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1

The living art of Greek tragedy. Bloomington: Indiana University Press, 2003.

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2

Revenge in Attic and later tragedy. Berkeley: University of California Press, 1998.

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3

On Germans & other Greeks: Tragedy and ethical life. Bloomington: Indiana University Press, 2001.

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4

Rabinowitz, Nancy Sorkin, ed. Greek Tragedy. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470694053.

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5

Herington, C. J. y Thomas Gould. Greek tragedy. Cambridge: Cambridge University Press, 2009.

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6

Greek tragedy. Malden, MA: Blackwell Pub., 2008.

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7

Shomit, Dutta, ed. Greek tragedy. London: Penguin, 2004.

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8

Reading Greek tragedy. Cambridge: Cambridge University Press, 1986.

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9

Garland, Robert. Surviving Greek tragedy. London: Duckworth, 2004.

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10

Achilles in Greek tragedy. Cambridge, U.K: Cambridge University Press, 2002.

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11

Greek tragedy in action. London: Routledge, 1993.

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12

Greek tragedy into film. London: Croom Helm, 1986.

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13

Greek tragedy: An introduction. London: Bristol Classical Press, 1989.

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14

Greek tragedy into film. London: Routledge, 2013.

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15

Greek tragedy in action. 2a ed. London: Routledge, 2003.

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16

Greek tragedy into film. Rutherford: Fairleigh Dickinson University Press, 1986.

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17

Taxidou, Olga. Greek Tragedy and Modernist Performance. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474415569.001.0001.

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This book explores how encounters between modernist theatre makers and Greek tragedy were constitutive in modernist experiments in performance. It analyses the experiments of Isadora Duncan, Edward Gordon Craig, T. S. Eliot, Ezra Pound, W. B. Yeats, H. D. and Bertolt Brecht in creating a modernist aesthetic in performing, dancing, translating and designing Greek tragedies, sometimes for the stage and sometimes for the page. The book proposes a modernist aesthetic of Greek tragedy based on Hellenism as theatricality that radically revises the philosophical discourses of tragedy. Theatricality is read within the broader modernist experiments that reconfigure the relationships between the play-text and the stage, the body of the performer and the written word, while also re-conceptualising the main authors/creators of the performance event. Most such modernist experiments exhibit a strong attachment to notions of Greek tragedy. Sometimes these notions are based on readings of actual play-texts or archeological findings, but more often than not they rely on creative versions and encounters with Greek tragedy that help to revise ideas about classicism, its authenticity and cultural currency, and contribute towards an understanding of Greek tragedy that allows for theatrical experimentation that at once looks backwards, unearthing a radical potential in Greek tragedy itself (after Nietzsche and the Cambridge Ritualists), and forward to reception theory and to the late 20th and 21st century performances of Greek tragedy.
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18

McDonald, Marianne. Living Art of Greek Tragedy. Indiana University Press, 2003.

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19

Schmidt, Dennis J. On Germans and Other Greeks: Tragedy and Ethical Life. Indiana University Press, 2001.

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20

Pollard, Tanya. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793113.003.0001.

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The Introduction, “Recovering Greek Tragic Women,” establishes the book’s key premises by documenting the habitual early modern identification of tragedy and comedy with their Greek origins, and linking emerging conceptions of these genres with the Greek plays most frequently published, translated, performed, and discussed in the period. It explores the model of theatrical sympathy that emerges in early modern responses to these plays through examining commentaries on and translations of the period’s most popular Greek play, Euripides’ Hecuba, and reflects on their broader implications for understanding the period’s responses to classical literary precursors. The Introduction argues that responses to tragic icons such as Hecuba from playwrights including Shakespeare offer a specifically theatrical model for intertextual engagement, challenging assumptions not only about the nature of Greek reception in the period but also about the nature of dramatic collaboration.
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21

Vandiver, Elizabeth. Greek Tragedy. The Teaching Company, 2000.

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22

Kitto, H. D. F. Greek Tragedy. Routledge, 2013. http://dx.doi.org/10.4324/9781315800073.

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23

Kitto, H. D. F. Greek Tragedy. Routledge, 2011. http://dx.doi.org/10.4324/9780203828236.

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24

Ian, McAuslan y Walcot Peter, eds. Greek tragedy. Oxford: Oxford University Press on behalf of the Classical Association, 1993.

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25

Kitto, H. D. F. Greek Tragedy. Taylor & Francis Group, 2013.

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26

Sheppard, John Tresidder. Greek Tragedy. Creative Media Partners, LLC, 2018.

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27

Kitto, H. D. F. Greek Tragedy. Routledge, 2002. http://dx.doi.org/10.4324/9780203412602.

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28

Kitto, H. D. F. Greek Tragedy. Taylor & Francis Group, 2013.

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29

Kitto, H. D. F. Greek Tragedy. Taylor & Francis Group, 2013.

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30

Spero, Daniel. Greek Tragedy. Independently Published, 2020.

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31

Kitto, H. D. F. Greek Tragedy. Taylor & Francis Group, 2011.

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32

Zacharia, Katerina. Greek Tragedy. Routledge, 2005.

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33

Sheppard, J. T. Greek Tragedy. Cambridge University Press, 2012.

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34

Rabinowitz, Nancy Sorkin. Greek Tragedy. Wiley & Sons, Incorporated, John, 2008.

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35

Sophocles, Euripides y Aeschylus. Greek Tragedy. Digireads.com, 2015.

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36

Kitto, H. D. F. Greek Tragedy. Taylor & Francis Group, 2017.

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37

Norwood, Gilbert. Greek Tragedy. Wildside Press, LLC, 2009.

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38

Herington, C. J. y T. F. Gould. Greek Tragedy. Cambridge University Press, 2011.

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39

Herington, C. J. y T. F. Gould. Greek Tragedy. Cambridge University Press, 2012.

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40

Kitto, H. D. F. Greek Tragedy. Taylor & Francis Group, 2013.

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41

Kitto, H. D. F. Greek Tragedy. Taylor & Francis Group, 2011.

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42

Aeschylus. Greek Tragedy. Penguin Books, Limited, 2004.

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43

Sheppard, John Tresidder 1881. Greek Tragedy. Creative Media Partners, LLC, 2022.

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44

Kitto, H. D. F. Greek Tragedy. Taylor & Francis Group, 2015.

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45

Greek Tragedy. Routledge, 2002.

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46

Greek Tragedy. Routledge, 2011.

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47

Rabinowitz, Nancy Sorkin. Greek Tragedy. Wiley & Sons, Limited, John, 2008.

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48

Greek Tragedy. Creative Media Partners, LLC, 2022.

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49

Greek Tragedy. Routledge, 2002.

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50

Sheppard, John Tresidder 1881. Greek Tragedy. Creative Media Partners, LLC, 2022.

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