Bibliografías temáticas / Rainer Maria Rilke e la negazione

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Literatura académica sobre el tema "Rainer Maria Rilke e la negazione"

Autor: Grafiati
Publicado: 11 de marzo de 2023

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Artículos de revistas sobre el tema "Rainer Maria Rilke e la negazione"

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Bradley, Brigitte L. y Patricia Pollock Brodsky. "Rainer Maria Rilke". German Quarterly 62, n.º 4 (1989): 535. http://dx.doi.org/10.2307/406910.

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Jacobs, Margaret y Patricia Pollock Brodsky. "Rainer Maria Rilke". Modern Language Review 84, n.º 3 (julio de 1989): 800. http://dx.doi.org/10.2307/3732520.

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Krisak, L. "Rainer Maria Rilke: Adam". Literary Imagination 10, n.º 2 (27 de octubre de 2007): 150. http://dx.doi.org/10.1093/litimag/imm071.

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Krisak, L. "Rainer Maria Rilke: Eve". Literary Imagination 10, n.º 2 (27 de octubre de 2007): 149. http://dx.doi.org/10.1093/litimag/imm072.

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Kirchwey, K. "Rainer Maria Rilke: Black Cat". Literary Imagination 7, n.º 2 (1 de enero de 2005): 194. http://dx.doi.org/10.1093/litimag/7.2.194.

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Mook, L. "Rainer Maria Rilke: Two Selections". Literary Imagination 8, n.º 2 (1 de enero de 2006): 304–6. http://dx.doi.org/10.1093/litimag/8.2.304.

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Hutchinson, Ben y Volker Durr. "Rainer Maria Rilke: The Poet's Trajectory". Modern Language Review 102, n.º 3 (1 de julio de 2007): 896. http://dx.doi.org/10.2307/20467510.

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Dumbaugh, Della J. "New Poems by Rainer Maria Rilke". Journal of Austrian Studies 50, n.º 1-2 (2017): 156–59. http://dx.doi.org/10.1353/oas.2017.0021.

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Belfiore, P. J. "Rainer Maria Rilke: Orpheus. Eurydice. Hermes". Literary Imagination 9, n.º 3 (26 de mayo de 2007): 351–53. http://dx.doi.org/10.1093/litimag/imm065.

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Rey, Maurice. "Une lecture de Rainer Maria Rilke". Le Coq-héron 204, n.º 1 (2011): 33. http://dx.doi.org/10.3917/cohe.204.0033.

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Tesis sobre el tema "Rainer Maria Rilke e la negazione"

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BASILE, Alessandra. ""Nous avons parlé comme indéfinement". L'incontro- scontro tra Rainer Maria Rilke e Paul Valéry e il linguaggio della negazione negli ultimi versi francesi". Doctoral thesis, Università degli Studi di Verona, 2010. http://hdl.handle.net/11562/344012.

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Gli ultimi cinque anni della vita di Rainer Maria Rilke sono segnati dall’incontro con l’opera del poeta francese Paul Valéry. Da questo momento in poi Rilke si dedica alla traduzioni dal francese al tedesco e alla scrittura di poesie in francese che questo lavoro si propone di analizzare e contestualizzare seguendo degli orientamenti di carattere storico-culturale, poetologico e linguistico. I primi capitoli descrivono i processi di ricezione dell’opera di Rilke in Francia e di Valéry in Germania e fanno il punto della situazione sullo stato della ricerca relativo ai due poeti con particolare accento sul valore che il significante assume nei loro testi. Tali premesse preparano il terreno per un’analisi delle traduzioni rilkiane di Valéry nelle quali emerge una particolare tendenza di Rilke all’uso della negazione. Essa, sia dal punto di vista linguistico che concettuale è lo strumento che Rilke paradossalmente sceglie per enfatizzare delle affermazioni. L’affrancamento dal desiderio di possesso fino alla rinuncia totale e il gioco degli opposti su cui Rilke costruisce tutte le poesie in francese dai Vergers a Les Fenêtres gli permettono di raggiungere l’obiettivo finale di tutta la sua produzione poetica, la sintesi tra io e mondo all’interno del Weltinnenraum. Pur essendo estremamente diverso dal poeta tedesco, Valéry gli offre la lingua, la misura e il controllo adeguati per dare espressione al suo ultimo slancio poetico.
Rainer Maria Rilke’s last years are marked by the influence of the works of the French poet Paul Valéry. The reading of Paul Valéry’s writings leads Rilke to start translating many of his poems from French to German and to write new poems directly in French which this work takes into account through a historical, cultural, poetological and linguistical point of view. The first part of this dissertation concerns the reception of Valéry’s works in Germany and Rilke’s works in France in order to identify the ways in which their different cultural sylstems interlace and also examines the research carried out on the value of the signifier in their works. These preliminary remarks prepare the ground for an analysis in the successive parts of the Rilkian translations of Valéry’s poems that show the particular Rilke’s tendency to negation. Negation represents an instrument from both linguistic and conceptual point of view that Rilke chooses in order to emphasize statements. The act of freeing oneself from the desire of possession to the point of complete renouncement and the game of opposites on which he builds his French cycles from Vergers to Les Fenêtres allows him to reach the final aim of his poetic production, the synthesis between “I” and “world”within the “Weltinnenraum”. Altough he is extremely different from the german poet, Valéry offers him the suitable language, measure and control to give expression to his final poetic impulses.
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Dowrick, Stephanie B. "Rainer Maria Rilke : bearing witness". Thesis, View partial thesis, restricted access, 2008. http://handle.uws.edu.au:8081/1959.7/44105.

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This study of the poet Rainer Maria Rilke (1875-1926) explores both epistemological and ontological themes, explicitly asking what readers may “bear witness to” within themselves, as well as on the page, through their reading. The primary question of the study comes from Martin Heidegger’s essay on Rilke when (quoting Hölderlin) he asks: “What are poets for (in these destitute times)?” and whether this has genuine significance beyond entertainment or diversion. The spiritual complexity of Rilke’s work has been of some interest to many scholars. In this study I centralise that interest at book-length for the first time since Frederico Olivero’s 1931 study of mysticism in Rilke’s work. Also for the first time I privilege the perspective of the contemporary general reader, looking at the spiritual variances and ambiguities within Rilke’s work and why they may have a particular resonance for twenty-first century readers. This allows for a more diffused discussion about reading as well as writing, with attention to the acquisition of knowledge and the forces of imagination and inspiration as well as subjectivity. The study looks closely at Rilke’s poetry, from the popular Book of Hours to the more challenging Duino Elegies and Sonnets to Orpheus, as well as the varied translations into English, using that variety to intensify insights about the inevitable subjectivity of readers as well as translators. I discuss Rilke’s psychologically and socially complex life, revealed in part through his legacy of more than 10,000 letters. How readers “read” the life of a writer self-evidently colours their reading of the work. I propose that this simultaneously allows for an enhanced “reading” of and greater understanding of their own spiritual or existential needs and individual subjectivity. The study calls on the work of a number of critics outside the field of literary studies. These include the psychoanalytic writers Alice Miller and James Hillman and the philosophers Hans-Georg Gadamer, Iris Murdoch, Gaston Bachelard, John Armstrong, George Steiner, Gabriel Marcel, Rudolf Otto and Martin Heidegger. The study speaks both explicitly and implicitly for John Keats’s idea of “negative capability” and the specific demands of bringing to the reading of Rilke, and the writing about him, the receptiveness and concentration of a “poet’s” mind where, as Rilke himself urged, questions can matter more than answers and the need for absolutism can be postponed.
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Dowrick, Stephanie B. "Rainer Maria Rilke bearing witness /". View partial thesis, restricted access, 2008. http://handle.uws.edu.au:8081/1959.7/44105.

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Thesis (Ph.D.)--University of Western Sydney, 2008.
A thesis presented to the University of Western Sydney, College of Arts, School of Humanities and Languages, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographies.
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Witzleben, Brigitte von. "Untersuchungen zu Rainer Maria Rilkes "Aufzeichnungen des Malte Laurids Brigge" Studien zu den Quellen und zur Textüberlieferung /". Vaasa : Universität Vaasa, Institut für Deutsche Sprache und Literatur, 1996. http://catalog.hathitrust.org/api/volumes/oclc/35919808.html.

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Ammelburger, Gerhard. "Bejahungen : zur Rhetorik des Rühmens bei Rainer Maria Rilke /". Würzburg : Königshausen und Neumann, 1995. http://catalogue.bnf.fr/ark:/12148/cb39234574g.

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Magnússon, Gísli. "Dichtung als Erfahrungsmetaphysik : esoterische und okkultistische Modernität bei R.M. Rilke /". Würzburg : Königshausen & Neumann, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=3200735&prov=M&dok_var=1&dok_ext=htm.

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Kopp-Marx, Michaela. "Rilke und Rodin : auf der Suche nach der wahren Art des Schreibens /". Frankfurt am Main : P. Lang, 1999. http://catalogue.bnf.fr/ark:/12148/cb376473074.

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Barbotin, Frédéric. "Le silence dans l'oeuvre de Rainer Maria Rilke". Paris 12, 2002. http://www.theses.fr/2002PA120057.

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Né en 1875 à Prague, mort en 1927 à Valmont, en Suisse, l'écrivain germanophone RAINER MARIA RILKE a laissé une oeuvre épistolaire, narrative et poétique d'une portée considérable. L'étude que nous présentons ici vise à montrer dans quelle mesure cette oeuvre est déterminée par une poétique du silence. Le silence se définit tout d'abord par son opposition au bruit, compris comme l'ensemble des perturbations de nature physique, psychique et relationnelle qui compromettent le travail créateur en faisant écran au silence (première partie). Toutefois, le silence peut se révéler également négatif et destructeur: l'intériorité se referme au point de s'effondrer sur elle-même, menant à une privation de monde à laquelle le poète ne peut échapper qu'en passant par une crise paroxystique qu'illustre la thématique du cri (deuxième partie). Après ce tournant, le silence change de nature, devient constructeur et se fait porteur de guérison: tant pour les êtres humains, qualifiés de silenciaires, que pour les créatures animales constituant un bestiaire, et les choses qui réservent de précieuses leçons (troisième partie). Alors se manifeste , à travers la dialectique du dicible et de l'indicible, le caractère paradoxal du silence (quatrième et dernière partie). En conclusion, nous pouvons affirmer que la poétique du silence tient une place centrale dans l'oeuvre de Rilke en déterminant un cheminement et un rapport au monde
The German speaking writer RAINER MARIA RILKE, who was born in Prague in 1875 and died in Valmont, in Switzerland, in 1927, left behind him epistolary narrative and poetic works of considerable importance. The study which we are presenting here intends to show to what extent these works may be determined by the poetics of silence. Silence may first of all defined through its opposition to noise, meaning all physical, psychic and relational disturbances which compromise creative work by blocking out silence (Part one). However, silence can also turn out to be negative and destructive: the interiority closes up to the point at which it collapses into itself, leading to a deprivation of the world from which the poet can only escape by undergoing a paroxysmic fit illustrated by the theme of the cry (Part two). After this turning point, the nature of silence changes becoming constructive and healing: as much for human beings qualified as "silenciary", as for animals forming a bestiary, and for things which hold precious lessons (Part three). Only then does the paradoxical nature of silence show itself through the dialectic of what can or cannot be said (Final part). In conclusion, we can affirm that poetics of silence have a central position in the works of RILKE by determining a progression and a relationship with the world
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Sadaka, Ramsey. "Scenes from the Poetry of Rainer Maria Rilke". Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22730.

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Scenes from the Poetry of Rainer Maria Rilke is a twenty-five minute work for violin and small ensemble. The accompanimental ensemble consists of flute (doubling alto flute), Bb clarinet, viola, cello, percussion (crotales and vibraphone), and piano. This piece is in four connected movements, and each movement is based on a different poem by the Bohemian-Austrian poet, Rainer Maria Rilke.
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King, Martina. "Pilger und Prophet : heilige Autorschaft bei Rainer Maria Rilke /". Göttingen, Niedersachs : Vandenhoeck & Ruprecht, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783525206034.

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Libros sobre el tema "Rainer Maria Rilke e la negazione"

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Andreas-Salomé, Lou. Rainer Maria Rilke. Hamburg: Severus-Verl., 2010.

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Rainer Maria Rilke. München: DTV, 1998.

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Andreas-Salomé, Lou. Rainer Maria Rilke. Frankfurt am Main: Insel, 1988.

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Bauer, Arnold. Rainer Maria Rilke. Berlin: Edition Colloquium, 1998.

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Rainer Maria Rilke. Baden-Baden: Tectum, 2021.

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Nalewski, Horst. Rainer Maria Rilke. 4a ed. Leipzig: Bibliographisches Institut, 1987.

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Annemarie, Post-Martens, ed. Rainer Maria Rilke. Reinbek bei Hamburg: Rowohlt Taschenbuch, 2008.

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Rainer Maria Rilke. Boston: Twayne Publishers, 1988.

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Rilke, Rainer Maria. Rainer Maria Rilke: Selected poems. 2a ed. New York, N.Y: Routledge, 1990.

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Haller-Defner, Angelika y Rainer Maria Rilke. Rainer Maria Rilke, Licht-Bilder. Innsbruck: Tyrolia, 1999.

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Capítulos de libros sobre el tema "Rainer Maria Rilke e la negazione"

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Lauterbach, Dorothea. "Rainer Maria Rilke". En Kindler Kompakt: Lyrik des 20. Jahrhunderts, 49–53. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04504-1_5.

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Engel, Manfred. "Rilke, Rainer Maria". En Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19024-1.

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Lauterbach, Dorothea. "Rainer Maria Rilke". En Kindler Kompakt: Deutsche Literatur, 20. Jahrhundert, 45–49. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05520-0_5.

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Engel, Manfred. "Rilke, Rainer Maria". En Metzler Autoren Lexikon, 681–84. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03720-6_335.

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Knott, Marie Luise. "Rainer Maria Rilke". En Arendt-Handbuch, 284–85. Stuttgart: J.B. Metzler, 2022. http://dx.doi.org/10.1007/978-3-476-05837-9_58.

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Struve, Ulrich. "Rainer Maria Rilke (1875–1926)". En Der Findling Kaspar Hauser in der Literatur, 117. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03383-3_25.

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Lauterbach, Dorothea. "Rilke, Rainer Maria: Neue Gedichte". En Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19028-1.

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Engel, Manfred. "Rilke, Rainer Maria: Duineser Elegien". En Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19031-1.

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Lauterbach, Dorothea. "Rilke, Rainer Maria: Französische Gedichte". En Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19032-1.

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Engel, Manfred. "Rilke, Rainer Maria: Das Stunden-Buch". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19027-1.

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