Bibliografías temáticas / Renaissance

Literatura académica sobre el tema "Renaissance"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 29 de julio de 2024

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Artículos de revistas sobre el tema "Renaissance"

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Kholikova, Rakhbar E., Dusmurat T. Narkulov, Urol M. Abilov, Azamat B. Khudoykulov, Nodir R. Karimov, Sherzod A. Iskandarov, Asomiddin K. Khudayberdiev y Nilufar Sh Niyozova. "Impact of Renaissances in The History of Uzbekistan And Causative Factors of The Third Renaissance". Journal of Law and Sustainable Development 11, n.º 12 (14 de diciembre de 2023): e2518. http://dx.doi.org/10.55908/sdgs.v11i12.2518.

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Objectives: The primary objective of this article is to explore the historical renaissances in Uzbekistan, with a specific focus on the factors contributing to the third renaissance. While the European Renaissance serves as a historical reference point, the article aims to delineate the unique aspects of Uzbekistan's cultural development and exchange, investigating the influences that have shaped its cultural identity and worldview. Methods: To achieve the stated objectives, the study employs a methodological approach that involves examining historical, religious, and artistic traditions in Uzbekistan. The analysis includes a comparison with the European Renaissance to highlight divergent yet impactful cultural and intellectual developments. By utilizing a comparative and historical lens, the article seeks to unravel the factors that have contributed to the distinctive renaissances in Uzbekistan. Results: The results of this study provide insights into the unique historical renaissances in Uzbekistan, emphasizing the factors that characterize the third renaissance. The article delves into the cultural, religious, and artistic influences that have shaped Uzbekistan's identity, distinct from the European experience. The results underscore the transformative impact of these renaissances on the cultural and intellectual landscape of the region. Conclusion: In conclusion, the article synthesizes the findings by highlighting the pivotal role of renaissances in shaping Uzbekistan's history and cultural identity. It emphasizes the distinctiveness of the third renaissance and its contribution to the worldview of Uzbekistan. The conclusion acknowledges the influences from both internal and external sources, shaping a unique cultural tapestry. Ultimately, the article contributes to a deeper understanding of the historical and cultural dynamics that have defined Uzbekistan's renaissances and their enduring impact.
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Zhou, Gang. "The Chinese Renaissance: A Transcultural Reading". PMLA/Publications of the Modern Language Association of America 120, n.º 3 (mayo de 2005): 783–95. http://dx.doi.org/10.1632/003081205x63859a.

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This paper examines the ways in which the idea of renaissance was understood and appropriated by Chinese intellectuals in the early twentieth century. My discussion foregrounds Hu Shi, one of the most important intellectual leaders in modern China and the main architect of the Chinese vernacular movement. I analyze his rewriting and reinvention of the European Renaissance as well as his declaration and presentation of the Chinese Renaissance in various contexts. Hu's creative uses of the Italian Renaissance and passionate claims for a Chinese Renaissance reveal the performative magic of the word renaissance and prompt us to ask what a renaissance is. The Chinese Renaissance and the fact that various non-European countries have declared and promoted their own renaissances invite a scholarly reconsideration of “renaissance” as a trans-cultural phenomenon rather than as a critical category originated and therefore owned by a certain culture.
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Johnson, Bob. "Globalizing the Harlem Renaissance: Irish, Mexican, and ‘Negro’ renaissances in The Survey, 1919–1929". Journal of Global History 1, n.º 2 (julio de 2006): 155–75. http://dx.doi.org/10.1017/s1740022806000118.

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This essay situates the Harlem Renaissance in a world-historical context by building on the global perspective offered by the architect of that renaissance, Alain Locke. It demonstrates that contemporaries like Locke saw the Harlem Renaissance to be a local episode in a broader phenomenon of racial and national renaissance that included post-war developments in Ireland and Mexico. The core argument is that American progressives found in these renaissances three distinct models for defining the proper relationship between race and nation: in the Irish case, a racially homogeneous nation-state premised on a repudiation of the colonizer and his culture; in the Mexican case, a syncretic nation-state based on the cultural and biological fusion of the colonizer and colonized; and in the Harlem case, a pluralist nationstate that held in balance otherwise relatively autonomous races.
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Abensour, Gérard. "Renaissance et architecture". Modernités Russes 12, n.º 1 (2011): 51–55. http://dx.doi.org/10.3406/modru.2011.949.

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La Russie a toujours oscillé entre stagnation et renaissance. L’Église du Christ Sauveur de Moscou en témoigne. 1813 : Manifeste d’Alexandre 1er ordonnant l’édification d’une église pour célébrer la victoire sur Napoléon. Église de style renaissance, ouverte à tous les cultes chrétiens. 1825 : Nicolas Ier fait arrêter les travaux et ordonne la construction d’un nouvel édifice de style néo-byzantin, voué exclusivement au culte orthodoxe. La cathédrale de Jésus Sauveur est dédicacée en 1883 sous le règne d’Alexandre III. En 1931 destruction de fond en comble d’une église considérée comme symbole d’obscurantisme. En 1994 la cathédrale est reconstruite à l’identique, par les effets conjugués du patriarche et du maire de Moscou. Il n’a pas été question de revenir à l’esprit oecuménique et renaissant du projet originel d’Alexandre Ier.
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Sadullaev, Denis Bakhtiyorovich. "Renaissance And Renaissance Philosophical Texts Through The Prism Of Historical Approach". American Journal of Social Science and Education Innovations 03, n.º 05 (31 de mayo de 2021): 364–71. http://dx.doi.org/10.37547/tajssei/volume03issue05-67.

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The article is devoted to some aspects of the functional specificity of lexical borrowings - neologisms - that have found their vivid reflection in the works and philosophical thought of the European era and, in particular, the English Renaissance, represented by its brightest representatives such as Thomas More, Francis Bacon, John Donne, Shakespeare and others. The authors consider this problem in a synchronous-diachronous cut and in the light of the new socio-political situations of the century of the English Renaissance and in the light of the evolutionary process of the formation of the English nation and the norms of the literary English language, which continued intensively in the 11th century, which led to the further growth and spread of both oral, and written national literary language.
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WITHINGTON, PHILIP. "TWO RENAISSANCES: URBAN POLITICAL CULTURE IN POST-REFORMATION ENGLAND RECONSIDERED". Historical Journal 44, n.º 1 (marzo de 2001): 239–67. http://dx.doi.org/10.1017/s0018246x01001546.

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This review reconsiders the place and importance of urban political culture in England between c. 1550 and c. 1750. Relating recent work on urban political culture to trends in political, social, and cultural historiography, it argues that England's towns and boroughs underwent two ‘renaissances’ over the course of the period: a ‘civic renaissance’ and the better-known ‘urban renaissance’. The former was fashioned in the sixteenth century; however, its legacy continued to inform political thought and practice over 150 years later. Similarly, although the latter is generally associated with ‘the long eighteenth century’, its attributes can be traced to at least the Elizabethan era. While central to broader transitions in post-Reformation political culture, these ‘renaissances’ were crucial in restructuring the social relations and social identity of townsmen and women. They also constituted an important but generally neglected dynamic of England's seventeenth-century ‘troubles’.
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Bogomolov, Nikolai. "Вячеслав Иванов и искусство Ренессансa". Modernités Russes 12, n.º 1 (2011): 109–23. http://dx.doi.org/10.3406/modru.2011.955.

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Viacheslav Ivanov’s interest in Italian Renaissance painting is well known, and it has been analyzed more than once. For the most part, however, such investigations have treated poems of his with elements of ekphrasis or with mentions of artists and their paintings, or articles of his that refer to painting. In our opinion much remains to be said about this matter, and we offer some new materials relating to it. Among them are letters to Ivanov from members of his immediate circle (and, to a lesser, degree his own letters), which note his interest in Renaissance masters ; the reproductions of works of art that he wanted to have before his eyes throughout his life ; the advice that he gave to his friend and housekeeper M. M. Zamjatnina, who heard lectures on the subject and wrote about Renaissane painting ; finally, the books Zamjatnina checked out from the Geneva Library, volumes that could not have escaped Ivanov’s attention. These new materials demonstrate, firstly, that we should pay attention not only to paintings of the Italian Renaissance, but to those of the Northern Renaissance as well (German and Flemish artists above all). Secondly, we should pay much greater attention than previously to Ivanov’s attitude towards Botticelli. And, finally, we should examine the broad historical context in which he perceived Renaissance painting.
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Poel, Marc van der. "Renaissance-Rhetorik, Renaissance Rhetoric". Rhetorica 13, n.º 2 (1995): 213–17. http://dx.doi.org/10.1525/rh.1995.13.2.213.

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Colacurcio, Michael J. y F. O. Matthiessen. "The American-Renaissance Renaissance". New England Quarterly 64, n.º 3 (septiembre de 1991): 445. http://dx.doi.org/10.2307/366352.

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Drinan, Robert F. y Richard Marius. "Renaissance Lawyer, Renaissance Man". Harvard Law Review 99, n.º 2 (diciembre de 1985): 499. http://dx.doi.org/10.2307/1341133.

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Tesis sobre el tema "Renaissance"

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D’Amato, Gianni. "Renaissance des Bürgers". Universität Potsdam, 2011. http://opus.kobv.de/ubp/volltexte/2013/6344/.

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Giraud, Christophe. "Une renaissance inachevée ?" Clermont-Ferrand 2, 2005. http://www.theses.fr/2005CLF20012.

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Postulant l'inversion progressive des courants migratoires, cette thèse étudie la revitalisation des montagnes françaises. Le cadre retenu et le recensement font l'objet d'un examen initial. On analyse ensuite les soldes migratoires, avant de procéder au partage entre arrivées et départs. La deuxième partie aborde la notion de " migrant" et définit les "nouveaux habitants" par leur origine extérieure au territoire envisagé. Le profil des "arrivants" est affiné à l'intérieur de 39 cantons-témoins. Les motifs d'installation (emplois, cadre de vie) sont entrevus, de même que les dispositifs d'accueil. Les enjeux de la recomposition démographique clôturent le second volet. L'approche régionale détermine trois types d'espaces. Malgré la volonté d'ouverture, les hautes terres agricoles demeurent dans une situation critique. Des Vosges aux Alpes du Nord, les flux migratoires apparaissent largement dictés par les variations de l'emploi. Les montagnes méridionales permettent enfin d'examiner les phénomènes d'héliotropisme
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Godard, Anne. "La Renaissance dialogique : imitation et dialogisme dans les dialogues de la Renaissance". Paris, EHESS, 2000. http://www.theses.fr/2000EHES0042.

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Lees-Jeffries, Hester Mary Monica. "Fountains in Renaissance literature". Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619607.

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Pontiff, Brenda Renee'. "The American renaissance festival". Thesis, Kansas State University, 1986. http://hdl.handle.net/2097/9947.

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Levergeois, Bertrand. "L'encyclopédisme de la Renaissance". Paris 10, 1997. http://www.theses.fr/1997PA100012.

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Apres avoir examine l'etat de la recherche sur l'encyclopedisme de la renaissance, il appa♭ rait que cette question a ete soit traitee partiellement, soit negligee, alors qu'en amont comme en aval de cette periode les etudes sont plus nombreuses. Dans un premier temps, l'objet encyclopedie est etudie via a) le terme "encyclopedie" et son apparition au xvie siecle (page de titre de ringelberg, naissance du neologisme, son adaptation en langue vulgaire) ; b) l'idee d'encyclopedie depuis l'antiquite (expose et cri♭ tique de la these d'h. -i. Marrou a propos de l'"enkukiios paideia") jusqu'a l'humanisme (positions de petrarque, politien et bude quant aux "studia humanitatis") en passant par le moyen age (approche de la "reductio artium ad theologiam") ; et c) le statut de l'encyclopedie dans le discours bibliographique (a partir de gesner). Il ressort de cette triple analyse, au-dela des conclusions d'alfredo serrai associant ency♭ clopedie et kabbale, que si le terme "encyclopedie" nait a la renaissance, cette lexicalisation ne s'accompagne ni d'une determination de l'idee qu'elle suggere, ni d'un catalogage typo♭ logique qui lui serait specifique. Dans un second temps, l'encyclopedisme de la renaissance est envisage pour ses formes, entendues a) comme les ordres donnes aux "mondes" (temps, espaces et univers), aux arts liberaux (classification et fonction pedagogique) et aux livres (de trithemius aux "indices librorum prohibitorum") ; b) comme les genres textuels adoptes, a travers l'idee de "restitutio" (souci d'unifier la diversite) et de "renovatio" (volonte de diversifierl'unite) ; et c) comme les philosophies engagees dans la mise en forme des savoirs et de leur pratique (synthese a partir de giordano bruno). En annexe est presentee la premiere traduction en francais du petit tresor de brunetto latini (texte original en regard), contribution a l'etude de la poesie encyclopedique.
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Barry, Marie Porterfield. "Lesson 08: The Renaissance". Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/9.

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This lesson covers artworks created during the Renaissance in Europe. It begins with a preface on artworks created prior to the Renaissance that focused on Christian ideology and iconography. Artists discussed include Botticelli, Donatello, Michelangelo, Bernini, and Leonardo da Vinci.
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Hernandez, Lucia. "Nietzsche et la Renaissance". Thesis, Tours, 2008. http://www.theses.fr/2008TOUR2017.

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Ma recherche sera consacrée au regard que posait Nietzsche (1844-1900) sur, selon ses propres mots, cet « âge d’or », la Renaissance. Il s’agira de traiter de l’évaluation de la Renaissance par Nietzsche. Cette étude portera sur une analyse des auteurs de la Renaissance que Nietzsche a lu, comme par exemple Miguel de Cervantès (1547-1616) et parfois même apprécié tel que Michel de Montaigne (1533-1592) ou encore Nicolas Machiavel (1469- 1527). Elle m’amènera aussi à traiter de l’image de l’artiste et du génie de la Renaissance qu’il soit peintre comme par exemple Raphaël (1483-1520), sculpteur comme Michel-Ange (1475-1564), musicien ou écrivain. Cette lecture nous permettra d’une part d’aborder certaines figures de la Renaissance avec les yeux de Nietzsche, et elle nous donnera alors la possibilité de comprendre pourquoi Nietzsche considère l’époque de la Renaissance comme la « dernière grande époque », et d’autre part de comprendre l’influence sur de la Renaissance sur sa philosophie. Nous tenterons de comprendre pourquoi il pense que la culture de la Renaissance est une « culture noble » et cette époque, « l’âge d’or de ce millénaire ». Comment la Renaissance a-t-elle pu permettre l’épanouissement de grandes individualités et même favoriser l’émergence d’individus d’exception ? Et nous nous demanderons alors pourquoi nous n’avons pas récolté « la dernière grande moisson de culture qu’il était possible de récolter », pourquoi et comment la ruine de cette grande époque, la Renaissance, a-t-elle eu lieu ? Qu’arriva-t-il ? Et qu’est ce que cette époque peut encore nous enseigner ?
My investigations were dedicated to Nietzche (1844-1900) look on, according to his own words, this golden age named La Renaissance. I dealt with La Renaissance assessment according to Nietzche. This study focused on an analysis about La Renaissance authors that Nietzsche read, as for instance Miguel de Cervantès (1547-1616) and even sometimes appreciated.as Michel de Montaigne (1533-1592) or Nicolas Machiavel (1469-1527). It also drove me to deal with La Renaissance artist and genius image whether it’s a painter as Raphaël (1483-1520) for instance or a sculptor as Michelangelo (1475-1564), a musician or a writer. This reading allows us to to talk about some La Renaissance figures through Nietzche eyes and leads then to the possibility to understand why Nietzche considered La Renaissance as the « last important age » and on the other hand, to understand this influence La Renaissance had on his philosophy. I tried to understand why he thought that La Renaissance culture was a « noble » one and this period, « this millenium golden age ». How did La Renaissance lead to important personalities blooming and even contributed to exceptional people emergence And then, I wondered why we didn’t gather « the last culture wealth we were able to amass », why and how this age ruin, La Renaissance one, did take place ? What did happen ? And what does this period can still teach us ?
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Zorich, Jonathan P. "Alexander VI: Renaissance Pope". PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5213.

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The life of Pope Alexander VI has been the object of controversy for centuries. He has often been portrayed in terms of moral extremes. Those historians who have been critical of his methods and motives have depicted the Borgia pope as evil incarnate. For them, Alexander VI was the ultimate symbol of papal corruption. Those historians sympathetic with the church have claimed that Alexander was a slandered and misunderstood figure. In reality, Alexander VI could most accurately be described as temporal prince so typical of the Renaissance. In many respects, he was no better or worse than any other pontiff of his age. Of all the so-called secular popes, Alexander VI has been singled out as a figure of exceptional immorality and corruptibility. Unlike some orthodox Roman catholic authors determined to completely whitewash the pontificate Alexander VI and the Renaissance papacy, my aim is to engage in an impartial critique of the existing evidence. We will see that Alexander VI was a typical pope of the Renaissance, obsessed with temporal concerns, sometimes at the expense of his duties as head of the Roman catholic Church. He was also a man completely devoted to the advancement of his family, making sure that every member of the House of Borgia was achieved the highest level of power and influence. In spite of the justified charges of nepotism, many historians have repeated many of the false tales regarding Alexander's personal character. These will be shown to based on little more than unsubstantiated rumor and innuendo.
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Chakravarti, Paromita. "Renaissance discourses of folly illustrated with examples from English Renaissance drama, especially Shakespeare". Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421739.

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Libros sobre el tema "Renaissance"

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Gilbert, Gadoffre y Institut collégial européen (Loches, France), eds. Renaissances européennes et Renaissance française. Montpellier: Espaces 34, 1995.

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Plett, Heinrich F., ed. Renaissance-Poetik / Renaissance Poetics. Berlin, Boston: DE GRUYTER, 1994. http://dx.doi.org/10.1515/9783110872064.

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Plett, Heinrich F., ed. Renaissance-Rhetorik / Renaissance Rhetoric. Berlin, Boston: DE GRUYTER, 1993. http://dx.doi.org/10.1515/9783110857184.

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F, Plett Heinrich, ed. Renaissance-Poetik =: Renaissance poetics. Berlin: W. de Gruyter, 1994.

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Université de Picardie. Centre d'études du Moyen Âge et de la Renaissance, ed. La Renaissance? Des Renaissances?: VIIIe-XVIe siècles. [Paris]: Klincksieck, 2010.

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Danielle, Steel. Renaissance. Paris: France loisirs, 1998.

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Cole, Alison. Renaissance. London: Dorling Kindersley, 2000.

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Houellebecq, Michel. Renaissance. [Paris]: Flammarion, 1999.

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Forman, Ruth. Renaissance. Boston: Beacon Press, 1997.

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Sabin, Francene. Renaissance. Mahwah, N.J: Troll Associates, 1985.

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Capítulos de libros sobre el tema "Renaissance"

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Rovida, Edoardo. "Renaissance". En Machines and Signs, 31–69. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-5407-2_4.

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Vielhaber, Ralf. "Renaissance?" En Was tun, wenn die Zinsen steigen, 101–8. Wiesbaden: Gabler Verlag, 2004. http://dx.doi.org/10.1007/978-3-322-87159-6_13.

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Jacobs, Angelika. "Renaissance". En Goethe Handbuch, 898–905. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03656-8_90.

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Kallendorf, Craig W. "Renaissance". En A Companion to the Classical Tradition, 30–43. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996775.ch4.

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Scriba, Christoph J. y Peter Schreiber. "Renaissance". En 5000 Jahre Geometrie, 219–95. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-662-04500-8_6.

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Pfisterer, Ulrich. "Renaissance". En Metzler Lexikon Kunstwissenschaft, 377–78. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04949-0_107.

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Wilkinson, Philip. "Renaissance". En 50 Schlüsselideen Architektur, 16–19. Heidelberg: Spektrum Akademischer Verlag, 2013. http://dx.doi.org/10.1007/978-3-8274-3066-3_5.

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Leonhardt, Roland. "Renaissance". En Modern Heroes, 77–117. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-23835-3_3.

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Drace-Francis, Alex. "Renaissance". En European Identity, 22–44. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-36819-5_3.

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Wendorff, Rudolf. "Renaissance". En Zeit und Kultur, 151–211. Wiesbaden: VS Verlag für Sozialwissenschaften, 1985. http://dx.doi.org/10.1007/978-3-663-01503-1_10.

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Actas de conferencias sobre el tema "Renaissance"

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Soh, Leen-Kiat, Ashok Samal, Stephen Scott, Stephen Ramsay, Etsuko Moriyama, George Meyer, Brian Moore, William G. Thomas y Duane F. Shell. "Renaissance computing". En the 40th ACM technical symposium. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1508865.1508885.

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Hockenberry, Matthew y Leonardo Bonanni. "Renaissance panel". En Proceeding of the twenty-sixth annual CHI conference extended abstracts. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1358628.1358658.

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Fischnaller, Franz y Yesenia Mahara Singh. "MMB & renaissance". En ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/253607.254019.

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Marley, Jess, Christopher Russo y Ringling College of Art and Design. "The renaissance man". En ACM SIGGRAPH ASIA 2010 Computer Animation Festival. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1900264.1900289.

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Khattab, Moushira Mahmoud. "THE AFRICAN RENAISSANCE". En Proceedings of the Forty-Ninth Pugwash Conference on Science and World Affairs. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812799647_0009.

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Daniell, Cynthia E. "Renaissance at NGA". En Algorithms, Technologies, and Applications for Multispectral and Hyperspectral Imaging XXVII, editado por David W. Messinger y Miguel Velez-Reyes. SPIE, 2021. http://dx.doi.org/10.1117/12.2591744.

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Kholmstrem, I. N. "VENETIAN RENAISSANCE PAINTING". En VI Международная научно-практическая конференция "Искусствознание и педагогика. Диалектика взаимосвязи и взаимодействия". Общество с ограниченной ответственностью «Книжный дом», 2018. http://dx.doi.org/10.25807/pbh.978-5-94777-431-3.238.241.

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Wieder, Armin W. "Renaissance of Bipolar Technology". En 1986 International Conference on Solid State Devices and Materials. The Japan Society of Applied Physics, 1986. http://dx.doi.org/10.7567/ssdm.1986.b-4-1.

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Uchino, Kenji. "PT03. Piezoelectric actuator renaissance". En 2015 2nd International Symposium on Physics and Technology of Sensors (ISPTS). IEEE, 2015. http://dx.doi.org/10.1109/ispts.2015.7220159.

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Tiemann, Eberhard y Horst Knöckel. "Renaissance in diatomic spectroscopy". En EIGHTH INTERNATIONAL CONFERENCE ON ATOMIC AND MOLECULAR DATA AND THEIR APPLICATIONS: ICAMDATA-2012. AIP, 2013. http://dx.doi.org/10.1063/1.4815843.

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Informes sobre el tema "Renaissance"

1

Collett, Brad y Jessica Taylor. Renaissance Park. Landscape Architecture Foundation, 2014. http://dx.doi.org/10.31353/cs0660.

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Bjornstad, Lori. English Renaissance Humanist Education. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.2496.

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Zorich, Jonathan. Alexander VI: Renaissance Pope. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.7089.

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Rudolph, D. L. A renaissance in regional hydrogeology. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2019. http://dx.doi.org/10.4095/313599.

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Wood, Thomas W., Wayne L. Johnson y Brian M. Parker. Economic Globalization and a Nuclear Renaissance. Office of Scientific and Technical Information (OSTI), octubre de 2001. http://dx.doi.org/10.2172/787968.

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Christe, Karl O. A Renaissance in Noble-Gas Chemistry. Fort Belvoir, VA: Defense Technical Information Center, febrero de 2001. http://dx.doi.org/10.21236/ada410904.

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Wood, Thomas W., Wayne L. Johnson y Brian M. Parker. Economic Globalization and a Nuclear Renaissance. Office of Scientific and Technical Information (OSTI), octubre de 2001. http://dx.doi.org/10.2172/965745.

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Smith, III y Daniel W. Airship Renaissance: Considerations for Operational Warfare. Fort Belvoir, VA: Defense Technical Information Center, mayo de 2010. http://dx.doi.org/10.21236/ada525124.

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Olson, Jon R. Theater Intelligence Training Needs a Renaissance. Fort Belvoir, VA: Defense Technical Information Center, febrero de 2004. http://dx.doi.org/10.21236/ada422699.

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Basu, Sayani. The Science of the Psychedelic Renaissance. Science Repository OÜ, mayo de 2021. http://dx.doi.org/10.31487/sr.blog.33.

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Resumen
There is growing research suggesting psychedelics hold incredible promise for treating mental disorders ranging from depression, anxiety to PTSD and the positive therapeutic effects of psychedelics open up a whole new dimension of medical research.
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