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1
Köppert, Katrin. "Queere Archive des Ephemeren. Raum, Gefühl: Unbestimmtheit". sub\urban. zeitschrift für kritische stadtforschung 3, n.º 2 (14 de agosto de 2015): 67–90. http://dx.doi.org/10.36900/suburban.v3i2.187.
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Der Artikel folgt dem ‚Geschmack‘ dreier Archive in Berlin, San Francisco und New York und stellt einen Beitrag zum archival turn in queer theory zur Verfügung. Ihm zugrunde liegt somit die Frage, wie wir queere Bewegungsgeschichte erinnern wollen – auch um eine Vision queerer Zukunft entwerfen zu können. Er beschäftigt sich mit Raum- und Gefühlspolitiken von queeren Archiven und ‚Archiven von hinten‘. Im Zentrum der Analyse steht das Wechselverhältnis der Bedeutung von Gefühlen für die Konstitution des Raums Archiv und der Relevanz von räumlichen Veränderungen für die Ausprägung von Gefühlen. Dabei interessieren insbesondere negative Gefühle. Diese werden als Störungen inmitten von Professionalisierungsanstrengungen diskutiert. Zudem werden sie unter der Prämisse ihres Potentials für eine queere Kritik an der heteronormativen Historiografie einerseits und der auf binären Trennungen (Alltag-Wissen, Privatheit-Öffentlichkeit) basierenden Wissenspolitik anderseits erörtert.
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Gieseking, Jen Jack. "Mapping lesbian and queer lines of desire: Constellations of queer urban space". Environment and Planning D: Society and Space 38, n.º 5 (2 de junio de 2020): 941–60. http://dx.doi.org/10.1177/0263775820926513.
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The path to lesbian, gay, bisexual, transgender, and queer (LGBTQ) liberation has been narrated through a claim to long-term, propertied territory in the form of urban neighborhoods and bars. However, lesbians and queers fail to retain these spaces over generations, often due to their lesser political and economic power. What then is the lesbian–queer production of urban space in their own words? Drawing on interviews with and archival research about lesbians and queers who lived in New York City from 1983 to 2008, my participants queered the fixed, property-driven neighborhood models of LGBTQ space in producing what I call constellations. Like stars in the sky, contemporary urban lesbians and queers often create and rely on fragmented and fleeting experiences in lesbian–queer places, evoking patterns based on generational, racialized, and classed identities. They are connected by overlapping, embodied paths and stories that bind them over generations and across many identities, like drawing lines between the stars in the sky. This queer feminist contribution to critical urban theory adds to the models of queering and producing urban space–time.
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McDonald, James. "Queering methodologies and organizational research: disrupting, critiquing, and exploring". Qualitative Research in Organizations and Management: An International Journal 12, n.º 2 (12 de junio de 2017): 130–48. http://dx.doi.org/10.1108/qrom-06-2016-1388.
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Purpose The purpose of this paper is to explore the methodological implications of queering organizational research. The author examines three related questions: what does queering organizational research entail?; how have organizational scholars queered research to date?; and how does queering organizational research and methodologies advance our understandings of organizing processes? Design/methodology/approach The paper begins with an overview of queer theory, which is followed by a review of the ways in which organizational research and methodologies have been and can be queered. The paper concludes with a discussion of the value of queering organizational research and methodologies and offers research questions that can guide future research that draws from queer theory. Findings The author claims that methodologies are queered through a researcher’s commitment to enacting the philosophical assumptions of queer theory in a research project. Much of the value of queering methodologies lies in its disruption and critique of conventional research practices, while enabling us to explore new ways of understanding organizational life. Originality/value Queer theory is still nascent but growing in organizational research. To date, there has been little consideration of the methodological implications of queering organizational research. This paper discusses these implications and can thus guide future research that is informed by queer theory.
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Murray, Sally Ann. "Queerying examples of contemporary South African short fiction". Journal of Commonwealth Literature 55, n.º 1 (3 de septiembre de 2018): 77–95. http://dx.doi.org/10.1177/0021989418788909.
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With a view to imagining the forms and foci of something that might be persuaded to manifest as post-2000 “queer South African short fiction”, I queery the possibilities of queerness as category of analysis. Using a necessarily limited, illustrative selection of stories, I discuss aspects of queer in relation to such issues as generic scope, the erotic, futurity, and queerings of the canon. The approach inclines towards queer as a deliberately blurred lens, hoping to enable not precise sightlines but an obliqueness that, in conjunction with the identifier “South African”, brings into view partial glimpses of possibility for queer understandings of local short fiction. This investigation of relationality between queer as sexuality and queer as a more broadly disruptive optic is speculative, and necessarily imprecise. The method is appropriate to thinking queerly about how to disorientate local short stories in their encounters with forms of the normative.
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Amin, Kadji. "Taxonomically Queer?" GLQ: A Journal of Lesbian and Gay Studies 29, n.º 1 (1 de enero de 2023): 91–107. http://dx.doi.org/10.1215/10642684-10144435.
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Can taxonomy—a scientific method critiqued for its utility within Western imperial projects of racial and species classification—be queered? This article mines the tensions between the hostility to taxonomy within critical theory and the taxonomical renaissance within contemporary queer, trans, and asexual vernacular systems of classification. Contemporary queer uses of taxonomy express a shared utopian vision of combinatorial queerness, in which sexual, gender, and relational liberation occur through a multiplying menu of increasingly fine-grained identity options. The article examines the untimely echoes between contemporary queer classification systems and German sexologist Magnus Hirschfeld's 1910 taxonomy of “sexual intermediaries,” which forwards a combinatorially lush kaleidoscope of sexual and gendered possibilities that outflanks even contemporary developments. The goal is to simultaneously challenge the notion that sexology is contrary to queer projects and to consider the consequences of acknowledging sexology as a living inheritance of contemporary queer and trans culture. The conclusion asks how Native and racialized queers might resist the universalizing logics of taxonomy from within.
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Vachon, Wolfgang y Mattie Walker. "INTRODUCTION: POSSIBILITIES, FUTURES, AND QUEER WORLD-MAKING IN CHILD AND YOUTH CARE". International Journal of Child, Youth and Family Studies 12, n.º 3-4 (21 de septiembre de 2021): 1–22. http://dx.doi.org/10.18357/ijcyfs123-4202120332.
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In this introduction, the authors situate this special issue within the current sociopolitical contexts of child and youth care (CYC) and offer potentialities through “queering CYC”. They consider how CYC might be analyzed through a queered lens, outline ways CYC has, and has not, taken up queer theory, and imagine what a queered CYC might (un)become. The authors provide context for this issue and invite queer generosity in reading how queering can be in conversation with CYC.
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Wolfensberger, Peter y Patrick Weber. "Ganz normal?!" Psychiatrische Pflege 7, n.º 4 (1 de julio de 2022): 12–14. http://dx.doi.org/10.1024/2297-6965/a000439.
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Was ist zum Thema bereits bekannt? Gesellschaftliche Veränderungen und entsprechende rechtliche Rahmenbedingungen haben für queere Menschen das Leben in vielen Bereichen verbessert. Trotzdem sind Homo- und Transphobie immer noch verbreitet. Wie wird eine neue Perspektive eingebracht? Sichtbarkeit und persönliche Geschichten, sowie eine reflektierte Auseinandersetzung sind notwendig, um queeren Menschen im Alltag Sicherheit und Wohlbefinden zu ermöglichen. Was sind die Auswirkungen für die Praxis? Gesundheitsfachpersonen haben eine Verantwortung, den Lebenswelten queerer Menschen adäquat zu begegnen.
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Lizárraga, José Ramón y Arturo Cortez. "Cyborg Jotería Pedagogies: Latinx Drag Queens Leveraging Communication Ecologies in the Age of the Digital and Social Displacement". Association of Mexican American Educators Journal 14, n.º 2 (24 de agosto de 2020): 44–66. http://dx.doi.org/10.24974/amae.14.2.358.
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Researchers and practitioners have much to learn from drag queens, specifically Latinx queens, as they leverage everyday queerness and brownness in ways that contribute to pedagogy locally and globally, individually and collectively. Drawing on previous work examining the digital queer gestures of drag queen educators (Lizárraga & Cortez, 2019), this essay explores how non-dominant people that exist and fluctuate in the in-between of boundaries of gender, race, sexuality, the physical, and the virtual provide pedagogical overtures for imagining and organizing for new possible futures that are equitable and just. Further animated by Donna Haraway’s (2006) influential feminist post-humanist work, we interrogate how Latinx drag queens as cyborgs use digital technologies to enhance their craft and engage in powerful pedagogical moves. This essay draws from robust analyses of the digital presence of and interviews with two Latinx drag queens in the San Francisco Bay Area, as well as the online presence of a Xicanx doggie drag queen named RuPawl. Our participants actively drew on their liminality to provoke and mobilize communities around socio-political issues. In this regard, we see them engaging in transformative public cyborg jotería pedagogies that are made visible and historicized in the digital and physical world.
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Fixemer, Tom y Verena Hucke. "Queere Geflüchtete und die Diskursivierung des ‚Anderen‘ in Debatten um Sexarbeit, ‚Willkommenskultur‘ und Schutz". GENDER – Zeitschrift für Geschlecht, Kultur und Gesellschaft 14, n.º 1 (25 de marzo de 2022): 41–54. http://dx.doi.org/10.3224/gender.v14i1.04.
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Unter Bezugnahme theoretischer Perspektiven zu postkolonialem Othering und diskursiven Grenzziehungen fragt dieser Beitrag nach den Un_Sichtbarmachungen und Ver-Anderungen von queeren Geflüchteten in Debatten um Sexarbeit, ‚Willkommenskultur‘ und Schutz. Anhand dieser drei Debatten werden diskursive Grenzziehungen entlang der Analysekategorie Un_Sichtbarmachungen unter besonderer Berücksichtigung der Verschränkung von Queerness und Migration/Flucht herausgearbeitet. Deutlich wird, inwiefern queere Geflüchtete im Kontext von Sexarbeit (strategisch) unsichtbar gemacht und auf eine vulnerable Position festgeschrieben werden sowie sexuell-geschlechtliche Selbstbestimmung weitreichend determiniert oder gar aberkannt ist.
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Scherer, Bee. "Buddhismus, queer-gedacht". Paragrana 31, n.º 1 (1 de agosto de 2022): 229–48. http://dx.doi.org/10.1515/para-2022-0016.
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Abstract Dieser Beitrag untersucht die Schnittstelle zwischen queeren Subjektivitäten und psychischer Gesundheit und Suizidalität; der angeblich positive Einfluss von Religiosität auf psychische Gesundheit und buddhistische Antworten und Wege zu Befreiungspraktiken werden diskutiert. Ausgehend vom Freitod des 26-jährigen schwulen Burmesen Kyaw Zin Win wird untersucht, wie Buddhistische Traditionen konzeptionell und sozial-systemisch zu queerem Leiden und Suizidalität beigetragen haben. Durch kritische Hermeneutik werden Möglichkeiten für engagierte buddhistische inklusive Praktiken für soziale Gerechtigkeit aufgezeigt; buddhistische Perspektiven auf queere Diskriminierung und Suizidalität können so hinterfragt und überdacht werden.
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Fox, Albertine. "Sensory experience, sound and queerness in Chantal Akerman’s Maniac Shadows (2013)". Moving Image Review & Art Journal (MIRAJ) 8, n.º 1 (1 de septiembre de 2019): 68–81. http://dx.doi.org/10.1386/miraj_00006_1.
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This article offers the first scholarly study of Chantal Akerman’s installation Maniac Shadows (2013). It argues that the deviating sensory strategies at work in this installation form part of a process of ‘queering’ that allows for the expression of queer forms of embodiment and pleasure. These queer tactics include sonic excess and spatial disintegration, skewed framing, haptic auditory perception and an emphasis on indeterminacy and ambiguity, primarily through the figure of the shadow. Drawing on Sara Ahmed’s phenomenological approach to queerness, the article explores the sensuous queer effects arising from instances of audio-visual disorientation in Akerman’s installation. It suggests that the centrality of shadows, combined with the amorphous soundscape and the presence of opaque images and oblique angles, produce jarring moments of strangeness that undermine notions of a stable unified subject and disrupt heteronormative space. Offering an alternative perspective on the autobiographical accounts of the installation that have emerged so far, the article suggests that Akerman’s experimentation with spatial ambiguity is tied to a queerly inflected unravelling that pervades Maniac Shadows, as the artist fashions a less constricting and more subversive relational space for herself and her audience to grow into.
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Horton, Brian A. "What’s so ‘queer’ about coming out? Silent queers and theorizing kinship agonistically in Mumbai". Sexualities 21, n.º 7 (12 de septiembre de 2017): 1059–74. http://dx.doi.org/10.1177/1363460717718506.
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What kinds of creative potential exist in silence – in not coming out? This ethnographic study takes the strategic silences that queer persons in Mumbai deploy regarding ‘coming out’ as productive for theorizing the connections between kinship and queerness. While some strands of queer critique conceptualize the relationship between kinship and queerness antagonistically, the author deploys the concept of agonistic intimacy outlined in Singh’s Poverty and the Quest for Life (2015) to consider how queers might inhabit heterosexual kinship networks through the interplay of contestation and submission. Silence, then, need not signal the image of the transnational queer in need of saving, but a mode of negotiating desires for respectability and queerness.
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Farsakh, Leila, Rhoda Kanaaneh y Sherene Seikaly. "Special Issue: Queering Palestine". Journal of Palestine Studies 47, n.º 3 (2018): 7–12. http://dx.doi.org/10.1525/jps.2018.47.3.7.
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In this introduction to “Queering Palestine,” the curators of this special issue of the Journal of Palestine Studies explore what queer theory and activism can teach us about the Palestinian condition, and vice versa. They contextualize the arguments made by the contributors for the relevance of queer politics to the question of Palestine, which encompass queer theory and dissent, sexuality politics and the nation-state, and queerness as decolonial practice.
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Haritaworn, Jin. "Shifting Positionalities: Empirical Reflections on a Queer/Trans of Colour Methodology". Sociological Research Online 13, n.º 1 (enero de 2008): 162–73. http://dx.doi.org/10.5153/sro.1631.
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How can we study ‘Queer’, or indeed, should we? Drawing on fieldwork with people raised in interracial families in Britain and Germany, and reflecting on my own coming out as transgendered/genderqueer during the research, I reflect on the role of difference, similarity, and change in the production of queer knowledges. My entry point is a queer diasporic one. Queers of colour, I argue, have a particular stake in queering racialised heterosexualities; yet differences within diasporic spaces clearly matter. While ‘Queer’ can open up an alternative methodology of redefining and reframing social differences, the directionality of our queering - ‘up’ rather than ‘down’ - is clearly relevant. I suggest the anti-racist feminist principle of positionality as fruitful for such a queer methodology of change. This is explored with regard to a selection of empirical and cultural texts, including the debate around Paris is Burning, Jenny Livingston's film about the Harlem house/ball scene; the appeal that a non-white heterosexual artist such as South-Asian pop singer MIA can have for queers of colour; the camp role model which Thai sex work femininity can represent for queer and trans people from the second generation of Thai migration; and the solidarity of a Southeast Asian butch with feminine women in her diasporic collectivity.
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Klapeer, Christine M. "Transnationale queere Solidarität als „burden of the fittest“? Zur Problematik einer Einpassung von LGBTIQ*-Rechten in die Logik von Entwicklungszusammenarbeit". FEMINA POLITICA - Zeitschrift für feministische Politikwissenschaft 28, n.º 2-2019 (28 de noviembre de 2019): 67–81. http://dx.doi.org/10.3224/feminapolitica.v28i2.06.
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Auf der Basis einer produktiven Zusammenführung von Erkenntnissen aus dem Bereich der postkolonialen und ‚radikalen‘ Entwicklungsforschung und queeren Auseinandersetzungen mit homonationalistischen Implikationen globaler LGBTIQ*-Politiken diskutiert dieser Beitrag das Spannungsverhältnis zwischen Entwicklungszusammenarbeit und transnationaler queerer Solidarität. Es wird gezeigt, inwiefern Solidarität vor dem Hintergrund einer problematischen Aktualisierung modernisierungstheoretischer und developmentalistischer Annahmen im Zuge LGBTIQ*-inklusiver bzw. SOGI-sensibler Entwicklungsagenden vor allem als eine Verantwortung ‚der Entwickelten‘ bzw. mit Gayatri Chakravorty Spivak gesprochen, als „burden of the fittest“, geframt wird. In diesem Zusammenhang nimmt der Beitrag auf der Basis postkolonialer Entwicklungskritiken die selbstaffirmativen Implikationen von entwicklungspolitischen Artikulationen transnationaler queerer Solidarität in den Blick und untersucht, inwieweit diese als eine Form der okzidentalistischen Selbstvergewisserung interpretiert werden können. In einem letzten Teil wird problematisiert, inwiefern eine Viktimisierung von LGBTIQ*s im Globalen Süden bzw. insgesamt eine sogenannte Spektakularisierung von Gewalt gegen LGBTIQ*s in den sogenannten Partnerländern als zentraler diskursiver Bedingungsrahmen für transnationale queere Solidarität fungiert.
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Harris, Anne y Stacy Holman Jones. "Feeling Fear, Feeling Queer: The Peril and Potential of Queer Terror". Qualitative Inquiry 23, n.º 7 (septiembre de 2017): 561–68. http://dx.doi.org/10.1177/1077800417718304.
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This essay considers what we are calling queer terror, an affective condition not limited to LGBT (lesbian, gay, bisexual, and transgender) or other minoritarian subjects, and its relationship to fear, hate, and factionalism (or isolationism). That is, queer terror is both terror against queer subjects and a queering of terror culture itself. We ask whether, through the act and its viral media representations, queer terror creates minoritarian public sphere that can be shared by queer people of color (QPOC) and allies alike. This affectively queer allyship begins with a racially and queerly attentive politics and seeks community both in response to and as a refusal of the kinds of terror that made Orlando possible.
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De Jesus Pereira Lopes, Rogério. "Queer inclusive planning. Raumansprüche und queeres Selbstverständnis in einer heteronormativen Gesellschaft". sub\urban. zeitschrift für kritische stadtforschung 5, n.º 1/2 (23 de junio de 2017): 243–56. http://dx.doi.org/10.36900/suburban.v5i1/2.270.
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Ausgehend von Michael Frischs Annahme, dass Stadtplanung ein heterosexistisches Projekt sei, beschäftigt sich der vorliegende Text mit den Raumansprüchen und Bedürfnissen queerer Bürger*innen. Es wird argumentiert, dass die Stadtplanung infolge einer Orientierung an heteronormativen Annahmen einen exkludierenden Charakter gegenüber all denjenigen Personen aufweist, die sich außerhalb der Norm befinden. So wird davon ausgegangen, dass Queers gesonderte Raumansprüche besitzen, denen im Rahmen eines queer inclusive planning Ansatzes Beachtung geschenkt werden sollte. Auf Grundlage dieser Erkenntnisse werden drei exemplarische Raumansprüche vorgestellt, die infolge heteronormativ organisierter Stadtplanung eingeschränkt werden. So wird dargestellt, inwiefern der Einbezug der erarbeiteten Raumansprüche zu einem veränderten Selbstverständnis von Queers beitragen kann. In einem letzten Schritt werden die Potentiale und Herausforderungen eines queer inclusive planning Ansatzes dargelegt.
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Rumens, Nick, Eloisio Moulin de Souza y Jo Brewis. "Queering Queer Theory in Management and Organization Studies: Notes toward queering heterosexuality". Organization Studies 40, n.º 4 (5 de febrero de 2018): 593–612. http://dx.doi.org/10.1177/0170840617748904.
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This article suggests new possibilities for queer theory in management and organization studies. Management and organization studies has tended to use queer theory as a conceptual resource for studying the workplace experience of ‘minorities’ such as gay men, lesbians and those identifying as bisexual or transgender, often focusing on how heteronormativity shapes the discursive constitution of sexualities and genders coded as such. This deployment is crucial and apposite but it can limit the analytical reach of queer theory, neglecting other objects of analysis like heterosexuality. Potentially, MOS queer theory scholarship could be vulnerable to criticism about overlooking queer theory as a productive site for acknowledging both heterosexuality’s coercive aspects and its non-normative forms. The principal contribution of our article is therefore twofold. First, it proposes a queering of queer theory in management and organization studies, whereby scholars are alert to and question the potential normativities that such research can produce, opening up a space for exploring how heterosexuality can be queered. Second, we show how queering heterosexuality can be another site where queer theory and politics come together in the management and organization studies field, through a shared attempt to undermine sexual and gender binaries and challenge normative social relations. The article concludes by outlining the political implications of queering heterosexuality for generating modes of organizing in which heterosexuality can be experienced as non-normative and how this might rupture and dismantle heteronormativity.
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Ibrahim, Ahmed. "In and/or/plus Out: Queering the Closet". Kohl: A Journal for Body and Gender Research 6, Winter (21 de diciembre de 2020): 290–306. http://dx.doi.org/10.36583/2020060307.
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By enacting a reflexive return to our initial encounters with the ambiguous and multivalenced potential offered by queerness, I locate and piece together the traces of an always already lost/forcibly disappeared network that is constantly unfolding nonetheless. Taken together, these individual/ized encounters form structures of queer knowing, moving, and feeling that counter this individualization, which I argue is an integral part of the repertoire of techniques designed to foreclose the potential of a queer collective. It is with this in mind that I posit what I call authoritarian heterosexuality as a particular and particularly potent political regime, one that is entangled in colonial legacies and local sedimentations that inform the contemporary Egyptian state’s attitudes towards queers specifically, and towards its citizenry more broadly. And by using this affective material as my entry point into an analysis of what queer might really mean here, I am able to reveal the traces of this violating constitution. Put differently, by engaging in a structural analysis of diverse articulations and experiences of queerness, I am simultaneously engaging in an analysis of the ways in which authoritarian regimes, in their efforts to eradicate queerness, end up producing it along lines that are perhaps illegible when read with the optic of traditional queer theory. To this end, I will be foregrounding my analysis in “the closet” as both a material artifact and disciplinary technology of this heterosexist regime that works to impress a damaging sense of individualism in subjects, as well as a site of potential for queers to collectivize, once the inconsistencies and similarities between such designations as “in” and “out,” “private” and “public,” and “individual” and “collective” are parsed out.
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Prusko, Rachel. "Queering the Reader in Peter and Wendy". Jeunesse: Young People, Texts, Cultures 4, n.º 2 (diciembre de 2012): 107–26. http://dx.doi.org/10.3138/jeunesse.4.2.107.
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Recently, queer theory has shown much interest in the figure of the child, with some critics seeking a queer understanding of childhood and others refuting the possibility of this enterprise. Few of these critics, though, have considered the queer possibilities of children’s literature, preferring instead to analyze child characters in the works of authors who do not write for children. Assuming both that "child" is indeed a queerable category and that books for children are worth analyzing through a queer lens, this essay offers a reading of J. M. Barrie’s Peter and Wendy, arguing that narrative form is the principal queering force in this novel, and that the child queered most significantly is its reader.
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Böhlke, Nicola y Johannes Müller. "„Man muss sich nicht verstecken oder erklären. Es ist einfach unkompliziert“ – Sporterfahrungen und Motivlagen von Mitgliedern eines queeren (LGBTI*) Sportvereins". Sport und Gesellschaft 17, n.º 2 (26 de agosto de 2020): 121–51. http://dx.doi.org/10.1515/sug-2020-0009.
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ZusammenfassungParallel zu einer noch immer weitestgehenden Tabuisierung von Homosexualität und normabweichendem Geschlecht im Leistungssport haben sich im Bereich des Breitensports in der Vergangenheit zahlreiche queere Sportvereine gegründet, die insbesondere homo-, bisexuelle, Trans*- und Inter-*, Non-Binary- bzw. queere Personen zur Zielgruppe haben. Der vorliegende Beitrag basiert auf einer qualitativ angelegten Interviewstudie, in der Mitglieder eines queeren (LGBTI*) Sportvereins zu ihren Sporterfahrungen und Motiven der Partizipation befragt wurden. Die Befunde zeigen, dass nicht nur auf Heteronormativität basierende Negativerfahrungen im herkömmlichen Verein ausschlaggebend sind, sondern auch die Selbstsegregation innerhalb des queeren Vereins eine eigene Anziehungskraft hat. Dabei erweist sich der Verein für die Befragten als Gemeinschafts- und Wohlfühlraum, Kontaktbörse oder auch als mentaler Schutzraum. Im Beitrag werden die Bedeutungsfacetten des queeren Vereins ausdifferenziert beschrieben und kritische Perspektiven hinsichtlich der Teilnahme am queeren Sport aufgezeigt.
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Klein Martins, David. "“We All Go a Little Mad Sometimes. Haven’t You?”: Psycho and the Postmodern Rise of Gender Queerness". aspeers: emerging voices in american studies 10 (2017): 39–53. http://dx.doi.org/10.54465/aspeers.10-05.
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Film historians consider Alfred Hitchcock’s Psycho (1960) a pivotal point in the rupture from classic forms of horror film and the introduction of a shift in sensibilities. Simultaneously, Psycho represents a landmark achievement in terms of queer depictions on screen. The means of generating shock value first presented in this film was a new, visible queerness embodied in the character of Norman Bates (Anthony Perkins). This article argues that apart from Bates’s queer performativity, to a certain degree, every character in Psycho’s cosmos is queered due to a postmodern, all-pervasive deconstruction of gender roles. While these gender-bending film elements can be regarded as groundbreaking, the ways in which queerness in the film is portrayed follows a retrogressive cinematic tradition of queerness as monstrous. Lastly, the article parallels the 1960 original with Gus Van Sant’s eponymous 1998 remake. Remaking a cinematic work from an updated societal standpoint is of utmost relevance to this study since the comparison between the original and the remake not only highlights the changing perspectives regarding queer issues but also reveals how movies that are almost identical can sustain very different meanings.
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Hereth, Blake. "Queer Advice to Christian Philosophers". European Journal for Philosophy of Religion 14, n.º 1 (31 de marzo de 2022): 49–75. http://dx.doi.org/10.24204/ejpr.2022.3291.
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Philosophy of religion is dominated by Christianity and by Christians. This, in conjunction with the historically anti-LGBTQIA bent of Christian thinking, has resulted in the exclusion of less dominant and often marginalized perspectives, including queer ones. This essay charts a normative direction for Christian philosophers and for philosophy of religion, a subfield they dominate. First, given some of the unique ways Christian philosophy and philosophers have unjustly harmed queers, Christian philosophers as a group have a responsibility to communities their group has oppressed to prioritize the interests of the oppressed. Second, Christian philosophers must prioritize queer voices by creating or furthering academic space (e.g., at conferences, in journals and books, and in academic posts) for those who publicly and professionally identify as queer. Third, Christian philosophers must mitigate their criticisms of queers and queerness where such criticisms would undermine their efforts toward compensatory/reparative justice.
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Mallette, Wendy. "The Possibilities and Limits of Queer Strategies of Denaturalizing and Resignifying Gendered Symbolics". Feminist Theology 26, n.º 3 (20 de abril de 2018): 267–85. http://dx.doi.org/10.1177/0966735018759462.
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In this article, I take up Marcella Althaus-Reid’s queer strategy that pairs disaffiliation with intimate identification in order to draw out the possibilities and limits of queer strategies of resignification and denaturalization. I will use David M. Halperin’s work on gay femininity, abjection, and camp as the primary site to investigate these queer strategies. This article’s considerations have implications for recent directions taken in contemporary queer theology by challenging projects that presume a certain limitless capacity for queering or that seek to appropriate almost anything – marriage, celibacy, or orthodoxy – as queer. Rather than seeking to mitigate complicity in misogyny or trying to recuperate misogynist theological positions by highlighting their subversive queerness, Althaus-Reid’s demands from queer theologians a prophetic, denunciatory posture that turns away from the imperial theological highways towards the queer ways of knowing and relating to the God at the margins of T-theology.
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Bao, Hongwei. "Curating queerness and queering curation: Exhibiting queer Chinese art in Europe". Journal of Contemporary Chinese Art 9, n.º 3 (1 de noviembre de 2022): 313–32. http://dx.doi.org/10.1386/jcca_00069_1.
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This article examines the curatorial strategies of the Secret Love exhibition, the biggest queer Chinese art exhibition outside Asia to date. The exhibition brought together 150 works created by 27 queer Chinese artists. It first took place at the Museum of Far Eastern Antiquities (MFEA) in Stockholm, Sweden, from 21 September 2012 to 31 March 2013, and subsequently toured to other museums in Europe. The exhibition raises the critical question of how one can curate queer Chinese art when definitions of queerness, Chineseness and art remain unstable and contested. This article proposes queer curating – that is, collecting and exhibiting genders, sexualities and desires in an art gallery or museum setting without reinscribing social norms and reinstating identity categories – as a critical curatorial method. Queer curating challenges fixed identity categories and dominant power relations; it also explores a non-essentialist and anti-identitarian mode of curatorial practice. As an example of transnational and transcultural curating, the Secret Love exhibition compels us to consider how curators can work with the structural constraints of exhibition and discursive spaces to create new curatorial possibilities.
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Nirta, Caterina. "Actualized Utopias: The Here and Now of Transgender". Politics & Gender 13, n.º 02 (12 de agosto de 2016): 181–208. http://dx.doi.org/10.1017/s1743923x1600043x.
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“There's no need to fear or hope, but only to look for new weapons” (Deleuze 1992, 4)José Esteban Muñoz opens his bookCruising Utopia: The Then and There of Queer Futurityby stating that “queerness is not here yet. Queerness is an ideality … an ideality that can be distilled from the past and used to imagine a future.” Queerness, continues Muñoz, “is a longing that propels us onward … Queerness is essentially about the rejection of the here and now” (2009, 1). He identifies queer utopias with an idea of futurity as an attempt to think of something else that goes beyond the “here and now,” an act of resistance: “the present is not enough. It is impoverished and toxic for queers and other people who do not feel the privilege of majoritarian belonging, normative tastes and ‘rational’ expectations … The present must be known in relation to the alternative temporal and spatial maps provided by a perception of past and future affective worlds” (27). In this article, I aim to show just the opposite. The argument I make here is that queer utopia—transgender—is a futurity of thehereand of thenow,avirtualitythat does not belong to the past nor does it lend itself to projections of the future, but it is totally immersed in the very now of the present.
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Kreitler, Melanie y Laura Borchert. "Representing, repressing and pushing back: Queer and trans (in)visibilities in media, law and culture". Queer Studies in Media & Popular Culture 7, n.º 3 (1 de septiembre de 2022): 147–64. http://dx.doi.org/10.1386/qsmpc_00076_1.
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The increasing focus on non-normative gender identities and sexual orientations in cultural discourses creates a paradox for LGBTQIAP* communities. On the one hand, increased visibility paves the way for greater tolerance in the general public; on the other hand, it may also suggest the logical fallacy that on-screen representations mirror off-screen realities. This article argues that the hyper-visibility of queerness in media maintains and legitimizes existing, cis-heteronormative sociocultural orders that are reflected in legal developments. Further, the (popular) cultural discourse about queerness adds to its continuing normativization. The ‘mainstreamification’ of queerness risks cementing legal inequalities for LGBTQIAP* persons, leaving queers vulnerable to discrimination while popular discourse is able to imagine an emancipated queer subject on-screen.
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McCarthy, Daniel. "Queering Abuelita". Departures in Critical Qualitative Research 11, n.º 4 (2022): 27–41. http://dx.doi.org/10.1525/dcqr.2022.11.4.27.
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This essay considers an alternative form of reconciliation with my abuelita who passed away unexpectedly from a stroke in 2021. Beginning with her career as a professional singer refuting gender roles in Spain, I consider the trajectory of her life that led to her adulthood as a conservative Jehovah’s Witness. Through speculative memory work and queer futurity, this essay queers abuelita in a way that reimagines her life as a musician, performer, and grandmother. I offer this as an example of how queer individuals negotiate and address the contradictions of reconciliation and queerness on their own terms.
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Rojas, Carlos. "The New Imitation Game". Screen Bodies 5, n.º 2 (1 de diciembre de 2020): 81–95. http://dx.doi.org/10.3167/screen.2020.050208.
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Taking as its starting point the “original” variant of Alan Turing’s famous “imitation game” (in which a test subject attempts to differentiate, based purely on textual output, between a man and a woman), this article considers the ways in which gender and sexuality are simulated in the contemporary genre of virtual romance or dating video games. The article focuses on three Sinitic games, each of which strategically queers this predominantly heteronormative genre. In queering desire, moreover, these Sinitic games simultaneously suggest ways in which Chinese society itself may also be strategically queered.
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Savcı, Evren. "Turkey’s queer times: epistemic challenges". New Perspectives on Turkey 64 (9 de marzo de 2021): 131–50. http://dx.doi.org/10.1017/npt.2021.5.
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AbstractThis article suggests that Turkey’s queer times are co-constitutive with Jasbir Puar’s queer times of homonationalism. If the queer times of homonationalism correspond to a folding of some queers into life and respectability at the cost of rising Islamophobia in the “West,” Turkey’s queer times witnessed the increasing marginalization and “queering” of variously respectable subjects in the name of Islam and strong LGBT organizing against such marginalization. It discusses the epistemic challenges of studying Turkey’s queer times that stem from a theoretical suspicion that “queer” operates as a tool of colonial modernity when it spreads to the “non-West,” a suspicion that is due both to a perception of Islam as a target and victim of Western neocolonialism and to an ahistorical and rigidly discursive understanding of language. In turn, scholarship on Turkey’s queer times has the potential to truly transnationalize queer studies, both getting us out of the binaries of global–local, colonial–authentic, and West–East and reminding scholars that hegemonies are scattered.
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Miller, Jennifer. "For the Little Queers: Imagining Queerness in “New” Queer Children’s Literature". Journal of Homosexuality 66, n.º 12 (10 de septiembre de 2018): 1645–70. http://dx.doi.org/10.1080/00918369.2018.1514204.
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See, Sam. "“Spectacles in Color”: The Primitive Drag of Langston Hughes". PMLA/Publications of the Modern Language Association of America 124, n.º 3 (mayo de 2009): 798–816. http://dx.doi.org/10.1632/pmla.2009.124.3.798.
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The chapter “Spectacles in Color” in Langston Hughes's first autobiography, The Big Sea (1940), envisions modernist Harlem culture as a drag performance and offers a useful rubric for understanding Hughes's The Weary Blues (1926), a lyric history of that culture whose poems characteristically cross gender, sexual, racial, and even formal lines. The Weary Blues employs a low-down, or nature-based, and down-low, or queer, aesthetic of racial and gender crossing that I term “primitive drag,” an aesthetic that ironically coincides with the stereotypes of African Americans and queers that were propagated by early-twentieth-century sexological science and degeneration theory: namely, that blacks and queers were unnatural and degenerate because they, unlike whites and heterosexuals, exhibited a lack of racial and gender differentiation. Disidentifying with those stereotypes, the primitive drag in The Weary Blues depicts queer feeling as natural and nature as queer, thus offering a productive paradox for rethinking literary histories of modernism and theories of sexuality by the rather Darwinian notion that “the nature of the universe,” as Hughes calls it, is always subject to change, or queering.
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Thomson, Sheona. "It's Moments Like These You Need ‘Mint’: A Mapping of Spatialised Sexuality in Brisbane". Queensland Review 14, n.º 2 (julio de 2007): 93–104. http://dx.doi.org/10.1017/s1321816600006668.
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This paper produces the first mapping of ostensibly ‘lesbian’ spaces in Brisbane, focusing on lesbian bars and/or clubs. While cultural geographers have long noted the increased presence of ‘queerness’ within urban built environments, including how articulations of queerness within the built environment impact on the usage of those spaces both by queers and non-queers, few have applied this work to Queensland's capital. This paper addresses the gap. To do so, I begin contextually by ‘overviewing’ how queer space has tended to be ‘mapped’ in existing scholarship. I then consider how lesbian space, in particular, is mediated through interpersonal networks, queer media and, increasingly, virtual spaces. The point of this is to consider how lesbians go about the process of finding each other, and of finding community, through and in the spaces of Brisbane's built environment. Finally, and with these contexts in place, I move on to a brief case study of the three incarnations of one lesbian bar in Brisbane: namely, Mint cocktail bar. This case study raises a series of questions, including what, if any, are the aesthetic characteristics of these spaces? How are they contextualised within, and how do they interact with, the broader built environment? And what, ultimately, might these spatial interactions reveal about ideologies of sexuality within the built environment of Brisbane?
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Parker, Martin. "Queering Queer". Gender, Work & Organization 23, n.º 1 (27 de junio de 2015): 71–73. http://dx.doi.org/10.1111/gwao.12106.
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Trott, Ben. "„Etwas Begehrenswertes“". PROKLA. Zeitschrift für kritische Sozialwissenschaft 49, n.º 197 (3 de diciembre de 2019): 569–84. http://dx.doi.org/10.32387/prokla.v49i197.1846.
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Der vorliegende Beitrag fragt, wie queere Lebensweisen heute entstehen und sich reproduzieren. Es wird argumentiert, dass viele, die ein queeres Leben in begehrenswerterweise leben wollen, schon lange einem der zentralen Orte der sozialen Reproduktion entkommen müssen, der Familie. Damit verbunden ist die Notwendigkeit, alternative Sorge- und Unterstützungsnetze aufzubauen, was oft nur durch (gegenkulturelle und andere) Räume außerhalb des häuslichen Bereichs ermöglicht wird. Weiter argumentiere ich, dass diese Tatsachen vielleicht überraschend oft in kulturellen (Mainstream-)Darstellungen von queerem Leben vorkommen, beispielsweise in Film und Fernsehen der letzten 30 Jahre. Überraschend deshalb, da dies im Widerspruch zu vielen anderen prominenten kulturellen Darstellungen steht, die verhandeln, wie sich LGBT-Menscheninzwischen innerhalb herrschender Institutionen etabliert haben, insbesondere Ehe und Familie, also – wie viele andere zurecht angemerkt haben – inmitten der Entstehung der völlig entpolitisierten „neuen Normalen“.
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IM, YEEYON. "Queering Romeo and Juliet in South Korea: Homonormativity as Gay Utopian Fantasy". Theatre Research International 47, n.º 3 (octubre de 2022): 222–37. http://dx.doi.org/10.1017/s0307883322000219.
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This article examines two recent queer adaptations of Romeo and Juliet in Seoul, attending to their opposite receptions in relation to the gap between queer theory and gay reality. It focuses on LAS's Juliet and Juliet, hailed as ‘female queer theatre’ despite being conservative gay, while discussing briefly in comparison Yohangza's Romeo and Juliet, decried as ‘anti-queer’ for all its queerness. Although the dream of a happy married life in Juliet and Juliet appears similar to the much-critiqued homonormativity, I defend it as a ‘gay utopian fantasy’ rooted in the predicament of Korean queers under the ideology of familism. Questioning the adequacy of Western-centric queer theory to explain Korean gay reality, I call for the need to develop alternative concepts and positive vocabularies to give voice to the lived experience and aspiration of sexual minorities in countries like Korea, for whom the post-gay era has not yet arrived.
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Otto, Dianne. "Queerly Troubling International Law's Vision of “Peace”". AJIL Unbound 116 (2022): 22–26. http://dx.doi.org/10.1017/aju.2021.71.
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Queering international law involves dreaming. It requires stepping outside the framing presumptions of “normal” law to reveal and challenge the heteronormative underpinnings of the hierarchies of power and value that the law sustains. Reclaiming the nomenclature of queer from its history as a term of insult and dehumanization, queer theory interrogates the normative framework that naturalizes and privileges heterosexuality and its binary regime of gender. In its reclamation, “queer” gestures toward affirmative assemblages of new meanings and emancipatory imaginaries. In international law, queer theory has been used in many different ways. For some, queerly troubling the normative involves expanding the existing normal to be more inclusive of queer lives, as can often be seen in the field of international human rights law. As life-giving as inclusion is to those barely existing on the margins, without changing the terms of inclusion this approach risks leaving heteronormativity intact and may even buttress it, as with the legal recognition of same-sex marriage. For others, queering international law involves a more fundamental critique of its regimes of the normal that, together, regulate our relations with each other and the planet. The objects of queer theory's structural critique are the conceptual foundations of international law, which rely on heteronormativity as a fundamental organizing principle that helps to normalize inequality, poverty, exploitation, and violence. One example is the “civilizing mission” which justified colonialism and continues to animate present legal norms. As Teemu Ruskola argues in his seminal queer critique, international legal rhetoric attributed normative masculinity to (Western) sovereign states and cast the “deficient” sovereignty of non-Western states in terms of variously deviant masculinities which, together with their civilizational and racial attributes, justified their “penetration.” My “troubling” of international law's account of peace takes a queer structural approach and then outlines some alternative imaginaries suggested by queer theory and activism.
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Fanshel, Rosalie Zdzienicka. "Beyond blood brothers: queer Bruce Springsteen". Popular Music 32, n.º 3 (13 de septiembre de 2013): 359–83. http://dx.doi.org/10.1017/s0261143013000275.
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AbstractBruce Springsteen's body of work contains a striking number of songs with homoerotic or queerly suggestive content. Moreover, his live performances often push the limits of the homosocial, ‘queering’ onstage relationships through everything from lingering kisses with the late saxophonist Clarence Clemons to intimate microphone sharing with guitarist and real-life best friend Stevie Van Zandt. In this paper I trace Bruce Springsteen's consistent performative engagement with queer desire over the course of his 40-year career through a close reading of both lyrics and performance (including onstage, and in video and still photography). I examine how Springsteen's queer lyrical content and performative acts contrast critically with dominant readings of his hypermasculine, ‘all-American’ image, and suggest that Springsteen's regular deployment of homosocial and homoerotic imagery in both lyrics and performance – far from being an exception to his more mainstream persona – actually constitute a kind of queer aesthetic vital to, and consistent with, his artistic vision of love and community.
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Ncube, Gibson. "Film as /and Popular Social Text: The Reception of John Trengove’s Inxeba/The Wound and Wanuri Kahui’s Rafiki". English in Africa 47, n.º 3 (10 de febrero de 2021): 55–79. http://dx.doi.org/10.4314/eia.v47i3.4s.
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This article is interested in popular and institutional or state responses to the representations of queerness offered in the films Inxeba/The Wound (South Africa, 2017) and Rafiki (Kenya, 2018). Aside from portraying the marked homophobia that continues to circulate on the African continent, the institutional and state responses to the films have overshadowed the positive popular reception which has characterised conversations around the films on social media and public spaces. This article shows how social media functions as animportant space of contestation for diverse issues relating to non-normative gender and sexual identities. As these films circulate in different spaces and are viewed by diverse audiences, they elicit equally diverse reactions and responses. The article examines how viewers, in Africa and beyond, receive and engage with the queerness represented in the two films. It argues that the multifaceted reactions to Inxeba/The Wound and Rafiki are central to articulating important questions about what it means to be queer in Africa,and particularly what it implies for black queers to inhabit heteronormative and patriarchal spaces on the continent. Through an analysis of the reactions and receptions of the two films in Africa and the global North, it is argued that it is possible to trace important inter-regional, intra-continental and intercontinental dialogues and conversations regarding the representation of queer African subjectivities. The intra-continental and inter-continental dialogues bring to light questions of gaze and viewing that are inherent in the circulation of queer-themed films.
Kewords: Inxeba/The Wound, Rafiki, reception, popular culture, queerness
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Heinrich, Ari, Howard Chiang y Ta-wei Chi. "Introduction". Screen Bodies 5, n.º 2 (1 de diciembre de 2020): 38–45. http://dx.doi.org/10.3167/screen.2020.050204.
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This special issue on “Queer Sinofuturisms” aims to explore how artists and writers working across various media in Sinophone contexts use science to envision — and indeed to fabulate — non-normative gender and erotic expressions in relation to the corporeal future of humanity. By investigating visions of the future that incorporate queerness and creative applications of computer and biotechnology, “Queer Sinofuturisms” aims to counter pervasive techno-Orientalist discourses, such as those discourses in the Blade Runner movies (Ridley Scott, 1982; and Denis Villeneuve, 2017) that frame “Asian” futures as strictly dystopian—and heteronormative by default. What happens, this issue of Screen Bodies asks, if we simultaneously destabilize techno-Orientalist narratives of the future while queering assumptions about the heteronormativity so often inscribed upon that future in mainstream iterations and embodiments? What kinds of fabulous fabulations might emerge?
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Boisvert, Donald L. "Queering Religion, Religious Queers". Journal of Contemporary Religion 31, n.º 1 (20 de diciembre de 2015): 138–39. http://dx.doi.org/10.1080/13537903.2016.1109887.
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Hoel, Nina. "Queering religion, religious queers". Theology & Sexuality 22, n.º 1-2 (16 de mayo de 2016): 124–26. http://dx.doi.org/10.1080/13558358.2017.1296697.
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Purnell, David F., Christina L. Ivey y Andy Sturt. "Queering Queer Conversations". Journal of Autoethnography 2, n.º 3 (2021): 293–305. http://dx.doi.org/10.1525/joae.2021.2.3.293.
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One of the strengths of autoethnography is the connections that can be made through the telling of story. This article is an compilation of the connections made during presentations at the International Symposium on Autoethnography and Narrative Inquiry. Despite age differences, situations, and ways of being in and of the world, there were overlaps in the experiences of the authors. Three individual conference papers are merged to begin a conversation of queering queer narratives through an exploration of embodiment, relationality, and self-presentation without resorting to an established, and perhaps reified, queer iconography. From our queer identities, we offer narratives that are neither settled nor normative from our individual queer standpoints. We write to champion a different view of possibilities for queer non-normativity.
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Goldflam, Annie. "Queerer than Queer". Journal of Homosexuality 36, n.º 3-4 (16 de febrero de 1999): 135–42. http://dx.doi.org/10.1300/j082v36n03_08.
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Al-Qasimi, Noor. "Queerer Than Queer". GLQ: A Journal of Lesbian and Gay Studies 26, n.º 1 (1 de enero de 2020): 63–101. http://dx.doi.org/10.1215/10642684-7929111.
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This essay delineates the contours of the United Arab Emirates’s biopolitical national project through the lens of queerness as a site of productive failure, rupture, and danger—one with the potential to disrupt the heteronormative notions of lineage and futurity upon which this project relies. This article focuses on the Emirati “post-oil” generation: one that has borne witness to a landscape of excess, expatriate population growth, and values that possibly conflict with those of indigenous groups, directly tied to major regional oil booms. Drawing on rentier theory and political economy, this article examines the shift in the Emirati citizen-state relationship from straightforward economic exchange to one built on an economy of debt, inheritance, and narratives of reproduction and regeneration. Queerness, in this context, is a site of injury falling outside such narratives, operating outside identitarian frameworks and lineages of post-oil success(ion), against and beyond vertical lines of inheritance and regeneration.
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Thürler, Djalma. "And tell sad stories of the death of queens: o camp e a metáfora da vida como teatro". Revista Brasileira de Literatura Comparada 23, n.º 44 (diciembre de 2021): 177–91. http://dx.doi.org/10.1590/2596-304x20212344dt.
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RESUMO Este artigo se debruça sobre o texto de teatro And Tell Sad Stories of the Deaths of Queens, de Tennessee Williams, e procura demonstrar a consciência do autor sobre o camp e intenta discutir a tradução da expressão queen e suas implicações no casting da personagem Candy na cena contemporânea. Este ensaio baseia-se em perspectivas críticas queer e em saberes de desaprendizagem para enfatizar as formas como Williams encena a homossexualidade como um elemento estético da peça.
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Mesner, Kerri. "Outing autoethnography: an exploration of relational ethics in queer autoethnographic research". Qualitative Research Journal 16, n.º 3 (8 de agosto de 2016): 225–37. http://dx.doi.org/10.1108/qrj-07-2015-0049.
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Purpose – The purpose of this paper is to open up a deeper, more complex discussion about ethical issues in queer autoethnography, by moving beyond either an outline of seminal autoethnographic thinkers, instigators, and writers, or a simple rearticulation of the key issues currently under discussion within the field of autoethnographic ethics. Design/methodology/approach – The author’s intention is to queer autoethnographic ethics – that is, to employ queering as a verb, and to queerly examine autoethnographic scholars through the problematizing lenses of unexamined privilege, and of potential ethical violence to the researcher. After this, the author turns to theological writers to help us to queer the notions of ethical certainty, challenging our fear of ideological uncertainty, our fear of the body, and our fear of ambiguity. Findings – This paper offers a more expansive and challenging approach to traditional autoethnographic ethical guidelines. It also raises several significant questions for ongoing scholarly discussion in the field. Originality/value – It is hoped is that this paper will open up new possibilities and trajectories in the ongoing debates about autoethnographic ethics.
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Von Seth, Oscar. "Pojken med koskällan och tjuren på Nybacken". Tidskrift för litteraturvetenskap 49, n.º 4 (1 de enero de 2019): 88–97. http://dx.doi.org/10.54797/tfl.v49i4.6574.
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The Boy with the Cowbell & The Bull of Nybacken: A Queer Reading of Vilhelm Moberg’s The Emigrants Novels
This article presents a queer reading of Vilhelm Moberg’s The Emigrants novel series (1949–1959), in which norm-breaking aspects of the text are accentuated. The series consists of some of the most read and beloved Swedish novels of all time, and tells the story of a group of farmers emigrating to North America in the mid-nineteenth century. Up until now The Emigrants novels have not been read using a queer perspective. The focus of this reading is the close relationship between the two young farmhands Robert and Arvid. The latter is rumored to engage in bestiality, which in this article is interpreted as a transgression from normative heterosexuality. Also, neither Robert nor Arvid express desire towards women; these men are each other’s primary life partners. By emphasizing expressions of queerness around them – including the prevalence of animality and queerly connoted animals – this article shows that it is possible to read the men’s relationship as a romantic love story.
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Powell, Elliott H. "Getting Freaky with Missy". Journal of Popular Music Studies 33, n.º 3 (1 de septiembre de 2021): 145–67. http://dx.doi.org/10.1525/jpms.2021.33.3.145.
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This article analyzes the music of Black female rapper Missy Elliott in order to consider performative challenges to the politics of visibility and visuality of Black queerness in hip hop. While mainstream media lauds the recent increase in and representation of out Black LGBTQ rappers, scholars such as C. Riley Snorton caution such praise for the unique ways visibility and surveillance are entangled formations that render Black queer communities vulnerable to violence. This article draws on Elliott’s songs “Get Ur Freak on” and “Pussycat” to present alternative ways of navigating the violence of visibility for Black queers and queerness. It argues that Elliott musically inhabits, expresses, and produces queerness through a set of cultural practices that this article calls the “musical aesthetics of impropriety.” The musical aesthetics of impropriety are performative expressions that are developed and deployed at the level of the sound recording, and that exploit the gaps and fissures of what qualifies as proper sexual subjects (e.g., LGBT) and how we come to perceive them as such (i.e., “evidence“) in order to produce alternative sexual and sonic formations. It is, thus, through the musical aesthetics of impropriety that we might imagine and articulate racialized queerness in hip hop differently.
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Chidiac, Maria Teresa Vargas y Leandro Castro Oltramari. "Ser e estar drag queen: um estudo sobre a configuração da identidade queer". Estudos de Psicologia (Natal) 9, n.º 3 (diciembre de 2004): 471–78. http://dx.doi.org/10.1590/s1413-294x2004000300009.
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O principal objetivo deste estudo foi identificar o processo de formação da identidade queer das drag queens do circuito Balneário Camboriú e Florianópolis. Para atingir este propósito, foi investigado como se processa a relação de identificação das drag queens com o gênero feminino e masculino. Abordou-se também de que modo configura-se a relação entre o sujeito e a personagem drag queen, descrevendo a sua visão sobre a própria sexualidade. Estes dados foram obtidos através de pesquisa exploratória com três sujeitos através de entrevistas, sendo o roteiro semidirigido, além de terem sido realizadas visitas em suas moradias e em casas noturnas onde faziam apresentações artísticas. Os entrevistados relataram que a identidade das drags se diferencia de suas identidades pessoais em diversos aspectos. A drag possui características físicas e psicológicas, além de posturas e atitudes, que são próprias da personagem e que a distinguem do sujeito que a compõe. Mas houve relatos com freqüência que existem situações em que personagem e sujeito que a compõe se confundem. Através dos resultados, pode-se identificar como a configuração da identidade está relacionada com a socialização e com as transformações do corpo. Os sujeitos que interpretam as drag queens manifestam esse jogo de identidades, de ambos os gêneros, configurando o que pode se identificar com uma identidade queer.