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Libros sobre el tema "Richardson, Samuel, 1689-1761. Clarissa"

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Publicado: 4 de junio de 2021
Última modificación: 31 de enero de 2023

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1

Tom, Keymer, ed. Samuel Richardson's published commentary on Clarissa, 1747-65. London: Pickering & Chatto, 1998.

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2

Richardson's Clarissa and the eighteenth-century reader. Cambridge: Cambridge University Press, 1992.

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3

Rhetorik und Moral in Samuel Richardsons Clarissa: Ein systemtheoretischer Versuch. Bern: P. Lang, 1991.

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4

How art produces art: Samuel Richardsons Clarissa im Spiegel ihrer deutschen Übersetzungen. Frankfurt am Main: P. Lang, 2000.

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5

Fulton, Gordon D. Styles of meaning and meanings of style in Richardson's Clarissa. Montreal: McGill-Queen's University Press, 1999.

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6

Clarissa's painter: Portraiture, illustration, and representation in the novels of Samuel Richardson. Oxford: Oxford University Press, 2009.

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7

Shepherd, Lynn. Clarissa's painter: Portraiture, illustration, and representation in the novels of Samuel Richardson. Oxford: Oxford University Press, 2009.

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8

Beebee, Thomas O. Clarissa on the Continent: Translation and seduction. University Park: Pennsylvania State University Press, 1990.

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9

Lehmann, Christine. Das Modell Clarissa: Liebe, Verführung, Sexualität und Tod der Romanheldinnen des 18. und 19. Jahrhunderts. Stuttgart: J.B. Metzlersche Verlagsbuchh., 1991.

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10

Bueler, Lois E. Clarissa's plots. Newark: University of Delaware Press, 1994.

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11

Hinton, Laura. The perverse gaze of sympathy: Sadomasochistic sentiments from Clarissa to Rescue 911. Albany: State University of New York Press, 1999.

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12

Speaking in hunger: Gender, discourse, and consumption in Richardson's Clarissa. Columbia, S.C: University of South Carolina Press, 1998.

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13

Anger, guilt, and the psychology of the self in Clarissa. New York: P. Lang, 1999.

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14

Samuel Richardson. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.

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15

Clarissa's narrators. New York: P. Lang, 2001.

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16

1953-, Rivero Albert J., ed. New essays on Samuel Richardson. New York: St. Martin's Press, 1996.

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17

Samuel Richardson, dress, and discourse. New York: Palgrave Macmillan, 2008.

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18

The work(s) of Samuel Richardson. Newark: University of Delaware Press, 1997.

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19

Lisa, Zunshine y Harris Jocelyn, eds. Approaches to teaching the novels of Samuel Richardson. New York: Modern Language Association of America, 2005.

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20

Catherine, Ingrassia y Fielding Henry 1707-1754, eds. Anti-Pamela, or, Feign'd innocence detected. Peterborough, Ont: Broadview Press, 2004.

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21

Making gender, culture, and the self in the fiction of Samuel Richardson: The novel individual. Burlington, VT: Ashgate, 2012.

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22

1940-, Blewett David, ed. Passion and virtue: Essays on the novels of Samuel Richardson. Toronto: University of Toronto Press, 2001.

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23

Samuel Richardson's fictions of gender. Stanford, Calif: Stanford University Press, 1993.

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24

McKee, Patricia. Heroic commitment in Richardson, Eliot and James. Princeton: Princeton University Press, 1986.

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25

1958-, Pettit Alexander, ed. Early works. Cambridge: Cambridge University Press, 2011.

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26

Heroic commitment in Richardson, Eliot, and James. Princeton, N.J: Princeton University Press, 1986.

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27

Political constructions: Defoe, Richardson, and Sterne in relation to Hobbes, Hume, and Burke. Ithaca: Cornell University Press, 1988.

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28

Models of reading: Paragons and parasites in Richardson, Burney, and Laclos. Lewisburg, Pa: Bucknell University Presses, 2005.

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29

Graphic design, print culture, and the eighteenth-century novel. Cambridge, U.K: Cambridge University Press, 2003.

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30

Correspondence of Samuel Richardson: Author of Pamela, Clarissa, and Sir Charles Grandison. Cambridge University Press, 2011.

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31

Correspondence of Samuel Richardson: Author of Pamela, Clarissa, and Sir Charles Grandison. Cambridge University Press, 2011.

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32

Correspondence of Samuel Richardson: Author of Pamela, Clarissa, and Sir Charles Grandison. Cambridge University Press, 2011.

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33

Correspondence of Samuel Richardson: Author of Pamela, Clarissa, and Sir Charles Grandison. Cambridge University Press, 2011.

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34

Correspondence of Samuel Richardson: Author of Pamela, Clarissa, and Sir Charles Grandison. Cambridge University Press, 2011.

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35

Correspondence of Samuel Richardson: Author of Pamela, Clarissa, and Sir Charles Grandison. Cambridge University Press, 2011.

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36

Barbauld y Richardson Samuel. Correspondence of Samuel Richardson 6 Volume Set: Author of Pamela, Clarissa, and Sir Charles Grandison. Cambridge University Press, 2011.

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37

Richardson's 'Clarissa' and the Eighteenth-Century Reader. Cambridge University Press, 2004.

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38

Fulton, Gordon. Styles of Meaning and Meanings of Style in Richardson's Clarissa. McGill-Queen's University Press, 1999.

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39

Samuel Richardson and the theory of tragedy: Clarissa's caesuras. Manchester University Press, 2016.

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40

Smith, J. A. Samuel Richardson and the Theory of Tragedy: Clarissa's Caesuras. Manchester University Press, 2016.

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41

Smith, J. A. Samuel Richardson and the Theory of Tragedy: Clarissa's Caesuras. Manchester University Press, 2016.

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42

Castle, Terry. Clarissa's Ciphers: Meaning and Disruption in Richardson's Clarissa. Cornell University Press, 2016.

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43

Castle, Terry. Clarissa's Ciphers: Meaning and Disruption in Richardson's Clarissa. Cornell University Press, 2016.

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44

Richardson, Samuel. Correspondence with Lady Bradshaigh and Lady Echlin. Editado por Peter Sabor. Cambridge University Press, 2016. http://dx.doi.org/10.1017/9781316535905.

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Samuel Richardson (1689–1761), renowned English novelist and master printer, was also a prolific letter writer. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of his letters. These three volumes contain his correspondence, much of it published for the first time, with two fascinating women: Dorothy, Lady Bradshaigh (1705–85) and her sister Elizabeth, Lady Echlin (1704–82). Lady Bradshaigh was Richardson's most prolific and important correspondent, challenging him about a range of issues, literary and otherwise, including his intentions for Clarissa and Sir Charles Grandison, in an iconoclastic style. Lady Echlin lived in Ireland for much of her life and provided Richardson with information on Irish issues, including the Dublin editions of his novels. The scholarly apparatus in this volume furnishes a wealth of material about these women's lives and their milieu, affording many insights into eighteenth-century English and Irish social and literary history.
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45

Richardson, Samuel. Correspondence with Aaron Hill and the Hill Family. Editado por Christine Gerrard. Cambridge University Press, 2013. http://dx.doi.org/10.1017/9780521872737.

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Samuel Richardson (1689–1761) was an established master printer when, at the age of 51, he published his first novel, Pamela, and immediately became one of the most influential and admired writers of his time. Not only were all Richardson's novels written in epistolary form: he was also a prolific letter-writer himself. This volume in the first ever full edition of Richardson's correspondence includes his letters to and from Aaron Hill, the poet, dramatist and entrepreneur (1685–1750). Hill was Richardson's earliest literary friend and advisor as he embarked on a new career as a novelist. This correspondence offers fascinating insight into the compositional processes not just of the two Pamela novels, but of Richardson's later novels Clarissa and The History of Sir Charles Grandison. The volume also contains Richardson's correspondence with Hill's three literary daughters, which forms an invaluable chapter in the history of women's writing and literary criticism.
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46

Beebee, Thomas O. Clarissa On The Continent. Pennsylvania State University Press, 1986.

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47

McKillop, A. D. Samuel Richardson: Printer and Novelist. University of North Carolina Press, 2012.

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48

Flynn, Carol Houlihan. Samuel Richardson: A Man of Letters. Princeton University Press, 2016.

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49

Flynn, Carol Houlihan. Samuel Richardson: A Man of Letters. Princeton University Press, 2014.

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50

Flynn, Carol Houlihan. Samuel Richardson: A Man of Letters. Princeton University Press, 2014.

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