenology." Journal of Fluid Mechanics 772 (May 8, 2015): 678–704. http://dx.doi.org/10.1017/jfm.2015.206.

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Since the pioneering work of Richardson in 1926, later refined by Batchelor and Obukhov in 1950, it is predicted that the rate of separation of pairs of fluid elements in turbulent flows with initial separation at inertial scales, grows ballistically first (Batchelor regime), before undergoing a transition towards a super-diffusive regime where the mean-square separation grows as $t^{3}$ (Richardson regime). Richardson empirically interpreted this super-diffusive regime in terms of a non-Fickian process with a scale-dependent diffusion coefficient (the celebrated Richardson’s ‘$4/3$rd’ law). However, the actual physical mechanism at the origin of such a scale dependent diffusion coefficient remains unclear. The present article proposes a simple physical phenomenology for the time evolution of the mean-square relative separation in turbulent flows, based on a scale-dependent ballistic scenario rather than a scale-dependent diffusive. It is shown that this phenomenology accurately retrieves most of the known features of relative dispersion for particles mean-square separation, among others: (i) it is quantitatively consistent with most recent numerical simulations and experiments for mean-square separation between particles (both for the short-term Batchelor regime and the long-term Richardson regime, and for all initial separations at inertial scales); (ii) it gives a simple physical explanation of the origin of the super-diffusive $t^{3}$ Richardson regime which naturally builds itself as an iterative process of elementary short-term scale-dependent ballistic steps; (iii) it shows that the Richardson constant is directly related to the Kolmogorov constant (and eventually to a ballistic persistence parameter); and (iv) in a further extension of the phenomenology, taking into account third-order corrections, it robustly describes the temporal asymmetry between forward and backward dispersion, with an explicit connection to the cascade of energy flux across scales. An important aspect of this phenomenology is that it simply and robustly connects long-term super-diffusive features to elementary short-term mechanisms, and at the same time it connects basic Lagrangian features of turbulent relative dispersion (both at short and long times) to basic Eulerian features of the turbulent field: second-order Eulerian statistics control the growth of separation (both at short and long times) while third-order Eulerian statistics control the temporal asymmetry of the dispersion process, which can then be directly identified as the signature of the energy cascade and associated to well-known exact results as the Karman–Howarth–Monin relation.

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41

Morrison, Lesley. "Professor Ian Richardson." British Journal of General Practice 61, no. 584 (March 1, 2011): 231. http://dx.doi.org/10.3399/bjgp11x561438.

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Alexander, J. R. "Richardson and Copyright." Notes and Queries 59, no. 2 (March 26, 2012): 219–24. http://dx.doi.org/10.1093/notesj/gjs003.

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Collins, Michael S., and Sabrina Richardson. "Officer Sabrina Richardson." Callaloo 29, no. 4 (2006): 1355–65. http://dx.doi.org/10.1353/cal.2007.0007.

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Heffernan, Olive. "Interview: Katherine Richardson." Nature Climate Change 1, no. 904 (March 5, 2009): 51–52. http://dx.doi.org/10.1038/climate.2009.25.

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Lee, David, and Robert Buhrman. "Robert Coleman Richardson." Physics Today 66, no. 7 (July 2013): 62–63. http://dx.doi.org/10.1063/pt.3.2055.

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Richardson, A. C. S. R. M. "Andrew Julian Richardson." BMJ 346, mar26 3 (March 26, 2013): f1403. http://dx.doi.org/10.1136/bmj.f1403.

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Williams, P. "Edwin Ian Richardson." BMJ 324, no. 7344 (April 27, 2002): 1041g—1041. http://dx.doi.org/10.1136/bmj.324.7344.1041/g.

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Hall, J. "Harry Richardson Gray." BMJ 324, no. 7346 (May 11, 2002): 1160d—1160. http://dx.doi.org/10.1136/bmj.324.7346.1160/d.

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Henderson, J. "Paul Sebastian Richardson." BMJ 344, feb01 1 (February 1, 2012): e425-e425. http://dx.doi.org/10.1136/bmj.e425.

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Charsley, E. L. "Michael John Richardson." Thermochimica Acta 428, no. 1-2 (April 2005): 215–16. http://dx.doi.org/10.1016/j.tca.2004.12.003.

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